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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BECB1E it is the complementary color #4134E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BECB1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BECB1E shade: #C3CB19, #D4DD2C, #E5EF3F, #F6FF52 and #FFFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BECB1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BECB1E shade: #BECB1E, #ADB90B, #9CA700, #8B9500 and #7A8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BECB1E shade: #BFCC1E, #CCAA1E, #CC7C1E, #CC4D1E and #CC1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BECB1E shade: #BFCC1E, #90CC1E, #61CC1E, #33CC1E and #1ECC39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BECB1E shade matches the following richer shades: #BFCC1E and #CFDF0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BECB1E shade: #BFCC1E, #AFB931, #9FA644, #8F9357 and #7F806A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BECB1E shade: #CC7B1E, #CCA91E, #C1CC1E, #92CC1E and #64CC1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BECB1E shade: #7C8414, #9DA819, #BFCC1E, #D4E133 and #DBE657

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BECB1E shade: #BECB1E, #1ECC4D and #921ECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BECB1E shade: #BECB1E, #1EC1CC and #CC1EC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BECB1E shade: #BECB1E, #1ECC4D, #2A1ECC and #CC1E9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BECB1E shade: #BECB1E, #1ECC81, #2A1ECC and #CC1E6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 85 / 20

HEX #BECB1E

RGB 190 203 30

HSL 64.51, 0.74%, 0.46%

LAB 78.32, -23.22, 74.39

 

Complementary color

CMYK 71 / 77 / 0 / 12

HEX #4134E1

RGB 65 52 225

HSL 244.51, 0.74%, 0.54%

LAB 36.02, 57.5, -84.62

 

CMYK 4 / 0 / 88 / 20

HEX #C3CB19

RGB 195 203 25

HSL 62.7, 0.78%, 0.45%

LAB 78.69, -21.23, 75.82

 

CMYK 4 / 0 / 80 / 13

HEX #D4DD2C

RGB 212 221 44

HSL 63.05, 0.72%, 0.52%

LAB 84.94, -22.35, 77.4

 

CMYK 4 / 0 / 74 / 6

HEX #E5EF3F

RGB 229 239 63

HSL 63.41, 0.85%, 0.59%

LAB 91.12, -23.31, 78.01

 

CMYK 4 / 0 / 68 / 0

HEX #F6FF52

RGB 246 255 82

HSL 63.12, 1%, 0.66%

LAB 96.71, -23.17, 77.46

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 6 / 0 / 85 / 20

HEX #BECB1E

RGB 190 203 30

HSL 64.51, 0.74%, 0.46%

LAB 78.32, -23.22, 74.39

 

CMYK 6 / 0 / 94 / 27

HEX #ADB90B

RGB 173 185 11

HSL 64.14, 0.89%, 0.38%

LAB 71.96, -22, 71.9

 

CMYK 7 / 0 / 100 / 35

HEX #9CA700

RGB 156 167 0

HSL 63.95, 1%, 0.33%

LAB 65.52, -20.56, 67.77

 

CMYK 7 / 0 / 100 / 42

HEX #8B9500

RGB 139 149 0

HSL 64.03, 1%, 0.29%

LAB 58.96, -18.95, 62.31

 

CMYK 7 / 0 / 100 / 49

HEX #7A8300

RGB 122 131 0

HSL 64.12, 1%, 0.26%

LAB 52.25, -17.3, 56.73

 

CMYK 6 / 0 / 85 / 20

HEX #BFCC1E

RGB 191 204 30

HSL 64.48, 0.74%, 0.46%

LAB 78.67, -23.29, 74.71

 

CMYK 0 / 17 / 85 / 20

HEX #CCAA1E

RGB 204 170 30

HSL 48.28, 0.74%, 0.46%

LAB 70.65, -0.33, 68.55

 

CMYK 0 / 39 / 85 / 20

HEX #CC7C1E

RGB 204 124 30

HSL 32.41, 0.74%, 0.46%

LAB 59.29, 24.54, 59.15

 

CMYK 0 / 62 / 85 / 20

HEX #CC4D1E

RGB 204 77 30

HSL 16.21, 0.74%, 0.46%

LAB 49.78, 48.3, 51.17

 

CMYK 0 / 85 / 85 / 20

HEX #CC1E1E

RGB 204 30 30

HSL 0, 0.74%, 0.46%

LAB 44.03, 64.15, 46.25

 

CMYK 6 / 0 / 85 / 20

HEX #BFCC1E

RGB 191 204 30

HSL 64.48, 0.74%, 0.46%

LAB 78.67, -23.29, 74.71

 

CMYK 29 / 0 / 85 / 20

HEX #90CC1E

RGB 144 204 30

HSL 80.69, 0.74%, 0.46%

LAB 75.58, -42.16, 70.87

 

