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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF2C22 it is the complementary color #40D3DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF2C22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF2C22 shade: #C42C1D, #D53E30, #E65043, #F76256 and #FF7469

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF2C22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF2C22 shade: #BF2C22, #AE1A0F, #9D0800, #8C0000 and #7B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF2C22 shade: #BF2C22 and #BF2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF2C22 shade: #BF2C22, #BF5622, #BF8022, #BFAB22 and #A8BF22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF2C22 shade matches the following richer shades: #BF2C22 and #D11C10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF2C22 shade: #BF2C22, #AD3C34, #9A4B46, #885B58 and #766B6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF2C22 shade: #BF226E, #BF2244, #BF2A22, #BF5322 and #BF7D22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF2C22 shade: #791C15, #9C241B, #BF2C22, #DA3A2F and #E15B52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF2C22 shade: #BF2C22, #97BF22 and #2259BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF2C22 shade: #BF2C22, #22BF2A and #2A22BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF2C22 shade: #BF2C22, #97BF22, #22B7BF and #4922BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF2C22 shade: #BF2C22, #68BF22, #22B7BF and #7822BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 82 / 25

HEX #BF2C22

RGB 191 44 34

HSL 3.82, 0.7%, 0.44%

LAB 42.75, 56.86, 42.08

 

Complementary color

CMYK 71 / 5 / 0 / 13

HEX #40D3DD

RGB 64 211 221

HSL 183.82, 0.7%, 0.56%

LAB 77.82, -34.55, -16.12

 

CMYK 0 / 78 / 85 / 23

HEX #C42C1D

RGB 196 44 29

HSL 5.39, 0.74%, 0.44%

LAB 43.69, 58.24, 45.82

 

CMYK 0 / 71 / 77 / 16

HEX #D53E30

RGB 213 62 48

HSL 5.09, 0.66%, 0.51%

LAB 49.26, 57.99, 42.52

 

CMYK 0 / 65 / 71 / 10

HEX #E65043

RGB 230 80 67

HSL 4.79, 0.77%, 0.58%

LAB 55.04, 57.29, 39.35

 

CMYK 0 / 60 / 65 / 3

HEX #F76256

RGB 247 98 86

HSL 4.47, 0.91%, 0.65%

LAB 60.94, 56.33, 36.51

 

CMYK 0 / 55 / 59 / 0

HEX #FF7469

RGB 255 116 105

HSL 4.4, 1%, 0.71%

LAB 65.57, 52.13, 32.02

 

CMYK 0 / 77 / 82 / 25

HEX #BF2C22

RGB 191 44 34

HSL 3.82, 0.7%, 0.44%

LAB 42.75, 56.86, 42.08

 

CMYK 0 / 85 / 91 / 32

HEX #AE1A0F

RGB 174 26 15

HSL 4.15, 0.84%, 0.37%

LAB 37.43, 56.36, 45.33

 

CMYK 0 / 95 / 100 / 38

HEX #9D0800

RGB 157 8 0

HSL 3.06, 1%, 0.31%

LAB 32.57, 54.64, 46.44

 

CMYK 0 / 100 / 100 / 45

HEX #8C0000

RGB 140 0 0

HSL 0, 1%, 0.27%

LAB 28.32, 51.28, 41.58

 

CMYK 0 / 100 / 100 / 52

HEX #7B0000

RGB 123 0 0

HSL 0, 1%, 0.24%

LAB 24.36, 46.7, 36.53

 

CMYK 0 / 77 / 82 / 25

HEX #BF2C22

RGB 191 44 34

HSL 3.82, 0.7%, 0.44%

LAB 42.75, 56.86, 42.08

 

CMYK 0 / 82 / 82 / 25

HEX #BF2222

RGB 191 34 34

HSL 0, 0.7%, 0.44%

LAB 41.75, 59.7, 41.12

 

CMYK 0 / 77 / 82 / 25

HEX #BF2C22

RGB 191 44 34

HSL 3.82, 0.7%, 0.44%

LAB 42.75, 56.86, 42.08

 

CMYK 0 / 55 / 82 / 25

HEX #BF5622

RGB 191 86 34

HSL 19.87, 0.7%, 0.44%

LAB 49.31, 39.28, 48.2

 

CMYK 0 / 33 / 82 / 25

HEX #BF8022

RGB 191 128 34

HSL 35.92, 0.7%, 0.44%

LAB 58.63, 16.82, 56.58

 

CMYK 0 / 10 / 82 / 25

HEX #BFAB22

RGB 191 171 34

HSL 52.36, 0.7%, 0.44%

LAB 69.7, -6.49, 66.2

 

CMYK 12 / 0 / 82 / 25

HEX #A8BF22

RGB 168 191 34

HSL 68.79, 0.7%, 0.44%

LAB 73.35, -26.52, 68.62

 

CMYK 0 / 77 / 82 / 25

HEX #BF2C22

RGB 191 44 34

HSL 3.82, 0.7%, 0.44%

LAB 42.75, 56.86, 42.08

 

CMYK 0 / 87 / 92 / 18

HEX #D11C10

RGB 209 28 16

HSL 3.73, 0.86%, 0.44%

LAB 44.83, 65.67, 53.36

 

CMYK 0 / 77 / 82 / 25

HEX #BF2C22

RGB 191 44 34

HSL 3.82, 0.7%, 0.44%

LAB 42.75, 56.86, 42.08

 

CMYK 0 / 65 / 70 / 32

HEX #AD3C34

RGB 173 60 52

HSL 3.97, 0.54%, 0.44%

LAB 41.79, 45.65, 29.93

 

