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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF1413 it is the complementary color #40EBEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF1413. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF1413 shade: #C4140E, #D52621, #E63834, #F74A47 and #FF5C5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF1413. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF1413 shade: #BF1413, #AE0200, #9D0000, #8C0000 and #7B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF1413 shade: #BE1413 and #BE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF1413 shade: #BE1413, #BE4213, #BE7013, #BE9F13 and #B0BE13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF1413 shade matches the following richer shades: #BE1413 and #CF0302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF1413 shade: #BE1413, #AD2524, #9C3535, #8C4646 and #7B5756

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF1413 shade: #BE136E, #BE1341, #BE1313, #BE4113 and #BE6E13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF1413 shade: #730C0B, #99100F, #BE1413, #E41817 and #EB3938

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF1413 shade: #BF1413, #9CBE13 and #1357BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF1413 shade: #BF1413, #13BE13 and #1313BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF1413 shade: #BF1413, #9CBE13, #13BEBE and #3513BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF1413 shade: #BF1413, #69BE13, #13BEBE and #6913BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 90 / 25

HEX #BF1413

RGB 191 20 19

HSL 0.35, 0.82%, 0.41%

LAB 40.61, 62.3, 47.54

 

Complementary color

CMYK 73 / 0 / 0 / 7

HEX #40EBEC

RGB 64 235 236

HSL 180.35, 0.82%, 0.59%

LAB 85.28, -41.28, -12.88

 

CMYK 0 / 90 / 93 / 23

HEX #C4140E

RGB 196 20 14

HSL 1.98, 0.87%, 0.41%

LAB 41.64, 63.56, 50.74

 

CMYK 0 / 82 / 85 / 16

HEX #D52621

RGB 213 38 33

HSL 1.67, 0.73%, 0.48%

LAB 46.5, 64.9, 47.62

 

CMYK 0 / 76 / 77 / 10

HEX #E63834

RGB 230 56 52

HSL 1.35, 0.78%, 0.55%

LAB 51.72, 65.33, 43.91

 

CMYK 0 / 70 / 71 / 3

HEX #F74A47

RGB 247 74 71

HSL 1.02, 0.92%, 0.62%

LAB 57.2, 65.16, 40.39

 

CMYK 0 / 64 / 65 / 0

HEX #FF5C5A

RGB 255 92 90

HSL 0.73, 1%, 0.68%

LAB 61.35, 61.72, 35.08

 

CMYK 0 / 90 / 90 / 25

HEX #BF1413

RGB 191 20 19

HSL 0.35, 0.82%, 0.41%

LAB 40.61, 62.3, 47.54

 

CMYK 0 / 99 / 100 / 32

HEX #AE0200

RGB 174 2 0

HSL 0.69, 1%, 0.34%

LAB 36.07, 59.91, 50.39

 

CMYK 0 / 100 / 100 / 38

HEX #9D0000

RGB 157 0 0

HSL 0, 1%, 0.31%

LAB 32.19, 55.76, 46.19

 

CMYK 0 / 100 / 100 / 45

HEX #8C0000

RGB 140 0 0

HSL 0, 1%, 0.27%

LAB 28.32, 51.28, 41.58

 

CMYK 0 / 100 / 100 / 52

HEX #7B0000

RGB 123 0 0

HSL 0, 1%, 0.24%

LAB 24.36, 46.7, 36.53

 

CMYK 0 / 89 / 90 / 25

HEX #BE1413

RGB 190 20 19

HSL 0.35, 0.82%, 0.41%

LAB 40.4, 62.03, 47.29

 

CMYK 0 / 90 / 90 / 25

HEX #BE1313

RGB 190 19 19

HSL 0, 0.82%, 0.41%

LAB 40.34, 62.19, 47.25

 

CMYK 0 / 89 / 90 / 25

HEX #BE1413

RGB 190 20 19

HSL 0.35, 0.82%, 0.41%

LAB 40.4, 62.03, 47.29

 

CMYK 0 / 65 / 90 / 25

HEX #BE4213

RGB 190 66 19

HSL 16.49, 0.82%, 0.41%

LAB 45.48, 47.91, 51.03

 

CMYK 0 / 41 / 90 / 25

HEX #BE7013

RGB 190 112 19

HSL 32.63, 0.82%, 0.41%

LAB 54.64, 24.8, 57.93

 

CMYK 0 / 16 / 90 / 25

HEX #BE9F13

RGB 190 159 19

HSL 49.12, 0.82%, 0.41%

LAB 66.36, -0.93, 66.98

 

CMYK 7 / 0 / 90 / 25

HEX #B0BE13

RGB 176 190 19

HSL 64.91, 0.82%, 0.41%

LAB 73.61, -23.05, 72.18

 

CMYK 0 / 89 / 90 / 25

HEX #BE1413

RGB 190 20 19

HSL 0.35, 0.82%, 0.41%

LAB 40.4, 62.03, 47.29

 

CMYK 0 / 99 / 99 / 19

HEX #CF0302

RGB 207 3 2

HSL 0.29, 0.98%, 0.41%

LAB 43.26, 68.19, 56.79

 

CMYK 0 / 89 / 90 / 25

HEX #BE1413

RGB 190 20 19

HSL 0.35, 0.82%, 0.41%

LAB 40.4, 62.03, 47.29

 

CMYK 0 / 79 / 79 / 32

HEX #AD2524

RGB 173 37 36

HSL 0.44, 0.66%, 0.41%

LAB 38.44, 53.62, 35.51

 

