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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF5BEC it is the complementary color #40A413. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF5BEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF5BEC shade: #C45BE7, #D56DFA, #E67FFF, #F791FF and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF5BEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF5BEC shade: #BF5BEC, #AE49D9, #9D37C6, #8C25B3 and #7B13A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF5BEC shade: #BF5BEC, #E65BEC, #EC5BCB, #EC5BA3 and #EC5B7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF5BEC shade: #BF5BEC, #985BEC, #705BEC and #5B5BEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF5BEC shade matches the following richer shades: #BF5BEC and #C44CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF5BEC shade: #BF5BEC, #B96ADD, #B378CE, #AE87BF and #A896B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF5BEC shade: #705BEC, #975BEC, #BE5BEC, #E45BEC and #EC5BCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF5BEC shade: #9E1ADA, #B036E7, #BF5BEC, #CD80F0 and #DCA5F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF5BEC shade: #BF5BEC, #EC5B6C and #5BEC84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF5BEC shade: #BF5BEC, #ECBE5B and #5BECBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF5BEC shade: #BF5BEC, #EC5B6C, #89EC5B and #5BECDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF5BEC shade: #BF5BEC, #EC755B, #89EC5B and #5BD1EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 61 / 0 / 7

HEX #BF5BEC

RGB 191 91 236

HSL 281.38, 0.79%, 0.64%

LAB 56.7, 62.48, -56.61

 

Complementary color

CMYK 61 / 0 / 88 / 36

HEX #40A413

RGB 64 164 19

HSL 101.38, 0.79%, 0.36%

LAB 59.61, -52.67, 58.06

 

CMYK 15 / 61 / 0 / 9

HEX #C45BE7

RGB 196 91 231

HSL 285, 0.74%, 0.63%

LAB 57.06, 62.65, -53.19

 

CMYK 15 / 56 / 0 / 2

HEX #D56DFA

RGB 213 109 250

HSL 284.26, 0.93%, 0.7%

LAB 63.33, 62.13, -53.64

 

CMYK 10 / 50 / 0 / 0

HEX #E67FFF

RGB 230 127 255

HSL 288.28, 1%, 0.75%

LAB 68.91, 58.76, -47.43

 

CMYK 3 / 43 / 0 / 0

HEX #F791FF

RGB 247 145 255

HSL 295.64, 1%, 0.78%

LAB 74.35, 54.53, -38.78

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 19 / 61 / 0 / 7

HEX #BF5BEC

RGB 191 91 236

HSL 281.38, 0.79%, 0.64%

LAB 56.7, 62.48, -56.61

 

CMYK 20 / 66 / 0 / 15

HEX #AE49D9

RGB 174 73 217

HSL 282.08, 0.65%, 0.57%

LAB 50.42, 62.85, -56.07

 

CMYK 21 / 72 / 0 / 22

HEX #9D37C6

RGB 157 55 198

HSL 282.8, 0.57%, 0.5%

LAB 44.2, 62.84, -55.28

 

CMYK 22 / 79 / 0 / 30

HEX #8C25B3

RGB 140 37 179

HSL 283.52, 0.66%, 0.42%

LAB 38.12, 62.21, -54.08

 

CMYK 23 / 88 / 0 / 37

HEX #7B13A0

RGB 123 19 160

HSL 284.26, 0.79%, 0.35%

LAB 32.29, 60.52, -52.26

 

CMYK 19 / 61 / 0 / 7

HEX #BF5BEC

RGB 191 91 236

HSL 281.38, 0.79%, 0.64%

LAB 56.7, 62.48, -56.61

 

CMYK 3 / 61 / 0 / 7

HEX #E65BEC

RGB 230 91 236

HSL 297.52, 0.79%, 0.64%

LAB 61.96, 71.61, -47.91

 

CMYK 0 / 61 / 14 / 7

HEX #EC5BCB

RGB 236 91 203

HSL 313.66, 0.79%, 0.64%

LAB 61.33, 67.9, -30.3

 

CMYK 0 / 61 / 31 / 7

HEX #EC5BA3

RGB 236 91 163

HSL 330.21, 0.79%, 0.64%

LAB 59.85, 62.59, -9.63

 

CMYK 0 / 61 / 47 / 7

HEX #EC5B7C

RGB 236 91 124

HSL 346.34, 0.79%, 0.64%

LAB 58.76, 58.51, 11.5

 

CMYK 19 / 61 / 0 / 7

HEX #BF5BEC

RGB 191 91 236

HSL 281.38, 0.79%, 0.64%

LAB 56.7, 62.48, -56.61

 

CMYK 36 / 61 / 0 / 7

HEX #985BEC

RGB 152 91 236

HSL 265.24, 0.79%, 0.64%

LAB 52.08, 53.78, -64.28

 

CMYK 53 / 61 / 0 / 7

HEX #705BEC

RGB 112 91 236

HSL 248.69, 0.79%, 0.64%

LAB 48.24, 45.86, -70.68

 

CMYK 61 / 61 / 0 / 7

HEX #5B5BEC

RGB 91 91 236

HSL 240, 0.79%, 0.64%

LAB 46.66, 42.37, -73.31

 

CMYK 19 / 61 / 0 / 7

HEX #BF5BEC

RGB 191 91 236

HSL 281.38, 0.79%, 0.64%

LAB 56.7, 62.48, -56.61

 

CMYK 22 / 70 / 0 / 2

HEX #C44CFB

RGB 196 76 251

HSL 281.14, 0.96%, 0.64%

LAB 55.96, 72.97, -66.12

 

CMYK 19 / 61 / 0 / 7

HEX #BF5BEC

RGB 191 91 236

HSL 281.38, 0.79%, 0.64%

LAB 56.7, 62.48, -56.61

 

