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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEE34A it is the complementary color #411CB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEE34A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEE34A shade: #C3E345, #D4F558, #E5FF6B, #F6FF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEE34A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEE34A shade: #BEE34A, #ADD137, #9CBF24, #8BAD11 and #7A9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEE34A shade: #BEE34A, #E3DF4A, #E3B54A, #E38C4A and #E3634A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEE34A shade: #BEE34A, #95E34A, #6CE34A, #4AE352 and #4AE37B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEE34A shade matches the following richer shades: #BEE34A and #C7F439

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEE34A shade: #BEE34A, #B5D25B, #ACC16C, #A4B07D and #9B9F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEE34A shade: #E3B54A, #E3DE4A, #BFE34A, #96E34A and #6EE34A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEE34A shade: #96BD1D, #B1DD26, #BEE34A, #CBE86E and #D8EE92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEE34A shade: #BEE34A, #4AE38C and #C94AE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEE34A shade: #BEE34A, #4ABFE3 and #E34ABF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEE34A shade: #BEE34A, #4AE38C, #6E4AE3 and #E34AA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEE34A shade: #BEE34A, #4AE3BA, #6E4AE3 and #E34A73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 67 / 11

HEX #BEE34A

RGB 190 227 74

HSL 74.51, 0.73%, 0.59%

LAB 85.19, -32.7, 67.5

 

Complementary color

CMYK 64 / 85 / 0 / 29

HEX #411CB5

RGB 65 28 181

HSL 254.51, 0.73%, 0.41%

LAB 27.55, 55.48, -72.96

 

CMYK 14 / 0 / 70 / 11

HEX #C3E345

RGB 195 227 69

HSL 72.15, 0.74%, 0.58%

LAB 85.49, -31.02, 69.74

 

CMYK 13 / 0 / 64 / 4

HEX #D4F558

RGB 212 245 88

HSL 72.61, 0.89%, 0.65%

LAB 91.69, -31.56, 69.33

 

CMYK 10 / 0 / 58 / 0

HEX #E5FF6B

RGB 229 255 107

HSL 70.54, 1%, 0.71%

LAB 95.68, -28.29, 66.27

 

CMYK 4 / 0 / 51 / 0

HEX #F6FF7E

RGB 246 255 126

HSL 64.19, 1%, 0.75%

LAB 97.07, -20.2, 59.9

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 16 / 0 / 67 / 11

HEX #BEE34A

RGB 190 227 74

HSL 74.51, 0.73%, 0.59%

LAB 85.19, -32.7, 67.5

 

CMYK 17 / 0 / 74 / 18

HEX #ADD137

RGB 173 209 55

HSL 74.03, 0.63%, 0.52%

LAB 78.9, -32.13, 67.64

 

CMYK 18 / 0 / 81 / 25

HEX #9CBF24

RGB 156 191 36

HSL 73.55, 0.68%, 0.45%

LAB 72.53, -31.4, 67.07

 

CMYK 20 / 0 / 90 / 32

HEX #8BAD11

RGB 139 173 17

HSL 73.08, 0.82%, 0.37%

LAB 66.07, -30.47, 65.34

 

CMYK 21 / 0 / 100 / 39

HEX #7A9B00

RGB 122 155 0

HSL 72.77, 1%, 0.3%

LAB 59.51, -29.33, 62.17

 

CMYK 16 / 0 / 67 / 11

HEX #BEE34A

RGB 190 227 74

HSL 74.51, 0.73%, 0.59%

LAB 85.19, -32.7, 67.5

 

CMYK 0 / 2 / 67 / 11

HEX #E3DF4A

RGB 227 223 74

HSL 58.43, 0.73%, 0.59%

LAB 86.8, -15.86, 70

 

CMYK 0 / 20 / 67 / 11

HEX #E3B54A

RGB 227 181 74

HSL 41.96, 0.73%, 0.59%

LAB 75.99, 5.6, 58.88

 

