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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF47D6 it is the complementary color #40B829. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF47D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF47D6 shade: #C447D1, #D559E4, #E66BF7, #F77DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF47D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF47D6 shade: #BF47D6, #AE35C3, #9D23B0, #8C119D and #7B008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF47D6 shade: #C047D7, #D747C7, #D747A0, #D7477A and #D74753

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF47D6 shade: #C047D7, #9947D7, #7247D7, #4B47D7 and #4747D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF47D6 shade matches the following richer shades: #C047D7, #CC35E9 and #D823FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF47D6 shade: #C047D7, #B359C4, #A76BB2, #9B7DA0 and #8E908E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF47D6 shade: #7247D7, #9847D7, #BF47D7, #D747C8 and #D747A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF47D6 shade: #9225A7, #AF2CC8, #C047D7, #CB69DE and #D78BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF47D6 shade: #BF47D6, #D74C47 and #47D785

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF47D6 shade: #BF47D6, #D7BF47 and #47D7BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF47D6 shade: #BF47D6, #D74C47, #5FD747 and #47D2D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF47D6 shade: #BF47D6, #D77747, #5FD747 and #47A7D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 67 / 0 / 16

HEX #BF47D6

RGB 191 71 214

HSL 290.35, 0.64%, 0.56%

LAB 52.33, 66.83, -51.17

 

Complementary color

CMYK 65 / 0 / 78 / 28

HEX #40B829

RGB 64 184 41

HSL 110.35, 0.64%, 0.44%

LAB 66.16, -58.46, 58.17

 

CMYK 6 / 66 / 0 / 18

HEX #C447D1

RGB 196 71 209

HSL 294.35, 0.6%, 0.55%

LAB 52.78, 67.05, -47.56

 

CMYK 7 / 61 / 0 / 11

HEX #D559E4

RGB 213 89 228

HSL 293.53, 0.72%, 0.62%

LAB 58.87, 67.01, -48.49

 

CMYK 7 / 57 / 0 / 3

HEX #E66BF7

RGB 230 107 247

HSL 292.71, 0.9%, 0.69%

LAB 65.01, 66.68, -49.2

 

CMYK 3 / 51 / 0 / 0

HEX #F77DFF

RGB 247 125 255

HSL 296.31, 1%, 0.75%

LAB 70.64, 64.22, -44.57

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 11 / 67 / 0 / 16

HEX #BF47D6

RGB 191 71 214

HSL 290.35, 0.64%, 0.56%

LAB 52.33, 66.83, -51.17

 

CMYK 11 / 73 / 0 / 24

HEX #AE35C3

RGB 174 53 195

HSL 291.13, 0.57%, 0.49%

LAB 46.29, 66.47, -50.04

 

CMYK 11 / 80 / 0 / 31

HEX #9D23B0

RGB 157 35 176

HSL 291.91, 0.67%, 0.41%

LAB 40.42, 65.4, -48.45

 

CMYK 11 / 89 / 0 / 38

HEX #8C119D

RGB 140 17 157

HSL 292.71, 0.8%, 0.34%

LAB 34.82, 63.2, -46.2

 

CMYK 11 / 100 / 0 / 46

HEX #7B008A

RGB 123 0 138

HSL 293.48, 1%, 0.27%

LAB 29.53, 59.75, -43.21

 

CMYK 11 / 67 / 0 / 16

HEX #C047D7

RGB 192 71 215

HSL 290.42, 0.64%, 0.56%

LAB 52.53, 67.23, -51.41

 

CMYK 0 / 67 / 7 / 16

HEX #D747C7

RGB 215 71 199

HSL 306.67, 0.64%, 0.56%

LAB 55.15, 69.83, -37.9

 

CMYK 0 / 67 / 26 / 16

HEX #D747A0

RGB 215 71 160

HSL 322.92, 0.64%, 0.56%

LAB 53.48, 64.34, -17.82

 

