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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BF05AE it is the complementary color #40FA51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BF05AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BF05AE shade: #C405A9, #D517BC, #E629CF, #F73BE2 and #FF4DF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BF05AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BF05AE shade: #BF05AE, #AE009B, #9D0088, #8C0075 and #7B0062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BF05AE shade: #BD05AC, #BD057A, #BD0549, #BD0517 and #BD0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BF05AE shade: #BD05AC, #9C05BD, #6A05BD, #3905BD and #0705BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BF05AE shade matches the following richer shades: #BD05AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BF05AE shade: #BD05AC, #AD159F, #9E2493, #8E3486 and #7E4479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BF05AE shade: #6A05BD, #9B05BD, #BD05AE, #BD057D and #BD054B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BF05AE shade: #6C0363, #950487, #BD05AC, #E506D1 and #F91BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BF05AE shade: #BF05AE, #BD3905 and #05BD83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BF05AE shade: #BF05AE, #AEBD05 and #05AEBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BF05AE shade: #BF05AE, #BD3905, #05BD14 and #0589BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BF05AE shade: #BF05AE, #BD7005, #05BD14 and #0552BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 9 / 25

HEX #BF05AE

RGB 191 5 174

HSL 305.48, 0.95%, 0.38%

LAB 44.58, 76.2, -40.28

 

Complementary color

CMYK 74 / 0 / 68 / 2

HEX #40FA51

RGB 64 250 81

HSL 125.48, 0.95%, 0.62%

LAB 87.02, -76.42, 65.25

 

CMYK 0 / 97 / 14 / 23

HEX #C405A9

RGB 196 5 169

HSL 308.48, 0.95%, 0.39%

LAB 45.23, 76.42, -36.21

 

CMYK 0 / 89 / 12 / 16

HEX #D517BC

RGB 213 23 188

HSL 307.89, 0.81%, 0.46%

LAB 49.97, 80.17, -39.72

 

CMYK 0 / 82 / 10 / 10

HEX #E629CF

RGB 230 41 207

HSL 307.3, 0.79%, 0.53%

LAB 54.98, 82.83, -42.58

 

CMYK 0 / 76 / 9 / 3

HEX #F73BE2

RGB 247 59 226

HSL 306.7, 0.92%, 0.6%

LAB 60.24, 84.59, -44.87

 

CMYK 0 / 70 / 4 / 0

HEX #FF4DF5

RGB 255 77 245

HSL 303.37, 1%, 0.65%

LAB 64.29, 83.73, -48.99

 

CMYK 0 / 97 / 9 / 25

HEX #BF05AE

RGB 191 5 174

HSL 305.48, 0.95%, 0.38%

LAB 44.58, 76.2, -40.28

 

CMYK 0 / 100 / 11 / 32

HEX #AE009B

RGB 174 0 155

HSL 306.55, 1%, 0.34%

LAB 40.19, 71.05, -36.06

 

CMYK 0 / 100 / 13 / 38

HEX #9D0088

RGB 157 0 136

HSL 308.03, 1%, 0.31%

LAB 35.88, 65.35, -31.45

 

CMYK 0 / 100 / 16 / 45

HEX #8C0075

RGB 140 0 117

HSL 309.86, 1%, 0.27%

LAB 31.49, 59.54, -26.69

 

CMYK 0 / 100 / 20 / 52

HEX #7B0062

RGB 123 0 98

HSL 312.2, 1%, 0.24%

LAB 27, 53.61, -21.73

 

CMYK 0 / 97 / 9 / 26

HEX #BD05AC

RGB 189 5 172

HSL 305.54, 0.95%, 0.38%

LAB 44.1, 75.57, -39.88

 

CMYK 0 / 97 / 35 / 26

HEX #BD057A

RGB 189 5 122

HSL 321.85, 0.95%, 0.38%

LAB 41.74, 69.56, -13.18

 

CMYK 0 / 97 / 61 / 26

HEX #BD0549

RGB 189 5 73

HSL 337.83, 0.95%, 0.38%

LAB 40.26, 65.62, 15.63

 

CMYK 0 / 97 / 88 / 26

HEX #BD0517

RGB 189 5 23

HSL 354.13, 0.95%, 0.38%

LAB 39.56, 63.71, 44.71

 

CMYK 0 / 97 / 97 / 26

HEX #BD0505

RGB 189 5 5

HSL 0, 0.95%, 0.38%

LAB 39.48, 63.47, 51.84

 

CMYK 0 / 97 / 9 / 26

HEX #BD05AC

RGB 189 5 172

HSL 305.54, 0.95%, 0.38%

LAB 44.1, 75.57, -39.88

 

CMYK 17 / 97 / 0 / 26

HEX #9C05BD

RGB 156 5 189

HSL 289.24, 0.95%, 0.38%

LAB 39.33, 72.87, -57.9

 

CMYK 44 / 97 / 0 / 26

HEX #6A05BD

RGB 106 5 189

HSL 272.93, 0.95%, 0.38%

LAB 31.46, 66.75, -71.09

 

CMYK 70 / 97 / 0 / 26

HEX #3905BD

RGB 57 5 189

HSL 256.96, 0.95%, 0.38%

LAB 25.72, 63.29, -80.77

 

CMYK 96 / 97 / 0 / 26

HEX #0705BD

RGB 7 5 189

HSL 240.65, 0.95%, 0.38%

LAB 23.09, 62.12, -85.22

 

CMYK 0 / 97 / 9 / 26

HEX #BD05AC

RGB 189 5 172

HSL 305.54, 0.95%, 0.38%

LAB 44.1, 75.57, -39.88

 

CMYK 0 / 97 / 9 / 26

HEX #BD05AC

RGB 189 5 172

HSL 305.54, 0.95%, 0.38%

LAB 44.1, 75.57, -39.88

 

