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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF5E12 it is the complementary color #40A1ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF5E12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF5E12 shade: #C45E0D, #D57020, #E68233, #F79446 and #FFA659

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF5E12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF5E12 shade: #BF5E12, #AE4C00, #9D3A00, #8C2800 and #7B1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF5E12 shade: #BF5E11, #BF2F11 and #BF1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF5E12 shade: #BF5E11, #BF8C11, #BFBB11, #94BF11 and #65BF11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF5E12 shade matches the following richer shades: #BF5E11 and #D05B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF5E12 shade: #BF5E11, #AE6022, #9D6233, #8C6444 and #7B6655

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF5E12 shade: #BF1123, #BF2E11, #BF5C11, #BF8B11 and #BFB911

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF5E12 shade: #73380A, #994B0E, #BF5E11, #E57015 and #EC8637

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF5E12 shade: #BF5E12, #51BF11 and #1711BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF5E12 shade: #BF5E12, #11BF5C and #5C11BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF5E12 shade: #BF5E12, #51BF11, #1174BF and #7F11BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF5E12 shade: #BF5E12, #1DBF11, #1174BF and #B311BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 91 / 25

HEX #BF5E12

RGB 191 94 18

HSL 26.36, 0.83%, 0.41%

LAB 50.83, 34.82, 55.4

 

Complementary color

CMYK 73 / 32 / 0 / 7

HEX #40A1ED

RGB 64 161 237

HSL 206.36, 0.83%, 0.59%

LAB 63.91, -3.47, -46.26

 

CMYK 0 / 52 / 93 / 23

HEX #C45E0D

RGB 196 94 13

HSL 26.56, 0.88%, 0.41%

LAB 51.58, 36.76, 57.6

 

CMYK 0 / 47 / 85 / 16

HEX #D57020

RGB 213 112 32

HSL 26.52, 0.74%, 0.48%

LAB 57.88, 34.71, 57.79

 

CMYK 0 / 43 / 78 / 10

HEX #E68233

RGB 230 130 51

HSL 26.48, 0.78%, 0.55%

LAB 64.18, 32.83, 56.87

 

CMYK 0 / 40 / 72 / 3

HEX #F79446

RGB 247 148 70

HSL 26.44, 0.92%, 0.62%

LAB 70.45, 31.13, 55.5

 

CMYK 0 / 35 / 65 / 0

HEX #FFA659

RGB 255 166 89

HSL 27.83, 1%, 0.67%

LAB 75.61, 25.99, 52.47

 

CMYK 0 / 51 / 91 / 25

HEX #BF5E12

RGB 191 94 18

HSL 26.36, 0.83%, 0.41%

LAB 50.83, 34.82, 55.4

 

CMYK 0 / 56 / 100 / 32

HEX #AE4C00

RGB 174 76 0

HSL 26.21, 1%, 0.34%

LAB 44.47, 36.94, 54.49

 

CMYK 0 / 63 / 100 / 38

HEX #9D3A00

RGB 157 58 0

HSL 22.17, 1%, 0.31%

LAB 38.19, 39.11, 49.48

 

CMYK 0 / 71 / 100 / 45

HEX #8C2800

RGB 140 40 0

HSL 17.14, 1%, 0.27%

LAB 32.02, 40.86, 44.35

 

CMYK 0 / 82 / 100 / 52

HEX #7B1600

RGB 123 22 0

HSL 10.73, 1%, 0.24%

LAB 26.11, 41.68, 38.19

 

CMYK 0 / 51 / 91 / 25

HEX #BF5E11

RGB 191 94 17

HSL 26.55, 0.84%, 0.41%

LAB 50.83, 34.8, 55.69

 

CMYK 0 / 75 / 91 / 25

HEX #BF2F11

RGB 191 47 17

HSL 10.34, 0.84%, 0.41%

LAB 42.99, 55.52, 50.04

 

CMYK 0 / 91 / 91 / 25

HEX #BF1111

RGB 191 17 17

HSL 0, 0.84%, 0.41%

LAB 40.44, 62.73, 48.27

 

CMYK 0 / 51 / 91 / 25

HEX #BF5E11

RGB 191 94 17

HSL 26.55, 0.84%, 0.41%

LAB 50.83, 34.8, 55.69

 

CMYK 0 / 27 / 91 / 25

HEX #BF8C11

RGB 191 140 17

HSL 42.41, 0.84%, 0.41%

LAB 61.54, 9.8, 63.72

 

CMYK 0 / 2 / 91 / 25

HEX #BFBB11

RGB 191 187 17

HSL 58.62, 0.84%, 0.41%

LAB 73.97, -15.13, 73.28

 

CMYK 23 / 0 / 91 / 25

HEX #94BF11

RGB 148 191 17

HSL 74.83, 0.84%, 0.41%

LAB 71.96, -35.16, 70.35

 

CMYK 47 / 0 / 91 / 25

HEX #65BF11

RGB 101 191 17

HSL 91.03, 0.84%, 0.41%

LAB 69.52, -52.15, 67.35

 

CMYK 0 / 51 / 91 / 25

HEX #BF5E11

RGB 191 94 17

HSL 26.55, 0.84%, 0.41%

LAB 50.83, 34.8, 55.69

 

CMYK 0 / 56 / 100 / 18

HEX #D05B00

RGB 208 91 0

HSL 26.25, 1%, 0.41%

LAB 52.83, 42.81, 62.1

 

CMYK 0 / 51 / 91 / 25

HEX #BF5E11

RGB 191 94 17

HSL 26.55, 0.84%, 0.41%

LAB 50.83, 34.8, 55.69

 

