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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF145C it is the complementary color #40EBA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF145C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF145C shade: #C41457, #D5266A, #E6387D, #F74A90 and #FF5CA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF145C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF145C shade: #BF145C, #AE0249, #9D0036, #8C0023 and #7B0010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF145C shade: #BD145B, #BD142D and #BD1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF145C shade: #BD145B, #BD1489, #BD14B7, #9614BD and #6914BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF145C shade matches the following richer shades: #BD145B and #CE0358

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF145C shade: #BD145B, #AC255E, #9B3661, #8A4763 and #7A5866

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF145C shade: #BD14B8, #BD148A, #BD145D, #BD1430 and #BD2514

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF145C shade: #730C37, #981049, #BD145B, #E3186D and #EA3984

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF145C shade: #BF145C, #BD9614 and #14A1BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF145C shade: #BF145C, #5DBD14 and #145DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF145C shade: #BF145C, #BD9614, #14BD74 and #143BBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF145C shade: #BF145C, #B2BD14, #14BD74 and #1F14BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 52 / 25

HEX #BF145C

RGB 191 20 92

HSL 334.74, 0.81%, 0.41%

LAB 41.77, 65.57, 5.72

 

Complementary color

CMYK 73 / 0 / 31 / 8

HEX #40EBA3

RGB 64 235 163

HSL 154.74, 0.81%, 0.59%

LAB 83.52, -59.24, 22.82

 

CMYK 0 / 90 / 56 / 23

HEX #C41457

RGB 196 20 87

HSL 337.16, 0.81%, 0.42%

LAB 42.65, 66.43, 10.26

 

CMYK 0 / 82 / 50 / 16

HEX #D5266A

RGB 213 38 106

HSL 336.69, 0.7%, 0.49%

LAB 47.72, 68.55, 6.07

 

CMYK 0 / 76 / 46 / 10

HEX #E6387D

RGB 230 56 125

HSL 336.21, 0.78%, 0.56%

LAB 53.09, 69.71, 2.68

 

CMYK 0 / 70 / 42 / 3

HEX #F74A90

RGB 247 74 144

HSL 335.72, 0.92%, 0.63%

LAB 58.68, 70.2, -0.1

 

CMYK 0 / 64 / 36 / 0

HEX #FF5CA3

RGB 255 92 163

HSL 333.87, 1%, 0.68%

LAB 62.98, 67.68, -4.67

 

CMYK 0 / 90 / 52 / 25

HEX #BF145C

RGB 191 20 92

HSL 334.74, 0.81%, 0.41%

LAB 41.77, 65.57, 5.72

 

CMYK 0 / 99 / 58 / 32

HEX #AE0249

RGB 174 2 73

HSL 335.23, 0.98%, 0.35%

LAB 36.97, 62.37, 10.62

 

CMYK 0 / 100 / 66 / 38

HEX #9D0036

RGB 157 0 54

HSL 339.36, 1%, 0.31%

LAB 32.78, 57.36, 16.75

 

CMYK 0 / 100 / 75 / 45

HEX #8C0023

RGB 140 0 35

HSL 345, 1%, 0.27%

LAB 28.63, 52.15, 23.29

 

CMYK 0 / 100 / 87 / 52

HEX #7B0010

RGB 123 0 16

HSL 352.2, 1%, 0.24%

LAB 24.48, 47.02, 29.69

 

CMYK 0 / 89 / 52 / 26

HEX #BD145B

RGB 189 20 91

HSL 334.79, 0.81%, 0.41%

LAB 41.33, 65.01, 5.68

 

CMYK 0 / 89 / 76 / 26

HEX #BD142D

RGB 189 20 45

HSL 351.12, 0.81%, 0.41%

LAB 40.42, 62.43, 33.33

 

CMYK 0 / 89 / 89 / 26

HEX #BD1414

RGB 189 20 20

HSL 0, 0.81%, 0.41%

LAB 40.2, 61.78, 46.61

 

CMYK 0 / 89 / 52 / 26

HEX #BD145B

RGB 189 20 91

HSL 334.79, 0.81%, 0.41%

LAB 41.33, 65.01, 5.68

 

CMYK 0 / 89 / 28 / 26

HEX #BD1489

RGB 189 20 137

HSL 318.46, 0.81%, 0.41%

LAB 42.95, 69.44, -20.57

 

CMYK 0 / 89 / 3 / 26

HEX #BD14B7

RGB 189 20 183

HSL 302.13, 0.81%, 0.41%

LAB 45.27, 75.5, -44.51

 

CMYK 21 / 89 / 0 / 26

HEX #9614BD

RGB 150 20 189

HSL 286.15, 0.81%, 0.41%

LAB 39, 69.99, -58.48

 

CMYK 44 / 89 / 0 / 26

HEX #6914BD

RGB 105 20 189

HSL 270.18, 0.81%, 0.41%

LAB 32.21, 63.97, -69.86

 

CMYK 0 / 89 / 52 / 26

HEX #BD145B

RGB 189 20 91

HSL 334.79, 0.81%, 0.41%

LAB 41.33, 65.01, 5.68

 

CMYK 0 / 99 / 57 / 19

HEX #CE0358

RGB 206 3 88

HSL 334.88, 0.97%, 0.41%

LAB 44.08, 70.73, 11.93

 

CMYK 0 / 89 / 52 / 26

HEX #BD145B

RGB 189 20 91

HSL 334.79, 0.81%, 0.41%

LAB 41.33, 65.01, 5.68

 

