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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF2A43 it is the complementary color #40D5BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF2A43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF2A43 shade: #C42A3E, #D53C51, #E64E64, #F76077 and #FF728A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF2A43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF2A43 shade: #BF2A43, #AE1830, #9D061D, #8C000A and #7B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF2A43 shade: #C02A43 and #C02A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF2A43 shade: #C02A43, #C02A6C, #C02A94, #C02ABD and #9B2AC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF2A43 shade matches the following richer shades: #C02A43, #D31737 and #E6042A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF2A43 shade: #C02A43, #AD3D50, #9A505D, #876369 and #747676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF2A43 shade: #C02A96, #C02A6E, #C02A46, #C0372A and #C05F2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF2A43 shade: #7D1B2C, #9F2338, #C02A43, #D53F58 and #DC6176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF2A43 shade: #BF2A43, #BEC02A and #2A82C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF2A43 shade: #BF2A43, #46C02A and #2A46C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF2A43 shade: #BF2A43, #BEC02A, #2AC0A5 and #2D2AC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF2A43 shade: #BF2A43, #91C02A, #2AC0A5 and #5A2AC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 65 / 25

HEX #BF2A43

RGB 191 42 67

HSL 349.93, 0.64%, 0.46%

LAB 42.97, 58.87, 23.04

 

Complementary color

CMYK 70 / 0 / 12 / 16

HEX #40D5BC

RGB 64 213 188

HSL 169.93, 0.64%, 0.54%

LAB 77.47, -44.53, 1.07

 

CMYK 0 / 79 / 68 / 23

HEX #C42A3E

RGB 196 42 62

HSL 352.21, 0.65%, 0.47%

LAB 43.86, 60.04, 27.43

 

CMYK 0 / 72 / 62 / 16

HEX #D53C51

RGB 213 60 81

HSL 351.76, 0.65%, 0.54%

LAB 49.46, 60.31, 23.71

 

CMYK 0 / 66 / 57 / 10

HEX #E64E64

RGB 230 78 100

HSL 351.32, 0.75%, 0.6%

LAB 55.27, 60.04, 20.63

 

CMYK 0 / 61 / 52 / 3

HEX #F76077

RGB 247 96 119

HSL 350.86, 0.9%, 0.67%

LAB 61.2, 59.45, 18.05

 

CMYK 0 / 55 / 46 / 0

HEX #FF728A

RGB 255 114 138

HSL 349.79, 1%, 0.72%

LAB 65.85, 55.73, 13.8

 

CMYK 0 / 78 / 65 / 25

HEX #BF2A43

RGB 191 42 67

HSL 349.93, 0.64%, 0.46%

LAB 42.97, 58.87, 23.04

 

CMYK 0 / 86 / 72 / 32

HEX #AE1830

RGB 174 24 48

HSL 350.4, 0.76%, 0.39%

LAB 37.6, 57.77, 27.43

 

CMYK 0 / 96 / 82 / 38

HEX #9D061D

RGB 157 6 29

HSL 350.86, 0.93%, 0.32%

LAB 32.67, 55.46, 32.59

 

CMYK 0 / 100 / 93 / 45

HEX #8C000A

RGB 140 0 10

HSL 355.71, 1%, 0.27%

LAB 28.37, 51.44, 37.55

 

CMYK 0 / 100 / 100 / 52

HEX #7B0000

RGB 123 0 0

HSL 0, 1%, 0.24%

LAB 24.36, 46.7, 36.53

 

CMYK 0 / 78 / 65 / 25

HEX #C02A43

RGB 192 42 67

HSL 350, 0.64%, 0.46%

LAB 43.16, 59.16, 23.33

 

CMYK 0 / 78 / 78 / 25

HEX #C02A2A

RGB 192 42 42

HSL 0, 0.64%, 0.46%

LAB 42.81, 58.02, 37.84

 

CMYK 0 / 78 / 65 / 25

HEX #C02A43

RGB 192 42 67

HSL 350, 0.64%, 0.46%

LAB 43.16, 59.16, 23.33

 

CMYK 0 / 78 / 44 / 25

HEX #C02A6C

RGB 192 42 108

HSL 333.6, 0.64%, 0.46%

LAB 44.15, 62.24, -0.82

 

CMYK 0 / 78 / 23 / 25

HEX #C02A94

RGB 192 42 148

HSL 317.6, 0.64%, 0.46%

LAB 45.63, 66.67, -23.06

 

CMYK 0 / 78 / 2 / 25

HEX #C02ABD

RGB 192 42 189

HSL 301.2, 0.64%, 0.46%

LAB 47.67, 72.49, -44.18

 

CMYK 19 / 78 / 0 / 25

HEX #9B2AC0

RGB 155 42 192

HSL 285.2, 0.64%, 0.46%

LAB 41.89, 65.88, -55.52

 

CMYK 0 / 78 / 65 / 25

HEX #C02A43

RGB 192 42 67

HSL 350, 0.64%, 0.46%

LAB 43.16, 59.16, 23.33

 

CMYK 0 / 89 / 74 / 17

HEX #D31737

RGB 211 23 55

HSL 349.79, 0.8%, 0.46%

LAB 45.27, 68.03, 34.07

 

CMYK 0 / 98 / 82 / 10

HEX #E6042A

RGB 230 4 42

HSL 349.91, 0.97%, 0.46%

LAB 48.36, 74.36, 45.93

 

CMYK 0 / 78 / 65 / 25

HEX #C02A43

RGB 192 42 67

HSL 350, 0.64%, 0.46%

LAB 43.16, 59.16, 23.33

 

