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Color name
HEX #BF28E5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF28E5 it is the complementary color #40D71A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF28E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF28E5 shade: #C428E0, #D53AF3, #E64CFF, #F75EFF and #FF70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF28E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF28E5 shade: #BF28E5, #AE16D2, #9D04BF, #8C00AC and #7B0099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF28E5 shade: #BF2AE5, #E52AD8, #E52AA5, #E52A73 and #E52A41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF28E5 shade: #BF2AE5, #8D2AE5, #5A2AE5 and #2A2AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF28E5 shade matches the following richer shades: #BF2AE5 and #CB16F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF28E5 shade: #BF2AE5, #B33DD1, #A850BE, #9C64AA and #917797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF28E5 shade: #582AE5, #8A2AE5, #BC2AE5, #E52ADB and #E52AA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF28E5 shade: #8A15A7, #A819CC, #BF2AE5, #CA4EE9 and #D573EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF28E5 shade: #BF28E5, #E52A2D and #2AE571

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF28E5 shade: #BF28E5, #E5BC2A and #2AE5BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF28E5 shade: #BF28E5, #E52A2D, #52E52A and #2AE5E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF28E5 shade: #BF28E5, #E55F2A, #52E52A and #2AB0E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 83 / 0 / 10

HEX #BF28E5

RGB 191 40 229

HSL 287.94, 0.78%, 0.53%

LAB 49.8, 79.44, -63.76

 

Complementary color

CMYK 70 / 0 / 88 / 16

HEX #40D71A

RGB 64 215 26

HSL 107.94, 0.78%, 0.47%

LAB 75.93, -69.17, 70.79

 

CMYK 13 / 82 / 0 / 12

HEX #C428E0

RGB 196 40 224

HSL 290.87, 0.75%, 0.52%

LAB 50.26, 79.42, -60.14

 

CMYK 12 / 76 / 0 / 5

HEX #D53AF3

RGB 213 58 243

HSL 290.27, 0.89%, 0.59%

LAB 55.73, 80.9, -61.9

 

CMYK 10 / 70 / 0 / 0

HEX #E64CFF

RGB 230 76 255

HSL 291.62, 1%, 0.65%

LAB 60.97, 80.48, -60.03

 

CMYK 3 / 63 / 0 / 0

HEX #F75EFF

RGB 247 94 255

HSL 297.02, 1%, 0.68%

LAB 65.75, 77.53, -52.27

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 17 / 83 / 0 / 10

HEX #BF28E5

RGB 191 40 229

HSL 287.94, 0.78%, 0.53%

LAB 49.8, 79.44, -63.76

 

CMYK 17 / 90 / 0 / 18

HEX #AE16D2

RGB 174 22 210

HSL 288.51, 0.81%, 0.45%

LAB 44.55, 77.04, -61.52

 

CMYK 18 / 98 / 0 / 25

HEX #9D04BF

RGB 157 4 191

HSL 289.09, 0.96%, 0.38%

LAB 39.61, 73.47, -58.61

 

CMYK 19 / 100 / 0 / 33

HEX #8C00AC

RGB 140 0 172

HSL 288.84, 1%, 0.34%

LAB 35.11, 68.21, -54.78

 

CMYK 20 / 100 / 0 / 40

HEX #7B0099

RGB 123 0 153

HSL 288.24, 1%, 0.3%

LAB 30.67, 62.39, -50.63

 

CMYK 17 / 82 / 0 / 10

HEX #BF2AE5

RGB 191 42 229

HSL 287.81, 0.78%, 0.53%

LAB 49.97, 78.95, -63.49

 

CMYK 0 / 82 / 6 / 10

HEX #E52AD8

RGB 229 42 216

HSL 304.17, 0.78%, 0.53%

LAB 55.35, 83.69, -47.14

 

CMYK 0 / 82 / 28 / 10

HEX #E52AA5

RGB 229 42 165

HSL 320.53, 0.78%, 0.53%

LAB 52.98, 77.14, -21.32

 

CMYK 0 / 82 / 50 / 10

HEX #E52A73

RGB 229 42 115

HSL 336.58, 0.78%, 0.53%

LAB 51.33, 72.35, 6.14

 

CMYK 0 / 82 / 72 / 10

HEX #E52A41

RGB 229 42 65

HSL 352.62, 0.78%, 0.53%

LAB 50.33, 69.37, 34.96

 

CMYK 17 / 82 / 0 / 10

HEX #BF2AE5

RGB 191 42 229

HSL 287.81, 0.78%, 0.53%

LAB 49.97, 78.95, -63.49

 

CMYK 38 / 82 / 0 / 10

HEX #8D2AE5

RGB 141 42 229

HSL 271.76, 0.78%, 0.53%

LAB 42.73, 71.26, -75.58

 

CMYK 61 / 82 / 0 / 10

HEX #5A2AE5

RGB 90 42 229

HSL 255.4, 0.78%, 0.53%

LAB 36.91, 65.27, -85.37

 

CMYK 82 / 82 / 0 / 10

HEX #2A2AE5

RGB 42 42 229

HSL 240, 0.78%, 0.53%

LAB 33.57, 61.97, -91

 

CMYK 17 / 82 / 0 / 10

HEX #BF2AE5

RGB 191 42 229

HSL 287.81, 0.78%, 0.53%

LAB 49.97, 78.95, -63.49

 

CMYK 18 / 91 / 0 / 3

HEX #CB16F8

RGB 203 22 248

HSL 288.05, 0.94%, 0.53%

LAB 51.89, 87.78, -70.97

 

CMYK 17 / 82 / 0 / 10

HEX #BF2AE5

RGB 191 42 229

HSL 287.81, 0.78%, 0.53%

LAB 49.97, 78.95, -63.49

 

