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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF2D74 it is the complementary color #40D28B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF2D74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF2D74 shade: #C42D6F, #D53F82, #E65195, #F763A8 and #FF75BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF2D74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF2D74 shade: #BF2D74, #AE1B61, #9D094E, #8C003B and #7B0028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF2D74 shade: #BE2D73, #BE2D4C and #BE2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF2D74 shade: #BE2D73, #BE2D9B, #BA2DBE, #932DBE and #6C2DBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF2D74 shade matches the following richer shades: #BE2D73, #D11A73 and #E40772

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF2D74 shade: #BE2D73, #AB4074, #985374, #856675 and #727875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF2D74 shade: #B92DBE, #BE2D9C, #BE2D75, #BE2D4F and #BE312D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF2D74 shade: #7B1D4B, #9D255F, #BE2D73, #D34188 and #DA639D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF2D74 shade: #BF2D74, #BE922D and #2DAFBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF2D74 shade: #BF2D74, #75BE2D and #2D75BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF2D74 shade: #BF2D74, #BE922D, #2DBE75 and #2D58BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF2D74 shade: #BF2D74, #BEBE2D, #2DBE75 and #2D2DBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 39 / 25

HEX #BF2D74

RGB 191 45 116

HSL 330.82, 0.62%, 0.46%

LAB 44.54, 61.86, -5.22

 

Complementary color

CMYK 70 / 0 / 34 / 18

HEX #40D28B

RGB 64 210 139

HSL 150.82, 0.62%, 0.54%

LAB 75.48, -54.56, 24.31

 

CMYK 0 / 77 / 43 / 23

HEX #C42D6F

RGB 196 45 111

HSL 333.77, 0.63%, 0.47%

LAB 45.3, 62.7, -0.9

 

CMYK 0 / 70 / 39 / 16

HEX #D53F82

RGB 213 63 130

HSL 333.2, 0.64%, 0.54%

LAB 51.05, 63.28, -3.67

 

CMYK 0 / 65 / 35 / 10

HEX #E65195

RGB 230 81 149

HSL 332.62, 0.75%, 0.61%

LAB 56.96, 63.33, -5.89

 

CMYK 0 / 60 / 32 / 3

HEX #F763A8

RGB 247 99 168

HSL 332.03, 0.9%, 0.68%

LAB 62.95, 63.03, -7.72

 

CMYK 0 / 54 / 27 / 0

HEX #FF75BB

RGB 255 117 187

HSL 329.57, 1%, 0.73%

LAB 67.7, 59.8, -11.29

 

CMYK 0 / 76 / 39 / 25

HEX #BF2D74

RGB 191 45 116

HSL 330.82, 0.62%, 0.46%

LAB 44.54, 61.86, -5.22

 

CMYK 0 / 84 / 44 / 32

HEX #AE1B61

RGB 174 27 97

HSL 331.43, 0.73%, 0.39%

LAB 38.98, 60.45, -1.92

 

CMYK 0 / 94 / 50 / 38

HEX #9D094E

RGB 157 9 78

HSL 332.03, 0.89%, 0.33%

LAB 33.8, 57.78, 2.36

 

CMYK 0 / 100 / 58 / 45

HEX #8C003B

RGB 140 0 59

HSL 334.71, 1%, 0.27%

LAB 29.14, 53.49, 7.85

 

CMYK 0 / 100 / 67 / 52

HEX #7B0028

RGB 123 0 40

HSL 340.49, 1%, 0.24%

LAB 24.84, 48.01, 14.34

 

CMYK 0 / 76 / 39 / 25

HEX #BE2D73

RGB 190 45 115

HSL 331.03, 0.62%, 0.46%

LAB 44.32, 61.49, -4.95

 

CMYK 0 / 76 / 60 / 25

HEX #BE2D4C

RGB 190 45 76

HSL 347.17, 0.62%, 0.46%

LAB 43.28, 58.21, 17.83

 

CMYK 0 / 76 / 76 / 25

HEX #BE2D2D

RGB 190 45 45

HSL 0, 0.62%, 0.46%

LAB 42.78, 56.6, 35.99

 

CMYK 0 / 76 / 39 / 25

HEX #BE2D73

RGB 190 45 115

HSL 331.03, 0.62%, 0.46%

LAB 44.32, 61.49, -4.95

 

CMYK 0 / 76 / 18 / 25

HEX #BE2D9B

RGB 190 45 155

HSL 314.48, 0.62%, 0.46%

LAB 45.89, 66.26, -26.89

 

CMYK 2 / 76 / 0 / 25

HEX #BA2DBE

RGB 186 45 190

HSL 298.34, 0.62%, 0.46%

LAB 47.02, 70.62, -45.86

 

CMYK 23 / 76 / 0 / 25

HEX #932DBE

RGB 147 45 190

HSL 282.21, 0.62%, 0.46%

LAB 40.89, 63, -56.02

 

CMYK 43 / 76 / 0 / 25

HEX #6C2DBE

RGB 108 45 190

HSL 266.07, 0.62%, 0.46%

LAB 35.56, 56.2, -64.93

 

CMYK 0 / 76 / 39 / 25

HEX #BE2D73

RGB 190 45 115

HSL 331.03, 0.62%, 0.46%

LAB 44.32, 61.49, -4.95

 

CMYK 0 / 88 / 45 / 18

HEX #D11A73

RGB 209 26 115

HSL 330.82, 0.78%, 0.46%

LAB 46.35, 70.75, -1.54

 

CMYK 0 / 97 / 50 / 11

HEX #E40772

RGB 228 7 114

HSL 330.95, 0.94%, 0.46%

LAB 49.33, 77.17, 3.86

 