CMYK 0 / 38 / 67 / 11

HEX #E38C4A

RGB 227 140 74

HSL 25.88, 0.73%, 0.59%

LAB 66.2, 27.41, 48.24

 

CMYK 0 / 56 / 67 / 11

HEX #E3634A

RGB 227 99 74

HSL 9.8, 0.73%, 0.59%

LAB 57.8, 48.22, 38.6

 

CMYK 16 / 0 / 67 / 11

HEX #BEE34A

RGB 190 227 74

HSL 74.51, 0.73%, 0.59%

LAB 85.19, -32.7, 67.5

 

CMYK 34 / 0 / 67 / 11

HEX #95E34A

RGB 149 227 74

HSL 90.59, 0.73%, 0.59%

LAB 82.82, -47.85, 64.3

 

CMYK 52 / 0 / 67 / 11

HEX #6CE34A

RGB 108 227 74

HSL 106.67, 0.73%, 0.59%

LAB 81.08, -60.46, 61.94

 

CMYK 67 / 0 / 64 / 11

HEX #4AE352

RGB 74 227 82

HSL 123.14, 0.73%, 0.59%

LAB 80.18, -67.41, 57.49

 

CMYK 67 / 0 / 46 / 11

HEX #4AE37B

RGB 74 227 123

HSL 139.22, 0.73%, 0.59%

LAB 80.64, -62.08, 39.27

 

CMYK 16 / 0 / 67 / 11

HEX #BEE34A

RGB 190 227 74

HSL 74.51, 0.73%, 0.59%

LAB 85.19, -32.7, 67.5

 

CMYK 18 / 0 / 77 / 4

HEX #C7F439

RGB 199 244 57

HSL 74.44, 0.89%, 0.59%

LAB 90.39, -37.8, 78.38

 

CMYK 16 / 0 / 67 / 11

HEX #BEE34A

RGB 190 227 74

HSL 74.51, 0.73%, 0.59%

LAB 85.19, -32.7, 67.5

 

CMYK 14 / 0 / 57 / 18

HEX #B5D25B

RGB 181 210 91

HSL 74.62, 0.57%, 0.59%

LAB 79.99, -27.01, 54.7

 

CMYK 11 / 0 / 44 / 24

HEX #ACC16C

RGB 172 193 108

HSL 74.82, 0.41%, 0.59%

LAB 74.82, -20.59, 40.29

 

CMYK 7 / 0 / 29 / 31

HEX #A4B07D

RGB 164 176 125

HSL 74.12, 0.24%, 0.59%

LAB 69.77, -12.91, 24.79

 

CMYK 3 / 0 / 11 / 38

HEX #9B9F8E

RGB 155 159 142

HSL 74.12, 0.08%, 0.59%

LAB 64.74, -4.58, 8.38

 

CMYK 0 / 20 / 67 / 11

HEX #E3B54A

RGB 227 181 74

HSL 41.96, 0.73%, 0.59%

LAB 75.99, 5.6, 58.88

 

CMYK 0 / 2 / 67 / 11

HEX #E3DE4A

RGB 227 222 74

HSL 58.04, 0.73%, 0.59%

LAB 86.54, -15.36, 69.74

 

CMYK 16 / 0 / 67 / 11

HEX #BFE34A

RGB 191 227 74

HSL 74.12, 0.73%, 0.59%

LAB 85.26, -32.3, 67.58

 

CMYK 34 / 0 / 67 / 11

HEX #96E34A

RGB 150 227 74

HSL 90.2, 0.73%, 0.59%

LAB 82.87, -47.5, 64.37

 

CMYK 52 / 0 / 67 / 11

HEX #6EE34A

RGB 110 227 74

HSL 105.88, 0.73%, 0.59%

LAB 81.15, -59.92, 62.04

 

