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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF19B7 it is the complementary color #40E648. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF19B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF19B7 shade: #C419B2, #D52BC5, #E63DD8, #F74FEB and #FF61FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF19B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF19B7 shade: #BF19B7, #AE07A4, #9D0091, #8C007E and #7B006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF19B7 shade: #BE19B6, #BE1989, #BE195D, #BE1930 and #BE1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF19B7 shade: #BE19B6, #9919BE, #6D19BE, #4019BE and #1919BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF19B7 shade matches the following richer shades: #BE19B6 and #CF07C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF19B7 shade: #BE19B6, #AC2AA6, #9B3B96, #8A4D87 and #785E77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF19B7 shade: #6B19BE, #9719BE, #BE19B8, #BE198C and #BE1960

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF19B7 shade: #750F70, #991493, #BE19B6, #E21ED8 and #E642DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF19B7 shade: #BF19B7, #BE3F19 and #19BE81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF19B7 shade: #BF19B7, #B8BE19 and #19B8BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF19B7 shade: #BF19B7, #BE3F19, #19BE1E and #1997BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF19B7 shade: #BF19B7, #BE7119, #19BE1E and #1966BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 4 / 25

HEX #BF19B7

RGB 191 25 183

HSL 302.89, 0.77%, 0.42%

LAB 45.89, 75.08, -43.5

 

Complementary color

CMYK 72 / 0 / 69 / 10

HEX #40E648

RGB 64 230 72

HSL 122.89, 0.77%, 0.58%

LAB 80.82, -71.03, 62.08

 

CMYK 0 / 87 / 9 / 23

HEX #C419B2

RGB 196 25 178

HSL 306.32, 0.77%, 0.43%

LAB 46.51, 75.3, -39.53

 

CMYK 0 / 80 / 8 / 16

HEX #D52BC5

RGB 213 43 197

HSL 305.65, 0.67%, 0.5%

LAB 51.73, 77.64, -42.16

 

CMYK 0 / 73 / 6 / 10

HEX #E63DD8

RGB 230 61 216

HSL 304.97, 0.77%, 0.57%

LAB 57.19, 79.06, -44.22

 

CMYK 0 / 68 / 5 / 3

HEX #F74FEB

RGB 247 79 235

HSL 304.29, 0.91%, 0.64%

LAB 62.81, 79.82, -45.85

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FE

RGB 255 97 254

HSL 300.38, 1%, 0.69%

LAB 67.25, 78.04, -49.28

 

CMYK 0 / 87 / 4 / 25

HEX #BF19B7

RGB 191 25 183

HSL 302.89, 0.77%, 0.42%

LAB 45.89, 75.08, -43.5

 

CMYK 0 / 96 / 6 / 32

HEX #AE07A4

RGB 174 7 164

HSL 303.59, 0.92%, 0.35%

LAB 40.95, 71.59, -40.28

 

CMYK 0 / 100 / 8 / 38

HEX #9D0091

RGB 157 0 145

HSL 304.59, 1%, 0.31%

LAB 36.39, 66.61, -36.19

 

CMYK 0 / 100 / 10 / 45

HEX #8C007E

RGB 140 0 126

HSL 306, 1%, 0.27%

LAB 31.99, 60.8, -31.58

 

CMYK 0 / 100 / 13 / 52

HEX #7B006B

RGB 123 0 107

HSL 307.8, 1%, 0.24%

LAB 27.5, 54.85, -26.8

 

CMYK 0 / 87 / 4 / 25

HEX #BE19B6

RGB 190 25 182

HSL 302.91, 0.77%, 0.42%

LAB 45.66, 74.75, -43.29

 

CMYK 0 / 87 / 28 / 25

HEX #BE1989

RGB 190 25 137

HSL 319.27, 0.77%, 0.42%

LAB 43.43, 68.81, -19.82

 

