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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF066D it is the complementary color #40F992. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF066D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF066D shade: #C40668, #D5187B, #E62A8E, #F73CA1 and #FF4EB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF066D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF066D shade: #BF066D, #AE005A, #9D0047, #8C0034 and #7B0021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF066D shade: #C0056E, #C0053B, #C00509 and #C00505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF066D shade: #C0056E, #C005A0, #AE05C0, #7C05C0 and #4A05C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF066D shade matches the following richer shades: #C0056E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF066D shade: #C0056E, #B0166C, #A0266A, #903668 and #804666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF066D shade: #AE05C0, #C005A1, #C0056F, #C0053E and #C0050C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF066D shade: #700340, #980457, #C0056E, #E80784 and #F82198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF066D shade: #BF066D, #C07C05 and #05BAC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF066D shade: #BF066D, #6FC005 and #056FC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF066D shade: #BF066D, #C07C05, #05C056 and #054AC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF066D shade: #BF066D, #C0B405, #05C056 and #0512C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 43 / 25

HEX #BF066D

RGB 191 6 109

HSL 326.59, 0.94%, 0.39%

LAB 41.71, 68.66, -5.08

 

Complementary color

CMYK 74 / 0 / 41 / 2

HEX #40F992

RGB 64 249 146

HSL 146.59, 0.94%, 0.61%

LAB 87.44, -67.54, 36.67

 

CMYK 0 / 97 / 47 / 23

HEX #C40668

RGB 196 6 104

HSL 329.05, 0.94%, 0.4%

LAB 42.56, 69.34, -0.57

 

CMYK 0 / 89 / 42 / 16

HEX #D5187B

RGB 213 24 123

HSL 328.57, 0.8%, 0.46%

LAB 47.27, 72.7, -5.01

 

CMYK 0 / 82 / 38 / 10

HEX #E62A8E

RGB 230 42 142

HSL 328.09, 0.79%, 0.53%

LAB 52.32, 74.96, -8.65

 

CMYK 0 / 76 / 35 / 3

HEX #F73CA1

RGB 247 60 161

HSL 327.59, 0.92%, 0.6%

LAB 57.64, 76.32, -11.61

 

CMYK 0 / 69 / 29 / 0

HEX #FF4EB4

RGB 255 78 180

HSL 325.42, 1%, 0.65%

LAB 61.66, 74.74, -16.42

 

CMYK 0 / 97 / 43 / 25

HEX #BF066D

RGB 191 6 109

HSL 326.59, 0.94%, 0.39%

LAB 41.71, 68.66, -5.08

 

CMYK 0 / 100 / 48 / 32

HEX #AE005A

RGB 174 0 90

HSL 328.97, 1%, 0.34%

LAB 37.37, 63.86, 0.19

 

CMYK 0 / 100 / 55 / 38

HEX #9D0047

RGB 157 0 71

HSL 332.87, 1%, 0.31%

LAB 33.19, 58.45, 6.08

 

CMYK 0 / 100 / 63 / 45

HEX #8C0034

RGB 140 0 52

HSL 337.71, 1%, 0.27%

LAB 28.96, 53.03, 12.33

 

CMYK 0 / 100 / 73 / 52

HEX #7B0021

RGB 123 0 33

HSL 343.9, 1%, 0.24%

LAB 24.7, 47.64, 18.97

 

CMYK 0 / 97 / 43 / 25

HEX #C0056E

RGB 192 5 110

HSL 326.31, 0.95%, 0.39%

LAB 41.91, 69.07, -5.38

 

CMYK 0 / 97 / 69 / 25

HEX #C0053B

RGB 192 5 59

HSL 342.67, 0.95%, 0.39%

LAB 40.62, 65.61, 25.1

 

CMYK 0 / 97 / 95 / 25

HEX #C00509

RGB 192 5 9

HSL 358.72, 0.95%, 0.39%

LAB 40.14, 64.28, 51.14

 

CMYK 0 / 97 / 97 / 25

HEX #C00505

RGB 192 5 5

HSL 0, 0.95%, 0.39%

LAB 40.12, 64.24, 52.51

 

CMYK 0 / 97 / 43 / 25

HEX #C0056E

RGB 192 5 110

HSL 326.31, 0.95%, 0.39%

LAB 41.91, 69.07, -5.38

 

CMYK 0 / 97 / 17 / 25

HEX #C005A0

RGB 192 5 160

HSL 310.27, 0.95%, 0.39%

LAB 44.02, 74.52, -32.8

 

CMYK 9 / 97 / 0 / 25

HEX #AE05C0

RGB 174 5 192

HSL 294.22, 0.95%, 0.39%

LAB 42.63, 76.06, -54.17

 

CMYK 35 / 97 / 0 / 25

HEX #7C05C0

RGB 124 5 192

HSL 278.18, 0.95%, 0.39%

LAB 34.39, 69.28, -67.93

 

CMYK 61 / 97 / 0 / 25

HEX #4A05C0

RGB 74 5 192

HSL 262.14, 0.95%, 0.39%

LAB 27.76, 64.9, -79.1

 

CMYK 0 / 97 / 43 / 25

HEX #C0056E

RGB 192 5 110

HSL 326.31, 0.95%, 0.39%

LAB 41.91, 69.07, -5.38

 

CMYK 0 / 97 / 43 / 25

HEX #C0056E

RGB 192 5 110

HSL 326.31, 0.95%, 0.39%

LAB 41.91, 69.07, -5.38

 

