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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEEC52 it is the complementary color #4113AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEEC52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEEC52 shade: #C3EC4D, #D4FE60, #E5FF73, #F6FF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEEC52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEEC52 shade: #BEEC52, #ADDA3F, #9CC82C, #8BB619 and #7AA406

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEEC52 shade: #BDEC51, #E7EC51, #ECC651, #EC9C51 and #EC7351

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEEC52 shade: #BDEC51, #94EC51, #6AEC51, #51EC61 and #51EC8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEEC52 shade matches the following richer shades: #BDEC51 and #C4FB41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEEC52 shade: #BDEC51, #B7DC60, #B1CC70, #AABD80 and #A4AD8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEEC52 shade: #ECC551, #E9EC51, #C0EC51, #96EC51 and #6DEC51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEEC52 shade: #9AD217, #AFE72B, #BDEC51, #CBF076 and #D9F49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEEC52 shade: #BEEC52, #51EC9C and #DA51EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEEC52 shade: #BEEC52, #51C0EC and #EC51C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEEC52 shade: #BEEC52, #51EC9C, #7D51EC and #EC51A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEEC52 shade: #BEEC52, #51ECCA, #7D51EC and #EC5172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 65 / 7

HEX #BEEC52

RGB 190 236 82

HSL 77.92, 0.8%, 0.62%

LAB 87.75, -36.29, 67.09

 

Complementary color

CMYK 62 / 89 / 0 / 32

HEX #4113AD

RGB 65 19 173

HSL 257.92, 0.8%, 0.38%

LAB 25.58, 56.45, -71.42

 

CMYK 17 / 0 / 67 / 7

HEX #C3EC4D

RGB 195 236 77

HSL 75.47, 0.81%, 0.61%

LAB 88.03, -34.7, 69.38

 

CMYK 17 / 0 / 62 / 0

HEX #D4FE60

RGB 212 254 96

HSL 75.95, 0.99%, 0.69%

LAB 94.19, -35.13, 68.84

 

CMYK 10 / 0 / 55 / 0

HEX #E5FF73

RGB 229 255 115

HSL 71.14, 1%, 0.73%

LAB 95.75, -27.67, 62.93

 

CMYK 4 / 0 / 47 / 0

HEX #F6FF86

RGB 246 255 134

HSL 64.46, 1%, 0.76%

LAB 97.16, -19.5, 56.35

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 19 / 0 / 65 / 7

HEX #BEEC52

RGB 190 236 82

HSL 77.92, 0.8%, 0.62%

LAB 87.75, -36.29, 67.09

 

CMYK 21 / 0 / 71 / 15

HEX #ADDA3F

RGB 173 218 63

HSL 77.42, 0.68%, 0.55%

LAB 81.5, -35.84, 67.43

 

CMYK 22 / 0 / 78 / 22

HEX #9CC82C

RGB 156 200 44

HSL 76.92, 0.64%, 0.48%

LAB 75.18, -35.23, 67.2

 

CMYK 24 / 0 / 86 / 29

HEX #8BB619

RGB 139 182 25

HSL 76.43, 0.76%, 0.41%

LAB 68.76, -34.45, 66.03

 

CMYK 26 / 0 / 96 / 36

HEX #7AA406

RGB 122 164 6

HSL 75.95, 0.93%, 0.33%

LAB 62.25, -33.44, 63.43

 

CMYK 20 / 0 / 66 / 7

HEX #BDEC51

RGB 189 236 81

HSL 78.19, 0.8%, 0.62%

LAB 87.68, -36.74, 67.39

 

CMYK 2 / 0 / 66 / 7

HEX #E7EC51

RGB 231 236 81

HSL 61.94, 0.8%, 0.62%

LAB 90.59, -20.18, 71.3

 

CMYK 0 / 16 / 66 / 7

HEX #ECC651

RGB 236 198 81

HSL 45.29, 0.8%, 0.62%

LAB 81.19, 0.92, 61.65

 

