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Color name
HEX #BF5077

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF5077 it is the complementary color #40AF88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF5077. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF5077 shade: #C45072, #D56285, #E67498, #F786AB and #FF98BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF5077. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF5077 shade: #BF5077, #AE3E64, #9D2C51, #8C1A3E and #7B082B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF5077 shade: #BE5077, #BE5059 and #BE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF5077 shade: #BE5077, #BE5094, #BE50B2, #AD50BE and #8F50BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF5077 shade matches the following richer shades: #BE5077, #D23D71, #E5296B and #F81665

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF5077 shade: #BE5077, #AB637D, #977782, #848A88 and #719E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF5077 shade: #BE50B3, #BE5096, #BE5078, #BE505B and #BE6250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF5077 shade: #893351, #A73E63, #BE5077, #C96E8E and #D58CA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF5077 shade: #BF5077, #BEAC50 and #50A5BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF5077 shade: #BF5077, #78BE50 and #5078BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF5077 shade: #BF5077, #BEAC50, #50BE96 and #5062BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF5077 shade: #BF5077, #B0BE50, #50BE96 and #5F50BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 38 / 25

HEX #BF5077

RGB 191 80 119

HSL 338.92, 0.46%, 0.53%

LAB 49.67, 48.37, 0.5

 

Complementary color

CMYK 63 / 0 / 22 / 31

HEX #40AF88

RGB 64 175 136

HSL 158.92, 0.46%, 0.47%

LAB 64.59, -40.88, 10.84

 

CMYK 0 / 59 / 42 / 23

HEX #C45072

RGB 196 80 114

HSL 342.41, 0.5%, 0.54%

LAB 50.32, 49.47, 4.55

 

CMYK 0 / 54 / 38 / 16

HEX #D56285

RGB 213 98 133

HSL 341.74, 0.58%, 0.61%

LAB 56.66, 48.72, 2.75

 

CMYK 0 / 50 / 34 / 10

HEX #E67498

RGB 230 116 152

HSL 341.05, 0.7%, 0.68%

LAB 62.99, 47.89, 1.24

 

CMYK 0 / 46 / 31 / 3

HEX #F786AB

RGB 247 134 171

HSL 340.35, 0.88%, 0.75%

LAB 69.3, 47.03, -0.05

 

CMYK 0 / 40 / 25 / 0

HEX #FF98BE

RGB 255 152 190

HSL 337.86, 1%, 0.8%

LAB 74.47, 43.13, -2.93

 

CMYK 0 / 58 / 38 / 25

HEX #BF5077

RGB 191 80 119

HSL 338.92, 0.46%, 0.53%

LAB 49.67, 48.37, 0.5

 

CMYK 0 / 64 / 43 / 32

HEX #AE3E64

RGB 174 62 100

HSL 339.64, 0.47%, 0.46%

LAB 43.31, 48.92, 2.51

 

CMYK 0 / 72 / 48 / 38

HEX #9D2C51

RGB 157 44 81

HSL 340.35, 0.56%, 0.39%

LAB 37.05, 49.09, 5.08

 

CMYK 0 / 81 / 56 / 45

HEX #8C1A3E

RGB 140 26 62

HSL 341.05, 0.69%, 0.33%

LAB 31.02, 48.52, 8.48

 

CMYK 0 / 93 / 65 / 52

HEX #7B082B

RGB 123 8 43

HSL 341.74, 0.88%, 0.26%

LAB 25.44, 46.64, 13.07

 

CMYK 0 / 58 / 37 / 25

HEX #BE5077

RGB 190 80 119

HSL 338.73, 0.46%, 0.53%

LAB 49.52, 48.04, 0.25

 

CMYK 0 / 58 / 53 / 25

HEX #BE5059

RGB 190 80 89

HSL 355.09, 0.46%, 0.53%

LAB 48.77, 45.02, 17.28

 

