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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF2E59 it is the complementary color #40D1A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF2E59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF2E59 shade: #C42E54, #D54067, #E6527A, #F7648D and #FF76A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF2E59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF2E59 shade: #BF2E59, #AE1C46, #9D0A33, #8C0020 and #7B000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF2E59 shade: #BD2E58, #BD2E32 and #BD2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF2E59 shade: #BD2E58, #BD2E7F, #BD2EA5, #AE2EBD and #872EBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF2E59 shade matches the following richer shades: #BD2E58, #D01B50 and #E30849

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF2E59 shade: #BD2E58, #AA4160, #975468, #84676F and #717A77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF2E59 shade: #BD2EA5, #BD2E7F, #BD2E59, #BD2E33 and #BD4F2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF2E59 shade: #7A1E39, #9C2649, #BD2E58, #D1436D and #D96487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF2E59 shade: #BF2E59, #BDAF2E and #2E92BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF2E59 shade: #BF2E59, #59BD2E and #2E59BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF2E59 shade: #BF2E59, #BDAF2E, #2EBD92 and #2E3CBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF2E59 shade: #BF2E59, #A0BD2E, #2EBD92 and #4A2EBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 53 / 25

HEX #BF2E59

RGB 191 46 89

HSL 342.21, 0.61%, 0.46%

LAB 43.87, 59.11, 10.58

 

Complementary color

CMYK 69 / 0 / 21 / 18

HEX #40D1A6

RGB 64 209 166

HSL 162.21, 0.61%, 0.54%

LAB 75.73, -48.27, 10.35

 

CMYK 0 / 77 / 57 / 23

HEX #C42E54

RGB 196 46 84

HSL 344.8, 0.62%, 0.47%

LAB 44.7, 60.17, 14.98

 

CMYK 0 / 70 / 52 / 16

HEX #D54067

RGB 213 64 103

HSL 344.3, 0.64%, 0.54%

LAB 50.44, 60.43, 11.75

 

CMYK 0 / 64 / 47 / 10

HEX #E6527A

RGB 230 82 122

HSL 343.78, 0.75%, 0.61%

LAB 56.35, 60.21, 9.13

 

CMYK 0 / 60 / 43 / 3

HEX #F7648D

RGB 247 100 141

HSL 343.27, 0.9%, 0.68%

LAB 62.35, 59.7, 6.95

 

CMYK 0 / 54 / 37 / 0

HEX #FF76A0

RGB 255 118 160

HSL 341.61, 1%, 0.73%

LAB 67.09, 56.12, 3.07

 

CMYK 0 / 76 / 53 / 25

HEX #BF2E59

RGB 191 46 89

HSL 342.21, 0.61%, 0.46%

LAB 43.87, 59.11, 10.58

 

CMYK 0 / 84 / 60 / 32

HEX #AE1C46

RGB 174 28 70

HSL 342.74, 0.72%, 0.4%

LAB 38.33, 58.07, 14.4

 

CMYK 0 / 94 / 68 / 38

HEX #9D0A33

RGB 157 10 51

HSL 343.27, 0.88%, 0.33%

LAB 33.19, 55.83, 19.26

 

CMYK 0 / 100 / 77 / 45

HEX #8C0020

RGB 140 0 32

HSL 346.29, 1%, 0.27%

LAB 28.59, 52.02, 25.19

 

CMYK 0 / 100 / 89 / 52

HEX #7B000D

RGB 123 0 13

HSL 353.66, 1%, 0.24%

LAB 24.45, 46.95, 31.21

 

CMYK 0 / 76 / 53 / 26

HEX #BD2E58

RGB 189 46 88

HSL 342.38, 0.61%, 0.46%

LAB 43.47, 58.46, 10.58

 

CMYK 0 / 76 / 74 / 26

HEX #BD2E32

RGB 189 46 50

HSL 358.32, 0.61%, 0.46%

LAB 42.77, 56.17, 33.01

 

CMYK 0 / 76 / 76 / 26

HEX #BD2E2E

RGB 189 46 46

HSL 0, 0.61%, 0.46%

LAB 42.72, 56.01, 35.28

 

CMYK 0 / 76 / 53 / 26

HEX #BD2E58

RGB 189 46 88

HSL 342.38, 0.61%, 0.46%

LAB 43.47, 58.46, 10.58

 

CMYK 0 / 76 / 33 / 26

HEX #BD2E7F

RGB 189 46 127

HSL 326.01, 0.61%, 0.46%

LAB 44.67, 62.22, -11.83

 

CMYK 0 / 76 / 13 / 26

HEX #BD2EA5

RGB 189 46 165

HSL 310.07, 0.61%, 0.46%

LAB 46.3, 67.13, -32.25

 

CMYK 8 / 76 / 0 / 26

HEX #AE2EBD

RGB 174 46 189

HSL 293.71, 0.61%, 0.46%

LAB 45.12, 67.73, -48.42

 

CMYK 29 / 76 / 0 / 26

HEX #872EBD

RGB 135 46 189

HSL 277.34, 0.61%, 0.46%

LAB 39.21, 60.2, -58.25

 

CMYK 0 / 76 / 53 / 26

HEX #BD2E58

RGB 189 46 88

HSL 342.38, 0.61%, 0.46%

LAB 43.47, 58.46, 10.58

 

CMYK 0 / 87 / 62 / 18

HEX #D01B50

RGB 208 27 80

HSL 342.43, 0.77%, 0.46%

LAB 45.32, 67.79, 18.69

 

CMYK 0 / 96 / 68 / 11

HEX #E30849

RGB 227 8 73

HSL 342.19, 0.93%, 0.46%

LAB 48.24, 74.4, 27.54

 