CMYK 0 / 88 / 8 / 32

HEX #AD159F

RGB 173 21 159

HSL 305.53, 0.78%, 0.38%

LAB 41.09, 68.87, -37.05

 

CMYK 0 / 77 / 7 / 38

HEX #9E2493

RGB 158 36 147

HSL 305.41, 0.63%, 0.38%

LAB 38.96, 60.48, -33.33

 

CMYK 0 / 63 / 6 / 44

HEX #8E3486

RGB 142 52 134

HSL 305.33, 0.46%, 0.38%

LAB 37.71, 48.45, -27.51

 

CMYK 0 / 46 / 4 / 51

HEX #7E4479

RGB 126 68 121

HSL 305.17, 0.3%, 0.38%

LAB 37.75, 33.13, -19.6

 

CMYK 44 / 97 / 0 / 26

HEX #6A05BD

RGB 106 5 189

HSL 272.93, 0.95%, 0.38%

LAB 31.46, 66.75, -71.09

 

CMYK 18 / 97 / 0 / 26

HEX #9B05BD

RGB 155 5 189

HSL 288.91, 0.95%, 0.38%

LAB 39.16, 72.73, -58.18

 

CMYK 0 / 97 / 8 / 26

HEX #BD05AE

RGB 189 5 174

HSL 304.89, 0.95%, 0.38%

LAB 44.21, 75.84, -40.89

 

CMYK 0 / 97 / 34 / 26

HEX #BD057D

RGB 189 5 125

HSL 320.87, 0.95%, 0.38%

LAB 41.86, 69.87, -14.86

 

CMYK 0 / 97 / 60 / 26

HEX #BD054B

RGB 189 5 75

HSL 337.17, 0.95%, 0.38%

LAB 40.3, 65.74, 14.41

 

CMYK 0 / 97 / 8 / 58

HEX #6C0363

RGB 108 3 99

HSL 305.14, 0.95%, 0.22%

LAB 24.17, 50.16, -27.05

 

CMYK 0 / 97 / 9 / 42

HEX #950487

RGB 149 4 135

HSL 305.79, 0.95%, 0.3%

LAB 34.45, 63.21, -33.2

 

CMYK 0 / 97 / 9 / 26

HEX #BD05AC

RGB 189 5 172

HSL 305.54, 0.95%, 0.38%

LAB 44.1, 75.57, -39.88

 

CMYK 0 / 97 / 9 / 10

HEX #E506D1

RGB 229 6 209

HSL 305.38, 0.95%, 0.46%

LAB 53.38, 87.43, -46.28

 

CMYK 0 / 89 / 8 / 2

HEX #F91BE5

RGB 249 27 229

HSL 305.41, 0.95%, 0.54%

LAB 58.58, 91.61, -49.15

 

CMYK 0 / 97 / 9 / 25

HEX #BF05AE

RGB 191 5 174

HSL 305.48, 0.95%, 0.38%

LAB 44.58, 76.2, -40.28

 

CMYK 0 / 70 / 97 / 26

HEX #BD3905

RGB 189 57 5

HSL 16.96, 0.95%, 0.38%

LAB 43.88, 51.09, 54.11

 

CMYK 97 / 0 / 31 / 26

HEX #05BD83

RGB 5 189 131

HSL 161.09, 0.95%, 0.38%

LAB 68.07, -53.72, 18.31

 

CMYK 0 / 97 / 9 / 25

HEX #BF05AE

RGB 191 5 174

HSL 305.48, 0.95%, 0.38%

LAB 44.58, 76.2, -40.28

 

CMYK 8 / 0 / 97 / 26

HEX #AEBD05

RGB 174 189 5

HSL 64.89, 0.95%, 0.38%

LAB 73.16, -23.61, 73.5

 

CMYK 97 / 8 / 0 / 26

HEX #05AEBD

RGB 5 174 189

HSL 184.89, 0.95%, 0.38%

LAB 64.95, -31.2, -18.18

 

CMYK 0 / 97 / 9 / 25

HEX #BF05AE

RGB 191 5 174

HSL 305.48, 0.95%, 0.38%

LAB 44.58, 76.2, -40.28

 

CMYK 0 / 70 / 97 / 26

HEX #BD3905

RGB 189 57 5

HSL 16.96, 0.95%, 0.38%

LAB 43.88, 51.09, 54.11

 

CMYK 97 / 0 / 89 / 26

HEX #05BD14

RGB 5 189 20

HSL 124.89, 0.95%, 0.38%

LAB 66.88, -68.08, 63.81

 

CMYK 97 / 28 / 0 / 26

HEX #0589BD

RGB 5 137 189

HSL 196.96, 0.95%, 0.38%

LAB 53.6, -11.83, -35.68

 

CMYK 0 / 97 / 9 / 25

HEX #BF05AE

RGB 191 5 174

HSL 305.48, 0.95%, 0.38%

LAB 44.58, 76.2, -40.28

 

CMYK 0 / 41 / 97 / 26

HEX #BD7005

RGB 189 112 5

HSL 34.89, 0.95%, 0.38%

LAB 54.47, 24.16, 60.7

 

CMYK 97 / 0 / 89 / 26

HEX #05BD14

RGB 5 189 20

HSL 124.89, 0.95%, 0.38%

LAB 66.88, -68.08, 63.81

 

CMYK 97 / 57 / 0 / 26

HEX #0552BD

RGB 5 82 189

HSL 214.89, 0.95%, 0.38%

LAB 37.37, 22.61, -61.63

 

Description

Color code: HEX #BF05AE | qconv.com Color code: HEX #BF05AE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 5 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 5 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 9 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 9% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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