CMYK 16 / 52 / 0 / 13

HEX #B96ADD

RGB 185 106 221

HSL 281.22, 0.63%, 0.64%

LAB 57.89, 50.55, -46.35

 

CMYK 13 / 42 / 0 / 19

HEX #B378CE

RGB 179 120 206

HSL 281.16, 0.47%, 0.64%

LAB 59.41, 38.22, -35.55

 

CMYK 9 / 29 / 0 / 25

HEX #AE87BF

RGB 174 135 191

HSL 281.79, 0.3%, 0.64%

LAB 61.73, 25.12, -23.53

 

CMYK 5 / 15 / 0 / 31

HEX #A896B0

RGB 168 150 176

HSL 281.54, 0.14%, 0.64%

LAB 64.38, 11.54, -11.11

 

CMYK 53 / 61 / 0 / 7

HEX #705BEC

RGB 112 91 236

HSL 248.69, 0.79%, 0.64%

LAB 48.24, 45.86, -70.68

 

CMYK 36 / 61 / 0 / 7

HEX #975BEC

RGB 151 91 236

HSL 264.83, 0.79%, 0.64%

LAB 51.97, 53.57, -64.46

 

CMYK 19 / 61 / 0 / 7

HEX #BE5BEC

RGB 190 91 236

HSL 280.97, 0.79%, 0.64%

LAB 56.57, 62.25, -56.82

 

CMYK 3 / 61 / 0 / 7

HEX #E45BEC

RGB 228 91 236

HSL 296.69, 0.79%, 0.64%

LAB 61.68, 71.14, -48.38

 

CMYK 0 / 61 / 14 / 7

HEX #EC5BCC

RGB 236 91 204

HSL 313.24, 0.79%, 0.64%

LAB 61.37, 68.05, -30.8

 

CMYK 28 / 88 / 0 / 15

HEX #9E1ADA

RGB 158 26 218

HSL 281.25, 0.79%, 0.48%

LAB 42.87, 75.45, -68.97

 

CMYK 24 / 77 / 0 / 9

HEX #B036E7

RGB 176 54 231

HSL 281.36, 0.79%, 0.56%

LAB 49.05, 73.3, -66.2

 

CMYK 19 / 61 / 0 / 7

HEX #BF5BEC

RGB 191 91 236

HSL 281.38, 0.79%, 0.64%

LAB 56.7, 62.48, -56.61

 

CMYK 15 / 47 / 0 / 6

HEX #CD80F0

RGB 205 128 240

HSL 281.25, 0.79%, 0.72%

LAB 65.52, 48.51, -44.73

 

CMYK 10 / 32 / 0 / 4

HEX #DCA5F4

RGB 220 165 244

HSL 281.77, 0.78%, 0.8%

LAB 75.24, 33.98, -31.67

 

CMYK 19 / 61 / 0 / 7

HEX #BF5BEC

RGB 191 91 236

HSL 281.38, 0.79%, 0.64%

LAB 56.7, 62.48, -56.61

 

CMYK 0 / 61 / 54 / 7

HEX #EC5B6C

RGB 236 91 108

HSL 352.97, 0.79%, 0.64%

LAB 58.41, 57.17, 20.35

 

CMYK 61 / 0 / 44 / 7

HEX #5BEC84

RGB 91 236 132

HSL 136.97, 0.79%, 0.64%

LAB 83.9, -60.75, 39.09

 

CMYK 19 / 61 / 0 / 7

HEX #BF5BEC

RGB 191 91 236

HSL 281.38, 0.79%, 0.64%

LAB 56.7, 62.48, -56.61

 

CMYK 0 / 19 / 61 / 7

HEX #ECBE5B

RGB 236 190 91

HSL 40.97, 0.79%, 0.64%

LAB 79.28, 5.7, 55.12

 

CMYK 61 / 0 / 19 / 7

HEX #5BECBE

RGB 91 236 190

HSL 160.97, 0.79%, 0.64%

LAB 84.96, -49.56, 10.89

 

CMYK 19 / 61 / 0 / 7

HEX #BF5BEC

RGB 191 91 236

HSL 281.38, 0.79%, 0.64%

LAB 56.7, 62.48, -56.61

 

CMYK 0 / 61 / 54 / 7

HEX #EC5B6C

RGB 236 91 108

HSL 352.97, 0.79%, 0.64%

LAB 58.41, 57.17, 20.35

 

CMYK 42 / 0 / 61 / 7

HEX #89EC5B

RGB 137 236 91

HSL 100.97, 0.79%, 0.64%

LAB 85.03, -54.03, 59.7

 

CMYK 61 / 0 / 7 / 7

HEX #5BECDB

RGB 91 236 219

HSL 172.97, 0.79%, 0.64%

LAB 85.67, -42.58, -3.3

 

CMYK 19 / 61 / 0 / 7

HEX #BF5BEC

RGB 191 91 236

HSL 281.38, 0.79%, 0.64%

LAB 56.7, 62.48, -56.61

 

CMYK 0 / 50 / 61 / 7

HEX #EC755B

RGB 236 117 91

HSL 10.76, 0.79%, 0.64%

LAB 62.77, 43.84, 35.63

 

CMYK 42 / 0 / 61 / 7

HEX #89EC5B

RGB 137 236 91

HSL 100.97, 0.79%, 0.64%

LAB 85.03, -54.03, 59.7

 

CMYK 61 / 11 / 0 / 7

HEX #5BD1EC

RGB 91 209 236

HSL 191.17, 0.79%, 0.64%

LAB 78.39, -25.26, -23.22

 

Description

Color code: HEX #BF5BEC | qconv.com Color code: HEX #BF5BEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 91 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 91 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 61 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 61% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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