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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEE81D it is the complementary color #4117E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEE81D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEE81D shade: #C3E818, #D4FA2B, #E5FF3E, #F6FF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEE81D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEE81D shade: #BEE81D, #ADD60A, #9CC400, #8BB200 and #7AA000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEE81D shade: #BEE91C, #E9DC1C, #E9A41C, #E96D1C and #E9361C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEE81D shade: #BEE91C, #87E91C, #50E91C, #1CE91F and #1CE956

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEE81D shade matches the following richer shades: #BEE91C and #CAFD07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEE81D shade: #BEE91C, #B2D430, #A6C044, #9BAC58 and #8F986C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEE81D shade: #E9A41C, #E9DB1C, #C0E91C, #89E91C and #52E91C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEE81D shade: #83A210, #A2C714, #BEE91C, #C9EC41 and #D4F067

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEE81D shade: #BEE81D, #1CE96E and #C01CE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEE81D shade: #BEE81D, #1CC0E9 and #E91CC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEE81D shade: #BEE81D, #1CE96E, #451CE9 and #E91C97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEE81D shade: #BEE81D, #1CE9AB, #451CE9 and #E91C59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 88 / 9

HEX #BEE81D

RGB 190 232 29

HSL 72.41, 0.82%, 0.51%

LAB 86.38, -36.82, 81.22

 

Complementary color

CMYK 71 / 90 / 0 / 11

HEX #4117E2

RGB 65 23 226

HSL 252.41, 0.82%, 0.49%

LAB 32.32, 69.03, -91.33

 

CMYK 16 / 0 / 90 / 9

HEX #C3E818

RGB 195 232 24

HSL 70.67, 0.82%, 0.5%

LAB 86.69, -34.94, 82.41

 

CMYK 15 / 0 / 83 / 2

HEX #D4FA2B

RGB 212 250 43

HSL 71.01, 0.95%, 0.57%

LAB 92.81, -35.92, 84.4

 

CMYK 10 / 0 / 76 / 0

HEX #E5FF3E

RGB 229 255 62

HSL 68.08, 1%, 0.62%

LAB 95.38, -30.85, 82.25

 

CMYK 4 / 0 / 68 / 0

HEX #F6FF51

RGB 246 255 81

HSL 63.1, 1%, 0.66%

LAB 96.7, -23.22, 77.81

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 18 / 0 / 88 / 9

HEX #BEE81D

RGB 190 232 29

HSL 72.41, 0.82%, 0.51%

LAB 86.38, -36.82, 81.22

 

CMYK 19 / 0 / 95 / 16

HEX #ADD60A

RGB 173 214 10

HSL 72.06, 0.91%, 0.44%

LAB 80.18, -35.75, 78.35

 

CMYK 20 / 0 / 100 / 23

HEX #9CC400

RGB 156 196 0

HSL 72.24, 1%, 0.38%

LAB 73.9, -34.49, 74.04

 

CMYK 22 / 0 / 100 / 30

HEX #8BB200

RGB 139 178 0

HSL 73.15, 1%, 0.35%

LAB 67.52, -33.1, 68.73

 

CMYK 24 / 0 / 100 / 37

HEX #7AA000

RGB 122 160 0

HSL 74.25, 1%, 0.31%

LAB 61.03, -31.69, 63.32

 

CMYK 18 / 0 / 88 / 9

HEX #BEE91C

RGB 190 233 28

HSL 72.59, 0.82%, 0.51%

LAB 86.66, -37.29, 81.61

 

CMYK 0 / 6 / 88 / 9

HEX #E9DC1C

RGB 233 220 28

HSL 56.2, 0.82%, 0.51%

LAB 86.3, -13.46, 82.65

 

CMYK 0 / 30 / 88 / 9

HEX #E9A41C

RGB 233 164 28

HSL 39.8, 0.82%, 0.51%

LAB 72.2, 15.46, 71.56

 

CMYK 0 / 53 / 88 / 9

HEX #E96D1C

RGB 233 109 28

HSL 23.71, 0.82%, 0.51%

LAB 60.2, 44, 62.23

 

CMYK 0 / 77 / 88 / 9

HEX #E9361C

RGB 233 54 28

HSL 7.61, 0.82%, 0.51%

LAB 51.89, 66.21, 55.87

 

CMYK 18 / 0 / 88 / 9

HEX #BEE91C

RGB 190 233 28

HSL 72.59, 0.82%, 0.51%

LAB 86.66, -37.29, 81.61

 

CMYK 42 / 0 / 88 / 9

HEX #87E91C

RGB 135 233 28

HSL 88.68, 0.82%, 0.51%

LAB 83.71, -57.17, 77.97

 

CMYK 66 / 0 / 88 / 9

HEX #50E91C

RGB 80 233 28

HSL 104.78, 0.82%, 0.51%

LAB 81.87, -71.67, 75.68

 

CMYK 88 / 0 / 87 / 9

HEX #1CE91F

RGB 28 233 31

HSL 120.88, 0.82%, 0.51%

LAB 81.08, -78.55, 74.13

 

CMYK 88 / 0 / 63 / 9

HEX #1CE956

RGB 28 233 86

HSL 136.98, 0.82%, 0.51%

LAB 81.4, -74.55, 57

 

CMYK 18 / 0 / 88 / 9

HEX #BEE91C

RGB 190 233 28

HSL 72.59, 0.82%, 0.51%

LAB 86.66, -37.29, 81.61

 

CMYK 20 / 0 / 97 / 1

HEX #CAFD07

RGB 202 253 7

HSL 72.44, 0.98%, 0.51%

LAB 92.94, -41.78, 89.21

 