CMYK 0 / 78 / 45 / 33

HEX #AC255E

RGB 172 37 94

HSL 334.67, 0.65%, 0.41%

LAB 39.41, 57.02, 0.58

 

CMYK 0 / 65 / 37 / 39

HEX #9B3661

RGB 155 54 97

HSL 334.46, 0.48%, 0.41%

LAB 38.67, 46.02, -2.77

 

CMYK 0 / 49 / 28 / 46

HEX #8A4763

RGB 138 71 99

HSL 334.93, 0.32%, 0.41%

LAB 39.26, 31.93, -3.46

 

CMYK 0 / 28 / 16 / 52

HEX #7A5866

RGB 122 88 102

HSL 335.29, 0.16%, 0.41%

LAB 41.34, 16.37, -2.49

 

CMYK 0 / 89 / 3 / 26

HEX #BD14B8

RGB 189 20 184

HSL 301.78, 0.81%, 0.41%

LAB 45.33, 75.65, -45

 

CMYK 0 / 89 / 27 / 26

HEX #BD148A

RGB 189 20 138

HSL 318.11, 0.81%, 0.41%

LAB 42.99, 69.55, -21.12

 

CMYK 0 / 89 / 51 / 26

HEX #BD145D

RGB 189 20 93

HSL 334.08, 0.81%, 0.41%

LAB 41.39, 65.16, 4.49

 

CMYK 0 / 89 / 75 / 26

HEX #BD1430

RGB 189 20 48

HSL 350.06, 0.81%, 0.41%

LAB 40.46, 62.54, 31.56

 

CMYK 0 / 80 / 89 / 26

HEX #BD2514

RGB 189 37 20

HSL 6.04, 0.81%, 0.41%

LAB 41.52, 58.01, 47.59

 

CMYK 0 / 90 / 52 / 55

HEX #730C37

RGB 115 12 55

HSL 334.95, 0.81%, 0.25%

LAB 24.27, 44.55, 2.91

 

CMYK 0 / 89 / 52 / 40

HEX #981049

RGB 152 16 73

HSL 334.85, 0.81%, 0.33%

LAB 32.98, 55.05, 4.32

 

CMYK 0 / 89 / 52 / 26

HEX #BD145B

RGB 189 20 91

HSL 334.79, 0.81%, 0.41%

LAB 41.33, 65.01, 5.68

 

CMYK 0 / 89 / 52 / 11

HEX #E3186D

RGB 227 24 109

HSL 334.88, 0.81%, 0.49%

LAB 49.6, 74.81, 7.29

 

CMYK 0 / 76 / 44 / 8

HEX #EA3984

RGB 234 57 132

HSL 334.58, 0.81%, 0.57%

LAB 54.12, 71.09, 0.07

 

CMYK 0 / 90 / 52 / 25

HEX #BF145C

RGB 191 20 92

HSL 334.74, 0.81%, 0.41%

LAB 41.77, 65.57, 5.72

 

CMYK 0 / 21 / 89 / 26

HEX #BD9614

RGB 189 150 20

HSL 46.15, 0.81%, 0.41%

LAB 63.9, 3.5, 64.82

 

CMYK 89 / 15 / 0 / 26

HEX #14A1BD

RGB 20 161 189

HSL 189.94, 0.81%, 0.41%

LAB 61.06, -24.13, -24.1

 

CMYK 0 / 90 / 52 / 25

HEX #BF145C

RGB 191 20 92

HSL 334.74, 0.81%, 0.41%

LAB 41.77, 65.57, 5.72

 

CMYK 51 / 0 / 89 / 26

HEX #5DBD14

RGB 93 189 20

HSL 94.08, 0.81%, 0.41%

LAB 68.59, -53.75, 65.94

 

CMYK 89 / 51 / 0 / 26

HEX #145DBD

RGB 20 93 189

HSL 214.08, 0.81%, 0.41%

LAB 40.66, 15.94, -56.29

 

CMYK 0 / 90 / 52 / 25

HEX #BF145C

RGB 191 20 92

HSL 334.74, 0.81%, 0.41%

LAB 41.77, 65.57, 5.72

 

CMYK 0 / 21 / 89 / 26

HEX #BD9614

RGB 189 150 20

HSL 46.15, 0.81%, 0.41%

LAB 63.9, 3.5, 64.82

 

CMYK 89 / 0 / 39 / 26

HEX #14BD74

RGB 20 189 116

HSL 154.08, 0.81%, 0.41%

LAB 67.88, -56.23, 26.06

 

CMYK 89 / 69 / 0 / 26

HEX #143BBD

RGB 20 59 189

HSL 226.15, 0.81%, 0.41%

LAB 31.69, 38.36, -70.93

 

CMYK 0 / 90 / 52 / 25

HEX #BF145C

RGB 191 20 92

HSL 334.74, 0.81%, 0.41%

LAB 41.77, 65.57, 5.72

 

CMYK 6 / 0 / 89 / 26

HEX #B2BD14

RGB 178 189 20

HSL 63.91, 0.81%, 0.41%

LAB 73.49, -21.68, 71.98

 

CMYK 89 / 0 / 39 / 26

HEX #14BD74

RGB 20 189 116

HSL 154.08, 0.81%, 0.41%

LAB 67.88, -56.23, 26.06

 

CMYK 84 / 89 / 0 / 26

HEX #1F14BD

RGB 31 20 189

HSL 243.91, 0.81%, 0.41%

LAB 25.15, 58.65, -81.76

 

Description

Color code: HEX #BF145C | qconv.com Color code: HEX #BF145C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 20 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 20 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 52% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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