CMYK 0 / 45 / 80 / 32

HEX #AE6022

RGB 174 96 34

HSL 26.57, 0.67%, 0.41%

LAB 48.86, 27.09, 46.86

 

CMYK 0 / 38 / 68 / 38

HEX #9D6233

RGB 157 98 51

HSL 26.6, 0.51%, 0.41%

LAB 47.16, 19.44, 36.09

 

CMYK 0 / 29 / 51 / 45

HEX #8C6444

RGB 140 100 68

HSL 26.67, 0.35%, 0.41%

LAB 45.78, 12.15, 24.46

 

CMYK 0 / 17 / 31 / 52

HEX #7B6655

RGB 123 102 85

HSL 26.84, 0.18%, 0.41%

LAB 44.76, 5.64, 12.75

 

CMYK 0 / 91 / 82 / 25

HEX #BF1123

RGB 191 17 35

HSL 353.79, 0.84%, 0.41%

LAB 40.57, 63.11, 39.43

 

CMYK 0 / 76 / 91 / 25

HEX #BF2E11

RGB 191 46 17

HSL 10, 0.84%, 0.41%

LAB 42.87, 55.85, 49.95

 

CMYK 0 / 52 / 91 / 25

HEX #BF5C11

RGB 191 92 17

HSL 25.86, 0.84%, 0.41%

LAB 50.42, 35.83, 55.38

 

CMYK 0 / 27 / 91 / 25

HEX #BF8B11

RGB 191 139 17

HSL 42.07, 0.84%, 0.41%

LAB 61.29, 10.35, 63.53

 

CMYK 0 / 3 / 91 / 25

HEX #BFB911

RGB 191 185 17

HSL 57.93, 0.84%, 0.41%

LAB 73.43, -14.11, 72.85

 

CMYK 0 / 51 / 91 / 55

HEX #73380A

RGB 115 56 10

HSL 26.29, 0.84%, 0.25%

LAB 30.63, 22.95, 37.28

 

CMYK 0 / 51 / 91 / 40

HEX #994B0E

RGB 153 75 14

HSL 26.33, 0.83%, 0.33%

LAB 40.95, 29.03, 46.59

 

CMYK 0 / 51 / 91 / 25

HEX #BF5E11

RGB 191 94 17

HSL 26.55, 0.84%, 0.41%

LAB 50.83, 34.8, 55.69

 

CMYK 0 / 51 / 91 / 10

HEX #E57015

RGB 229 112 21

HSL 26.25, 0.83%, 0.49%

LAB 60.16, 40.85, 63.97

 

CMYK 0 / 43 / 77 / 7

HEX #EC8637

RGB 236 134 55

HSL 26.19, 0.83%, 0.57%

LAB 65.87, 33.33, 57.07

 

CMYK 0 / 51 / 91 / 25

HEX #BF5E12

RGB 191 94 18

HSL 26.36, 0.83%, 0.41%

LAB 50.83, 34.82, 55.4

 

CMYK 58 / 0 / 91 / 25

HEX #51BF11

RGB 81 191 17

HSL 97.93, 0.84%, 0.41%

LAB 68.79, -57.89, 66.44

 

CMYK 88 / 91 / 0 / 25

HEX #1711BF

RGB 23 17 191

HSL 242.07, 0.84%, 0.41%

LAB 24.78, 59.94, -83.58

 

CMYK 0 / 51 / 91 / 25

HEX #BF5E12

RGB 191 94 18

HSL 26.36, 0.83%, 0.41%

LAB 50.83, 34.82, 55.4

 

CMYK 91 / 0 / 52 / 25

HEX #11BF5C

RGB 17 191 92

HSL 145.86, 0.84%, 0.41%

LAB 68.13, -61.37, 38.66

 

CMYK 52 / 91 / 0 / 25

HEX #5C11BF

RGB 92 17 191

HSL 265.86, 0.84%, 0.41%

LAB 30.49, 63.78, -73.93

 

CMYK 0 / 51 / 91 / 25

HEX #BF5E12

RGB 191 94 18

HSL 26.36, 0.83%, 0.41%

LAB 50.83, 34.82, 55.4

 

CMYK 58 / 0 / 91 / 25

HEX #51BF11

RGB 81 191 17

HSL 97.93, 0.84%, 0.41%

LAB 68.79, -57.89, 66.44

 

CMYK 91 / 39 / 0 / 25

HEX #1174BF

RGB 17 116 191

HSL 205.86, 0.84%, 0.41%

LAB 47.46, 1.86, -46.53

 

CMYK 34 / 91 / 0 / 25

HEX #7F11BF

RGB 127 17 191

HSL 277.93, 0.84%, 0.41%

LAB 35.35, 67.68, -65.76

 

CMYK 0 / 51 / 91 / 25

HEX #BF5E12

RGB 191 94 18

HSL 26.36, 0.83%, 0.41%

LAB 50.83, 34.82, 55.4

 

CMYK 85 / 0 / 91 / 25

HEX #1DBF11

RGB 29 191 17

HSL 115.86, 0.84%, 0.41%

LAB 67.7, -67.19, 65.09

 

CMYK 91 / 39 / 0 / 25

HEX #1174BF

RGB 17 116 191

HSL 205.86, 0.84%, 0.41%

LAB 47.46, 1.86, -46.53

 

CMYK 6 / 91 / 0 / 25

HEX #B311BF

RGB 179 17 191

HSL 295.86, 0.84%, 0.41%

LAB 43.87, 75.42, -51.55

 

Description

Color code: HEX #BF5E12 | qconv.com Color code: HEX #BF5E12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 94 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 94 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 91 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 91% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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