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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEE280 it is the complementary color #411D7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEE280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEE280 shade: #C3E27B, #D4F48E, #E5FFA1, #F6FFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEE280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEE280 shade: #BEE280, #ADD06D, #9CBE5A, #8BAC47 and #7A9A34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEE280 shade: #BDE27E, #D8E27E, #E2D17E, #E2B67E and #E29B7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEE280 shade: #BDE27E, #A2E27E, #87E27E, #7EE290 and #7EE2AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEE280 shade matches the following richer shades: #BDE27E, #C1EF71 and #C4FB65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEE280 shade: #BDE27E, #BAD58B, #B6C898, #B3BBA5 and #B0AFB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEE280 shade: #E2D17E, #D8E27E, #BDE27E, #A3E27E and #88E27E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEE280 shade: #9BD23B, #ACDA5D, #BDE27E, #CEE9A0 and #E0F1C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEE280 shade: #BEE280, #7EE2B7 and #DE7EE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEE280 shade: #BEE280, #7EBDE2 and #E27EBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEE280 shade: #BEE280, #7EE2B7, #A37EE2 and #E27EA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEE280 shade: #BEE280, #7EE2D4, #A37EE2 and #E27E8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 43 / 11

HEX #BEE280

RGB 190 226 128

HSL 82.04, 0.63%, 0.69%

LAB 85.45, -27.5, 43.95

 

Complementary color

CMYK 49 / 77 / 0 / 50

HEX #411D7F

RGB 65 29 127

HSL 262.04, 0.63%, 0.31%

LAB 22.07, 39.85, -48.84

 

CMYK 14 / 0 / 46 / 11

HEX #C3E27B

RGB 195 226 123

HSL 78.06, 0.64%, 0.68%

LAB 85.72, -26.18, 46.78

 

CMYK 13 / 0 / 42 / 4

HEX #D4F48E

RGB 212 244 142

HSL 78.82, 0.82%, 0.76%

LAB 91.98, -26.29, 45.65

 

CMYK 10 / 0 / 37 / 0

HEX #E5FFA1

RGB 229 255 161

HSL 76.6, 1%, 0.82%

LAB 96.31, -23.06, 42.15

 

CMYK 4 / 0 / 29 / 0

HEX #F6FFB4

RGB 246 255 180

HSL 67.2, 1%, 0.85%

LAB 97.8, -14.51, 34.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 16 / 0 / 43 / 11

HEX #BEE280

RGB 190 226 128

HSL 82.04, 0.63%, 0.69%

LAB 85.45, -27.5, 43.95

 

CMYK 17 / 0 / 48 / 18

HEX #ADD06D

RGB 173 208 109

HSL 81.21, 0.51%, 0.62%

LAB 79.1, -27.42, 45.09

 

CMYK 18 / 0 / 53 / 25

HEX #9CBE5A

RGB 156 190 90

HSL 80.4, 0.43%, 0.55%

LAB 72.65, -27.28, 46.22

 

CMYK 19 / 0 / 59 / 33

HEX #8BAC47

RGB 139 172 71

HSL 79.6, 0.42%, 0.48%

LAB 66.1, -27.07, 47.27

 

CMYK 21 / 0 / 66 / 40

HEX #7A9A34

RGB 122 154 52

HSL 78.82, 0.5%, 0.4%

LAB 59.43, -26.74, 48.1

 

CMYK 16 / 0 / 44 / 11

HEX #BDE27E

RGB 189 226 126

HSL 82.2, 0.63%, 0.69%

LAB 85.36, -28.1, 44.79

 

CMYK 4 / 0 / 44 / 11

HEX #D8E27E

RGB 216 226 126

HSL 66, 0.63%, 0.69%

LAB 87.24, -17.8, 47.54

 

CMYK 0 / 8 / 44 / 11

HEX #E2D17E

RGB 226 209 126

HSL 49.8, 0.63%, 0.69%

LAB 83.59, -5.33, 43.17

 