CMYK 14 / 71 / 0 / 18

HEX #B33DD1

RGB 179 61 209

HSL 287.84, 0.62%, 0.53%

LAB 48.91, 67.19, -53.88

 

CMYK 12 / 58 / 0 / 25

HEX #A850BE

RGB 168 80 190

HSL 288, 0.46%, 0.53%

LAB 49.23, 52.77, -42.51

 

CMYK 8 / 41 / 0 / 33

HEX #9C64AA

RGB 156 100 170

HSL 288, 0.29%, 0.53%

LAB 50.79, 34.71, -28.53

 

CMYK 4 / 21 / 0 / 41

HEX #917797

RGB 145 119 151

HSL 288.75, 0.13%, 0.53%

LAB 53.44, 16.12, -13.48

 

CMYK 62 / 82 / 0 / 10

HEX #582AE5

RGB 88 42 229

HSL 254.76, 0.78%, 0.53%

LAB 36.72, 65.09, -85.68

 

CMYK 40 / 82 / 0 / 10

HEX #8A2AE5

RGB 138 42 229

HSL 270.8, 0.78%, 0.53%

LAB 42.33, 70.84, -76.25

 

CMYK 18 / 82 / 0 / 10

HEX #BC2AE5

RGB 188 42 229

HSL 286.84, 0.78%, 0.53%

LAB 49.5, 78.45, -64.26

 

CMYK 0 / 82 / 4 / 10

HEX #E52ADB

RGB 229 42 219

HSL 303.21, 0.78%, 0.53%

LAB 55.51, 84.12, -48.59

 

CMYK 0 / 82 / 26 / 10

HEX #E52AA9

RGB 229 42 169

HSL 319.25, 0.78%, 0.53%

LAB 53.14, 77.6, -23.43

 

CMYK 17 / 87 / 0 / 35

HEX #8A15A7

RGB 138 21 167

HSL 288.08, 0.78%, 0.37%

LAB 35.46, 63.86, -51.23

 

CMYK 18 / 88 / 0 / 20

HEX #A819CC

RGB 168 25 204

HSL 287.93, 0.78%, 0.45%

LAB 43.33, 74.55, -60.08

 

CMYK 17 / 82 / 0 / 10

HEX #BF2AE5

RGB 191 42 229

HSL 287.81, 0.78%, 0.53%

LAB 49.97, 78.95, -63.49

 

CMYK 13 / 67 / 0 / 9

HEX #CA4EE9

RGB 202 78 233

HSL 288, 0.78%, 0.61%

LAB 55.98, 69.96, -56

 

CMYK 11 / 52 / 0 / 7

HEX #D573EE

RGB 213 115 238

HSL 287.8, 0.78%, 0.69%

LAB 63.82, 56.88, -46.24

 

CMYK 17 / 83 / 0 / 10

HEX #BF28E5

RGB 191 40 229

HSL 287.94, 0.78%, 0.53%

LAB 49.8, 79.44, -63.76

 

CMYK 0 / 82 / 80 / 10

HEX #E52A2D

RGB 229 42 45

HSL 359.04, 0.78%, 0.53%

LAB 50.1, 68.67, 45.95

 

CMYK 82 / 0 / 51 / 10

HEX #2AE571

RGB 42 229 113

HSL 142.78, 0.78%, 0.53%

LAB 80.58, -68.64, 43.93

 

CMYK 17 / 83 / 0 / 10

HEX #BF28E5

RGB 191 40 229

HSL 287.94, 0.78%, 0.53%

LAB 49.8, 79.44, -63.76

 

CMYK 0 / 18 / 82 / 10

HEX #E5BC2A

RGB 229 188 42

HSL 46.84, 0.78%, 0.53%

LAB 77.75, 1.44, 72.29

 

CMYK 82 / 0 / 18 / 10

HEX #2AE5BC

RGB 42 229 188

HSL 166.84, 0.78%, 0.53%

LAB 81.93, -53.59, 7.48

 

CMYK 17 / 83 / 0 / 10

HEX #BF28E5

RGB 191 40 229

HSL 287.94, 0.78%, 0.53%

LAB 49.8, 79.44, -63.76

 

CMYK 0 / 82 / 80 / 10

HEX #E52A2D

RGB 229 42 45

HSL 359.04, 0.78%, 0.53%

LAB 50.1, 68.67, 45.95

 

CMYK 64 / 0 / 82 / 10

HEX #52E52A

RGB 82 229 42

HSL 107.17, 0.78%, 0.53%

LAB 80.74, -69.44, 71.7

 

CMYK 82 / 0 / 1 / 10

HEX #2AE5E2

RGB 42 229 226

HSL 179.04, 0.78%, 0.53%

LAB 82.93, -43.45, -11.16

 

CMYK 17 / 83 / 0 / 10

HEX #BF28E5

RGB 191 40 229

HSL 287.94, 0.78%, 0.53%

LAB 49.8, 79.44, -63.76

 

CMYK 0 / 59 / 82 / 10

HEX #E55F2A

RGB 229 95 42

HSL 17.01, 0.78%, 0.53%

LAB 57.08, 49.48, 54.02

 

CMYK 64 / 0 / 82 / 10

HEX #52E52A

RGB 82 229 42

HSL 107.17, 0.78%, 0.53%

LAB 80.74, -69.44, 71.7

 

CMYK 82 / 23 / 0 / 10

HEX #2AB0E5

RGB 42 176 229

HSL 197.01, 0.78%, 0.53%

LAB 67.43, -16.83, -36.4

 

Description

Color code: HEX #BF28E5 | qconv.com Color code: HEX #BF28E5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 40 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 40 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 83 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 83% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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