CMYK 0 / 67 / 43 / 16

HEX #D7477A

RGB 215 71 122

HSL 338.75, 0.64%, 0.56%

LAB 52.24, 60.07, 2.91

 

CMYK 0 / 67 / 61 / 16

HEX #D74753

RGB 215 71 83

HSL 355, 0.64%, 0.56%

LAB 51.36, 56.92, 25.05

 

CMYK 11 / 67 / 0 / 16

HEX #C047D7

RGB 192 71 215

HSL 290.42, 0.64%, 0.56%

LAB 52.53, 67.23, -51.41

 

CMYK 29 / 67 / 0 / 16

HEX #9947D7

RGB 153 71 215

HSL 274.17, 0.64%, 0.56%

LAB 47.22, 58.84, -60.23

 

CMYK 47 / 67 / 0 / 16

HEX #7247D7

RGB 114 71 215

HSL 257.92, 0.64%, 0.56%

LAB 42.75, 51.23, -67.69

 

CMYK 65 / 67 / 0 / 16

HEX #4B47D7

RGB 75 71 215

HSL 241.67, 0.64%, 0.56%

LAB 39.43, 45.11, -73.25

 

CMYK 67 / 67 / 0 / 16

HEX #4747D7

RGB 71 71 215

HSL 240, 0.64%, 0.56%

LAB 39.16, 44.6, -73.7

 

CMYK 11 / 67 / 0 / 16

HEX #C047D7

RGB 192 71 215

HSL 290.42, 0.64%, 0.56%

LAB 52.53, 67.23, -51.41

 

CMYK 12 / 77 / 0 / 9

HEX #CC35E9

RGB 204 53 233

HSL 290.33, 0.8%, 0.56%

LAB 53.24, 78.98, -60.37

 

CMYK 14 / 86 / 0 / 2

HEX #D823FB

RGB 216 35 251

HSL 290.28, 0.96%, 0.56%

LAB 54.83, 88.2, -67.79

 

CMYK 11 / 67 / 0 / 16

HEX #C047D7

RGB 192 71 215

HSL 290.42, 0.64%, 0.56%

LAB 52.53, 67.23, -51.41

 

CMYK 9 / 55 / 0 / 23

HEX #B359C4

RGB 179 89 196

HSL 290.47, 0.48%, 0.56%

LAB 52.64, 52.45, -40.49

 

CMYK 6 / 40 / 0 / 30

HEX #A76BB2

RGB 167 107 178

HSL 290.7, 0.32%, 0.56%

LAB 53.97, 35.9, -28.13

 

CMYK 3 / 22 / 0 / 37

HEX #9B7DA0

RGB 155 125 160

HSL 291.43, 0.16%, 0.56%

LAB 56.26, 18.01, -14.33

 

CMYK 1 / 0 / 1 / 44

HEX #8E908E

RGB 142 144 142

HSL 120, 0.01%, 0.56%

LAB 59.57, -1.12, 0.8

 

CMYK 47 / 67 / 0 / 16

HEX #7247D7

RGB 114 71 215

HSL 257.92, 0.64%, 0.56%

LAB 42.75, 51.23, -67.69

 

CMYK 29 / 67 / 0 / 16

HEX #9847D7

RGB 152 71 215

HSL 273.75, 0.64%, 0.56%

LAB 47.09, 58.63, -60.44

 

CMYK 11 / 67 / 0 / 16

HEX #BF47D7

RGB 191 71 215

HSL 290, 0.64%, 0.56%

LAB 52.39, 67.01, -51.65

 

CMYK 0 / 67 / 7 / 16

HEX #D747C8

RGB 215 71 200

HSL 306.25, 0.64%, 0.56%

LAB 55.2, 69.98, -38.39

 

CMYK 0 / 67 / 25 / 16

HEX #D747A2

RGB 215 71 162

HSL 322.08, 0.64%, 0.56%

LAB 53.56, 64.6, -18.88

 

