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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BED193 it is the complementary color #412E6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BED193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BED193 shade: #C3D18E, #D4E3A1, #E5F5B4, #F6FFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BED193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BED193 shade: #BED193, #ADBF80, #9CAD6D, #8B9B5A and #7A8947

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BED193 shade: #BED194, #CFD194, #D1C394, #D1B294 and #D1A294

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BED193 shade: #BED194, #AED194, #9DD194, #94D19B and #94D1AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BED193 shade matches the following richer shades: #BED194, #C3DD88, #C8EA7B and #CDF66F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BED193 shade: #BED194, #BAC5A0, #B5B8AD, #B0ACB9 and #ABA0C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BED193 shade: #D1C394, #CFD194, #BFD194, #AED194 and #9ED194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BED193 shade: #9BB85A, #ADC577, #BED194, #D0DDB1 and #E1EACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BED193 shade: #BED193, #94D1B3 and #CB94D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BED193 shade: #BED193, #94BFD1 and #D194BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BED193 shade: #BED193, #94D1B3, #A694D1 and #D194B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BED193 shade: #BED193, #94D1C5, #A694D1 and #D194A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 30 / 18

HEX #BED193

RGB 190 209 147

HSL 78.39, 0.4%, 0.7%

LAB 81.1, -16.8, 28.7

 

Complementary color

CMYK 40 / 57 / 0 / 58

HEX #412E6C

RGB 65 46 108

HSL 258.39, 0.4%, 0.3%

LAB 24.2, 24.31, -33.26

 

CMYK 7 / 0 / 32 / 18

HEX #C3D18E

RGB 195 209 142

HSL 72.54, 0.42%, 0.69%

LAB 81.38, -15.6, 31.72

 

CMYK 7 / 0 / 29 / 11

HEX #D4E3A1

RGB 212 227 161

HSL 73.64, 0.54%, 0.76%

LAB 87.73, -15.7, 30.65

 

CMYK 7 / 0 / 27 / 4

HEX #E5F5B4

RGB 229 245 180

HSL 74.77, 0.76%, 0.83%

LAB 93.99, -15.79, 29.62

 

CMYK 4 / 0 / 22 / 0

HEX #F6FFC7

RGB 246 255 199

HSL 69.64, 1%, 0.89%

LAB 98.13, -11.96, 25.83

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 9 / 0 / 30 / 18

HEX #BED193

RGB 190 209 147

HSL 78.39, 0.4%, 0.7%

LAB 81.1, -16.8, 28.7

 

CMYK 9 / 0 / 33 / 25

HEX #ADBF80

RGB 173 191 128

HSL 77.14, 0.33%, 0.63%

LAB 74.64, -16.74, 29.8

 

CMYK 10 / 0 / 37 / 32

HEX #9CAD6D

RGB 156 173 109

HSL 75.94, 0.28%, 0.55%

LAB 68.06, -16.65, 30.95

 

CMYK 10 / 0 / 42 / 39

HEX #8B9B5A

RGB 139 155 90

HSL 74.77, 0.27%, 0.48%

LAB 61.37, -16.52, 32.15

 

CMYK 11 / 0 / 48 / 46

HEX #7A8947

RGB 122 137 71

HSL 73.64, 0.32%, 0.41%

LAB 54.54, -16.33, 33.39

 

CMYK 9 / 0 / 29 / 18

HEX #BED194

RGB 190 209 148

HSL 78.69, 0.4%, 0.7%

LAB 81.12, -16.66, 28.21

 

CMYK 1 / 0 / 29 / 18

HEX #CFD194

RGB 207 209 148

HSL 61.97, 0.4%, 0.7%

LAB 82.38, -10.25, 30.12

 

CMYK 0 / 7 / 29 / 18

HEX #D1C394

RGB 209 195 148

HSL 46.23, 0.4%, 0.7%

LAB 78.88, -2.26, 25.44

 

