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Color name
HEX #BF6338

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6338 it is the complementary color #409CC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6338. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6338 shade: #C46333, #D57546, #E68759, #F7996C and #FFAB7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6338. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6338 shade: #BF6338, #AE5125, #9D3F12, #8C2D00 and #7B1B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6338 shade: #BE6237, #BE3E37 and #BE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6338 shade: #BE6237, #BE8637, #BEAB37, #ADBE37 and #88BE37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6338 shade matches the following richer shades: #BE6237, #D25B23 and #E5540F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6338 shade: #BE6237, #AA694B, #96705F, #827872 and #6F7F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6338 shade: #BE3754, #BE3E37, #BE6237, #BE8637 and #BEAA37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6338 shade: #7E4125, #9E512E, #BE6237, #CD7951 and #D69171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6338 shade: #BF6338, #78BE37 and #3742BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6338 shade: #BF6338, #37BE62 and #6237BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6338 shade: #BF6338, #78BE37, #3793BE and #7D37BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6338 shade: #BF6338, #50BE37, #3793BE and #A537BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 71 / 25

HEX #BF6338

RGB 191 99 56

HSL 19.11, 0.55%, 0.48%

LAB 52.16, 33.52, 40.36

 

Complementary color

CMYK 68 / 22 / 0 / 22

HEX #409CC7

RGB 64 156 199

HSL 199.11, 0.55%, 0.52%

LAB 60.77, -13.53, -30.08

 

CMYK 0 / 49 / 74 / 23

HEX #C46333

RGB 196 99 51

HSL 19.86, 0.59%, 0.48%

LAB 52.84, 35.28, 43.87

 

CMYK 0 / 45 / 67 / 16

HEX #D57546

RGB 213 117 70

HSL 19.72, 0.63%, 0.55%

LAB 59.26, 33.66, 41.92

 

CMYK 0 / 41 / 61 / 10

HEX #E68759

RGB 230 135 89

HSL 19.57, 0.74%, 0.63%

LAB 65.65, 32.2, 40.04

 

CMYK 0 / 38 / 56 / 3

HEX #F7996C

RGB 247 153 108

HSL 19.42, 0.9%, 0.7%

LAB 71.99, 30.88, 38.3

 

CMYK 0 / 33 / 50 / 0

HEX #FFAB7F

RGB 255 171 127

HSL 20.63, 1%, 0.75%

LAB 77.23, 26.18, 35.16

 

CMYK 0 / 48 / 71 / 25

HEX #BF6338

RGB 191 99 56

HSL 19.11, 0.55%, 0.48%

LAB 52.16, 33.52, 40.36

 

CMYK 0 / 53 / 79 / 32

HEX #AE5125

RGB 174 81 37

HSL 19.27, 0.65%, 0.41%

LAB 45.66, 35.21, 42.38

 

CMYK 0 / 60 / 89 / 38

HEX #9D3F12

RGB 157 63 18

HSL 19.42, 0.79%, 0.34%

LAB 39.18, 37.01, 44.03

 

CMYK 0 / 68 / 100 / 45

HEX #8C2D00

RGB 140 45 0

HSL 19.29, 1%, 0.27%

LAB 32.81, 38.69, 44.86

 

CMYK 0 / 78 / 100 / 52

HEX #7B1B00

RGB 123 27 0

HSL 13.17, 1%, 0.24%

LAB 26.72, 39.99, 38.73

 

CMYK 0 / 48 / 71 / 25

HEX #BE6237

RGB 190 98 55

HSL 19.11, 0.55%, 0.48%

LAB 51.79, 33.59, 40.43

 

CMYK 0 / 67 / 71 / 25

HEX #BE3E37

RGB 190 62 55

HSL 3.11, 0.55%, 0.48%

LAB 45.18, 50.78, 32.92

 

CMYK 0 / 71 / 71 / 25

HEX #BE3737

RGB 190 55 55

HSL 0, 0.55%, 0.48%

LAB 44.17, 53.54, 31.74

 

CMYK 0 / 48 / 71 / 25

HEX #BE6237

RGB 190 98 55

HSL 19.11, 0.55%, 0.48%

LAB 51.79, 33.59, 40.43

 

CMYK 0 / 29 / 71 / 25

HEX #BE8637

RGB 190 134 55

HSL 35.11, 0.55%, 0.48%

LAB 60.13, 13.96, 49.4

 

CMYK 0 / 10 / 71 / 25

HEX #BEAB37

RGB 190 171 55

HSL 51.56, 0.55%, 0.48%

LAB 69.72, -6.08, 59.15

 

CMYK 9 / 0 / 71 / 25

HEX #ADBE37

RGB 173 190 55

HSL 67.56, 0.55%, 0.48%

LAB 73.54, -23.05, 62.44

 

CMYK 28 / 0 / 71 / 25

HEX #88BE37

RGB 136 190 55

HSL 84, 0.55%, 0.48%

LAB 71.1, -37.85, 59.21

 

CMYK 0 / 48 / 71 / 25

HEX #BE6237

RGB 190 98 55

HSL 19.11, 0.55%, 0.48%

LAB 51.79, 33.59, 40.43

 

CMYK 0 / 57 / 83 / 18

HEX #D25B23

RGB 210 91 35

HSL 19.2, 0.71%, 0.48%

LAB 53.28, 44.14, 52.48

 

CMYK 0 / 63 / 93 / 10

HEX #E5540F

RGB 229 84 15

HSL 19.35, 0.88%, 0.48%

LAB 55.11, 53.82, 62.04

 

CMYK 0 / 48 / 71 / 25

HEX #BE6237

RGB 190 98 55

HSL 19.11, 0.55%, 0.48%

LAB 51.79, 33.59, 40.43

 