CMYK 0 / 66 / 66 / 39

HEX #9C3535

RGB 156 53 53

HSL 0, 0.49%, 0.41%

LAB 37.61, 42.83, 23.54

 

CMYK 0 / 50 / 50 / 45

HEX #8C4646

RGB 140 70 70

HSL 0, 0.33%, 0.41%

LAB 38.55, 29.64, 13.71

 

CMYK 0 / 29 / 30 / 52

HEX #7B5756

RGB 123 87 86

HSL 1.62, 0.18%, 0.41%

LAB 40.73, 14.75, 6.5

 

CMYK 0 / 90 / 42 / 25

HEX #BE136E

RGB 190 19 110

HSL 328.07, 0.82%, 0.41%

LAB 42.06, 67.01, -5.2

 

CMYK 0 / 90 / 66 / 25

HEX #BE1341

RGB 190 19 65

HSL 343.86, 0.82%, 0.41%

LAB 40.89, 63.74, 21.57

 

CMYK 0 / 90 / 90 / 25

HEX #BE1313

RGB 190 19 19

HSL 0, 0.82%, 0.41%

LAB 40.34, 62.19, 47.25

 

CMYK 0 / 66 / 90 / 25

HEX #BE4113

RGB 190 65 19

HSL 16.14, 0.82%, 0.41%

LAB 45.32, 48.34, 50.91

 

CMYK 0 / 42 / 90 / 25

HEX #BE6E13

RGB 190 110 19

HSL 31.93, 0.82%, 0.41%

LAB 54.18, 25.89, 57.58

 

CMYK 0 / 90 / 90 / 55

HEX #730C0B

RGB 115 12 11

HSL 0.58, 0.83%, 0.25%

LAB 23.45, 42.14, 30.51

 

CMYK 0 / 90 / 90 / 40

HEX #99100F

RGB 153 16 15

HSL 0.43, 0.82%, 0.33%

LAB 32.21, 52.49, 39.48

 

CMYK 0 / 89 / 90 / 25

HEX #BE1413

RGB 190 20 19

HSL 0.35, 0.82%, 0.41%

LAB 40.4, 62.03, 47.29

 

CMYK 0 / 89 / 90 / 11

HEX #E41817

RGB 228 24 23

HSL 0.29, 0.82%, 0.49%

LAB 48.52, 71.44, 55.01

 

CMYK 0 / 76 / 76 / 8

HEX #EB3938

RGB 235 57 56

HSL 0.34, 0.82%, 0.57%

LAB 52.81, 66.62, 43.17

 

CMYK 0 / 90 / 90 / 25

HEX #BF1413

RGB 191 20 19

HSL 0.35, 0.82%, 0.41%

LAB 40.61, 62.3, 47.54

 

CMYK 18 / 0 / 90 / 25

HEX #9CBE13

RGB 156 190 19

HSL 71.93, 0.82%, 0.41%

LAB 72.19, -31.42, 70.44

 

CMYK 90 / 54 / 0 / 25

HEX #1357BE

RGB 19 87 190

HSL 216.14, 0.82%, 0.41%

LAB 39.02, 20.25, -59.53

 

CMYK 0 / 90 / 90 / 25

HEX #BF1413

RGB 191 20 19

HSL 0.35, 0.82%, 0.41%

LAB 40.61, 62.3, 47.54

 

CMYK 90 / 0 / 90 / 25

HEX #13BE13

RGB 19 190 19

HSL 120, 0.82%, 0.41%

LAB 67.29, -67.67, 64.37

 

CMYK 90 / 90 / 0 / 25

HEX #1313BE

RGB 19 19 190

HSL 240, 0.82%, 0.41%

LAB 24.71, 58.96, -83.11

 

CMYK 0 / 90 / 90 / 25

HEX #BF1413

RGB 191 20 19

HSL 0.35, 0.82%, 0.41%

LAB 40.61, 62.3, 47.54

 

CMYK 18 / 0 / 90 / 25

HEX #9CBE13

RGB 156 190 19

HSL 71.93, 0.82%, 0.41%

LAB 72.19, -31.42, 70.44

 

CMYK 90 / 0 / 0 / 25

HEX #13BEBE

RGB 19 190 190

HSL 180, 0.82%, 0.41%

LAB 69.95, -37.89, -11.18

 

CMYK 72 / 90 / 0 / 25

HEX #3513BE

RGB 53 19 190

HSL 251.93, 0.82%, 0.41%

LAB 26.56, 60.16, -79.97

 

CMYK 0 / 90 / 90 / 25

HEX #BF1413

RGB 191 20 19

HSL 0.35, 0.82%, 0.41%

LAB 40.61, 62.3, 47.54

 

CMYK 45 / 0 / 90 / 25

HEX #69BE13

RGB 105 190 19

HSL 89.82, 0.82%, 0.41%

LAB 69.38, -50.44, 66.98

 

CMYK 90 / 0 / 0 / 25

HEX #13BEBE

RGB 19 190 190

HSL 180, 0.82%, 0.41%

LAB 69.95, -37.89, -11.18

 

CMYK 45 / 90 / 0 / 25

HEX #6913BE

RGB 105 19 190

HSL 270.18, 0.82%, 0.41%

LAB 32.23, 64.42, -70.42

 

Description

Color code: HEX #BF1413 | qconv.com Color code: HEX #BF1413 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 20 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 20 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 90 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 90% 25% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

60% - Portal de Servicios ...
Link: http://www.serviciosalciudadano.gob.pe

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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