CMYK 0 / 34 / 66 / 7

HEX #EC9C51

RGB 236 156 81

HSL 29.03, 0.8%, 0.62%

LAB 71.01, 23.03, 50.53

 

CMYK 0 / 51 / 66 / 7

HEX #EC7351

RGB 236 115 81

HSL 13.16, 0.8%, 0.62%

LAB 62.24, 44.21, 40.41

 

CMYK 20 / 0 / 66 / 7

HEX #BDEC51

RGB 189 236 81

HSL 78.19, 0.8%, 0.62%

LAB 87.68, -36.74, 67.39

 

CMYK 37 / 0 / 66 / 7

HEX #94EC51

RGB 148 236 81

HSL 94.06, 0.8%, 0.62%

LAB 85.44, -51.37, 64.35

 

CMYK 55 / 0 / 66 / 7

HEX #6AEC51

RGB 106 236 81

HSL 110.32, 0.8%, 0.62%

LAB 83.78, -63.62, 62.08

 

CMYK 66 / 0 / 59 / 7

HEX #51EC61

RGB 81 236 97

HSL 126.19, 0.8%, 0.62%

LAB 83.23, -67.49, 54.59

 

CMYK 66 / 0 / 41 / 7

HEX #51EC8B

RGB 81 236 139

HSL 142.45, 0.8%, 0.62%

LAB 83.76, -61.5, 35.39

 

CMYK 20 / 0 / 66 / 7

HEX #BDEC51

RGB 189 236 81

HSL 78.19, 0.8%, 0.62%

LAB 87.68, -36.74, 67.39

 

CMYK 22 / 0 / 74 / 2

HEX #C4FB41

RGB 196 251 65

HSL 77.74, 0.96%, 0.62%

LAB 92.18, -41.67, 77.6

 

CMYK 20 / 0 / 66 / 7

HEX #BDEC51

RGB 189 236 81

HSL 78.19, 0.8%, 0.62%

LAB 87.68, -36.74, 67.39

 

CMYK 17 / 0 / 56 / 14

HEX #B7DC60

RGB 183 220 96

HSL 77.9, 0.64%, 0.62%

LAB 82.97, -30.54, 55.88

 

CMYK 13 / 0 / 45 / 20

HEX #B1CC70

RGB 177 204 112

HSL 77.61, 0.47%, 0.62%

LAB 78.29, -23.62, 42.69

 

CMYK 10 / 0 / 32 / 26

HEX #AABD80

RGB 170 189 128

HSL 78.69, 0.32%, 0.62%

LAB 73.87, -16.87, 28.74

 

CMYK 5 / 0 / 17 / 32

HEX #A4AD8F

RGB 164 173 143

HSL 78, 0.15%, 0.62%

LAB 69.3, -8.57, 14.37

 

CMYK 0 / 17 / 66 / 7

HEX #ECC551

RGB 236 197 81

HSL 44.9, 0.8%, 0.62%

LAB 80.94, 1.44, 61.39

 

CMYK 1 / 0 / 66 / 7

HEX #E9EC51

RGB 233 236 81

HSL 61.16, 0.8%, 0.62%

LAB 90.74, -19.37, 71.51

 

CMYK 19 / 0 / 66 / 7

HEX #C0EC51

RGB 192 236 81

HSL 77.03, 0.8%, 0.62%

LAB 87.87, -35.6, 67.64

 

CMYK 36 / 0 / 66 / 7

HEX #96EC51

RGB 150 236 81

HSL 93.29, 0.8%, 0.62%

LAB 85.54, -50.71, 64.48

 

CMYK 54 / 0 / 66 / 7

HEX #6DEC51

RGB 109 236 81

HSL 109.16, 0.8%, 0.62%

LAB 83.88, -62.87, 62.21

 

