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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF3E5E it is the complementary color #40C1A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF3E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF3E5E shade: #C43E59, #D5506C, #E6627F, #F77492 and #FF86A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF3E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF3E5E shade: #BF3E5E, #AE2C4B, #9D1A38, #8C0825 and #7B0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF3E5E shade: #C13E5F and #C13E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF3E5E shade: #C13E5F, #C13E82, #C13EA5, #B93EC1 and #963EC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF3E5E shade matches the following richer shades: #C13E5F, #D52A54, #EA154A and #FE0140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF3E5E shade: #C13E5F, #AC5369, #976874, #837C7E and #6E9188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF3E5E shade: #C13EA4, #C13E82, #C13E5F, #C1413E and #C1633E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF3E5E shade: #822A40, #A1344F, #C13E5F, #CB5E79 and #D57D93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF3E5E shade: #BF3E5E, #C1BA3E and #3E93C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF3E5E shade: #BF3E5E, #5FC13E and #3E5FC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF3E5E shade: #BF3E5E, #C1BA3E, #3EC1A0 and #3E45C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF3E5E shade: #BF3E5E, #A0C13E, #3EC1A0 and #5F3EC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 51 / 25

HEX #BF3E5E

RGB 191 62 94

HSL 345.12, 0.51%, 0.5%

LAB 46.08, 53.74, 10.57

 

Complementary color

CMYK 67 / 0 / 17 / 24

HEX #40C1A1

RGB 64 193 161

HSL 165.12, 0.51%, 0.5%

LAB 70.73, -42.69, 5.91

 

CMYK 0 / 68 / 55 / 23

HEX #C43E59

RGB 196 62 89

HSL 347.91, 0.53%, 0.51%

LAB 46.85, 54.89, 14.83

 

CMYK 0 / 62 / 49 / 16

HEX #D5506C

RGB 213 80 108

HSL 347.37, 0.61%, 0.57%

LAB 52.91, 54.44, 12.2

 

CMYK 0 / 57 / 45 / 10

HEX #E6627F

RGB 230 98 127

HSL 346.82, 0.73%, 0.64%

LAB 59.06, 53.75, 10.03

 

CMYK 0 / 53 / 41 / 3

HEX #F77492

RGB 247 116 146

HSL 346.26, 0.89%, 0.71%

LAB 65.23, 52.93, 8.2

 

CMYK 0 / 47 / 35 / 0

HEX #FF86A5

RGB 255 134 165

HSL 344.63, 1%, 0.76%

LAB 70.19, 49.02, 4.74

 

CMYK 0 / 68 / 51 / 25

HEX #BF3E5E

RGB 191 62 94

HSL 345.12, 0.51%, 0.5%

LAB 46.08, 53.74, 10.57

 

CMYK 0 / 75 / 57 / 32

HEX #AE2C4B

RGB 174 44 75

HSL 345.69, 0.6%, 0.43%

LAB 40.09, 53.74, 13.63

 

CMYK 0 / 83 / 64 / 38

HEX #9D1A38

RGB 157 26 56

HSL 346.26, 0.72%, 0.36%

LAB 34.38, 52.97, 17.55

 

CMYK 0 / 94 / 74 / 45

HEX #8C0825

RGB 140 8 37

HSL 346.82, 0.89%, 0.29%

LAB 29.11, 50.93, 22.55

 

CMYK 0 / 100 / 85 / 52

HEX #7B0012

RGB 123 0 18

HSL 351.22, 1%, 0.24%

LAB 24.5, 47.08, 28.54

 

CMYK 0 / 68 / 51 / 24

HEX #C13E5F

RGB 193 62 95

HSL 344.89, 0.51%, 0.5%

LAB 46.46, 54.45, 10.53

 

CMYK 0 / 68 / 68 / 24

HEX #C13E3E

RGB 193 62 62

HSL 0, 0.51%, 0.5%

LAB 45.81, 52.14, 29.7

 

CMYK 0 / 68 / 51 / 24

HEX #C13E5F

RGB 193 62 95

HSL 344.89, 0.51%, 0.5%

LAB 46.46, 54.45, 10.53

 

CMYK 0 / 68 / 33 / 24

HEX #C13E82

RGB 193 62 130

HSL 328.85, 0.51%, 0.5%

LAB 47.49, 58.02, -9.34

 

CMYK 0 / 68 / 15 / 24

HEX #C13EA5

RGB 193 62 165

HSL 312.82, 0.51%, 0.5%

LAB 48.88, 62.67, -28.16

 

CMYK 4 / 68 / 0 / 24

HEX #B93EC1

RGB 185 62 193

HSL 296.34, 0.51%, 0.5%

LAB 49.02, 65.23, -44.43

 

CMYK 22 / 68 / 0 / 24

HEX #963EC1

RGB 150 62 193

HSL 280.31, 0.51%, 0.5%

LAB 43.92, 57.45, -52.88

 

CMYK 0 / 68 / 51 / 24

HEX #C13E5F

RGB 193 62 95

HSL 344.89, 0.51%, 0.5%

LAB 46.46, 54.45, 10.53

 

CMYK 0 / 80 / 61 / 16

HEX #D52A54

RGB 213 42 84

HSL 345.26, 0.67%, 0.5%

LAB 47.55, 66.02, 19.37

 

CMYK 0 / 91 / 68 / 8

HEX #EA154A

RGB 234 21 74

HSL 345.07, 0.84%, 0.5%

LAB 50.12, 74.84, 29.6

 

CMYK 0 / 100 / 75 / 0

HEX #FE0140

RGB 254 1 64

HSL 345.06, 0.99%, 0.5%

LAB 53.45, 80.9, 40.44

 