CMYK 0 / 87 / 51 / 25

HEX #BE195D

RGB 190 25 93

HSL 335.27, 0.77%, 0.42%

LAB 41.9, 64.53, 5.24

 

CMYK 0 / 87 / 75 / 25

HEX #BE1930

RGB 190 25 48

HSL 351.64, 0.77%, 0.42%

LAB 40.99, 61.91, 32.22

 

CMYK 0 / 87 / 87 / 25

HEX #BE1919

RGB 190 25 25

HSL 0, 0.77%, 0.42%

LAB 40.76, 61.23, 44.79

 

CMYK 0 / 87 / 4 / 25

HEX #BE19B6

RGB 190 25 182

HSL 302.91, 0.77%, 0.42%

LAB 45.66, 74.75, -43.29

 

CMYK 19 / 87 / 0 / 25

HEX #9919BE

RGB 153 25 190

HSL 286.55, 0.77%, 0.42%

LAB 39.89, 69.67, -57.6

 

CMYK 43 / 87 / 0 / 25

HEX #6D19BE

RGB 109 25 190

HSL 270.55, 0.77%, 0.42%

LAB 33.27, 63.4, -68.68

 

CMYK 66 / 87 / 0 / 25

HEX #4019BE

RGB 64 25 190

HSL 254.18, 0.77%, 0.42%

LAB 28.12, 58.94, -77.36

 

CMYK 87 / 87 / 0 / 25

HEX #1919BE

RGB 25 25 190

HSL 240, 0.77%, 0.42%

LAB 25.62, 56.97, -81.58

 

CMYK 0 / 87 / 4 / 25

HEX #BE19B6

RGB 190 25 182

HSL 302.91, 0.77%, 0.42%

LAB 45.66, 74.75, -43.29

 

CMYK 0 / 97 / 5 / 19

HEX #CF07C5

RGB 207 7 197

HSL 303, 0.93%, 0.42%

LAB 48.82, 81.98, -46.84

 

CMYK 0 / 87 / 4 / 25

HEX #BE19B6

RGB 190 25 182

HSL 302.91, 0.77%, 0.42%

LAB 45.66, 74.75, -43.29

 

CMYK 0 / 76 / 3 / 33

HEX #AC2AA6

RGB 172 42 166

HSL 302.77, 0.61%, 0.42%

LAB 43.03, 64.72, -38.18

 

CMYK 0 / 62 / 3 / 39

HEX #9B3B96

RGB 155 59 150

HSL 303.13, 0.45%, 0.42%

LAB 41.69, 51.63, -30.89

 

CMYK 0 / 44 / 2 / 46

HEX #8A4D87

RGB 138 77 135

HSL 302.95, 0.28%, 0.42%

LAB 41.94, 34.76, -21.59

 

CMYK 0 / 22 / 1 / 53

HEX #785E77

RGB 120 94 119

HSL 302.31, 0.12%, 0.42%

LAB 43.26, 15.25, -10.05

 

CMYK 44 / 87 / 0 / 25

HEX #6B19BE

RGB 107 25 190

HSL 269.82, 0.77%, 0.42%

LAB 33, 63.15, -69.13

 

CMYK 21 / 87 / 0 / 25

HEX #9719BE

RGB 151 25 190

HSL 285.82, 0.77%, 0.42%

LAB 39.57, 69.35, -58.14

 

CMYK 0 / 87 / 3 / 25

HEX #BE19B8

RGB 190 25 184

HSL 302.18, 0.77%, 0.42%

LAB 45.78, 75.05, -44.29

 

CMYK 0 / 87 / 26 / 25

HEX #BE198C

RGB 190 25 140

HSL 318.18, 0.77%, 0.42%

LAB 43.56, 69.16, -21.45

 

CMYK 0 / 87 / 49 / 25

HEX #BE1960

RGB 190 25 96

HSL 334.18, 0.77%, 0.42%

LAB 41.98, 64.77, 3.47

 