CMYK 27 / 0 / 89 / 18

HEX #9AD217

RGB 154 210 23

HSL 77.97, 0.8%, 0.46%

LAB 77.89, -41.17, 74.37

 

CMYK 24 / 0 / 81 / 9

HEX #AFE72B

RGB 175 231 43

HSL 77.87, 0.8%, 0.54%

LAB 85.22, -41.78, 76.93

 

CMYK 20 / 0 / 66 / 7

HEX #BDEC51

RGB 189 236 81

HSL 78.19, 0.8%, 0.62%

LAB 87.68, -36.74, 67.39

 

CMYK 15 / 0 / 51 / 6

HEX #CBF076

RGB 203 240 118

HSL 78.2, 0.8%, 0.7%

LAB 90.01, -30.28, 54.45

 

CMYK 11 / 0 / 36 / 4

HEX #D9F49B

RGB 217 244 155

HSL 78.2, 0.8%, 0.78%

LAB 92.5, -22.92, 40.01

 

CMYK 19 / 0 / 65 / 7

HEX #BEEC52

RGB 190 236 82

HSL 77.92, 0.8%, 0.62%

LAB 87.75, -36.29, 67.09

 

CMYK 66 / 0 / 34 / 7

HEX #51EC9C

RGB 81 236 156

HSL 149.03, 0.8%, 0.62%

LAB 84.04, -58.42, 27.17

 

CMYK 8 / 66 / 0 / 7

HEX #DA51EC

RGB 218 81 236

HSL 293.03, 0.8%, 0.62%

LAB 58.83, 72.83, -52.99

 

CMYK 19 / 0 / 65 / 7

HEX #BEEC52

RGB 190 236 82

HSL 77.92, 0.8%, 0.62%

LAB 87.75, -36.29, 67.09

 

CMYK 66 / 19 / 0 / 7

HEX #51C0EC

RGB 81 192 236

HSL 197.03, 0.8%, 0.62%

LAB 73.22, -18.24, -31.16

 

CMYK 0 / 66 / 19 / 7

HEX #EC51C0

RGB 236 81 192

HSL 317.03, 0.8%, 0.62%

LAB 59.46, 70.28, -26.93

 

CMYK 19 / 0 / 65 / 7

HEX #BEEC52

RGB 190 236 82

HSL 77.92, 0.8%, 0.62%

LAB 87.75, -36.29, 67.09

 

CMYK 66 / 0 / 34 / 7

HEX #51EC9C

RGB 81 236 156

HSL 149.03, 0.8%, 0.62%

LAB 84.04, -58.42, 27.17

 

CMYK 47 / 66 / 0 / 7

HEX #7D51EC

RGB 125 81 236

HSL 257.03, 0.8%, 0.62%

LAB 47.37, 53.67, -72.04

 

CMYK 0 / 66 / 32 / 7

HEX #EC51A1

RGB 236 81 161

HSL 329.03, 0.8%, 0.62%

LAB 58.31, 66.38, -10.78

 

CMYK 19 / 0 / 65 / 7

HEX #BEEC52

RGB 190 236 82

HSL 77.92, 0.8%, 0.62%

LAB 87.75, -36.29, 67.09

 

CMYK 66 / 0 / 14 / 7

HEX #51ECCA

RGB 81 236 202

HSL 166.84, 0.8%, 0.62%

LAB 85, -48.4, 4.62

 

CMYK 47 / 66 / 0 / 7

HEX #7D51EC

RGB 125 81 236

HSL 257.03, 0.8%, 0.62%

LAB 47.37, 53.67, -72.04

 

CMYK 0 / 66 / 52 / 7

HEX #EC5172

RGB 236 81 114

HSL 347.23, 0.8%, 0.62%

LAB 57.01, 61.77, 14.92

 

Description

Color code: HEX #BEEC52 | qconv.com Color code: HEX #BEEC52 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 236 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 236 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 65 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 65% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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