CMYK 0 / 68 / 51 / 24

HEX #C13E5F

RGB 193 62 95

HSL 344.89, 0.51%, 0.5%

LAB 46.46, 54.45, 10.53

 

CMYK 0 / 52 / 39 / 33

HEX #AC5369

RGB 172 83 105

HSL 345.17, 0.35%, 0.5%

LAB 46.94, 38.71, 4.65

 

CMYK 0 / 31 / 23 / 41

HEX #976874

RGB 151 104 116

HSL 344.68, 0.18%, 0.5%

LAB 49.18, 20.67, 0.92

 

CMYK 0 / 5 / 4 / 49

HEX #837C7E

RGB 131 124 126

HSL 342.86, 0.03%, 0.5%

LAB 52.67, 3.04, -0.14

 

CMYK 24 / 0 / 6 / 43

HEX #6E9188

RGB 110 145 136

HSL 164.57, 0.14%, 0.5%

LAB 57.41, -14.15, 0.8

 

CMYK 0 / 68 / 15 / 24

HEX #C13EA4

RGB 193 62 164

HSL 313.28, 0.51%, 0.5%

LAB 48.84, 62.52, -27.64

 

CMYK 0 / 68 / 33 / 24

HEX #C13E82

RGB 193 62 130

HSL 328.85, 0.51%, 0.5%

LAB 47.49, 58.02, -9.34

 

CMYK 0 / 68 / 51 / 24

HEX #C13E5F

RGB 193 62 95

HSL 344.89, 0.51%, 0.5%

LAB 46.46, 54.45, 10.53

 

CMYK 0 / 66 / 68 / 24

HEX #C1413E

RGB 193 65 62

HSL 1.37, 0.51%, 0.5%

LAB 46.27, 50.91, 30.25

 

CMYK 0 / 49 / 68 / 24

HEX #C1633E

RGB 193 99 62

HSL 16.95, 0.51%, 0.5%

LAB 52.52, 34.65, 37.65

 

CMYK 0 / 68 / 51 / 49

HEX #822A40

RGB 130 42 64

HSL 345, 0.51%, 0.34%

LAB 31.28, 39.56, 7.23

 

CMYK 0 / 68 / 51 / 37

HEX #A1344F

RGB 161 52 79

HSL 345.14, 0.51%, 0.42%

LAB 38.89, 46.95, 9.07

 

CMYK 0 / 68 / 51 / 24

HEX #C13E5F

RGB 193 62 95

HSL 344.89, 0.51%, 0.5%

LAB 46.46, 54.45, 10.53

 

CMYK 0 / 54 / 40 / 20

HEX #CB5E79

RGB 203 94 121

HSL 345.14, 0.51%, 0.58%

LAB 54.11, 45.92, 5.96

 

CMYK 0 / 41 / 31 / 16

HEX #D57D93

RGB 213 125 147

HSL 345, 0.51%, 0.66%

LAB 62.44, 36.72, 3.02

 

CMYK 0 / 68 / 51 / 25

HEX #BF3E5E

RGB 191 62 94

HSL 345.12, 0.51%, 0.5%

LAB 46.08, 53.74, 10.57

 

CMYK 0 / 4 / 68 / 24

HEX #C1BA3E

RGB 193 186 62

HSL 56.79, 0.51%, 0.5%

LAB 74.06, -12.2, 60.85

 

CMYK 68 / 24 / 0 / 24

HEX #3E93C1

RGB 62 147 193

HSL 201.07, 0.51%, 0.5%

LAB 57.79, -10.86, -31.34

 

CMYK 0 / 68 / 51 / 25

HEX #BF3E5E

RGB 191 62 94

HSL 345.12, 0.51%, 0.5%

LAB 46.08, 53.74, 10.57

 

CMYK 51 / 0 / 68 / 24

HEX #5FC13E

RGB 95 193 62

HSL 104.89, 0.51%, 0.5%

LAB 70.12, -52.31, 54.9

 

CMYK 68 / 51 / 0 / 24

HEX #3E5FC1

RGB 62 95 193

HSL 224.89, 0.51%, 0.5%

LAB 42.85, 20.7, -55.01

 

CMYK 0 / 68 / 51 / 25

HEX #BF3E5E

RGB 191 62 94

HSL 345.12, 0.51%, 0.5%

LAB 46.08, 53.74, 10.57

 

CMYK 0 / 4 / 68 / 24

HEX #C1BA3E

RGB 193 186 62

HSL 56.79, 0.51%, 0.5%

LAB 74.06, -12.2, 60.85

 

CMYK 68 / 0 / 17 / 24

HEX #3EC1A0

RGB 62 193 160

HSL 164.89, 0.51%, 0.5%

LAB 70.67, -43.25, 6.35

 

CMYK 68 / 64 / 0 / 24

HEX #3E45C1

RGB 62 69 193

HSL 236.79, 0.51%, 0.5%

LAB 36.23, 37.27, -65.76

 

CMYK 0 / 68 / 51 / 25

HEX #BF3E5E

RGB 191 62 94

HSL 345.12, 0.51%, 0.5%

LAB 46.08, 53.74, 10.57

 

CMYK 17 / 0 / 68 / 24

HEX #A0C13E

RGB 160 193 62

HSL 75.11, 0.51%, 0.5%

LAB 73.52, -29.41, 59.5

 

CMYK 68 / 0 / 17 / 24

HEX #3EC1A0

RGB 62 193 160

HSL 164.89, 0.51%, 0.5%

LAB 70.67, -43.25, 6.35

 

CMYK 51 / 68 / 0 / 24

HEX #5F3EC1

RGB 95 62 193

HSL 255.11, 0.51%, 0.5%

LAB 37.35, 46.51, -63.83

 

Description

Color code: HEX #BF3E5E | qconv.com Color code: HEX #BF3E5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 62 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 62 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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