CMYK 21 / 0 / 85 / 26

HEX #96BD1D

RGB 150 189 29

HSL 74.63, 0.73%, 0.43%

LAB 71.53, -33.14, 67.78

 

CMYK 20 / 0 / 83 / 13

HEX #B1DD26

RGB 177 221 38

HSL 74.43, 0.73%, 0.51%

LAB 82.49, -36.73, 75.79

 

CMYK 16 / 0 / 67 / 11

HEX #BEE34A

RGB 190 227 74

HSL 74.51, 0.73%, 0.59%

LAB 85.19, -32.7, 67.5

 

CMYK 13 / 0 / 53 / 9

HEX #CBE86E

RGB 203 232 110

HSL 74.26, 0.73%, 0.67%

LAB 87.74, -27.26, 55.44

 

CMYK 9 / 0 / 39 / 7

HEX #D8EE92

RGB 216 238 146

HSL 74.35, 0.73%, 0.75%

LAB 90.7, -21.48, 42.13

 

CMYK 16 / 0 / 67 / 11

HEX #BEE34A

RGB 190 227 74

HSL 74.51, 0.73%, 0.59%

LAB 85.19, -32.7, 67.5

 

CMYK 67 / 0 / 38 / 11

HEX #4AE38C

RGB 74 227 140

HSL 145.88, 0.73%, 0.59%

LAB 80.9, -59.19, 31.09

 

CMYK 11 / 67 / 0 / 11

HEX #C94AE3

RGB 201 74 227

HSL 289.8, 0.73%, 0.59%

LAB 54.93, 70.21, -54.3

 

CMYK 16 / 0 / 67 / 11

HEX #BEE34A

RGB 190 227 74

HSL 74.51, 0.73%, 0.59%

LAB 85.19, -32.7, 67.5

 

CMYK 67 / 16 / 0 / 11

HEX #4ABFE3

RGB 74 191 227

HSL 194.12, 0.73%, 0.59%

LAB 72.4, -21.58, -27.56

 

CMYK 0 / 67 / 16 / 11

HEX #E34ABF

RGB 227 74 191

HSL 314.12, 0.73%, 0.59%

LAB 57.07, 70.47, -30.17

 

CMYK 16 / 0 / 67 / 11

HEX #BEE34A

RGB 190 227 74

HSL 74.51, 0.73%, 0.59%

LAB 85.19, -32.7, 67.5

 

CMYK 67 / 0 / 38 / 11

HEX #4AE38C

RGB 74 227 140

HSL 145.88, 0.73%, 0.59%

LAB 80.9, -59.19, 31.09

 

CMYK 52 / 67 / 0 / 11

HEX #6E4AE3

RGB 110 74 227

HSL 254.12, 0.73%, 0.59%

LAB 43.88, 52.3, -72.69

 

CMYK 0 / 67 / 29 / 11

HEX #E34AA1

RGB 227 74 161

HSL 325.88, 0.73%, 0.59%

LAB 55.89, 66.57, -14.57

 

CMYK 16 / 0 / 67 / 11

HEX #BEE34A

RGB 190 227 74

HSL 74.51, 0.73%, 0.59%

LAB 85.19, -32.7, 67.5

 

CMYK 67 / 0 / 18 / 11

HEX #4AE3BA

RGB 74 227 186

HSL 163.92, 0.73%, 0.59%

LAB 81.81, -49.53, 8.43

 

CMYK 52 / 67 / 0 / 11

HEX #6E4AE3

RGB 110 74 227

HSL 254.12, 0.73%, 0.59%

LAB 43.88, 52.3, -72.69

 

CMYK 0 / 67 / 49 / 11

HEX #E34A73

RGB 227 74 115

HSL 343.92, 0.73%, 0.59%

LAB 54.52, 61.85, 10.62

 

Description

Color code: HEX #BEE34A | qconv.com Color code: HEX #BEE34A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 227 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 227 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 67 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 67% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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