CMYK 0 / 58 / 58 / 25

HEX #BE5050

RGB 190 80 80

HSL 0, 0.46%, 0.53%

LAB 48.59, 44.29, 22.42

 

CMYK 0 / 58 / 37 / 25

HEX #BE5077

RGB 190 80 119

HSL 338.73, 0.46%, 0.53%

LAB 49.52, 48.04, 0.25

 

CMYK 0 / 58 / 22 / 25

HEX #BE5094

RGB 190 80 148

HSL 322.91, 0.46%, 0.53%

LAB 50.48, 51.79, -15.66

 

CMYK 0 / 58 / 6 / 25

HEX #BE50B2

RGB 190 80 178

HSL 306.55, 0.46%, 0.53%

LAB 51.72, 56.43, -31.4

 

CMYK 9 / 58 / 0 / 25

HEX #AD50BE

RGB 173 80 190

HSL 290.73, 0.46%, 0.53%

LAB 49.91, 54.06, -41.39

 

CMYK 25 / 58 / 0 / 25

HEX #8F50BE

RGB 143 80 190

HSL 274.36, 0.46%, 0.53%

LAB 46.04, 46.38, -47.78

 

CMYK 0 / 58 / 37 / 25

HEX #BE5077

RGB 190 80 119

HSL 338.73, 0.46%, 0.53%

LAB 49.52, 48.04, 0.25

 

CMYK 0 / 71 / 46 / 18

HEX #D23D71

RGB 210 61 113

HSL 339.06, 0.62%, 0.53%

LAB 49.78, 61.5, 4.67

 

CMYK 0 / 82 / 53 / 10

HEX #E5296B

RGB 229 41 107

HSL 338.94, 0.78%, 0.53%

LAB 51.04, 71.98, 10.6

 

CMYK 0 / 91 / 59 / 3

HEX #F81665

RGB 248 22 101

HSL 339.03, 0.94%, 0.53%

LAB 53.46, 79.46, 18.15

 

CMYK 0 / 58 / 37 / 25

HEX #BE5077

RGB 190 80 119

HSL 338.73, 0.46%, 0.53%

LAB 49.52, 48.04, 0.25

 

CMYK 0 / 42 / 27 / 33

HEX #AB637D

RGB 171 99 125

HSL 338.33, 0.3%, 0.53%

LAB 50.76, 32.42, -1.84

 

CMYK 0 / 21 / 14 / 41

HEX #977782

RGB 151 119 130

HSL 339.38, 0.13%, 0.53%

LAB 53.37, 14.32, -1.24

 

CMYK 4 / 0 / 1 / 46

HEX #848A88

RGB 132 138 136

HSL 160, 0.02%, 0.53%

LAB 56.94, -2.6, 0.3

 

CMYK 28 / 0 / 10 / 38

HEX #719E8E

RGB 113 158 142

HSL 158.67, 0.19%, 0.53%

LAB 61.58, -18.73, 3.47

 

CMYK 0 / 58 / 6 / 25

HEX #BE50B3

RGB 190 80 179

HSL 306, 0.46%, 0.53%

LAB 51.77, 56.6, -31.91

 

CMYK 0 / 58 / 21 / 25

HEX #BE5096

RGB 190 80 150

HSL 321.82, 0.46%, 0.53%

LAB 50.55, 52.08, -16.74

 

CMYK 0 / 58 / 37 / 25

HEX #BE5078

RGB 190 80 120

HSL 338.18, 0.46%, 0.53%

LAB 49.55, 48.15, -0.3

 

CMYK 0 / 58 / 52 / 25

HEX #BE505B

RGB 190 80 91

HSL 354, 0.46%, 0.53%

LAB 48.81, 45.19, 16.13

 

CMYK 0 / 48 / 58 / 25

HEX #BE6250

RGB 190 98 80

HSL 9.82, 0.46%, 0.53%

LAB 52.13, 35.22, 27.01

 

