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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF32D7 it is the complementary color #40CD28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF32D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF32D7 shade: #C432D2, #D544E5, #E656F8, #F768FF and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF32D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF32D7 shade: #BF32D7, #AE20C4, #9D0EB1, #8C009E and #7B008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF32D7 shade: #BF33D7, #D733C2, #D73396, #D7336A and #D7333E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF32D7 shade: #BF33D7, #9333D7, #6633D7, #3A33D7 and #3333D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF32D7 shade matches the following richer shades: #BF33D7, #CD1FEA and #DB0BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF32D7 shade: #BF33D7, #B146C3, #A35AAF, #956E9B and #878287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF32D7 shade: #6733D7, #9233D7, #BE33D7, #D733C3 and #D73398

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF32D7 shade: #871E99, #A525BB, #BF33D7, #CA55DD and #D477E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF32D7 shade: #BF32D7, #D73B33 and #33D77C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF32D7 shade: #BF32D7, #D7BE33 and #33D7BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF32D7 shade: #BF32D7, #D73B33, #4BD733 and #33CED7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF32D7 shade: #BF32D7, #D76C33, #4BD733 and #339DD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 77 / 0 / 16

HEX #BF32D7

RGB 191 50 215

HSL 291.27, 0.67%, 0.52%

LAB 49.81, 74.33, -55.77

 

Complementary color

CMYK 69 / 0 / 80 / 20

HEX #40CD28

RGB 64 205 40

HSL 111.27, 0.67%, 0.48%

LAB 72.83, -65.42, 64.78

 

CMYK 7 / 76 / 0 / 18

HEX #C432D2

RGB 196 50 210

HSL 294.75, 0.64%, 0.51%

LAB 50.3, 74.44, -52.09

 

CMYK 7 / 70 / 0 / 10

HEX #D544E5

RGB 213 68 229

HSL 294.04, 0.76%, 0.58%

LAB 56.03, 75.31, -53.58

 

CMYK 7 / 65 / 0 / 3

HEX #E656F8

RGB 230 86 248

HSL 293.33, 0.92%, 0.65%

LAB 61.87, 75.63, -54.71

 

CMYK 3 / 59 / 0 / 0

HEX #F768FF

RGB 247 104 255

HSL 296.82, 1%, 0.7%

LAB 67.2, 73.52, -49.98

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 11 / 77 / 0 / 16

HEX #BF32D7

RGB 191 50 215

HSL 291.27, 0.67%, 0.52%

LAB 49.81, 74.33, -55.77

 

CMYK 11 / 84 / 0 / 23

HEX #AE20C4

RGB 174 32 196

HSL 291.95, 0.72%, 0.45%

LAB 44.26, 72.71, -53.89

 

CMYK 11 / 92 / 0 / 31

HEX #9D0EB1

RGB 157 14 177

HSL 292.64, 0.85%, 0.37%

LAB 39, 69.93, -51.33

 

CMYK 11 / 100 / 0 / 38

HEX #8C009E

RGB 140 0 158

HSL 293.16, 1%, 0.31%

LAB 34.07, 65.8, -48.01

 

CMYK 12 / 100 / 0 / 45

HEX #7B008B

RGB 123 0 139

HSL 293.09, 1%, 0.27%

LAB 29.6, 59.92, -43.72

 

CMYK 11 / 76 / 0 / 16

HEX #BF33D7

RGB 191 51 215

HSL 291.22, 0.67%, 0.52%

LAB 49.92, 74.03, -55.6

 

CMYK 0 / 76 / 10 / 16

HEX #D733C2

RGB 215 51 194

HSL 307.68, 0.67%, 0.52%

LAB 52.63, 75.55, -38.98

 

CMYK 0 / 76 / 30 / 16

HEX #D73396

RGB 215 51 150

HSL 323.78, 0.67%, 0.52%

LAB 50.71, 69.87, -16.13

 