CMYK 0 / 15 / 29 / 18

HEX #D1B294

RGB 209 178 148

HSL 29.51, 0.4%, 0.7%

LAB 74.53, 6.74, 19.49

 

CMYK 0 / 22 / 29 / 18

HEX #D1A294

RGB 209 162 148

HSL 13.77, 0.4%, 0.7%

LAB 70.55, 15.37, 13.96

 

CMYK 9 / 0 / 29 / 18

HEX #BED194

RGB 190 209 148

HSL 78.69, 0.4%, 0.7%

LAB 81.12, -16.66, 28.21

 

CMYK 17 / 0 / 29 / 18

HEX #AED194

RGB 174 209 148

HSL 94.43, 0.4%, 0.7%

LAB 80.03, -22.5, 26.56

 

CMYK 25 / 0 / 29 / 18

HEX #9DD194

RGB 157 209 148

HSL 111.15, 0.4%, 0.7%

LAB 78.99, -28.44, 24.97

 

CMYK 29 / 0 / 26 / 18

HEX #94D19B

RGB 148 209 155

HSL 126.89, 0.4%, 0.7%

LAB 78.62, -30.25, 20.7

 

CMYK 29 / 0 / 18 / 18

HEX #94D1AB

RGB 148 209 171

HSL 142.62, 0.4%, 0.7%

LAB 78.95, -27.32, 12.68

 

CMYK 9 / 0 / 29 / 18

HEX #BED194

RGB 190 209 148

HSL 78.69, 0.4%, 0.7%

LAB 81.12, -16.66, 28.21

 

CMYK 12 / 0 / 38 / 13

HEX #C3DD88

RGB 195 221 136

HSL 78.35, 0.56%, 0.7%

LAB 84.53, -22.28, 38.89

 

CMYK 15 / 0 / 47 / 8

HEX #C8EA7B

RGB 200 234 123

HSL 78.38, 0.73%, 0.7%

LAB 88.24, -28.09, 49.94

 

CMYK 17 / 0 / 55 / 4

HEX #CDF66F

RGB 205 246 111

HSL 78.22, 0.88%, 0.7%

LAB 91.7, -32.94, 59.62

 

CMYK 9 / 0 / 29 / 18

HEX #BED194

RGB 190 209 148

HSL 78.69, 0.4%, 0.7%

LAB 81.12, -16.66, 28.21

 

CMYK 6 / 0 / 19 / 23

HEX #BAC5A0

RGB 186 197 160

HSL 77.84, 0.24%, 0.7%

LAB 77.82, -10.25, 17.32

 

CMYK 2 / 0 / 6 / 28

HEX #B5B8AD

RGB 181 184 173

HSL 76.36, 0.07%, 0.7%

LAB 74.27, -3.06, 5.21

 

CMYK 5 / 7 / 0 / 27

HEX #B0ACB9

RGB 176 172 185

HSL 258.46, 0.08%, 0.7%

LAB 71.03, 3.91, -6.14

 

CMYK 13 / 19 / 0 / 23

HEX #ABA0C5

RGB 171 160 197

HSL 257.84, 0.24%, 0.7%

LAB 67.9, 11.33, -17.52

 

CMYK 0 / 7 / 29 / 18

HEX #D1C394

RGB 209 195 148

HSL 46.23, 0.4%, 0.7%

LAB 78.88, -2.26, 25.44

 

CMYK 1 / 0 / 29 / 18

HEX #CFD194

RGB 207 209 148

HSL 61.97, 0.4%, 0.7%

LAB 82.38, -10.25, 30.12

 

CMYK 9 / 0 / 29 / 18

HEX #BFD194

RGB 191 209 148

HSL 77.7, 0.4%, 0.7%

LAB 81.19, -16.29, 28.31

 

CMYK 17 / 0 / 29 / 18

HEX #AED194

RGB 174 209 148

HSL 94.43, 0.4%, 0.7%

LAB 80.03, -22.5, 26.56

 

CMYK 24 / 0 / 29 / 18

HEX #9ED194

RGB 158 209 148

HSL 110.16, 0.4%, 0.7%

LAB 79.05, -28.1, 25.06

 