CMYK 13 / 78 / 0 / 35

HEX #9225A7

RGB 146 37 167

HSL 290.31, 0.64%, 0.4%

LAB 38.24, 61.05, -46.68

 

CMYK 13 / 78 / 0 / 22

HEX #AF2CC8

RGB 175 44 200

HSL 290.38, 0.64%, 0.48%

LAB 45.75, 70.46, -53.8

 

CMYK 11 / 67 / 0 / 16

HEX #C047D7

RGB 192 71 215

HSL 290.42, 0.64%, 0.56%

LAB 52.53, 67.23, -51.41

 

CMYK 9 / 53 / 0 / 13

HEX #CB69DE

RGB 203 105 222

HSL 290.26, 0.64%, 0.64%

LAB 59.96, 56.04, -43.5

 

CMYK 6 / 39 / 0 / 10

HEX #D78BE5

RGB 215 139 229

HSL 290.67, 0.63%, 0.72%

LAB 68.44, 43.4, -34.03

 

CMYK 11 / 67 / 0 / 16

HEX #BF47D6

RGB 191 71 214

HSL 290.35, 0.64%, 0.56%

LAB 52.33, 66.83, -51.17

 

CMYK 0 / 65 / 67 / 16

HEX #D74C47

RGB 215 76 71

HSL 2.08, 0.64%, 0.56%

LAB 51.92, 54.17, 32.77

 

CMYK 67 / 0 / 38 / 16

HEX #47D785

RGB 71 215 133

HSL 145.83, 0.64%, 0.56%

LAB 77.06, -56.46, 29.57

 

CMYK 11 / 67 / 0 / 16

HEX #BF47D6

RGB 191 71 214

HSL 290.35, 0.64%, 0.56%

LAB 52.33, 66.83, -51.17

 

CMYK 0 / 11 / 67 / 16

HEX #D7BF47

RGB 215 191 71

HSL 50, 0.64%, 0.56%

LAB 77.38, -4.9, 61.24

 

CMYK 67 / 0 / 11 / 16

HEX #47D7BF

RGB 71 215 191

HSL 170, 0.64%, 0.56%

LAB 78.29, -43.64, 0.68

 

CMYK 11 / 67 / 0 / 16

HEX #BF47D6

RGB 191 71 214

HSL 290.35, 0.64%, 0.56%

LAB 52.33, 66.83, -51.17

 

CMYK 0 / 65 / 67 / 16

HEX #D74C47

RGB 215 76 71

HSL 2.08, 0.64%, 0.56%

LAB 51.92, 54.17, 32.77

 

CMYK 56 / 0 / 67 / 16

HEX #5FD747

RGB 95 215 71

HSL 110, 0.64%, 0.56%

LAB 76.97, -59.72, 58.62

 

CMYK 67 / 2 / 0 / 16

HEX #47D2D7

RGB 71 210 215

HSL 182.08, 0.64%, 0.56%

LAB 77.48, -34.89, -13.38

 

CMYK 11 / 67 / 0 / 16

HEX #BF47D6

RGB 191 71 214

HSL 290.35, 0.64%, 0.56%

LAB 52.33, 66.83, -51.17

 

CMYK 0 / 45 / 67 / 16

HEX #D77747

RGB 215 119 71

HSL 20, 0.64%, 0.56%

LAB 59.98, 33.47, 42.29

 

CMYK 56 / 0 / 67 / 16

HEX #5FD747

RGB 95 215 71

HSL 110, 0.64%, 0.56%

LAB 76.97, -59.72, 58.62

 

CMYK 67 / 22 / 0 / 16

HEX #47A7D7

RGB 71 167 215

HSL 200, 0.64%, 0.56%

LAB 64.87, -13.2, -32.62

 

Description

Color code: HEX #BF47D6 | qconv.com Color code: HEX #BF47D6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 71 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 71 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 67 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 67% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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