CMYK 0 / 76 / 53 / 26

HEX #BD2E58

RGB 189 46 88

HSL 342.38, 0.61%, 0.46%

LAB 43.47, 58.46, 10.58

 

CMYK 0 / 62 / 44 / 33

HEX #AA4160

RGB 170 65 96

HSL 342.29, 0.45%, 0.46%

LAB 43.02, 45.84, 4.49

 

CMYK 0 / 44 / 31 / 41

HEX #975468

RGB 151 84 104

HSL 342.09, 0.29%, 0.46%

LAB 44.12, 30.28, 0.79

 

CMYK 0 / 22 / 16 / 48

HEX #84676F

RGB 132 103 111

HSL 343.45, 0.12%, 0.46%

LAB 46.65, 12.96, -0.04

 

CMYK 7 / 0 / 2 / 52

HEX #717A77

RGB 113 122 119

HSL 160, 0.04%, 0.46%

LAB 50.41, -3.98, 0.48

 

CMYK 0 / 76 / 13 / 26

HEX #BD2EA5

RGB 189 46 165

HSL 310.07, 0.61%, 0.46%

LAB 46.3, 67.13, -32.25

 

CMYK 0 / 76 / 33 / 26

HEX #BD2E7F

RGB 189 46 127

HSL 326.01, 0.61%, 0.46%

LAB 44.67, 62.22, -11.83

 

CMYK 0 / 76 / 53 / 26

HEX #BD2E59

RGB 189 46 89

HSL 341.96, 0.61%, 0.46%

LAB 43.5, 58.54, 9.99

 

CMYK 0 / 76 / 73 / 26

HEX #BD2E33

RGB 189 46 51

HSL 357.9, 0.61%, 0.46%

LAB 42.78, 56.22, 32.43

 

CMYK 0 / 58 / 76 / 26

HEX #BD4F2E

RGB 189 79 46

HSL 13.85, 0.61%, 0.46%

LAB 47.76, 42.4, 40.73

 

CMYK 0 / 75 / 53 / 52

HEX #7A1E39

RGB 122 30 57

HSL 342.39, 0.61%, 0.3%

LAB 27.74, 41.27, 6.68

 

CMYK 0 / 76 / 53 / 39

HEX #9C2649

RGB 156 38 73

HSL 342.2, 0.61%, 0.38%

LAB 35.86, 50.26, 8.52

 

CMYK 0 / 76 / 53 / 26

HEX #BD2E58

RGB 189 46 88

HSL 342.38, 0.61%, 0.46%

LAB 43.47, 58.46, 10.58

 

CMYK 0 / 68 / 48 / 18

HEX #D1436D

RGB 209 67 109

HSL 342.25, 0.61%, 0.54%

LAB 50.3, 58.61, 7.83

 

CMYK 0 / 54 / 38 / 15

HEX #D96487

RGB 217 100 135

HSL 342.05, 0.61%, 0.62%

LAB 57.67, 49.32, 3.12

 

CMYK 0 / 76 / 53 / 25

HEX #BF2E59

RGB 191 46 89

HSL 342.21, 0.61%, 0.46%

LAB 43.87, 59.11, 10.58

 

CMYK 0 / 7 / 76 / 26

HEX #BDAF2E

RGB 189 175 46

HSL 54.13, 0.61%, 0.46%

LAB 70.65, -9.02, 63.29

 

CMYK 76 / 23 / 0 / 26

HEX #2E92BD

RGB 46 146 189

HSL 198.04, 0.61%, 0.46%

LAB 56.89, -13.9, -30.5

 

CMYK 0 / 76 / 53 / 25

HEX #BF2E59

RGB 191 46 89

HSL 342.21, 0.61%, 0.46%

LAB 43.87, 59.11, 10.58

 

CMYK 53 / 0 / 76 / 26

HEX #59BD2E

RGB 89 189 46

HSL 101.96, 0.61%, 0.46%

LAB 68.55, -53.7, 59.12

 

CMYK 76 / 53 / 0 / 26

HEX #2E59BD

RGB 46 89 189

HSL 221.96, 0.61%, 0.46%

LAB 40.25, 20.89, -56.93

 

CMYK 0 / 76 / 53 / 25

HEX #BF2E59

RGB 191 46 89

HSL 342.21, 0.61%, 0.46%

LAB 43.87, 59.11, 10.58

 

CMYK 0 / 7 / 76 / 26

HEX #BDAF2E

RGB 189 175 46

HSL 54.13, 0.61%, 0.46%

LAB 70.65, -9.02, 63.29

 

CMYK 76 / 0 / 23 / 26

HEX #2EBD92

RGB 46 189 146

HSL 161.96, 0.61%, 0.46%

LAB 68.79, -47.2, 11.25

 

CMYK 76 / 68 / 0 / 26

HEX #2E3CBD

RGB 46 60 189

HSL 234.13, 0.61%, 0.46%

LAB 32.89, 39.6, -68.93

 

CMYK 0 / 76 / 53 / 25

HEX #BF2E59

RGB 191 46 89

HSL 342.21, 0.61%, 0.46%

LAB 43.87, 59.11, 10.58

 

CMYK 15 / 0 / 76 / 26

HEX #A0BD2E

RGB 160 189 46

HSL 72.17, 0.61%, 0.46%

LAB 72.27, -28.4, 63.99

 

CMYK 76 / 0 / 23 / 26

HEX #2EBD92

RGB 46 189 146

HSL 161.96, 0.61%, 0.46%

LAB 68.79, -47.2, 11.25

 

CMYK 61 / 76 / 0 / 26

HEX #4A2EBD

RGB 74 46 189

HSL 251.75, 0.61%, 0.46%

LAB 32, 50.64, -70.33

 

Description

Color code: HEX #BF2E59 | qconv.com Color code: HEX #BF2E59 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 46 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 46 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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