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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BED36E it is the complementary color #412C91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BED36E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BED36E shade: #C3D369, #D4E57C, #E5F78F, #F6FFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BED36E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BED36E shade: #BED36E, #ADC15B, #9CAF48, #8B9D35 and #7A8B22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BED36E shade: #BED36F, #D3CC6F, #D3B26F, #D3976F and #D37C6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BED36E shade: #BED36F, #A3D36F, #88D36F, #6FD370 and #6FD38B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BED36E shade matches the following richer shades: #BED36F, #C7E25F and #D0F150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BED36E shade: #BED36F, #B5C37E, #ACB48D, #A3A59C and #9A96AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BED36E shade: #D3B16F, #D3CC6F, #BFD36F, #A4D36F and #89D36F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BED36E shade: #9CB738, #B0C94F, #BED36F, #CCDC8E and #DAE6AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BED36E shade: #BED36E, #6FD397 and #BF6FD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BED36E shade: #BED36E, #6FBFD3 and #D36FBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BED36E shade: #BED36E, #6FD397, #836FD3 and #D36FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BED36E shade: #BED36E, #6FD3B5, #836FD3 and #D36F8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 48 / 17

HEX #BED36E

RGB 190 211 110

HSL 72.48, 0.53%, 0.63%

LAB 81.11, -22.21, 47.32

 

Complementary color

CMYK 55 / 70 / 0 / 43

HEX #412C91

RGB 65 44 145

HSL 252.48, 0.53%, 0.37%

LAB 26.65, 37.03, -52.61

 

CMYK 8 / 0 / 50 / 17

HEX #C3D369

RGB 195 211 105

HSL 69.06, 0.55%, 0.62%

LAB 81.41, -20.72, 50.15

 

CMYK 7 / 0 / 46 / 10

HEX #D4E57C

RGB 212 229 124

HSL 69.71, 0.67%, 0.69%

LAB 87.72, -21.02, 49.03

 

CMYK 7 / 0 / 42 / 3

HEX #E5F78F

RGB 229 247 143

HSL 70.38, 0.87%, 0.76%

LAB 93.95, -21.26, 47.89

 

CMYK 4 / 0 / 36 / 0

HEX #F6FFA2

RGB 246 255 162

HSL 65.81, 1%, 0.82%

LAB 97.52, -16.66, 43.47

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 10 / 0 / 48 / 17

HEX #BED36E

RGB 190 211 110

HSL 72.48, 0.53%, 0.63%

LAB 81.11, -22.21, 47.32

 

CMYK 10 / 0 / 53 / 24

HEX #ADC15B

RGB 173 193 91

HSL 71.76, 0.45%, 0.56%

LAB 74.69, -21.93, 48.43

 

CMYK 11 / 0 / 59 / 31

HEX #9CAF48

RGB 156 175 72

HSL 71.07, 0.42%, 0.48%

LAB 68.16, -21.55, 49.46

 

CMYK 11 / 0 / 66 / 38

HEX #8B9D35

RGB 139 157 53

HSL 70.38, 0.5%, 0.41%

LAB 61.53, -21.06, 50.26

 

CMYK 12 / 0 / 76 / 45

HEX #7A8B22

RGB 122 139 34

HSL 69.71, 0.61%, 0.34%

LAB 54.78, -20.39, 50.54

 

CMYK 10 / 0 / 47 / 17

HEX #BED36F

RGB 190 211 111

HSL 72.6, 0.53%, 0.63%

LAB 81.12, -22.11, 46.85

 

CMYK 0 / 3 / 47 / 17

HEX #D3CC6F

RGB 211 204 111

HSL 55.8, 0.53%, 0.63%

LAB 80.84, -10.25, 46.89

 

CMYK 0 / 16 / 47 / 17

HEX #D3B26F

RGB 211 178 111

HSL 40.2, 0.53%, 0.63%

LAB 74.09, 3.28, 38.54

 