CMYK 0 / 38 / 56 / 33

HEX #AA694B

RGB 170 105 75

HSL 18.95, 0.39%, 0.48%

LAB 50.87, 22.89, 27.7

 

CMYK 0 / 25 / 37 / 41

HEX #96705F

RGB 150 112 95

HSL 18.55, 0.22%, 0.48%

LAB 50.57, 12.61, 15.3

 

CMYK 0 / 8 / 12 / 49

HEX #827872

RGB 130 120 114

HSL 22.5, 0.07%, 0.48%

LAB 51.14, 2.73, 4.67

 

CMYK 17 / 5 / 0 / 47

HEX #6F7F86

RGB 111 127 134

HSL 198.26, 0.09%, 0.48%

LAB 52.15, -4.26, -5.77

 

CMYK 0 / 71 / 56 / 25

HEX #BE3754

RGB 190 55 84

HSL 347.11, 0.55%, 0.48%

LAB 44.69, 55.33, 14.77

 

CMYK 0 / 67 / 71 / 25

HEX #BE3E37

RGB 190 62 55

HSL 3.11, 0.55%, 0.48%

LAB 45.18, 50.78, 32.92

 

CMYK 0 / 48 / 71 / 25

HEX #BE6237

RGB 190 98 55

HSL 19.11, 0.55%, 0.48%

LAB 51.79, 33.59, 40.43

 

CMYK 0 / 29 / 71 / 25

HEX #BE8637

RGB 190 134 55

HSL 35.11, 0.55%, 0.48%

LAB 60.13, 13.96, 49.4

 

CMYK 0 / 11 / 71 / 25

HEX #BEAA37

RGB 190 170 55

HSL 51.11, 0.55%, 0.48%

LAB 69.45, -5.55, 58.88

 

CMYK 0 / 48 / 71 / 51

HEX #7E4125

RGB 126 65 37

HSL 18.88, 0.55%, 0.32%

LAB 34.7, 23.85, 28.44

 

CMYK 0 / 49 / 71 / 38

HEX #9E512E

RGB 158 81 46

HSL 18.75, 0.55%, 0.4%

LAB 43.29, 29.09, 34.44

 

CMYK 0 / 48 / 71 / 25

HEX #BE6237

RGB 190 98 55

HSL 19.11, 0.55%, 0.48%

LAB 51.79, 33.59, 40.43

 

CMYK 0 / 41 / 60 / 20

HEX #CD7951

RGB 205 121 81

HSL 19.35, 0.55%, 0.56%

LAB 59.2, 29.03, 35.73

 

CMYK 0 / 32 / 47 / 16

HEX #D69171

RGB 214 145 113

HSL 19.01, 0.55%, 0.64%

LAB 66.32, 22.46, 27.55

 

CMYK 0 / 48 / 71 / 25

HEX #BF6338

RGB 191 99 56

HSL 19.11, 0.55%, 0.48%

LAB 52.16, 33.52, 40.36

 

CMYK 37 / 0 / 71 / 25

HEX #78BE37

RGB 120 190 55

HSL 91.11, 0.55%, 0.48%

LAB 70.24, -43.67, 58.07

 

CMYK 71 / 65 / 0 / 25

HEX #3742BE

RGB 55 66 190

HSL 235.11, 0.55%, 0.48%

LAB 34.86, 37.2, -66.27

 

CMYK 0 / 48 / 71 / 25

HEX #BF6338

RGB 191 99 56

HSL 19.11, 0.55%, 0.48%

LAB 52.16, 33.52, 40.36

 

CMYK 71 / 0 / 48 / 25

HEX #37BE62

RGB 55 190 98

HSL 139.11, 0.55%, 0.48%

LAB 68.4, -55.91, 36.12

 

CMYK 48 / 71 / 0 / 25

HEX #6237BE

RGB 98 55 190

HSL 259.11, 0.55%, 0.48%

LAB 36.07, 49.87, -64.14

 

CMYK 0 / 48 / 71 / 25

HEX #BF6338

RGB 191 99 56

HSL 19.11, 0.55%, 0.48%

LAB 52.16, 33.52, 40.36

 

CMYK 37 / 0 / 71 / 25

HEX #78BE37

RGB 120 190 55

HSL 91.11, 0.55%, 0.48%

LAB 70.24, -43.67, 58.07

 

CMYK 71 / 23 / 0 / 25

HEX #3793BE

RGB 55 147 190

HSL 199.11, 0.55%, 0.48%

LAB 57.46, -12.92, -30.17

 

CMYK 34 / 71 / 0 / 25

HEX #7D37BE

RGB 125 55 190

HSL 271.11, 0.55%, 0.48%

LAB 39.26, 54.77, -58.81

 

CMYK 0 / 48 / 71 / 25

HEX #BF6338

RGB 191 99 56

HSL 19.11, 0.55%, 0.48%

LAB 52.16, 33.52, 40.36

 

CMYK 58 / 0 / 71 / 25

HEX #50BE37

RGB 80 190 55

HSL 108.89, 0.55%, 0.48%

LAB 68.61, -55.81, 55.88

 

CMYK 71 / 23 / 0 / 25

HEX #3793BE

RGB 55 147 190

HSL 199.11, 0.55%, 0.48%

LAB 57.46, -12.92, -30.17

 

CMYK 13 / 71 / 0 / 25

HEX #A537BE

RGB 165 55 190

HSL 288.89, 0.55%, 0.48%

LAB 44.87, 62.94, -49.48

 

Description

Color code: HEX #BF6338 | qconv.com Color code: HEX #BF6338 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 99 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 99 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 71 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 71% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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