CMYK 0 / 87 / 4 / 54

HEX #750F70

RGB 117 15 112

HSL 302.94, 0.77%, 0.26%

LAB 27.55, 51.65, -30.01

 

CMYK 0 / 87 / 4 / 40

HEX #991493

RGB 153 20 147

HSL 302.71, 0.77%, 0.34%

LAB 36.7, 63.39, -36.96

 

CMYK 0 / 87 / 4 / 25

HEX #BE19B6

RGB 190 25 182

HSL 302.91, 0.77%, 0.42%

LAB 45.66, 74.75, -43.29

 

CMYK 0 / 87 / 4 / 11

HEX #E21ED8

RGB 226 30 216

HSL 303.06, 0.77%, 0.5%

LAB 54.09, 85.35, -49.18

 

CMYK 0 / 71 / 3 / 10

HEX #E642DF

RGB 230 66 223

HSL 302.56, 0.77%, 0.58%

LAB 58.08, 78.58, -46.77

 

CMYK 0 / 87 / 4 / 25

HEX #BF19B7

RGB 191 25 183

HSL 302.89, 0.77%, 0.42%

LAB 45.89, 75.08, -43.5

 

CMYK 0 / 67 / 87 / 25

HEX #BE3F19

RGB 190 63 25

HSL 13.82, 0.77%, 0.42%

LAB 45.04, 49.31, 48.32

 

CMYK 87 / 0 / 32 / 25

HEX #19BE81

RGB 25 190 129

HSL 157.82, 0.77%, 0.42%

LAB 68.47, -53.55, 19.96

 

CMYK 0 / 87 / 4 / 25

HEX #BF19B7

RGB 191 25 183

HSL 302.89, 0.77%, 0.42%

LAB 45.89, 75.08, -43.5

 

CMYK 3 / 0 / 87 / 25

HEX #B8BE19

RGB 184 190 25

HSL 62.18, 0.77%, 0.42%

LAB 74.25, -19.5, 71.87

 

CMYK 87 / 3 / 0 / 25

HEX #19B8BE

RGB 25 184 190

HSL 182.18, 0.77%, 0.42%

LAB 68.17, -34.79, -13.84

 

CMYK 0 / 87 / 4 / 25

HEX #BF19B7

RGB 191 25 183

HSL 302.89, 0.77%, 0.42%

LAB 45.89, 75.08, -43.5

 

CMYK 0 / 67 / 87 / 25

HEX #BE3F19

RGB 190 63 25

HSL 13.82, 0.77%, 0.42%

LAB 45.04, 49.31, 48.32

 

CMYK 87 / 0 / 84 / 25

HEX #19BE1E

RGB 25 190 30

HSL 121.82, 0.77%, 0.42%

LAB 67.37, -66.76, 62.16

 

CMYK 87 / 21 / 0 / 25

HEX #1997BE

RGB 25 151 190

HSL 194.18, 0.77%, 0.42%

LAB 58.09, -18.24, -29.24

 

CMYK 0 / 87 / 4 / 25

HEX #BF19B7

RGB 191 25 183

HSL 302.89, 0.77%, 0.42%

LAB 45.89, 75.08, -43.5

 

CMYK 0 / 41 / 87 / 25

HEX #BE7119

RGB 190 113 25

HSL 32, 0.77%, 0.42%

LAB 54.89, 24.38, 56.38

 

CMYK 87 / 0 / 84 / 25

HEX #19BE1E

RGB 25 190 30

HSL 121.82, 0.77%, 0.42%

LAB 67.37, -66.76, 62.16

 

CMYK 87 / 46 / 0 / 25

HEX #1966BE

RGB 25 102 190

HSL 212, 0.77%, 0.42%

LAB 43.4, 10.8, -52.45

 

Description

Color code: HEX #BF19B7 | qconv.com Color code: HEX #BF19B7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 25 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 25 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 4 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 4% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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