CMYK 0 / 63 / 41 / 46

HEX #893351

RGB 137 51 81

HSL 339.07, 0.46%, 0.37%

LAB 34.56, 39.59, 1.03

 

CMYK 0 / 63 / 41 / 35

HEX #A73E63

RGB 167 62 99

HSL 338.86, 0.46%, 0.45%

LAB 42.1, 46.54, 1.23

 

CMYK 0 / 58 / 37 / 25

HEX #BE5077

RGB 190 80 119

HSL 338.73, 0.46%, 0.53%

LAB 49.52, 48.04, 0.25

 

CMYK 0 / 45 / 29 / 21

HEX #C96E8E

RGB 201 110 142

HSL 338.9, 0.46%, 0.61%

LAB 57.58, 39.67, -1.37

 

CMYK 0 / 34 / 22 / 16

HEX #D58CA6

RGB 213 140 166

HSL 338.63, 0.46%, 0.69%

LAB 66.26, 31.36, -2.2

 

CMYK 0 / 58 / 38 / 25

HEX #BF5077

RGB 191 80 119

HSL 338.92, 0.46%, 0.53%

LAB 49.67, 48.37, 0.5

 

CMYK 0 / 9 / 58 / 25

HEX #BEAC50

RGB 190 172 80

HSL 50.18, 0.46%, 0.53%

LAB 70.2, -5.03, 48.8

 

CMYK 58 / 13 / 0 / 25

HEX #50A5BE

RGB 80 165 190

HSL 193.64, 0.46%, 0.53%

LAB 63.62, -18.36, -20.63

 

CMYK 0 / 58 / 38 / 25

HEX #BF5077

RGB 191 80 119

HSL 338.92, 0.46%, 0.53%

LAB 49.67, 48.37, 0.5

 

CMYK 37 / 0 / 58 / 25

HEX #78BE50

RGB 120 190 80

HSL 98.18, 0.46%, 0.53%

LAB 70.45, -41.52, 47.81

 

CMYK 58 / 37 / 0 / 25

HEX #5078BE

RGB 80 120 190

HSL 218.18, 0.46%, 0.53%

LAB 50.52, 7.26, -40.98

 

CMYK 0 / 58 / 38 / 25

HEX #BF5077

RGB 191 80 119

HSL 338.92, 0.46%, 0.53%

LAB 49.67, 48.37, 0.5

 

CMYK 0 / 9 / 58 / 25

HEX #BEAC50

RGB 190 172 80

HSL 50.18, 0.46%, 0.53%

LAB 70.2, -5.03, 48.8

 

CMYK 58 / 0 / 21 / 25

HEX #50BE96

RGB 80 190 150

HSL 158.18, 0.46%, 0.53%

LAB 69.99, -41.04, 10.89

 

CMYK 58 / 48 / 0 / 25

HEX #5062BE

RGB 80 98 190

HSL 230.18, 0.46%, 0.53%

LAB 44.46, 20.95, -50.63

 

CMYK 0 / 58 / 38 / 25

HEX #BF5077

RGB 191 80 119

HSL 338.92, 0.46%, 0.53%

LAB 49.67, 48.37, 0.5

 

CMYK 7 / 0 / 58 / 25

HEX #B0BE50

RGB 176 190 80

HSL 67.64, 0.46%, 0.53%

LAB 73.96, -20.16, 52.73

 

CMYK 58 / 0 / 21 / 25

HEX #50BE96

RGB 80 190 150

HSL 158.18, 0.46%, 0.53%

LAB 69.99, -41.04, 10.89

 

CMYK 50 / 58 / 0 / 25

HEX #5F50BE

RGB 95 80 190

HSL 248.18, 0.46%, 0.53%

LAB 41.04, 35.21, -56.08

 

Description

Color code: HEX #BF5077 | qconv.com Color code: HEX #BF5077 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 80 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 80 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 38 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 38% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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