CMYK 0 / 28 / 47 / 17

HEX #D3976F

RGB 211 151 111

HSL 24, 0.53%, 0.63%

LAB 67.37, 17.8, 29.95

 

CMYK 0 / 41 / 47 / 17

HEX #D37C6F

RGB 211 124 111

HSL 7.8, 0.53%, 0.63%

LAB 61.14, 32.37, 21.7

 

CMYK 10 / 0 / 47 / 17

HEX #BED36F

RGB 190 211 111

HSL 72.6, 0.53%, 0.63%

LAB 81.12, -22.11, 46.85

 

CMYK 23 / 0 / 47 / 17

HEX #A3D36F

RGB 163 211 111

HSL 88.8, 0.53%, 0.63%

LAB 79.34, -32.34, 44.28

 

CMYK 36 / 0 / 47 / 17

HEX #88D36F

RGB 136 211 111

HSL 105, 0.53%, 0.63%

LAB 77.86, -41.74, 42.11

 

CMYK 47 / 0 / 47 / 17

HEX #6FD370

RGB 111 211 112

HSL 120.6, 0.53%, 0.63%

LAB 76.76, -49.22, 40.01

 

CMYK 47 / 0 / 34 / 17

HEX #6FD38B

RGB 111 211 139

HSL 136.8, 0.53%, 0.63%

LAB 77.18, -44.94, 26.84

 

CMYK 10 / 0 / 47 / 17

HEX #BED36F

RGB 190 211 111

HSL 72.6, 0.53%, 0.63%

LAB 81.12, -22.11, 46.85

 

CMYK 12 / 0 / 58 / 11

HEX #C7E25F

RGB 199 226 95

HSL 72.37, 0.69%, 0.63%

LAB 85.69, -27.24, 59.68

 

CMYK 14 / 0 / 67 / 5

HEX #D0F150

RGB 208 241 80

HSL 72.3, 0.85%, 0.63%

LAB 90.28, -31.77, 70.83

 

CMYK 10 / 0 / 47 / 17

HEX #BED36F

RGB 190 211 111

HSL 72.6, 0.53%, 0.63%

LAB 81.12, -22.11, 46.85

 

CMYK 7 / 0 / 35 / 24

HEX #B5C37E

RGB 181 195 126

HSL 72.17, 0.37%, 0.63%

LAB 76.29, -15.95, 33.12

 

CMYK 4 / 0 / 22 / 29

HEX #ACB48D

RGB 172 180 141

HSL 72.31, 0.21%, 0.63%

LAB 71.78, -9.57, 19

 

CMYK 1 / 0 / 5 / 35

HEX #A3A59C

RGB 163 165 156

HSL 73.33, 0.05%, 0.63%

LAB 67.35, -2.39, 4.4

 

CMYK 10 / 13 / 0 / 33

HEX #9A96AC

RGB 154 150 172

HSL 250.91, 0.12%, 0.63%

LAB 63.06, 5.88, -10.96

 

CMYK 0 / 16 / 47 / 17

HEX #D3B16F

RGB 211 177 111

HSL 39.6, 0.53%, 0.63%

LAB 73.83, 3.81, 38.22

 

CMYK 0 / 3 / 47 / 17

HEX #D3CC6F

RGB 211 204 111

HSL 55.8, 0.53%, 0.63%

LAB 80.84, -10.25, 46.89

 

CMYK 9 / 0 / 47 / 17

HEX #BFD36F

RGB 191 211 111

HSL 72, 0.53%, 0.63%

LAB 81.19, -21.72, 46.96

 

CMYK 22 / 0 / 47 / 17

HEX #A4D36F

RGB 164 211 111

HSL 88.2, 0.53%, 0.63%

LAB 79.4, -31.98, 44.36

 

CMYK 35 / 0 / 47 / 17

HEX #89D36F

RGB 137 211 111

HSL 104.4, 0.53%, 0.63%

LAB 77.91, -41.41, 42.19

 