CMYK 16 / 0 / 51 / 28

HEX #9BB85A

RGB 155 184 90

HSL 78.51, 0.4%, 0.54%

LAB 70.86, -24.76, 44.08

 

CMYK 12 / 0 / 40 / 23

HEX #ADC577

RGB 173 197 119

HSL 78.46, 0.4%, 0.62%

LAB 76.16, -20.9, 36.44

 

CMYK 9 / 0 / 29 / 18

HEX #BED194

RGB 190 209 148

HSL 78.69, 0.4%, 0.7%

LAB 81.12, -16.66, 28.21

 

CMYK 6 / 0 / 20 / 13

HEX #D0DDB1

RGB 208 221 177

HSL 77.73, 0.39%, 0.78%

LAB 86.15, -11.87, 20.17

 

CMYK 4 / 0 / 12 / 8

HEX #E1EACE

RGB 225 234 206

HSL 79.29, 0.4%, 0.86%

LAB 91.37, -7.84, 12.57

 

CMYK 9 / 0 / 30 / 18

HEX #BED193

RGB 190 209 147

HSL 78.39, 0.4%, 0.7%

LAB 81.1, -16.8, 28.7

 

CMYK 29 / 0 / 14 / 18

HEX #94D1B3

RGB 148 209 179

HSL 150.49, 0.4%, 0.7%

LAB 79.13, -25.75, 8.67

 

CMYK 3 / 29 / 0 / 18

HEX #CB94D1

RGB 203 148 209

HSL 294.1, 0.4%, 0.7%

LAB 68.37, 30.95, -23.18

 

CMYK 9 / 0 / 30 / 18

HEX #BED193

RGB 190 209 147

HSL 78.39, 0.4%, 0.7%

LAB 81.1, -16.8, 28.7

 

CMYK 29 / 9 / 0 / 18

HEX #94BFD1

RGB 148 191 209

HSL 197.7, 0.4%, 0.7%

LAB 74.93, -10.02, -13.67

 

CMYK 0 / 29 / 9 / 18

HEX #D194BF

RGB 209 148 191

HSL 317.7, 0.4%, 0.7%

LAB 68.39, 29.65, -13.09

 

CMYK 9 / 0 / 30 / 18

HEX #BED193

RGB 190 209 147

HSL 78.39, 0.4%, 0.7%

LAB 81.1, -16.8, 28.7

 

CMYK 29 / 0 / 14 / 18

HEX #94D1B3

RGB 148 209 179

HSL 150.49, 0.4%, 0.7%

LAB 79.13, -25.75, 8.67

 

CMYK 21 / 29 / 0 / 18

HEX #A694D1

RGB 166 148 209

HSL 257.7, 0.4%, 0.7%

LAB 64.88, 19.17, -28.85

 

CMYK 0 / 29 / 14 / 18

HEX #D194B3

RGB 209 148 179

HSL 329.51, 0.4%, 0.7%

LAB 68.01, 27.63, -6.95

 

CMYK 9 / 0 / 30 / 18

HEX #BED193

RGB 190 209 147

HSL 78.39, 0.4%, 0.7%

LAB 81.1, -16.8, 28.7

 

CMYK 29 / 0 / 6 / 18

HEX #94D1C5

RGB 148 209 197

HSL 168.2, 0.4%, 0.7%

LAB 79.57, -21.99, -0.31

 

CMYK 21 / 29 / 0 / 18

HEX #A694D1

RGB 166 148 209

HSL 257.7, 0.4%, 0.7%

LAB 64.88, 19.17, -28.85

 

CMYK 0 / 29 / 23 / 18

HEX #D194A0

RGB 209 148 160

HSL 348.2, 0.4%, 0.7%

LAB 67.48, 24.68, 2.91

 

Description

Color code: HEX #BED193 | qconv.com Color code: HEX #BED193 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 209 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 209 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 30 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 30% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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