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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF3E5B it is the complementary color #40C1A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF3E5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF3E5B shade: #C43E56, #D55069, #E6627C, #F7748F and #FF86A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF3E5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF3E5B shade: #BF3E5B, #AE2C48, #9D1A35, #8C0822 and #7B000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF3E5B shade: #C13E5C and #C13E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF3E5B shade: #C13E5C, #C13E7F, #C13EA2, #BC3EC1 and #993EC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF3E5B shade matches the following richer shades: #C13E5C, #D52A50, #EA1545 and #FE013A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF3E5B shade: #C13E5C, #AC5367, #976872, #837C7E and #6E9189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF3E5B shade: #C13EA2, #C13E80, #C13E5D, #C1433E and #C1653E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF3E5B shade: #822A3E, #A1344D, #C13E5C, #CB5E76 and #D57D91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF3E5B shade: #BF3E5B, #C1BC3E and #3E91C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF3E5B shade: #BF3E5B, #5DC13E and #3E5DC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF3E5B shade: #BF3E5B, #C1BC3E, #3EC1A2 and #3E43C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF3E5B shade: #BF3E5B, #9EC13E, #3EC1A2 and #613EC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 52 / 25

HEX #BF3E5B

RGB 191 62 91

HSL 346.51, 0.51%, 0.5%

LAB 46.01, 53.48, 12.31

 

Complementary color

CMYK 67 / 0 / 15 / 24

HEX #40C1A4

RGB 64 193 164

HSL 166.51, 0.51%, 0.5%

LAB 70.81, -41.94, 4.38

 

CMYK 0 / 68 / 56 / 23

HEX #C43E56

RGB 196 62 86

HSL 349.25, 0.53%, 0.51%

LAB 46.78, 54.66, 16.57

 

CMYK 0 / 62 / 51 / 16

HEX #D55069

RGB 213 80 105

HSL 348.72, 0.61%, 0.57%

LAB 52.84, 54.18, 13.89

 

CMYK 0 / 57 / 46 / 10

HEX #E6627C

RGB 230 98 124

HSL 348.18, 0.73%, 0.64%

LAB 58.99, 53.46, 11.68

 

CMYK 0 / 53 / 42 / 3

HEX #F7748F

RGB 247 116 143

HSL 347.63, 0.89%, 0.71%

LAB 65.16, 52.62, 9.81

 

CMYK 0 / 47 / 36 / 0

HEX #FF86A2

RGB 255 134 162

HSL 346.12, 1%, 0.76%

LAB 70.12, 48.68, 6.31

 

CMYK 0 / 68 / 52 / 25

HEX #BF3E5B

RGB 191 62 91

HSL 346.51, 0.51%, 0.5%

LAB 46.01, 53.48, 12.31

 

CMYK 0 / 75 / 59 / 32

HEX #AE2C48

RGB 174 44 72

HSL 347.08, 0.6%, 0.43%

LAB 40.03, 53.53, 15.44

 

CMYK 0 / 83 / 66 / 38

HEX #9D1A35

RGB 157 26 53

HSL 347.63, 0.72%, 0.36%

LAB 34.32, 52.79, 19.41

 

CMYK 0 / 94 / 76 / 45

HEX #8C0822

RGB 140 8 34

HSL 348.18, 0.89%, 0.29%

LAB 29.07, 50.8, 24.45

 

CMYK 0 / 100 / 88 / 52

HEX #7B000F

RGB 123 0 15

HSL 352.68, 1%, 0.24%

LAB 24.47, 47, 30.22

 

CMYK 0 / 68 / 52 / 24

HEX #C13E5C

RGB 193 62 92

HSL 346.26, 0.51%, 0.5%

LAB 46.39, 54.19, 12.27

 

CMYK 0 / 68 / 68 / 24

HEX #C13E3E

RGB 193 62 62

HSL 0, 0.51%, 0.5%

LAB 45.81, 52.14, 29.7

 

CMYK 0 / 68 / 52 / 24

HEX #C13E5C

RGB 193 62 92

HSL 346.26, 0.51%, 0.5%

LAB 46.39, 54.19, 12.27

 

CMYK 0 / 68 / 34 / 24

HEX #C13E7F

RGB 193 62 127

HSL 330.23, 0.51%, 0.5%

LAB 47.39, 57.67, -7.67

 

CMYK 0 / 68 / 16 / 24

HEX #C13EA2

RGB 193 62 162

HSL 314.2, 0.51%, 0.5%

LAB 48.75, 62.23, -26.59

 

CMYK 3 / 68 / 0 / 24

HEX #BC3EC1

RGB 188 62 193

HSL 297.71, 0.51%, 0.5%

LAB 49.48, 65.91, -43.67

 

CMYK 21 / 68 / 0 / 24

HEX #993EC1

RGB 153 62 193

HSL 281.68, 0.51%, 0.5%

LAB 44.33, 58.1, -52.19

 

CMYK 0 / 68 / 52 / 24

HEX #C13E5C

RGB 193 62 92

HSL 346.26, 0.51%, 0.5%

LAB 46.39, 54.19, 12.27

 

CMYK 0 / 80 / 62 / 16

HEX #D52A50

RGB 213 42 80

HSL 346.67, 0.67%, 0.5%

LAB 47.47, 65.78, 21.72

 

CMYK 0 / 91 / 71 / 8

HEX #EA1545

RGB 234 21 69

HSL 346.48, 0.84%, 0.5%

LAB 50.05, 74.63, 32.5

 

CMYK 0 / 100 / 77 / 0

HEX #FE013A

RGB 254 1 58

HSL 346.48, 0.99%, 0.5%

LAB 53.38, 80.71, 43.78

 

