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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF5E6C it is the complementary color #40A193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF5E6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF5E6C shade: #C45E67, #D5707A, #E6828D, #F794A0 and #FFA6B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF5E6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF5E6C shade: #BF5E6C, #AE4C59, #9D3A46, #8C2833 and #7B1620

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF5E6C shade: #BF5E6C and #BF5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF5E6C shade: #BF5E6C, #BF5E86, #BF5EA0, #BF5EBA and #A95EBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF5E6C shade matches the following richer shades: #BF5E6C, #D14C5F, #E33A52 and #F52845

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF5E6C shade: #BF5E6C, #AC7079, #9A8286, #889593 and #76A7A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF5E6C shade: #BF5EA0, #BF5E86, #BF5E6D, #BF695E and #BF835E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF5E6C shade: #913946, #AE4554, #BF5E6C, #CA7C87 and #D699A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF5E6C shade: #BF5E6C, #BABF5E and #5E93BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF5E6C shade: #BF5E6C, #6DBF5E and #5E6DBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF5E6C shade: #BF5E6C, #BABF5E, #5EBFB0 and #635EBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF5E6C shade: #BF5E6C, #9DBF5E, #5EBFB0 and #805EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 43 / 25

HEX #BF5E6C

RGB 191 94 108

HSL 351.34, 0.43%, 0.56%

LAB 52.02, 40.26, 10.45

 

Complementary color

CMYK 60 / 0 / 9 / 37

HEX #40A193

RGB 64 161 147

HSL 171.34, 0.43%, 0.44%

LAB 60.5, -31.74, -1.18

 

CMYK 0 / 52 / 47 / 23

HEX #C45E67

RGB 196 94 103

HSL 354.71, 0.46%, 0.57%

LAB 52.64, 41.57, 14.39

 

CMYK 0 / 47 / 43 / 16

HEX #D5707A

RGB 213 112 122

HSL 354.06, 0.55%, 0.64%

LAB 59.1, 40.53, 12.64

 

CMYK 0 / 43 / 39 / 10

HEX #E6828D

RGB 230 130 141

HSL 353.4, 0.67%, 0.71%

LAB 65.52, 39.52, 11.14

 

CMYK 0 / 40 / 35 / 3

HEX #F794A0

RGB 247 148 160

HSL 352.73, 0.86%, 0.77%

LAB 71.89, 38.57, 9.81

 

CMYK 0 / 35 / 30 / 0

HEX #FFA6B3

RGB 255 166 179

HSL 351.24, 1%, 0.83%

LAB 77.15, 34.46, 7.01

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6C

RGB 191 94 108

HSL 351.34, 0.43%, 0.56%

LAB 52.02, 40.26, 10.45

 

CMYK 0 / 56 / 49 / 32

HEX #AE4C59

RGB 174 76 89

HSL 352.04, 0.39%, 0.49%

LAB 45.48, 41.26, 12.37

 

CMYK 0 / 63 / 55 / 38

HEX #9D3A46

RGB 157 58 70

HSL 352.73, 0.46%, 0.42%

LAB 38.96, 42.15, 14.73

 

CMYK 0 / 71 / 64 / 45

HEX #8C2833

RGB 140 40 51

HSL 353.4, 0.56%, 0.35%

LAB 32.55, 42.75, 17.75

 

CMYK 0 / 82 / 74 / 52

HEX #7B1620

RGB 123 22 32

HSL 354.06, 0.7%, 0.28%

LAB 26.42, 42.64, 21.71

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6C

RGB 191 94 108

HSL 351.34, 0.43%, 0.56%

LAB 52.02, 40.26, 10.45

 

CMYK 0 / 51 / 51 / 25

HEX #BF5E5E

RGB 191 94 94

HSL 0, 0.43%, 0.56%

LAB 51.71, 38.87, 18.32

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6C

RGB 191 94 108

HSL 351.34, 0.43%, 0.56%

LAB 52.02, 40.26, 10.45

 

CMYK 0 / 51 / 30 / 25

HEX #BF5E86

RGB 191 94 134

HSL 335.26, 0.43%, 0.56%

LAB 52.73, 43.38, -3.96

 

CMYK 0 / 51 / 16 / 25

HEX #BF5EA0

RGB 191 94 160

HSL 319.18, 0.43%, 0.56%

LAB 53.62, 47.14, -17.94

 

CMYK 0 / 51 / 3 / 25

HEX #BF5EBA

RGB 191 94 186

HSL 303.09, 0.43%, 0.56%

LAB 54.69, 51.47, -31.4

 

CMYK 12 / 51 / 0 / 25

HEX #A95EBF

RGB 169 94 191

HSL 286.39, 0.43%, 0.56%

LAB 52.06, 46.17, -38.6

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6C

RGB 191 94 108

HSL 351.34, 0.43%, 0.56%

LAB 52.02, 40.26, 10.45

 

CMYK 0 / 64 / 55 / 18

HEX #D14C5F

RGB 209 76 95

HSL 351.43, 0.59%, 0.56%

LAB 51.33, 53.77, 17.67

 

CMYK 0 / 74 / 64 / 11

HEX #E33A52

RGB 227 58 82

HSL 351.48, 0.75%, 0.56%

LAB 51.8, 65.17, 26.64

 

