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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF1F3C it is the complementary color #40E0C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF1F3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF1F3C shade: #C41F37, #D5314A, #E6435D, #F75570 and #FF6783

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF1F3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF1F3C shade: #BF1F3C, #AE0D29, #9D0016, #8C0003 and #7B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF1F3C shade: #C11F3D and #C11F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF1F3C shade: #C11F3D, #C11F68, #C11F94, #C11FBF and #971FC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF1F3C shade matches the following richer shades: #C11F3D and #D30D31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF1F3C shade: #C11F3D, #AF3248, #9D4454, #8B565F and #78686B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF1F3C shade: #C11F93, #C11F68, #C11F3D, #C12D1F and #C1581F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF1F3C shade: #7A1426, #9E1A32, #C11F3D, #DD2D4D and #E3506B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF1F3C shade: #BF1F3C, #BEC11F and #1F7EC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF1F3C shade: #BF1F3C, #3DC11F and #1F3DC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF1F3C shade: #BF1F3C, #BEC11F, #1FC1A3 and #221FC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF1F3C shade: #BF1F3C, #8EC11F, #1FC1A3 and #531FC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 69 / 25

HEX #BF1F3C

RGB 191 31 60

HSL 349.13, 0.72%, 0.44%

LAB 41.82, 61.42, 25.92

 

Complementary color

CMYK 71 / 0 / 13 / 12

HEX #40E0C3

RGB 64 224 195

HSL 169.13, 0.72%, 0.56%

LAB 80.93, -47.46, 2.37

 

CMYK 0 / 84 / 72 / 23

HEX #C41F37

RGB 196 31 55

HSL 351.27, 0.73%, 0.45%

LAB 42.75, 62.55, 30.35

 

CMYK 0 / 77 / 65 / 16

HEX #D5314A

RGB 213 49 74

HSL 350.85, 0.66%, 0.51%

LAB 48.05, 63.48, 26.12

 

CMYK 0 / 71 / 60 / 10

HEX #E6435D

RGB 230 67 93

HSL 350.43, 0.77%, 0.58%

LAB 53.63, 63.69, 22.59

 

CMYK 0 / 66 / 55 / 3

HEX #F75570

RGB 247 85 112

HSL 350, 0.91%, 0.65%

LAB 59.38, 63.42, 19.64

 

CMYK 0 / 60 / 49 / 0

HEX #FF6783

RGB 255 103 131

HSL 348.95, 1%, 0.7%

LAB 63.84, 60.01, 14.98

 

CMYK 0 / 84 / 69 / 25

HEX #BF1F3C

RGB 191 31 60

HSL 349.13, 0.72%, 0.44%

LAB 41.82, 61.42, 25.92

 

CMYK 0 / 93 / 76 / 32

HEX #AE0D29

RGB 174 13 41

HSL 349.57, 0.86%, 0.37%

LAB 36.83, 59.41, 30.87

 

CMYK 0 / 100 / 86 / 38

HEX #9D0016

RGB 157 0 22

HSL 351.59, 1%, 0.31%

LAB 32.32, 56.11, 36.3

 

CMYK 0 / 100 / 98 / 45

HEX #8C0003

RGB 140 0 3

HSL 358.71, 1%, 0.27%

LAB 28.33, 51.32, 40.37

 

CMYK 0 / 100 / 100 / 52

HEX #7B0000

RGB 123 0 0

HSL 0, 1%, 0.24%

LAB 24.36, 46.7, 36.53

 

CMYK 0 / 84 / 68 / 24

HEX #C11F3D

RGB 193 31 61

HSL 348.89, 0.72%, 0.44%

LAB 42.24, 62.01, 25.91

 

CMYK 0 / 84 / 84 / 24

HEX #C11F1F

RGB 193 31 31

HSL 0, 0.72%, 0.44%

LAB 41.87, 60.91, 42.97

 

CMYK 0 / 84 / 68 / 24

HEX #C11F3D

RGB 193 31 61

HSL 348.89, 0.72%, 0.44%

LAB 42.24, 62.01, 25.91

 

CMYK 0 / 84 / 46 / 24

HEX #C11F68

RGB 193 31 104

HSL 332.96, 0.72%, 0.44%

LAB 43.24, 64.95, 0.35

 

CMYK 0 / 84 / 23 / 24

HEX #C11F94

RGB 193 31 148

HSL 316.67, 0.72%, 0.44%

LAB 44.88, 69.6, -24.22

 

CMYK 0 / 84 / 1 / 24

HEX #C11FBF

RGB 193 31 191

HSL 300.74, 0.72%, 0.44%

LAB 47.08, 75.54, -46.28

 

CMYK 22 / 84 / 0 / 24

HEX #971FC1

RGB 151 31 193

HSL 284.44, 0.72%, 0.44%

LAB 40.26, 68.52, -58.77

 

CMYK 0 / 84 / 68 / 24

HEX #C11F3D

RGB 193 31 61

HSL 348.89, 0.72%, 0.44%

LAB 42.24, 62.01, 25.91

 

CMYK 0 / 94 / 77 / 17

HEX #D30D31

RGB 211 13 49

HSL 349.09, 0.88%, 0.44%

LAB 44.74, 69.13, 37.02

 

CMYK 0 / 84 / 68 / 24

HEX #C11F3D

RGB 193 31 61

HSL 348.89, 0.72%, 0.44%

LAB 42.24, 62.01, 25.91

 

CMYK 0 / 71 / 59 / 31

HEX #AF3248

RGB 175 50 72

HSL 349.44, 0.56%, 0.44%

LAB 41, 51.66, 16.77

 