CMYK 0 / 76 / 51 / 16

HEX #D7336A

RGB 215 51 106

HSL 339.88, 0.67%, 0.52%

LAB 49.32, 65.59, 8.4

 

CMYK 0 / 76 / 71 / 16

HEX #D7333E

RGB 215 51 62

HSL 355.98, 0.67%, 0.52%

LAB 48.46, 62.86, 33.85

 

CMYK 11 / 76 / 0 / 16

HEX #BF33D7

RGB 191 51 215

HSL 291.22, 0.67%, 0.52%

LAB 49.92, 74.03, -55.6

 

CMYK 32 / 76 / 0 / 16

HEX #9333D7

RGB 147 51 215

HSL 275.12, 0.67%, 0.52%

LAB 43.47, 66.06, -66.33

 

CMYK 53 / 76 / 0 / 16

HEX #6633D7

RGB 102 51 215

HSL 258.66, 0.67%, 0.52%

LAB 38.02, 59.15, -75.47

 

CMYK 73 / 76 / 0 / 16

HEX #3A33D7

RGB 58 51 215

HSL 242.56, 0.67%, 0.52%

LAB 34.34, 54.37, -81.66

 

CMYK 76 / 76 / 0 / 16

HEX #3333D7

RGB 51 51 215

HSL 240, 0.67%, 0.52%

LAB 33.94, 53.84, -82.35

 

CMYK 11 / 76 / 0 / 16

HEX #BF33D7

RGB 191 51 215

HSL 291.22, 0.67%, 0.52%

LAB 49.92, 74.03, -55.6

 

CMYK 12 / 87 / 0 / 8

HEX #CD1FEA

RGB 205 31 234

HSL 291.43, 0.83%, 0.52%

LAB 51.72, 84.39, -63.36

 

CMYK 14 / 96 / 0 / 0

HEX #DB0BFE

RGB 219 11 254

HSL 291.36, 0.99%, 0.52%

LAB 54.51, 92.1, -69.96

 

CMYK 11 / 76 / 0 / 16

HEX #BF33D7

RGB 191 51 215

HSL 291.22, 0.67%, 0.52%

LAB 49.92, 74.03, -55.6

 

CMYK 9 / 64 / 0 / 24

HEX #B146C3

RGB 177 70 195

HSL 291.36, 0.51%, 0.52%

LAB 49.09, 60.52, -45.55

 

CMYK 7 / 49 / 0 / 31

HEX #A35AAF

RGB 163 90 175

HSL 291.53, 0.35%, 0.52%

LAB 49.73, 43.31, -33.03

 

CMYK 4 / 29 / 0 / 39

HEX #956E9B

RGB 149 110 155

HSL 292, 0.18%, 0.52%

LAB 51.73, 23.58, -18.36

 

CMYK 0 / 4 / 0 / 47

HEX #878287

RGB 135 130 135

HSL 300, 0.02%, 0.52%

LAB 54.93, 2.86, -2.03

 

CMYK 52 / 76 / 0 / 16

HEX #6733D7

RGB 103 51 215

HSL 259.02, 0.67%, 0.52%

LAB 38.12, 59.28, -75.3

 

CMYK 32 / 76 / 0 / 16

HEX #9233D7

RGB 146 51 215

HSL 274.76, 0.67%, 0.52%

LAB 43.34, 65.89, -66.56

 

CMYK 12 / 76 / 0 / 16

HEX #BE33D7

RGB 190 51 215

HSL 290.85, 0.67%, 0.52%

LAB 49.76, 73.84, -55.86

 

CMYK 0 / 76 / 9 / 16

HEX #D733C3

RGB 215 51 195

HSL 307.32, 0.67%, 0.52%

LAB 52.68, 75.7, -39.48

 

CMYK 0 / 76 / 29 / 16

HEX #D73398

RGB 215 51 152

HSL 323.05, 0.67%, 0.52%

LAB 50.78, 70.1, -17.2

 