CMYK 0 / 84 / 72 / 4

HEX #F52845

RGB 245 40 69

HSL 351.51, 0.91%, 0.56%

LAB 53.34, 74.21, 36.95

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6C

RGB 191 94 108

HSL 351.34, 0.43%, 0.56%

LAB 52.02, 40.26, 10.45

 

CMYK 0 / 35 / 30 / 33

HEX #AC7079

RGB 172 112 121

HSL 351, 0.27%, 0.56%

LAB 53.75, 25, 4.89

 

CMYK 0 / 16 / 13 / 40

HEX #9A8286

RGB 154 130 134

HSL 350, 0.11%, 0.56%

LAB 56.64, 9.85, 1.25

 

CMYK 9 / 0 / 1 / 42

HEX #889593

RGB 136 149 147

HSL 170.77, 0.06%, 0.56%

LAB 60.64, -5.06, -0.55

 

CMYK 29 / 0 / 4 / 35

HEX #76A7A0

RGB 118 167 160

HSL 171.43, 0.22%, 0.56%

LAB 64.98, -17.83, -1.64

 

CMYK 0 / 51 / 16 / 25

HEX #BF5EA0

RGB 191 94 160

HSL 319.18, 0.43%, 0.56%

LAB 53.62, 47.14, -17.94

 

CMYK 0 / 51 / 30 / 25

HEX #BF5E86

RGB 191 94 134

HSL 335.26, 0.43%, 0.56%

LAB 52.73, 43.38, -3.96

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6D

RGB 191 94 109

HSL 350.72, 0.43%, 0.56%

LAB 52.05, 40.37, 9.89

 

CMYK 0 / 45 / 51 / 25

HEX #BF695E

RGB 191 105 94

HSL 6.8, 0.43%, 0.56%

LAB 54.01, 33.1, 21.41

 

CMYK 0 / 31 / 51 / 25

HEX #BF835E

RGB 191 131 94

HSL 22.89, 0.43%, 0.56%

LAB 59.99, 18.9, 29.24

 

CMYK 0 / 61 / 52 / 43

HEX #913946

RGB 145 57 70

HSL 351.14, 0.44%, 0.4%

LAB 36.72, 38.35, 11.33

 

CMYK 0 / 60 / 52 / 32

HEX #AE4554

RGB 174 69 84

HSL 351.43, 0.43%, 0.48%

LAB 44.08, 44.18, 13.5

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6C

RGB 191 94 108

HSL 351.34, 0.43%, 0.56%

LAB 52.02, 40.26, 10.45

 

CMYK 0 / 39 / 33 / 21

HEX #CA7C87

RGB 202 124 135

HSL 351.54, 0.42%, 0.64%

LAB 60.53, 31.66, 6.97

 

CMYK 0 / 29 / 24 / 16

HEX #D699A2

RGB 214 153 162

HSL 351.15, 0.43%, 0.72%

LAB 69.25, 24.11, 4.41

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6C

RGB 191 94 108

HSL 351.34, 0.43%, 0.56%

LAB 52.02, 40.26, 10.45

 

CMYK 3 / 0 / 51 / 25

HEX #BABF5E

RGB 186 191 94

HSL 63.09, 0.43%, 0.56%

LAB 75.14, -15.38, 47.79

 

CMYK 51 / 23 / 0 / 25

HEX #5E93BF

RGB 94 147 191

HSL 207.22, 0.43%, 0.56%

LAB 58.98, -5.19, -28.26

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6C

RGB 191 94 108

HSL 351.34, 0.43%, 0.56%

LAB 52.02, 40.26, 10.45

 

CMYK 43 / 0 / 51 / 25

HEX #6DBF5E

RGB 109 191 94

HSL 110.72, 0.43%, 0.56%

LAB 70.4, -43.9, 40.97

 

CMYK 51 / 43 / 0 / 25

HEX #5E6DBF

RGB 94 109 191

HSL 230.72, 0.43%, 0.56%

LAB 48.36, 17.43, -44.92

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6C

RGB 191 94 108

HSL 351.34, 0.43%, 0.56%

LAB 52.02, 40.26, 10.45

 

CMYK 3 / 0 / 51 / 25

HEX #BABF5E

RGB 186 191 94

HSL 63.09, 0.43%, 0.56%

LAB 75.14, -15.38, 47.79

 

CMYK 51 / 0 / 8 / 25

HEX #5EBFB0

RGB 94 191 176

HSL 170.72, 0.43%, 0.56%

LAB 71.4, -32.25, -1.2

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 0 / 51 / 43 / 25

HEX #BF5E6C

RGB 191 94 108

HSL 351.34, 0.43%, 0.56%

LAB 52.02, 40.26, 10.45

 

CMYK 18 / 0 / 51 / 25

HEX #9DBF5E

RGB 157 191 94

HSL 81.03, 0.43%, 0.56%

LAB 73.05, -26.97, 44.79

 

CMYK 51 / 0 / 8 / 25

HEX #5EBFB0

RGB 94 191 176

HSL 170.72, 0.43%, 0.56%

LAB 71.4, -32.25, -1.2

 

CMYK 33 / 51 / 0 / 25

HEX #805EBF

RGB 128 94 191

HSL 261.03, 0.43%, 0.56%

LAB 47.44, 34.98, -46.22

 

Description

Color code: HEX #BF5E6C | qconv.com Color code: HEX #BF5E6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 94 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 94 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 43 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 43% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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