CMYK 0 / 68 / 52 / 24

HEX #C13E5C

RGB 193 62 92

HSL 346.26, 0.51%, 0.5%

LAB 46.39, 54.19, 12.27

 

CMYK 0 / 52 / 40 / 33

HEX #AC5367

RGB 172 83 103

HSL 346.52, 0.35%, 0.5%

LAB 46.89, 38.47, 5.79

 

CMYK 0 / 31 / 25 / 41

HEX #976872

RGB 151 104 114

HSL 347.23, 0.18%, 0.5%

LAB 49.12, 20.36, 2.03

 

CMYK 0 / 5 / 4 / 49

HEX #837C7E

RGB 131 124 126

HSL 342.86, 0.03%, 0.5%

LAB 52.67, 3.04, -0.14

 

CMYK 24 / 0 / 6 / 43

HEX #6E9189

RGB 110 145 137

HSL 166.29, 0.14%, 0.5%

LAB 57.44, -13.92, 0.26

 

CMYK 0 / 68 / 16 / 24

HEX #C13EA2

RGB 193 62 162

HSL 314.2, 0.51%, 0.5%

LAB 48.75, 62.23, -26.59

 

CMYK 0 / 68 / 34 / 24

HEX #C13E80

RGB 193 62 128

HSL 329.77, 0.51%, 0.5%

LAB 47.42, 57.79, -8.23

 

CMYK 0 / 68 / 52 / 24

HEX #C13E5D

RGB 193 62 93

HSL 345.8, 0.51%, 0.5%

LAB 46.41, 54.28, 11.69

 

CMYK 0 / 65 / 68 / 24

HEX #C1433E

RGB 193 67 62

HSL 2.29, 0.51%, 0.5%

LAB 46.58, 50.07, 30.63

 

CMYK 0 / 48 / 68 / 24

HEX #C1653E

RGB 193 101 62

HSL 17.86, 0.51%, 0.5%

LAB 52.94, 33.6, 38.14

 

CMYK 0 / 68 / 52 / 49

HEX #822A3E

RGB 130 42 62

HSL 346.36, 0.51%, 0.34%

LAB 31.23, 39.37, 8.47

 

CMYK 0 / 68 / 52 / 37

HEX #A1344D

RGB 161 52 77

HSL 346.24, 0.51%, 0.42%

LAB 38.84, 46.77, 10.27

 

CMYK 0 / 68 / 52 / 24

HEX #C13E5C

RGB 193 62 92

HSL 346.26, 0.51%, 0.5%

LAB 46.39, 54.19, 12.27

 

CMYK 0 / 54 / 42 / 20

HEX #CB5E76

RGB 203 94 118

HSL 346.79, 0.51%, 0.58%

LAB 54.04, 45.59, 7.62

 

CMYK 0 / 41 / 32 / 16

HEX #D57D91

RGB 213 125 145

HSL 346.36, 0.51%, 0.66%

LAB 62.39, 36.46, 4.09

 

CMYK 0 / 68 / 52 / 25

HEX #BF3E5B

RGB 191 62 91

HSL 346.51, 0.51%, 0.5%

LAB 46.01, 53.48, 12.31

 

CMYK 0 / 3 / 68 / 24

HEX #C1BC3E

RGB 193 188 62

HSL 57.71, 0.51%, 0.5%

LAB 74.6, -13.22, 61.4

 

CMYK 68 / 25 / 0 / 24

HEX #3E91C1

RGB 62 145 193

HSL 201.98, 0.51%, 0.5%

LAB 57.2, -9.74, -32.26

 

CMYK 0 / 68 / 52 / 25

HEX #BF3E5B

RGB 191 62 91

HSL 346.51, 0.51%, 0.5%

LAB 46.01, 53.48, 12.31

 

CMYK 52 / 0 / 68 / 24

HEX #5DC13E

RGB 93 193 62

HSL 105.8, 0.51%, 0.5%

LAB 70.05, -52.88, 54.79

 

CMYK 68 / 52 / 0 / 24

HEX #3E5DC1

RGB 62 93 193

HSL 225.8, 0.51%, 0.5%

LAB 42.31, 21.98, -55.88

 

CMYK 0 / 68 / 52 / 25

HEX #BF3E5B

RGB 191 62 91

HSL 346.51, 0.51%, 0.5%

LAB 46.01, 53.48, 12.31

 

CMYK 0 / 3 / 68 / 24

HEX #C1BC3E

RGB 193 188 62

HSL 57.71, 0.51%, 0.5%

LAB 74.6, -13.22, 61.4

 

CMYK 68 / 0 / 16 / 24

HEX #3EC1A2

RGB 62 193 162

HSL 165.8, 0.51%, 0.5%

LAB 70.71, -42.75, 5.33

 

CMYK 68 / 65 / 0 / 24

HEX #3E43C1

RGB 62 67 193

HSL 237.71, 0.51%, 0.5%

LAB 35.77, 38.5, -66.52

 

CMYK 0 / 68 / 52 / 25

HEX #BF3E5B

RGB 191 62 91

HSL 346.51, 0.51%, 0.5%

LAB 46.01, 53.48, 12.31

 

CMYK 18 / 0 / 68 / 24

HEX #9EC13E

RGB 158 193 62

HSL 76.03, 0.51%, 0.5%

LAB 73.39, -30.22, 59.32

 

CMYK 68 / 0 / 16 / 24

HEX #3EC1A2

RGB 62 193 162

HSL 165.8, 0.51%, 0.5%

LAB 70.71, -42.75, 5.33

 

CMYK 50 / 68 / 0 / 24

HEX #613EC1

RGB 97 62 193

HSL 256.03, 0.51%, 0.5%

LAB 37.55, 46.86, -63.5

 

Description

Color code: HEX #BF3E5B | qconv.com Color code: HEX #BF3E5B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 62 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 62 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 52% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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