CMYK 0 / 65 / 54 / 32

HEX #AD3D50

RGB 173 61 80

HSL 349.82, 0.48%, 0.46%

LAB 42.46, 47.13, 13.71

 

CMYK 0 / 48 / 40 / 40

HEX #9A505D

RGB 154 80 93

HSL 349.46, 0.32%, 0.46%

LAB 43.36, 32.19, 6.49

 

CMYK 0 / 27 / 22 / 47

HEX #876369

RGB 135 99 105

HSL 350, 0.15%, 0.46%

LAB 45.76, 15.51, 2.33

 

CMYK 2 / 0 / 0 / 54

HEX #747676

RGB 116 118 118

HSL 180, 0.01%, 0.46%

LAB 49.47, -0.75, -0.27

 

CMYK 0 / 78 / 22 / 25

HEX #C02A96

RGB 192 42 150

HSL 316.8, 0.64%, 0.46%

LAB 45.72, 66.93, -24.13

 

CMYK 0 / 78 / 43 / 25

HEX #C02A6E

RGB 192 42 110

HSL 332.8, 0.64%, 0.46%

LAB 44.22, 62.43, -1.97

 

CMYK 0 / 78 / 64 / 25

HEX #C02A46

RGB 192 42 70

HSL 348.8, 0.64%, 0.46%

LAB 43.22, 59.33, 21.55

 

CMYK 0 / 71 / 78 / 25

HEX #C0372A

RGB 192 55 42

HSL 5.2, 0.64%, 0.46%

LAB 44.38, 53.64, 39.49

 

CMYK 0 / 51 / 78 / 25

HEX #C05F2A

RGB 192 95 42

HSL 21.2, 0.64%, 0.46%

LAB 51.33, 35.37, 46.53

 

CMYK 0 / 78 / 65 / 51

HEX #7D1B2C

RGB 125 27 44

HSL 349.59, 0.64%, 0.3%

LAB 27.64, 42.32, 15.38

 

CMYK 0 / 78 / 65 / 38

HEX #9F2338

RGB 159 35 56

HSL 349.84, 0.64%, 0.38%

LAB 35.71, 50.94, 19.36

 

CMYK 0 / 78 / 65 / 25

HEX #C02A43

RGB 192 42 67

HSL 350, 0.64%, 0.46%

LAB 43.16, 59.16, 23.33

 

CMYK 0 / 70 / 59 / 16

HEX #D53F58

RGB 213 63 88

HSL 350, 0.64%, 0.54%

LAB 49.98, 59.68, 20.19

 

CMYK 0 / 56 / 46 / 14

HEX #DC6176

RGB 220 97 118

HSL 349.76, 0.64%, 0.62%

LAB 57.15, 49.99, 12.38

 

CMYK 0 / 78 / 65 / 25

HEX #BF2A43

RGB 191 42 67

HSL 349.93, 0.64%, 0.46%

LAB 42.97, 58.87, 23.04

 

CMYK 1 / 0 / 78 / 25

HEX #BEC02A

RGB 190 192 42

HSL 60.8, 0.64%, 0.46%

LAB 75.34, -17.43, 68.84

 

CMYK 78 / 32 / 0 / 25

HEX #2A82C0

RGB 42 130 192

HSL 204.8, 0.64%, 0.46%

LAB 52.13, -4.16, -39.66

 

CMYK 0 / 78 / 65 / 25

HEX #BF2A43

RGB 191 42 67

HSL 349.93, 0.64%, 0.46%

LAB 42.97, 58.87, 23.04

 

CMYK 64 / 0 / 78 / 25

HEX #46C02A

RGB 70 192 42

HSL 108.8, 0.64%, 0.46%

LAB 68.87, -59.8, 60.51

 

CMYK 78 / 64 / 0 / 25

HEX #2A46C0

RGB 42 70 192

HSL 228.8, 0.64%, 0.46%

LAB 35.36, 33.98, -66.65

 

CMYK 0 / 78 / 65 / 25

HEX #BF2A43

RGB 191 42 67

HSL 349.93, 0.64%, 0.46%

LAB 42.97, 58.87, 23.04

 

CMYK 1 / 0 / 78 / 25

HEX #BEC02A

RGB 190 192 42

HSL 60.8, 0.64%, 0.46%

LAB 75.34, -17.43, 68.84

 

CMYK 78 / 0 / 14 / 25

HEX #2AC0A5

RGB 42 192 165

HSL 169.2, 0.64%, 0.46%

LAB 70.11, -44.13, 2.77

 

CMYK 77 / 78 / 0 / 25

HEX #2D2AC0

RGB 45 42 192

HSL 241.2, 0.64%, 0.46%

LAB 29.46, 50.8, -76.36

 

CMYK 0 / 78 / 65 / 25

HEX #BF2A43

RGB 191 42 67

HSL 349.93, 0.64%, 0.46%

LAB 42.97, 58.87, 23.04

 

CMYK 24 / 0 / 78 / 25

HEX #91C02A

RGB 145 192 42

HSL 78.8, 0.64%, 0.46%

LAB 72.15, -36, 64.77

 

CMYK 78 / 0 / 14 / 25

HEX #2AC0A5

RGB 42 192 165

HSL 169.2, 0.64%, 0.46%

LAB 70.11, -44.13, 2.77

 

CMYK 53 / 78 / 0 / 25

HEX #5A2AC0

RGB 90 42 192

HSL 259.2, 0.64%, 0.46%

LAB 33.21, 55.41, -70.04

 

Description

Color code: HEX #BF2A43 | qconv.com Color code: HEX #BF2A43 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 42 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 42 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 65 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 65% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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