CMYK 0 / 57 / 46 / 38

HEX #9D4454

RGB 157 68 84

HSL 349.21, 0.4%, 0.44%

LAB 41.12, 38.61, 8.96

 

CMYK 0 / 38 / 32 / 45

HEX #8B565F

RGB 139 86 95

HSL 349.81, 0.24%, 0.44%

LAB 42.72, 23.21, 4.08

 

CMYK 0 / 13 / 11 / 53

HEX #78686B

RGB 120 104 107

HSL 348.75, 0.07%, 0.44%

LAB 45.57, 6.89, 0.65

 

CMYK 0 / 84 / 24 / 24

HEX #C11F93

RGB 193 31 147

HSL 317.04, 0.72%, 0.44%

LAB 44.83, 69.47, -23.68

 

CMYK 0 / 84 / 46 / 24

HEX #C11F68

RGB 193 31 104

HSL 332.96, 0.72%, 0.44%

LAB 43.24, 64.95, 0.35

 

CMYK 0 / 84 / 68 / 24

HEX #C11F3D

RGB 193 31 61

HSL 348.89, 0.72%, 0.44%

LAB 42.24, 62.01, 25.91

 

CMYK 0 / 77 / 84 / 24

HEX #C12D1F

RGB 193 45 31

HSL 5.19, 0.72%, 0.44%

LAB 43.23, 57.07, 44.2

 

CMYK 0 / 54 / 84 / 24

HEX #C1581F

RGB 193 88 31

HSL 21.11, 0.72%, 0.44%

LAB 50, 38.98, 50.23

 

CMYK 0 / 84 / 69 / 52

HEX #7A1426

RGB 122 20 38

HSL 349.41, 0.72%, 0.28%

LAB 26.09, 43.26, 17.28

 

CMYK 0 / 84 / 68 / 38

HEX #9E1A32

RGB 158 26 50

HSL 349.09, 0.72%, 0.36%

LAB 34.47, 52.91, 21.58

 

CMYK 0 / 84 / 68 / 24

HEX #C11F3D

RGB 193 31 61

HSL 348.89, 0.72%, 0.44%

LAB 42.24, 62.01, 25.91

 

CMYK 0 / 80 / 65 / 13

HEX #DD2D4D

RGB 221 45 77

HSL 349.09, 0.72%, 0.52%

LAB 49.23, 67, 26.12

 

CMYK 0 / 65 / 53 / 11

HEX #E3506B

RGB 227 80 107

HSL 348.98, 0.72%, 0.6%

LAB 55.21, 58.82, 16.33

 

CMYK 0 / 84 / 69 / 25

HEX #BF1F3C

RGB 191 31 60

HSL 349.13, 0.72%, 0.44%

LAB 41.82, 61.42, 25.92

 

CMYK 2 / 0 / 84 / 24

HEX #BEC11F

RGB 190 193 31

HSL 61.11, 0.72%, 0.44%

LAB 75.57, -18.27, 71.89

 

CMYK 84 / 35 / 0 / 24

HEX #1F7EC1

RGB 31 126 193

HSL 204.81, 0.72%, 0.44%

LAB 50.76, -2.5, -42.42

 

CMYK 0 / 84 / 69 / 25

HEX #BF1F3C

RGB 191 31 60

HSL 349.13, 0.72%, 0.44%

LAB 41.82, 61.42, 25.92

 

CMYK 68 / 0 / 84 / 24

HEX #3DC11F

RGB 61 193 31

HSL 108.89, 0.72%, 0.44%

LAB 68.92, -62.6, 63.53

 

CMYK 84 / 68 / 0 / 24

HEX #1F3DC1

RGB 31 61 193

HSL 228.89, 0.72%, 0.44%

LAB 32.87, 39.19, -71.33

 

CMYK 0 / 84 / 69 / 25

HEX #BF1F3C

RGB 191 31 60

HSL 349.13, 0.72%, 0.44%

LAB 41.82, 61.42, 25.92

 

CMYK 2 / 0 / 84 / 24

HEX #BEC11F

RGB 190 193 31

HSL 61.11, 0.72%, 0.44%

LAB 75.57, -18.27, 71.89

 

CMYK 84 / 0 / 16 / 24

HEX #1FC1A3

RGB 31 193 163

HSL 168.89, 0.72%, 0.44%

LAB 70.23, -46.08, 4.02

 

CMYK 82 / 84 / 0 / 24

HEX #221FC1

RGB 34 31 193

HSL 241.11, 0.72%, 0.44%

LAB 27.21, 55.72, -80.69

 

CMYK 0 / 84 / 69 / 25

HEX #BF1F3C

RGB 191 31 60

HSL 349.13, 0.72%, 0.44%

LAB 41.82, 61.42, 25.92

 

CMYK 26 / 0 / 84 / 24

HEX #8EC11F

RGB 142 193 31

HSL 78.89, 0.72%, 0.44%

LAB 72.22, -38.05, 67.71

 

CMYK 84 / 0 / 16 / 24

HEX #1FC1A3

RGB 31 193 163

HSL 168.89, 0.72%, 0.44%

LAB 70.23, -46.08, 4.02

 

CMYK 57 / 84 / 0 / 24

HEX #531FC1

RGB 83 31 193

HSL 259.26, 0.72%, 0.44%

LAB 31.04, 59.28, -74.23

 

Description

Color code: HEX #BF1F3C | qconv.com Color code: HEX #BF1F3C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 31 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 31 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 69 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 69% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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