CMYK 0 / 51 / 55 / 40

HEX #9A4B46

RGB 154 75 70

HSL 3.57, 0.38%, 0.44%

LAB 41.76, 32.47, 18.39

 

CMYK 0 / 33 / 35 / 47

HEX #885B58

RGB 136 91 88

HSL 3.75, 0.21%, 0.44%

LAB 43.39, 18.09, 9.26

 

CMYK 0 / 9 / 10 / 54

HEX #766B6A

RGB 118 107 106

HSL 5, 0.05%, 0.44%

LAB 46.19, 4.12, 2.12

 

CMYK 0 / 82 / 42 / 25

HEX #BF226E

RGB 191 34 110

HSL 330.96, 0.7%, 0.44%

LAB 43.28, 64.29, -3.37

 

CMYK 0 / 82 / 64 / 25

HEX #BF2244

RGB 191 34 68

HSL 347.01, 0.7%, 0.44%

LAB 42.21, 61.12, 21.44

 

CMYK 0 / 78 / 82 / 25

HEX #BF2A22

RGB 191 42 34

HSL 3.06, 0.7%, 0.44%

LAB 42.53, 57.48, 41.87

 

CMYK 0 / 57 / 82 / 25

HEX #BF5322

RGB 191 83 34

HSL 18.73, 0.7%, 0.44%

LAB 48.73, 40.77, 47.67

 

CMYK 0 / 35 / 82 / 25

HEX #BF7D22

RGB 191 125 34

HSL 34.78, 0.7%, 0.44%

LAB 57.9, 18.48, 55.94

 

CMYK 0 / 77 / 83 / 53

HEX #791C15

RGB 121 28 21

HSL 4.2, 0.7%, 0.28%

LAB 26.59, 39.45, 28.68

 

CMYK 0 / 77 / 83 / 39

HEX #9C241B

RGB 156 36 27

HSL 4.19, 0.7%, 0.36%

LAB 34.82, 48.35, 35.8

 

CMYK 0 / 77 / 82 / 25

HEX #BF2C22

RGB 191 44 34

HSL 3.82, 0.7%, 0.44%

LAB 42.75, 56.86, 42.08

 

CMYK 0 / 73 / 78 / 15

HEX #DA3A2F

RGB 218 58 47

HSL 3.86, 0.7%, 0.52%

LAB 49.66, 60.93, 43.76

 

CMYK 0 / 60 / 64 / 12

HEX #E15B52

RGB 225 91 82

HSL 3.78, 0.7%, 0.6%

LAB 56.19, 51.67, 32.11

 

CMYK 0 / 77 / 82 / 25

HEX #BF2C22

RGB 191 44 34

HSL 3.82, 0.7%, 0.44%

LAB 42.75, 56.86, 42.08

 

CMYK 21 / 0 / 82 / 25

HEX #97BF22

RGB 151 191 34

HSL 75.29, 0.7%, 0.44%

LAB 72.2, -33.49, 67.17

 

CMYK 82 / 53 / 0 / 25

HEX #2259BF

RGB 34 89 191

HSL 218.98, 0.7%, 0.44%

LAB 39.99, 20.4, -58.52

 

CMYK 0 / 77 / 82 / 25

HEX #BF2C22

RGB 191 44 34

HSL 3.82, 0.7%, 0.44%

LAB 42.75, 56.86, 42.08

 

CMYK 82 / 0 / 78 / 25

HEX #22BF2A

RGB 34 191 42

HSL 123.06, 0.7%, 0.44%

LAB 67.85, -65.48, 59.29

 

CMYK 78 / 82 / 0 / 25

HEX #2A22BF

RGB 42 34 191

HSL 243.06, 0.7%, 0.44%

LAB 27.84, 54.19, -78.46

 

CMYK 0 / 77 / 82 / 25

HEX #BF2C22

RGB 191 44 34

HSL 3.82, 0.7%, 0.44%

LAB 42.75, 56.86, 42.08

 

CMYK 21 / 0 / 82 / 25

HEX #97BF22

RGB 151 191 34

HSL 75.29, 0.7%, 0.44%

LAB 72.2, -33.49, 67.17

 

CMYK 82 / 4 / 0 / 25

HEX #22B7BF

RGB 34 183 191

HSL 183.06, 0.7%, 0.44%

LAB 68, -33.39, -14.65

 

CMYK 62 / 82 / 0 / 25

HEX #4922BF

RGB 73 34 191

HSL 254.9, 0.7%, 0.44%

LAB 30.21, 56.59, -74.46

 

CMYK 0 / 77 / 82 / 25

HEX #BF2C22

RGB 191 44 34

HSL 3.82, 0.7%, 0.44%

LAB 42.75, 56.86, 42.08

 

CMYK 46 / 0 / 82 / 25

HEX #68BF22

RGB 104 191 34

HSL 93.25, 0.7%, 0.44%

LAB 69.7, -50.62, 63.99

 

CMYK 82 / 4 / 0 / 25

HEX #22B7BF

RGB 34 183 191

HSL 183.06, 0.7%, 0.44%

LAB 68, -33.39, -14.65

 

CMYK 37 / 82 / 0 / 25

HEX #7822BF

RGB 120 34 191

HSL 272.87, 0.7%, 0.44%

LAB 35.79, 62.42, -65.09

 

Description

Color code: HEX #BF2C22 | qconv.com Color code: HEX #BF2C22 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 44 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 44 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 82 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 82% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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