CMYK 0 / 19 / 44 / 11

HEX #E2B67E

RGB 226 182 126

HSL 33.6, 0.63%, 0.69%

LAB 76.76, 8.75, 34.47

 

CMYK 0 / 31 / 44 / 11

HEX #E29B7E

RGB 226 155 126

HSL 17.4, 0.63%, 0.69%

LAB 70.26, 23.17, 25.92

 

CMYK 16 / 0 / 44 / 11

HEX #BDE27E

RGB 189 226 126

HSL 82.2, 0.63%, 0.69%

LAB 85.36, -28.1, 44.79

 

CMYK 28 / 0 / 44 / 11

HEX #A2E27E

RGB 162 226 126

HSL 98.4, 0.63%, 0.69%

LAB 83.75, -37.77, 42.43

 

CMYK 40 / 0 / 44 / 11

HEX #87E27E

RGB 135 226 126

HSL 114.6, 0.63%, 0.69%

LAB 82.41, -46.51, 40.45

 

CMYK 44 / 0 / 36 / 11

HEX #7EE290

RGB 126 226 144

HSL 130.8, 0.63%, 0.69%

LAB 82.29, -46.4, 31.2

 

CMYK 44 / 0 / 24 / 11

HEX #7EE2AB

RGB 126 226 171

HSL 147, 0.63%, 0.69%

LAB 82.79, -41.53, 17.93

 

CMYK 16 / 0 / 44 / 11

HEX #BDE27E

RGB 189 226 126

HSL 82.2, 0.63%, 0.69%

LAB 85.36, -28.1, 44.79

 

CMYK 19 / 0 / 53 / 6

HEX #C1EF71

RGB 193 239 113

HSL 81.9, 0.8%, 0.69%

LAB 89.05, -34.02, 55.44

 

CMYK 22 / 0 / 60 / 2

HEX #C4FB65

RGB 196 251 101

HSL 82, 0.95%, 0.69%

LAB 92.43, -39.38, 64.59

 

CMYK 16 / 0 / 44 / 11

HEX #BDE27E

RGB 189 226 126

HSL 82.2, 0.63%, 0.69%

LAB 85.36, -28.1, 44.79

 

CMYK 13 / 0 / 35 / 16

HEX #BAD58B

RGB 186 213 139

HSL 81.89, 0.47%, 0.69%

LAB 81.78, -21.35, 33.68

 

CMYK 9 / 0 / 24 / 22

HEX #B6C898

RGB 182 200 152

HSL 82.5, 0.3%, 0.69%

LAB 78.18, -14.49, 22.03

 

CMYK 4 / 0 / 12 / 27

HEX #B3BBA5

RGB 179 187 165

HSL 81.82, 0.14%, 0.69%

LAB 74.72, -6.76, 10.19

 

CMYK 1 / 1 / 0 / 31

HEX #B0AFB1

RGB 176 175 177

HSL 270, 0.01%, 0.69%

LAB 71.6, 0.73, -0.9

 

CMYK 0 / 8 / 44 / 11

HEX #E2D17E

RGB 226 209 126

HSL 49.8, 0.63%, 0.69%

LAB 83.59, -5.33, 43.17

 

CMYK 4 / 0 / 44 / 11

HEX #D8E27E

RGB 216 226 126

HSL 66, 0.63%, 0.69%

LAB 87.24, -17.8, 47.54

 

CMYK 16 / 0 / 44 / 11

HEX #BDE27E

RGB 189 226 126

HSL 82.2, 0.63%, 0.69%

LAB 85.36, -28.1, 44.79

 

CMYK 28 / 0 / 44 / 11

HEX #A3E27E

RGB 163 226 126

HSL 97.8, 0.63%, 0.69%

LAB 83.8, -37.43, 42.51

 

CMYK 40 / 0 / 44 / 11

HEX #88E27E

RGB 136 226 126

HSL 114, 0.63%, 0.69%

LAB 82.45, -46.21, 40.52

 

