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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF6235 it is the complementary color #409DCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF6235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF6235 shade: #C46230, #D57443, #E68656, #F79869 and #FFAA7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF6235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF6235 shade: #BF6235, #AE5022, #9D3E0F, #8C2C00 and #7B1A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF6235 shade: #C06234, #C03C34 and #C03434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF6235 shade: #C06234, #C08734, #C0AD34, #ADC034 and #87C034

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF6235 shade matches the following richer shades: #C06234, #D35B20 and #E7540D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF6235 shade: #C06234, #AC6948, #986F5C, #847670 and #707D83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF6235 shade: #C03452, #C03B34, #C06034, #C08634 and #C0AB34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF6235 shade: #7F4122, #9F512B, #C06234, #CE784F and #D7916F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF6235 shade: #BF6235, #78C034 and #3440C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF6235 shade: #BF6235, #34C060 and #6034C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF6235 shade: #BF6235, #78C034, #3493C0 and #7C34C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF6235 shade: #BF6235, #4EC034, #3493C0 and #A634C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 72 / 25

HEX #BF6235

RGB 191 98 53

HSL 19.57, 0.57%, 0.48%

LAB 51.91, 33.89, 41.65

 

Complementary color

CMYK 68 / 22 / 0 / 21

HEX #409DCA

RGB 64 157 202

HSL 199.57, 0.57%, 0.52%

LAB 61.19, -13.09, -31.11

 

CMYK 0 / 50 / 76 / 23

HEX #C46230

RGB 196 98 48

HSL 20.27, 0.61%, 0.48%

LAB 52.6, 35.66, 45.12

 

CMYK 0 / 46 / 69 / 16

HEX #D57443

RGB 213 116 67

HSL 20.14, 0.63%, 0.55%

LAB 59.01, 34.02, 43.19

 

CMYK 0 / 42 / 63 / 10

HEX #E68656

RGB 230 134 86

HSL 20, 0.74%, 0.62%

LAB 65.39, 32.52, 41.31

 

CMYK 0 / 38 / 57 / 3

HEX #F79869

RGB 247 152 105

HSL 19.86, 0.9%, 0.69%

LAB 71.72, 31.17, 39.56

 

CMYK 0 / 33 / 51 / 0

HEX #FFAA7C

RGB 255 170 124

HSL 21.07, 1%, 0.74%

LAB 76.96, 26.44, 36.39

 

CMYK 0 / 49 / 72 / 25

HEX #BF6235

RGB 191 98 53

HSL 19.57, 0.57%, 0.48%

LAB 51.91, 33.89, 41.65

 

CMYK 0 / 54 / 80 / 32

HEX #AE5022

RGB 174 80 34

HSL 19.71, 0.67%, 0.41%

LAB 45.43, 35.62, 43.6

 

CMYK 0 / 61 / 90 / 38

HEX #9D3E0F

RGB 157 62 15

HSL 19.86, 0.83%, 0.34%

LAB 38.98, 37.43, 45.01

 

CMYK 0 / 69 / 100 / 45

HEX #8C2C00

RGB 140 44 0

HSL 18.86, 1%, 0.27%

LAB 32.65, 39.14, 44.76

 

CMYK 0 / 79 / 100 / 52

HEX #7B1A00

RGB 123 26 0

HSL 12.68, 1%, 0.24%

LAB 26.59, 40.34, 38.62

 

CMYK 0 / 49 / 73 / 25

HEX #C06234

RGB 192 98 52

HSL 19.71, 0.57%, 0.48%

LAB 52.05, 34.24, 42.35

 

CMYK 0 / 69 / 73 / 25

HEX #C03C34

RGB 192 60 52

HSL 3.43, 0.57%, 0.48%

LAB 45.2, 52.12, 34.77

 

CMYK 0 / 73 / 73 / 25

HEX #C03434

RGB 192 52 52

HSL 0, 0.57%, 0.48%

LAB 44.1, 55.13, 33.52

 

CMYK 0 / 49 / 73 / 25

HEX #C06234

RGB 192 98 52

HSL 19.71, 0.57%, 0.48%

LAB 52.05, 34.24, 42.35

 

CMYK 0 / 30 / 73 / 25

HEX #C08734

RGB 192 135 52

HSL 35.57, 0.57%, 0.48%

LAB 60.59, 14.13, 51.29

 

CMYK 0 / 10 / 73 / 25

HEX #C0AD34

RGB 192 173 52

HSL 51.86, 0.57%, 0.48%

LAB 70.41, -6.4, 61.03

 

CMYK 10 / 0 / 73 / 25

HEX #ADC034

RGB 173 192 52

HSL 68.14, 0.57%, 0.48%

LAB 74.08, -24.18, 64.03

 

CMYK 30 / 0 / 73 / 25

HEX #87C034

RGB 135 192 52

HSL 84.43, 0.57%, 0.48%

LAB 71.62, -39.3, 60.79

 

CMYK 0 / 49 / 73 / 25

HEX #C06234

RGB 192 98 52

HSL 19.71, 0.57%, 0.48%

LAB 52.05, 34.24, 42.35

 

CMYK 0 / 57 / 85 / 17

HEX #D35B20

RGB 211 91 32

HSL 19.78, 0.74%, 0.48%

LAB 53.42, 44.44, 53.9

 

CMYK 0 / 64 / 94 / 9

HEX #E7540D

RGB 231 84 13

HSL 19.54, 0.89%, 0.48%

LAB 55.44, 54.5, 62.89

 

CMYK 0 / 49 / 73 / 25

HEX #C06234

RGB 192 98 52

HSL 19.71, 0.57%, 0.48%

LAB 52.05, 34.24, 42.35

 