CMYK 12 / 80 / 0 / 40

HEX #871E99

RGB 135 30 153

HSL 291.22, 0.67%, 0.36%

LAB 34.76, 58.46, -43.91

 

CMYK 12 / 80 / 0 / 27

HEX #A525BB

RGB 165 37 187

HSL 291.2, 0.67%, 0.44%

LAB 42.63, 68.29, -51.32

 

CMYK 11 / 76 / 0 / 16

HEX #BF33D7

RGB 191 51 215

HSL 291.22, 0.67%, 0.52%

LAB 49.92, 74.03, -55.6

 

CMYK 9 / 62 / 0 / 13

HEX #CA55DD

RGB 202 85 221

HSL 291.62, 0.67%, 0.6%

LAB 56.36, 64.83, -48.63

 

CMYK 7 / 48 / 0 / 11

HEX #D477E4

RGB 212 119 228

HSL 291.19, 0.67%, 0.68%

LAB 63.99, 52.69, -40.43

 

CMYK 11 / 77 / 0 / 16

HEX #BF32D7

RGB 191 50 215

HSL 291.27, 0.67%, 0.52%

LAB 49.81, 74.33, -55.77

 

CMYK 0 / 73 / 76 / 16

HEX #D73B33

RGB 215 59 51

HSL 2.93, 0.67%, 0.52%

LAB 49.27, 59.8, 41.01

 

CMYK 76 / 0 / 42 / 16

HEX #33D77C

RGB 51 215 124

HSL 146.71, 0.67%, 0.52%

LAB 76.53, -61.07, 33.39

 

CMYK 11 / 77 / 0 / 16

HEX #BF32D7

RGB 191 50 215

HSL 291.27, 0.67%, 0.52%

LAB 49.81, 74.33, -55.77

 

CMYK 0 / 12 / 76 / 16

HEX #D7BE33

RGB 215 190 51

HSL 50.85, 0.67%, 0.52%

LAB 76.99, -5.33, 68.33

 

CMYK 76 / 0 / 12 / 16

HEX #33D7BE

RGB 51 215 190

HSL 170.85, 0.67%, 0.52%

LAB 77.89, -46.45, 0.59

 

CMYK 11 / 77 / 0 / 16

HEX #BF32D7

RGB 191 50 215

HSL 291.27, 0.67%, 0.52%

LAB 49.81, 74.33, -55.77

 

CMYK 0 / 73 / 76 / 16

HEX #D73B33

RGB 215 59 51

HSL 2.93, 0.67%, 0.52%

LAB 49.27, 59.8, 41.01

 

CMYK 65 / 0 / 76 / 16

HEX #4BD733

RGB 75 215 51

HSL 111.22, 0.67%, 0.52%

LAB 76.27, -65.84, 64.88

 

CMYK 76 / 4 / 0 / 16

HEX #33CED7

RGB 51 206 215

HSL 183.29, 0.67%, 0.52%

LAB 75.92, -35.43, -15.77

 

CMYK 11 / 77 / 0 / 16

HEX #BF32D7

RGB 191 50 215

HSL 291.27, 0.67%, 0.52%

LAB 49.81, 74.33, -55.77

 

CMYK 0 / 50 / 76 / 16

HEX #D76C33

RGB 215 108 51

HSL 20.85, 0.67%, 0.52%

LAB 57.47, 38.18, 49.55

 

CMYK 65 / 0 / 76 / 16

HEX #4BD733

RGB 75 215 51

HSL 111.22, 0.67%, 0.52%

LAB 76.27, -65.84, 64.88

 

CMYK 76 / 27 / 0 / 16

HEX #339DD7

RGB 51 157 215

HSL 201.22, 0.67%, 0.52%

LAB 61.42, -10.42, -38.04

 

Description

Color code: HEX #BF32D7 | qconv.com Color code: HEX #BF32D7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 50 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 50 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 77 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 77% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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