CMYK 15 / 0 / 69 / 28

HEX #9CB738

RGB 156 183 56

HSL 72.76, 0.53%, 0.47%

LAB 70.33, -26.62, 58.47

 

CMYK 12 / 0 / 61 / 21

HEX #B0C94F

RGB 176 201 79

HSL 72.3, 0.53%, 0.55%

LAB 77.02, -25.63, 56.56

 

CMYK 10 / 0 / 47 / 17

HEX #BED36F

RGB 190 211 111

HSL 72.6, 0.53%, 0.63%

LAB 81.12, -22.11, 46.85

 

CMYK 7 / 0 / 35 / 14

HEX #CCDC8E

RGB 204 220 142

HSL 72.31, 0.53%, 0.71%

LAB 84.98, -17.67, 36.58

 

CMYK 5 / 0 / 24 / 10

HEX #DAE6AE

RGB 218 230 174

HSL 72.86, 0.53%, 0.79%

LAB 89.18, -13.2, 26.01

 

CMYK 10 / 0 / 48 / 17

HEX #BED36E

RGB 190 211 110

HSL 72.48, 0.53%, 0.63%

LAB 81.11, -22.21, 47.32

 

CMYK 47 / 0 / 28 / 17

HEX #6FD397

RGB 111 211 151

HSL 144, 0.53%, 0.63%

LAB 77.4, -42.73, 20.86

 

CMYK 9 / 47 / 0 / 17

HEX #BF6FD3

RGB 191 111 211

HSL 288, 0.53%, 0.63%

LAB 59.11, 47.56, -38.74

 

CMYK 10 / 0 / 48 / 17

HEX #BED36E

RGB 190 211 110

HSL 72.48, 0.53%, 0.63%

LAB 81.11, -22.21, 47.32

 

CMYK 47 / 9 / 0 / 17

HEX #6FBFD3

RGB 111 191 211

HSL 192, 0.53%, 0.63%

LAB 73.12, -19.23, -17.66

 

CMYK 0 / 47 / 9 / 17

HEX #D36FBF

RGB 211 111 191

HSL 312, 0.53%, 0.63%

LAB 60.76, 49.82, -24.65

 

CMYK 10 / 0 / 48 / 17

HEX #BED36E

RGB 190 211 110

HSL 72.48, 0.53%, 0.63%

LAB 81.11, -22.21, 47.32

 

CMYK 47 / 0 / 28 / 17

HEX #6FD397

RGB 111 211 151

HSL 144, 0.53%, 0.63%

LAB 77.4, -42.73, 20.86

 

CMYK 38 / 47 / 0 / 17

HEX #836FD3

RGB 131 111 211

HSL 252, 0.53%, 0.63%

LAB 52.84, 31.17, -49.07

 

CMYK 0 / 47 / 19 / 17

HEX #D36FAB

RGB 211 111 171

HSL 324, 0.53%, 0.63%

LAB 60.03, 46.66, -14.34

 

CMYK 10 / 0 / 48 / 17

HEX #BED36E

RGB 190 211 110

HSL 72.48, 0.53%, 0.63%

LAB 81.11, -22.21, 47.32

 

CMYK 47 / 0 / 14 / 17

HEX #6FD3B5

RGB 111 211 181

HSL 162, 0.53%, 0.63%

LAB 78.05, -36.45, 5.84

 

CMYK 38 / 47 / 0 / 17

HEX #836FD3

RGB 131 111 211

HSL 252, 0.53%, 0.63%

LAB 52.84, 31.17, -49.07

 

CMYK 0 / 47 / 33 / 17

HEX #D36F8D

RGB 211 111 141

HSL 342, 0.53%, 0.63%

LAB 59.1, 42.52, 1.6

 

Description

Color code: HEX #BED36E | qconv.com Color code: HEX #BED36E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 211 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 211 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 48 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 48% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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