CMYK 0 / 39 / 58 / 33

HEX #AC6948

RGB 172 105 72

HSL 19.8, 0.41%, 0.48%

LAB 51.08, 23.48, 29.72

 

CMYK 0 / 27 / 39 / 40

HEX #986F5C

RGB 152 111 92

HSL 19, 0.25%, 0.48%

LAB 50.47, 13.65, 16.96

 

CMYK 0 / 11 / 15 / 48

HEX #847670

RGB 132 118 112

HSL 18, 0.08%, 0.48%

LAB 50.72, 4.33, 5.27

 

CMYK 15 / 5 / 0 / 49

HEX #707D83

RGB 112 125 131

HSL 198.95, 0.08%, 0.48%

LAB 51.55, -3.45, -4.89

 

CMYK 0 / 73 / 57 / 25

HEX #C03452

RGB 192 52 82

HSL 347.14, 0.57%, 0.48%

LAB 44.62, 56.87, 15.98

 

CMYK 0 / 69 / 73 / 25

HEX #C03B34

RGB 192 59 52

HSL 3, 0.57%, 0.48%

LAB 45.06, 52.51, 34.61

 

CMYK 0 / 50 / 73 / 25

HEX #C06034

RGB 192 96 52

HSL 18.86, 0.57%, 0.48%

LAB 51.63, 35.29, 41.9

 

CMYK 0 / 30 / 73 / 25

HEX #C08634

RGB 192 134 52

HSL 35.14, 0.57%, 0.48%

LAB 60.34, 14.68, 51.04

 

CMYK 0 / 11 / 73 / 25

HEX #C0AB34

RGB 192 171 52

HSL 51, 0.57%, 0.48%

LAB 69.88, -5.35, 60.51

 

CMYK 0 / 49 / 73 / 50

HEX #7F4122

RGB 127 65 34

HSL 20, 0.58%, 0.32%

LAB 34.82, 24.11, 30.32

 

CMYK 0 / 49 / 73 / 38

HEX #9F512B

RGB 159 81 43

HSL 19.66, 0.57%, 0.4%

LAB 43.4, 29.35, 36.24

 

CMYK 0 / 49 / 73 / 25

HEX #C06234

RGB 192 98 52

HSL 19.71, 0.57%, 0.48%

LAB 52.05, 34.24, 42.35

 

CMYK 0 / 42 / 62 / 19

HEX #CE784F

RGB 206 120 79

HSL 19.37, 0.56%, 0.56%

LAB 59.08, 29.83, 36.7

 

CMYK 0 / 33 / 48 / 16

HEX #D7916F

RGB 215 145 111

HSL 19.62, 0.57%, 0.64%

LAB 66.4, 22.67, 28.77

 

CMYK 0 / 49 / 72 / 25

HEX #BF6235

RGB 191 98 53

HSL 19.57, 0.57%, 0.48%

LAB 51.91, 33.89, 41.65

 

CMYK 38 / 0 / 73 / 25

HEX #78C034

RGB 120 192 52

HSL 90.86, 0.57%, 0.48%

LAB 70.83, -44.71, 59.74

 

CMYK 73 / 67 / 0 / 25

HEX #3440C0

RGB 52 64 192

HSL 234.86, 0.57%, 0.48%

LAB 34.4, 38.8, -68.2

 

CMYK 0 / 49 / 72 / 25

HEX #BF6235

RGB 191 98 53

HSL 19.57, 0.57%, 0.48%

LAB 51.91, 33.89, 41.65

 

CMYK 73 / 0 / 50 / 25

HEX #34C060

RGB 52 192 96

HSL 138.86, 0.57%, 0.48%

LAB 68.95, -57.42, 37.79

 

CMYK 50 / 73 / 0 / 25

HEX #6034C0

RGB 96 52 192

HSL 258.86, 0.57%, 0.48%

LAB 35.5, 51.6, -66.27

 

CMYK 0 / 49 / 72 / 25

HEX #BF6235

RGB 191 98 53

HSL 19.57, 0.57%, 0.48%

LAB 51.91, 33.89, 41.65

 

CMYK 38 / 0 / 73 / 25

HEX #78C034

RGB 120 192 52

HSL 90.86, 0.57%, 0.48%

LAB 70.83, -44.71, 59.74

 

CMYK 73 / 23 / 0 / 25

HEX #3493C0

RGB 52 147 192

HSL 199.29, 0.57%, 0.48%

LAB 57.47, -12.66, -31.3

 

CMYK 35 / 73 / 0 / 25

HEX #7C34C0

RGB 124 52 192

HSL 270.86, 0.57%, 0.48%

LAB 38.81, 56.4, -60.73

 

CMYK 0 / 49 / 72 / 25

HEX #BF6235

RGB 191 98 53

HSL 19.57, 0.57%, 0.48%

LAB 51.91, 33.89, 41.65

 

CMYK 59 / 0 / 73 / 25

HEX #4EC034

RGB 78 192 52

HSL 108.86, 0.57%, 0.48%

LAB 69.16, -57.26, 57.52

 

CMYK 73 / 23 / 0 / 25

HEX #3493C0

RGB 52 147 192

HSL 199.29, 0.57%, 0.48%

LAB 57.47, -12.66, -31.3

 

CMYK 14 / 73 / 0 / 25

HEX #A634C0

RGB 166 52 192

HSL 288.86, 0.57%, 0.48%

LAB 44.76, 64.63, -50.82

 

Description

Color code: HEX #BF6235 | qconv.com Color code: HEX #BF6235 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 98 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 98 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 72 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 72% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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