CMYK 0 / 76 / 39 / 25

HEX #BE2D73

RGB 190 45 115

HSL 331.03, 0.62%, 0.46%

LAB 44.32, 61.49, -4.95

 

CMYK 0 / 63 / 32 / 33

HEX #AB4074

RGB 171 64 116

HSL 330.84, 0.46%, 0.46%

LAB 43.63, 48.93, -6.95

 

CMYK 0 / 45 / 24 / 40

HEX #985374

RGB 152 83 116

HSL 331.3, 0.29%, 0.46%

LAB 44.41, 32.97, -6.09

 

CMYK 0 / 23 / 12 / 48

HEX #856675

RGB 133 102 117

HSL 330.97, 0.13%, 0.46%

LAB 46.68, 15.02, -3.59

 

CMYK 5 / 0 / 3 / 53

HEX #727875

RGB 114 120 117

HSL 150, 0.03%, 0.46%

LAB 49.85, -2.87, 0.86

 

CMYK 3 / 76 / 0 / 25

HEX #B92DBE

RGB 185 45 190

HSL 297.93, 0.62%, 0.46%

LAB 46.85, 70.41, -46.13

 

CMYK 0 / 76 / 18 / 25

HEX #BE2D9C

RGB 190 45 156

HSL 314.07, 0.62%, 0.46%

LAB 45.94, 66.4, -27.42

 

CMYK 0 / 76 / 38 / 25

HEX #BE2D75

RGB 190 45 117

HSL 330.21, 0.62%, 0.46%

LAB 44.39, 61.7, -6.08

 

CMYK 0 / 76 / 58 / 25

HEX #BE2D4F

RGB 190 45 79

HSL 345.93, 0.62%, 0.46%

LAB 43.34, 58.41, 16.05

 

CMYK 0 / 74 / 76 / 25

HEX #BE312D

RGB 190 49 45

HSL 1.66, 0.62%, 0.46%

LAB 43.26, 55.27, 36.51

 

CMYK 0 / 76 / 39 / 52

HEX #7B1D4B

RGB 123 29 75

HSL 330.64, 0.62%, 0.3%

LAB 28.37, 43.81, -4.43

 

CMYK 0 / 76 / 39 / 38

HEX #9D255F

RGB 157 37 95

HSL 331, 0.62%, 0.38%

LAB 36.59, 52.99, -4.54

 

CMYK 0 / 76 / 39 / 25

HEX #BE2D73

RGB 190 45 115

HSL 331.03, 0.62%, 0.46%

LAB 44.32, 61.49, -4.95

 

CMYK 0 / 69 / 36 / 17

HEX #D34188

RGB 211 65 136

HSL 330.82, 0.62%, 0.54%

LAB 51.16, 62.64, -7.14

 

CMYK 0 / 55 / 28 / 15

HEX #DA639D

RGB 218 99 157

HSL 330.76, 0.62%, 0.62%

LAB 58.29, 52.8, -8.78

 

CMYK 0 / 76 / 39 / 25

HEX #BF2D74

RGB 191 45 116

HSL 330.82, 0.62%, 0.46%

LAB 44.54, 61.86, -5.22

 

CMYK 0 / 23 / 76 / 25

HEX #BE922D

RGB 190 146 45

HSL 41.79, 0.62%, 0.46%

LAB 63.09, 6.89, 56.57

 

CMYK 76 / 8 / 0 / 25

HEX #2DAFBE

RGB 45 175 190

HSL 186.21, 0.62%, 0.46%

LAB 65.7, -28.8, -17.55

 

CMYK 0 / 76 / 39 / 25

HEX #BF2D74

RGB 191 45 116

HSL 330.82, 0.62%, 0.46%

LAB 44.54, 61.86, -5.22

 

CMYK 38 / 0 / 76 / 25

HEX #75BE2D

RGB 117 190 45

HSL 90.21, 0.62%, 0.46%

LAB 70.03, -45.34, 61.29

 

CMYK 76 / 38 / 0 / 25

HEX #2D75BE

RGB 45 117 190

HSL 210.21, 0.62%, 0.46%

LAB 48.26, 3.28, -44.65

 

CMYK 0 / 76 / 39 / 25

HEX #BF2D74

RGB 191 45 116

HSL 330.82, 0.62%, 0.46%

LAB 44.54, 61.86, -5.22

 

CMYK 0 / 23 / 76 / 25

HEX #BE922D

RGB 190 146 45

HSL 41.79, 0.62%, 0.46%

LAB 63.09, 6.89, 56.57

 

CMYK 76 / 0 / 38 / 25

HEX #2DBE75

RGB 45 190 117

HSL 149.79, 0.62%, 0.46%

LAB 68.51, -54.02, 26.43

 

CMYK 76 / 54 / 0 / 25

HEX #2D58BE

RGB 45 88 190

HSL 222.21, 0.62%, 0.46%

LAB 40.01, 21.81, -57.9

 

CMYK 0 / 76 / 39 / 25

HEX #BF2D74

RGB 191 45 116

HSL 330.82, 0.62%, 0.46%

LAB 44.54, 61.86, -5.22

 

CMYK 0 / 0 / 76 / 25

HEX #BEBE2D

RGB 190 190 45

HSL 60, 0.62%, 0.46%

LAB 74.8, -16.31, 67.46

 

CMYK 76 / 0 / 38 / 25

HEX #2DBE75

RGB 45 190 117

HSL 149.79, 0.62%, 0.46%

LAB 68.51, -54.02, 26.43

 

CMYK 76 / 76 / 0 / 25

HEX #2D2DBE

RGB 45 45 190

HSL 240, 0.62%, 0.46%

LAB 29.79, 48.58, -74.63

 

Description

Color code: HEX #BF2D74 | qconv.com Color code: HEX #BF2D74 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 45 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 45 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 39 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 39% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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