CMYK 26 / 0 / 72 / 18

HEX #9BD23B

RGB 155 210 59

HSL 81.85, 0.63%, 0.53%

LAB 78.1, -39.35, 65.11

 

CMYK 21 / 0 / 57 / 15

HEX #ACDA5D

RGB 172 218 93

HSL 82.08, 0.63%, 0.61%

LAB 81.68, -34.05, 55.56

 

CMYK 16 / 0 / 44 / 11

HEX #BDE27E

RGB 189 226 126

HSL 82.2, 0.63%, 0.69%

LAB 85.36, -28.1, 44.79

 

CMYK 12 / 0 / 31 / 9

HEX #CEE9A0

RGB 206 233 160

HSL 82.19, 0.62%, 0.77%

LAB 88.89, -20.98, 32.63

 

CMYK 7 / 0 / 20 / 5

HEX #E0F1C1

RGB 224 241 193

HSL 81.25, 0.63%, 0.85%

LAB 92.84, -13.73, 21.35

 

CMYK 16 / 0 / 43 / 11

HEX #BEE280

RGB 190 226 128

HSL 82.04, 0.63%, 0.69%

LAB 85.45, -27.5, 43.95

 

CMYK 44 / 0 / 19 / 11

HEX #7EE2B7

RGB 126 226 183

HSL 154.2, 0.63%, 0.69%

LAB 83.04, -39.11, 11.99

 

CMYK 2 / 44 / 0 / 11

HEX #DE7EE2

RGB 222 126 226

HSL 297.6, 0.63%, 0.69%

LAB 66.48, 51.63, -35.36

 

CMYK 16 / 0 / 43 / 11

HEX #BEE280

RGB 190 226 128

HSL 82.04, 0.63%, 0.69%

LAB 85.45, -27.5, 43.95

 

CMYK 44 / 16 / 0 / 11

HEX #7EBDE2

RGB 126 189 226

HSL 202.2, 0.63%, 0.69%

LAB 73.75, -10.53, -24.78

 

CMYK 0 / 44 / 16 / 11

HEX #E27EBD

RGB 226 126 189

HSL 322.2, 0.63%, 0.69%

LAB 65.56, 46.63, -16.03

 

CMYK 16 / 0 / 43 / 11

HEX #BEE280

RGB 190 226 128

HSL 82.04, 0.63%, 0.69%

LAB 85.45, -27.5, 43.95

 

CMYK 44 / 0 / 19 / 11

HEX #7EE2B7

RGB 126 226 183

HSL 154.2, 0.63%, 0.69%

LAB 83.04, -39.11, 11.99

 

CMYK 28 / 44 / 0 / 11

HEX #A37EE2

RGB 163 126 226

HSL 262.2, 0.63%, 0.69%

LAB 60.07, 34.86, -45.85

 

CMYK 0 / 44 / 25 / 11

HEX #E27EA9

RGB 226 126 169

HSL 334.2, 0.63%, 0.69%

LAB 64.93, 43.7, -5.67

 

CMYK 16 / 0 / 43 / 11

HEX #BEE280

RGB 190 226 128

HSL 82.04, 0.63%, 0.69%

LAB 85.45, -27.5, 43.95

 

CMYK 44 / 0 / 6 / 11

HEX #7EE2D4

RGB 126 226 212

HSL 171.6, 0.63%, 0.69%

LAB 83.75, -32.65, -2.3

 

CMYK 28 / 44 / 0 / 11

HEX #A37EE2

RGB 163 126 226

HSL 262.2, 0.63%, 0.69%

LAB 60.07, 34.86, -45.85

 

CMYK 0 / 44 / 38 / 11

HEX #E27E8B

RGB 226 126 139

HSL 352.2, 0.63%, 0.69%

LAB 64.12, 39.91, 10.22

 

Description

Color code: HEX #BEE280 | qconv.com Color code: HEX #BEE280 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 226 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 226 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 43 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 43% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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