CMYK 0 / 88 / 39 / 31

HEX #B0166C

RGB 176 22 108

HSL 326.49, 0.78%, 0.39%

LAB 39.39, 63.04, -8.22

 

CMYK 0 / 76 / 34 / 37

HEX #A0266A

RGB 160 38 106

HSL 326.56, 0.62%, 0.39%

LAB 37.66, 54.71, -9.87

 

CMYK 0 / 63 / 28 / 44

HEX #903668

RGB 144 54 104

HSL 326.67, 0.45%, 0.39%

LAB 37.05, 43.43, -9.8

 

CMYK 0 / 45 / 20 / 50

HEX #804666

RGB 128 70 102

HSL 326.9, 0.29%, 0.39%

LAB 37.71, 29.29, -7.79

 

CMYK 9 / 97 / 0 / 25

HEX #AE05C0

RGB 174 5 192

HSL 294.22, 0.95%, 0.39%

LAB 42.63, 76.06, -54.17

 

CMYK 0 / 97 / 16 / 25

HEX #C005A1

RGB 192 5 161

HSL 309.95, 0.95%, 0.39%

LAB 44.07, 74.65, -33.32

 

CMYK 0 / 97 / 42 / 25

HEX #C0056F

RGB 192 5 111

HSL 325.99, 0.95%, 0.39%

LAB 41.94, 69.16, -5.96

 

CMYK 0 / 97 / 68 / 25

HEX #C0053E

RGB 192 5 62

HSL 341.71, 0.95%, 0.39%

LAB 40.68, 65.75, 23.28

 

CMYK 0 / 97 / 94 / 25

HEX #C0050C

RGB 192 5 12

HSL 357.75, 0.95%, 0.39%

LAB 40.15, 64.31, 50.12

 

CMYK 0 / 97 / 43 / 56

HEX #700340

RGB 112 3 64

HSL 326.42, 0.95%, 0.23%

LAB 23.27, 46.52, -4.84

 

CMYK 0 / 97 / 43 / 40

HEX #980457

RGB 152 4 87

HSL 326.35, 0.95%, 0.31%

LAB 32.81, 58.07, -5.1

 

CMYK 0 / 97 / 43 / 25

HEX #C0056E

RGB 192 5 110

HSL 326.31, 0.95%, 0.39%

LAB 41.91, 69.07, -5.38

 

CMYK 0 / 97 / 43 / 9

HEX #E80784

RGB 232 7 132

HSL 326.67, 0.94%, 0.47%

LAB 50.66, 79.47, -5.07

 

CMYK 0 / 87 / 39 / 3

HEX #F82198

RGB 248 33 152

HSL 326.79, 0.94%, 0.55%

LAB 55.39, 81.75, -9.66

 

CMYK 0 / 97 / 43 / 25

HEX #BF066D

RGB 191 6 109

HSL 326.59, 0.94%, 0.39%

LAB 41.71, 68.66, -5.08

 

CMYK 0 / 35 / 97 / 25

HEX #C07C05

RGB 192 124 5

HSL 38.18, 0.95%, 0.39%

LAB 57.69, 18.89, 63.07

 

CMYK 97 / 3 / 0 / 25

HEX #05BAC0

RGB 5 186 192

HSL 181.93, 0.95%, 0.39%

LAB 68.72, -35.93, -14.13

 

CMYK 0 / 97 / 43 / 25

HEX #BF066D

RGB 191 6 109

HSL 326.59, 0.94%, 0.39%

LAB 41.71, 68.66, -5.08

 

CMYK 42 / 0 / 97 / 25

HEX #6FC005

RGB 111 192 5

HSL 85.99, 0.95%, 0.39%

LAB 70.24, -49.52, 69.59

 

CMYK 97 / 42 / 0 / 25

HEX #056FC0

RGB 5 111 192

HSL 205.99, 0.95%, 0.39%

LAB 45.92, 4.88, -49.58

 

CMYK 0 / 97 / 43 / 25

HEX #BF066D

RGB 191 6 109

HSL 326.59, 0.94%, 0.39%

LAB 41.71, 68.66, -5.08

 

CMYK 0 / 35 / 97 / 25

HEX #C07C05

RGB 192 124 5

HSL 38.18, 0.95%, 0.39%

LAB 57.69, 18.89, 63.07

 

CMYK 97 / 0 / 55 / 25

HEX #05C056

RGB 5 192 86

HSL 145.99, 0.95%, 0.39%

LAB 68.32, -63.13, 41.78

 

CMYK 97 / 61 / 0 / 25

HEX #054AC0

RGB 5 74 192

HSL 217.86, 0.95%, 0.39%

LAB 35.47, 29.16, -66.5

 

CMYK 0 / 97 / 43 / 25

HEX #BF066D

RGB 191 6 109

HSL 326.59, 0.94%, 0.39%

LAB 41.71, 68.66, -5.08

 

CMYK 0 / 6 / 97 / 25

HEX #C0B405

RGB 192 180 5

HSL 56.15, 0.95%, 0.39%

LAB 72.13, -11.27, 73.38

 

CMYK 97 / 0 / 55 / 25

HEX #05C056

RGB 5 192 86

HSL 145.99, 0.95%, 0.39%

LAB 68.32, -63.13, 41.78

 

CMYK 97 / 91 / 0 / 25

HEX #0512C0

RGB 5 18 192

HSL 235.83, 0.95%, 0.39%

LAB 24.55, 59.63, -84.57

 

Description

Color code: HEX #BF066D | qconv.com Color code: HEX #BF066D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 6 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 6 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 43 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 43% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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