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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BED367 it is the complementary color #412C98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BED367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BED367 shade: #C3D362, #D4E575, #E5F788, #F6FF9B and #FFFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BED367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BED367 shade: #BED367, #ADC154, #9CAF41, #8B9D2E and #7A8B1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BED367 shade: #BFD369, #D3CB69, #D3AF69, #D39269 and #D37569

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BED367 shade: #BFD369, #A2D369, #85D369, #69D369 and #69D386

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BED367 shade matches the following richer shades: #BFD369, #C8E359 and #D2F349

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BED367 shade: #BFD369, #B5C478, #ACB488, #A2A498 and #9895A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BED367 shade: #D3AE69, #D3CB69, #C0D369, #A3D369 and #87D369

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BED367 shade: #9CB535, #B1CA49, #BFD369, #CCDD89 and #DAE6A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BED367 shade: #BED367, #69D392 and #BC69D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BED367 shade: #BED367, #69C0D3 and #D369C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BED367 shade: #BED367, #69D392, #7C69D3 and #D369AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BED367 shade: #BED367, #69D3B2, #7C69D3 and #D3698B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 51 / 17

HEX #BED367

RGB 190 211 103

HSL 71.67, 0.55%, 0.62%

LAB 81.02, -22.88, 50.55

 

Complementary color

CMYK 57 / 71 / 0 / 40

HEX #412C98

RGB 65 44 152

HSL 251.67, 0.55%, 0.38%

LAB 27.28, 39.22, -55.89

 

CMYK 8 / 0 / 54 / 17

HEX #C3D362

RGB 195 211 98

HSL 68.5, 0.56%, 0.61%

LAB 81.33, -21.35, 53.32

 

CMYK 7 / 0 / 49 / 10

HEX #D4E575

RGB 212 229 117

HSL 69.11, 0.68%, 0.68%

LAB 87.64, -21.7, 52.24

 

CMYK 7 / 0 / 45 / 3

HEX #E5F788

RGB 229 247 136

HSL 69.73, 0.87%, 0.75%

LAB 93.86, -21.98, 51.12

 

CMYK 4 / 0 / 39 / 0

HEX #F6FF9B

RGB 246 255 155

HSL 65.4, 1%, 0.8%

LAB 97.42, -17.43, 46.74

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 10 / 0 / 51 / 17

HEX #BED367

RGB 190 211 103

HSL 71.67, 0.55%, 0.62%

LAB 81.02, -22.88, 50.55

 

CMYK 10 / 0 / 56 / 24

HEX #ADC154

RGB 173 193 84

HSL 71.01, 0.47%, 0.54%

LAB 74.61, -22.54, 51.6

 

CMYK 11 / 0 / 63 / 31

HEX #9CAF41

RGB 156 175 65

HSL 70.36, 0.46%, 0.47%

LAB 68.1, -22.09, 52.49

 

CMYK 11 / 0 / 71 / 38

HEX #8B9D2E

RGB 139 157 46

HSL 69.73, 0.55%, 0.4%

LAB 61.48, -21.5, 53.04

 

CMYK 12 / 0 / 81 / 45

HEX #7A8B1B

RGB 122 139 27

HSL 69.11, 0.67%, 0.33%

LAB 54.74, -20.72, 52.85

 

CMYK 9 / 0 / 50 / 17

HEX #BFD369

RGB 191 211 105

HSL 71.32, 0.55%, 0.62%

LAB 81.12, -22.3, 49.74

 

CMYK 0 / 4 / 50 / 17

HEX #D3CB69

RGB 211 203 105

HSL 55.47, 0.55%, 0.62%

LAB 80.51, -10.28, 49.38

 

CMYK 0 / 17 / 50 / 17

HEX #D3AF69

RGB 211 175 105

HSL 39.62, 0.55%, 0.62%

LAB 73.24, 4.31, 40.56

 