CMYK 18 / 0 / 88 / 9

HEX #BEE91C

RGB 190 233 28

HSL 72.59, 0.82%, 0.51%

LAB 86.66, -37.29, 81.61

 

CMYK 16 / 0 / 77 / 17

HEX #B2D430

RGB 178 212 48

HSL 72.44, 0.66%, 0.51%

LAB 80.05, -31.84, 71.02

 

CMYK 14 / 0 / 65 / 25

HEX #A6C044

RGB 166 192 68

HSL 72.58, 0.5%, 0.51%

LAB 73.69, -26.11, 57.4

 

CMYK 10 / 0 / 49 / 33

HEX #9BAC58

RGB 155 172 88

HSL 72.14, 0.34%, 0.51%

LAB 67.41, -18.98, 40.92

 

CMYK 6 / 0 / 29 / 40

HEX #8F986C

RGB 143 152 108

HSL 72.27, 0.18%, 0.51%

LAB 61.11, -10.91, 22.13

 

CMYK 0 / 30 / 88 / 9

HEX #E9A41C

RGB 233 164 28

HSL 39.8, 0.82%, 0.51%

LAB 72.2, 15.46, 71.56

 

CMYK 0 / 6 / 88 / 9

HEX #E9DB1C

RGB 233 219 28

HSL 55.9, 0.82%, 0.51%

LAB 86.04, -12.96, 82.45

 

CMYK 18 / 0 / 88 / 9

HEX #C0E91C

RGB 192 233 28

HSL 72, 0.82%, 0.51%

LAB 86.78, -36.51, 81.77

 

CMYK 41 / 0 / 88 / 9

HEX #89E91C

RGB 137 233 28

HSL 88.1, 0.82%, 0.51%

LAB 83.8, -56.52, 78.08

 

CMYK 65 / 0 / 88 / 9

HEX #52E91C

RGB 82 233 28

HSL 104.2, 0.82%, 0.51%

LAB 81.92, -71.27, 75.74

 

CMYK 19 / 0 / 90 / 36

HEX #83A210

RGB 131 162 16

HSL 72.74, 0.82%, 0.35%

LAB 62.26, -28.59, 62.19

 

CMYK 19 / 0 / 90 / 22

HEX #A2C714

RGB 162 199 20

HSL 72.4, 0.82%, 0.43%

LAB 75.19, -33.14, 72.87

 

CMYK 18 / 0 / 88 / 9

HEX #BEE91C

RGB 190 233 28

HSL 72.59, 0.82%, 0.51%

LAB 86.66, -37.29, 81.61

 

CMYK 15 / 0 / 72 / 7

HEX #C9EC41

RGB 201 236 65

HSL 72.28, 0.82%, 0.59%

LAB 88.35, -33.02, 74.04

 

CMYK 12 / 0 / 57 / 6

HEX #D4F067

RGB 212 240 103

HSL 72.26, 0.82%, 0.67%

LAB 90.46, -28.15, 61.82

 

CMYK 18 / 0 / 88 / 9

HEX #BEE81D

RGB 190 232 29

HSL 72.41, 0.82%, 0.51%

LAB 86.38, -36.82, 81.22

 

CMYK 88 / 0 / 53 / 9

HEX #1CE96E

RGB 28 233 110

HSL 144, 0.82%, 0.51%

LAB 81.65, -71.5, 46.62

 

CMYK 18 / 88 / 0 / 9

HEX #C01CE9

RGB 192 28 233

HSL 288, 0.82%, 0.51%

LAB 49.4, 82.73, -66.66

 

CMYK 18 / 0 / 88 / 9

HEX #BEE81D

RGB 190 232 29

HSL 72.41, 0.82%, 0.51%

LAB 86.38, -36.82, 81.22

 

CMYK 88 / 18 / 0 / 9

HEX #1CC0E9

RGB 28 192 233

HSL 192, 0.82%, 0.51%

LAB 72.11, -24.74, -31.33

 

CMYK 0 / 88 / 18 / 9

HEX #E91CC0

RGB 233 28 192

HSL 312, 0.82%, 0.51%

LAB 53.98, 83.76, -35.48

 

CMYK 18 / 0 / 88 / 9

HEX #BEE81D

RGB 190 232 29

HSL 72.41, 0.82%, 0.51%

LAB 86.38, -36.82, 81.22

 

CMYK 88 / 0 / 53 / 9

HEX #1CE96E

RGB 28 233 110

HSL 144, 0.82%, 0.51%

LAB 81.65, -71.5, 46.62

 

CMYK 70 / 88 / 0 / 9

HEX #451CE9

RGB 69 28 233

HSL 252, 0.82%, 0.51%

LAB 33.94, 69.61, -92.63

 

CMYK 0 / 88 / 35 / 9

HEX #E91C97

RGB 233 28 151

HSL 324, 0.82%, 0.51%

LAB 52.27, 79.18, -14.04

 

CMYK 18 / 0 / 88 / 9

HEX #BEE81D

RGB 190 232 29

HSL 72.41, 0.82%, 0.51%

LAB 86.38, -36.82, 81.22

 

CMYK 88 / 0 / 27 / 9

HEX #1CE9AB

RGB 28 233 171

HSL 161.85, 0.82%, 0.51%

LAB 82.63, -60.14, 17.37

 

CMYK 70 / 88 / 0 / 9

HEX #451CE9

RGB 69 28 233

HSL 252, 0.82%, 0.51%

LAB 33.94, 69.61, -92.63

 

CMYK 0 / 88 / 62 / 9

HEX #E91C59

RGB 233 28 89

HSL 342.15, 0.82%, 0.51%

LAB 50.54, 74.35, 21

 

Description

Color code: HEX #BEE81D | qconv.com Color code: HEX #BEE81D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 232 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 232 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 88% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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