CMYK 0 / 31 / 50 / 17

HEX #D39269

RGB 211 146 105

HSL 23.21, 0.55%, 0.62%

LAB 66.08, 19.94, 31.53

 

CMYK 0 / 45 / 50 / 17

HEX #D37569

RGB 211 117 105

HSL 6.79, 0.55%, 0.62%

LAB 59.52, 35.5, 22.92

 

CMYK 9 / 0 / 50 / 17

HEX #BFD369

RGB 191 211 105

HSL 71.32, 0.55%, 0.62%

LAB 81.12, -22.3, 49.74

 

CMYK 23 / 0 / 50 / 17

HEX #A2D369

RGB 162 211 105

HSL 87.74, 0.55%, 0.62%

LAB 79.21, -33.37, 46.99

 

CMYK 37 / 0 / 50 / 17

HEX #85D369

RGB 133 211 105

HSL 104.15, 0.55%, 0.62%

LAB 77.64, -43.46, 44.72

 

CMYK 50 / 0 / 50 / 17

HEX #69D369

RGB 105 211 105

HSL 120, 0.55%, 0.62%

LAB 76.44, -51.83, 42.99

 

CMYK 50 / 0 / 36 / 17

HEX #69D386

RGB 105 211 134

HSL 136.42, 0.55%, 0.62%

LAB 76.87, -47.38, 28.98

 

CMYK 9 / 0 / 50 / 17

HEX #BFD369

RGB 191 211 105

HSL 71.32, 0.55%, 0.62%

LAB 81.12, -22.3, 49.74

 

CMYK 12 / 0 / 61 / 11

HEX #C8E359

RGB 200 227 89

HSL 71.74, 0.71%, 0.62%

LAB 85.98, -27.77, 62.58

 

CMYK 14 / 0 / 70 / 5

HEX #D2F349

RGB 210 243 73

HSL 71.65, 0.88%, 0.62%

LAB 90.91, -32.3, 74.03

 

CMYK 9 / 0 / 50 / 17

HEX #BFD369

RGB 191 211 105

HSL 71.32, 0.55%, 0.62%

LAB 81.12, -22.3, 49.74

 

CMYK 8 / 0 / 39 / 23

HEX #B5C478

RGB 181 196 120

HSL 71.84, 0.39%, 0.62%

LAB 76.47, -17.19, 36.44

 

CMYK 4 / 0 / 24 / 29

HEX #ACB488

RGB 172 180 136

HSL 70.91, 0.23%, 0.62%

LAB 71.68, -10.32, 21.56

 

CMYK 1 / 0 / 7 / 36

HEX #A2A498

RGB 162 164 152

HSL 70, 0.06%, 0.62%

LAB 66.9, -2.94, 5.97

 

CMYK 10 / 11 / 0 / 34

HEX #9895A8

RGB 152 149 168

HSL 249.47, 0.1%, 0.62%

LAB 62.51, 4.91, -9.55

 

CMYK 0 / 18 / 50 / 17

HEX #D3AE69

RGB 211 174 105

HSL 39.06, 0.55%, 0.62%

LAB 72.98, 4.84, 40.25

 

CMYK 0 / 4 / 50 / 17

HEX #D3CB69

RGB 211 203 105

HSL 55.47, 0.55%, 0.62%

LAB 80.51, -10.28, 49.38

 

CMYK 9 / 0 / 50 / 17

HEX #C0D369

RGB 192 211 105

HSL 70.75, 0.55%, 0.62%

LAB 81.19, -21.91, 49.84

 

CMYK 23 / 0 / 50 / 17

HEX #A3D369

RGB 163 211 105

HSL 87.17, 0.55%, 0.62%

LAB 79.27, -33.01, 47.08

 

CMYK 36 / 0 / 50 / 17

HEX #87D369

RGB 135 211 105

HSL 103.02, 0.55%, 0.62%

LAB 77.73, -42.81, 44.86

 

CMYK 14 / 0 / 71 / 29

HEX #9CB535

RGB 156 181 53

HSL 71.72, 0.55%, 0.46%

LAB 69.73, -25.83, 59.01

 

CMYK 12 / 0 / 64 / 21

HEX #B1CA49

RGB 177 202 73

HSL 71.63, 0.55%, 0.54%

LAB 77.32, -26.14, 59.43

 

CMYK 9 / 0 / 50 / 17

HEX #BFD369

RGB 191 211 105

HSL 71.32, 0.55%, 0.62%

LAB 81.12, -22.3, 49.74

 

CMYK 8 / 0 / 38 / 13

HEX #CCDD89

RGB 204 221 137

HSL 72.14, 0.55%, 0.7%

LAB 85.18, -18.77, 39.34

 

CMYK 5 / 0 / 27 / 10

HEX #DAE6A9

RGB 218 230 169

HSL 71.8, 0.55%, 0.78%

LAB 89.09, -13.9, 28.46

 

CMYK 10 / 0 / 51 / 17

HEX #BED367

RGB 190 211 103

HSL 71.67, 0.55%, 0.62%

LAB 81.02, -22.88, 50.55

 

CMYK 50 / 0 / 31 / 17

HEX #69D392

RGB 105 211 146

HSL 143.21, 0.55%, 0.62%

LAB 77.08, -45.21, 23.01

 

CMYK 11 / 50 / 0 / 17

HEX #BC69D3

RGB 188 105 211

HSL 286.98, 0.55%, 0.62%

LAB 57.56, 49.82, -41.21

 

CMYK 10 / 0 / 51 / 17

HEX #BED367

RGB 190 211 103

HSL 71.67, 0.55%, 0.62%

LAB 81.02, -22.88, 50.55

 

CMYK 50 / 9 / 0 / 17

HEX #69C0D3

RGB 105 192 211

HSL 190.75, 0.55%, 0.62%

LAB 73.16, -21.09, -17.63

 

CMYK 0 / 50 / 9 / 17

HEX #D369C0

RGB 211 105 192

HSL 310.75, 0.55%, 0.62%

LAB 59.67, 52.95, -26.91

 

CMYK 10 / 0 / 51 / 17

HEX #BED367

RGB 190 211 103

HSL 71.67, 0.55%, 0.62%

LAB 81.02, -22.88, 50.55

 

CMYK 50 / 0 / 31 / 17

HEX #69D392

RGB 105 211 146

HSL 143.21, 0.55%, 0.62%

LAB 77.08, -45.21, 23.01

 

CMYK 41 / 50 / 0 / 17

HEX #7C69D3

RGB 124 105 211

HSL 250.75, 0.55%, 0.62%

LAB 50.79, 32.97, -52.36

 

CMYK 0 / 50 / 19 / 17

HEX #D369AB

RGB 211 105 171

HSL 322.64, 0.55%, 0.62%

LAB 58.87, 49.65, -16.09

 

CMYK 10 / 0 / 51 / 17

HEX #BED367

RGB 190 211 103

HSL 71.67, 0.55%, 0.62%

LAB 81.02, -22.88, 50.55

 

CMYK 50 / 0 / 16 / 17

HEX #69D3B2

RGB 105 211 178

HSL 161.32, 0.55%, 0.62%

LAB 77.76, -38.55, 6.99

 

CMYK 41 / 50 / 0 / 17

HEX #7C69D3

RGB 124 105 211

HSL 250.75, 0.55%, 0.62%

LAB 50.79, 32.97, -52.36

 

CMYK 0 / 50 / 34 / 17

HEX #D3698B

RGB 211 105 139

HSL 340.75, 0.55%, 0.62%

LAB 57.86, 45.31, 0.96

 

Description

Color code: HEX #BED367 | qconv.com Color code: HEX #BED367 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 211 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 211 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 51 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 51% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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