CMYK 52 / 0 / 85 / 20

HEX #61CC1E

RGB 97 204 30

HSL 96.9, 0.74%, 0.46%

LAB 73.43, -57.78, 68.17

 

CMYK 75 / 0 / 85 / 20

HEX #33CC1E

RGB 51 204 30

HSL 112.76, 0.74%, 0.46%

LAB 72.22, -67.8, 66.64

 

CMYK 85 / 0 / 72 / 20

HEX #1ECC39

RGB 30 204 57

HSL 129.31, 0.74%, 0.46%

LAB 72.07, -68.62, 58.38

 

CMYK 6 / 0 / 85 / 20

HEX #BFCC1E

RGB 191 204 30

HSL 64.48, 0.74%, 0.46%

LAB 78.67, -23.29, 74.71

 

CMYK 7 / 0 / 95 / 13

HEX #CFDF0C

RGB 207 223 12

HSL 64.55, 0.9%, 0.46%

LAB 85.03, -26.05, 82.92

 

CMYK 6 / 0 / 85 / 20

HEX #BFCC1E

RGB 191 204 30

HSL 64.48, 0.74%, 0.46%

LAB 78.67, -23.29, 74.71

 

CMYK 5 / 0 / 74 / 27

HEX #AFB931

RGB 175 185 49

HSL 64.41, 0.58%, 0.46%

LAB 72.25, -20.03, 63.36

 

CMYK 4 / 0 / 59 / 35

HEX #9FA644

RGB 159 166 68

HSL 64.29, 0.42%, 0.46%

LAB 65.8, -16.05, 48.71

 

CMYK 3 / 0 / 41 / 42

HEX #8F9357

RGB 143 147 87

HSL 64, 0.26%, 0.46%

LAB 59.34, -11, 31.24

 

CMYK 1 / 0 / 17 / 50

HEX #7F806A

RGB 127 128 106

HSL 62.73, 0.09%, 0.46%

LAB 52.94, -4.43, 11.84

 

CMYK 0 / 40 / 85 / 20

HEX #CC7B1E

RGB 204 123 30

HSL 32.07, 0.74%, 0.46%

LAB 59.06, 25.08, 58.96

 

CMYK 0 / 17 / 85 / 20

HEX #CCA91E

RGB 204 169 30

HSL 47.93, 0.74%, 0.46%

LAB 70.39, 0.2, 68.34

 

CMYK 5 / 0 / 85 / 20

HEX #C1CC1E

RGB 193 204 30

HSL 63.79, 0.74%, 0.46%

LAB 78.82, -22.45, 74.9

 

CMYK 28 / 0 / 85 / 20

HEX #92CC1E

RGB 146 204 30

HSL 80, 0.74%, 0.46%

LAB 75.69, -41.41, 71.01

 

CMYK 51 / 0 / 85 / 20

HEX #64CC1E

RGB 100 204 30

HSL 95.86, 0.74%, 0.46%

LAB 73.54, -56.92, 68.31

 

CMYK 6 / 0 / 85 / 48

HEX #7C8414

RGB 124 132 20

HSL 64.29, 0.74%, 0.3%

LAB 52.77, -16.44, 53.19

 

CMYK 7 / 0 / 85 / 34

HEX #9DA819

RGB 157 168 25

HSL 64.62, 0.74%, 0.38%

LAB 65.94, -20.16, 64.15

 

CMYK 6 / 0 / 85 / 20

HEX #BFCC1E

RGB 191 204 30

HSL 64.48, 0.74%, 0.46%

LAB 78.67, -23.29, 74.71

 

CMYK 6 / 0 / 77 / 12

HEX #D4E133

RGB 212 225 51

HSL 64.48, 0.74%, 0.54%

LAB 86.05, -24.04, 76.48

 

CMYK 5 / 0 / 62 / 10

HEX #DBE657

RGB 219 230 87

HSL 64.62, 0.74%, 0.62%

LAB 88.13, -21.77, 66.12

 

CMYK 6 / 0 / 85 / 20

HEX #BECB1E

RGB 190 203 30

HSL 64.51, 0.74%, 0.46%

LAB 78.32, -23.22, 74.39

 

CMYK 85 / 0 / 62 / 20

HEX #1ECC4D

RGB 30 204 77

HSL 136.21, 0.74%, 0.46%

LAB 72.23, -66.61, 50.51

 

CMYK 28 / 85 / 0 / 20

HEX #921ECC

RGB 146 30 204

HSL 280, 0.74%, 0.46%

LAB 40.24, 70.12, -65.25

 

CMYK 6 / 0 / 85 / 20

HEX #BECB1E

RGB 190 203 30

HSL 64.51, 0.74%, 0.46%

LAB 78.32, -23.22, 74.39

 

CMYK 85 / 5 / 0 / 20

HEX #1EC1CC

RGB 30 193 204

HSL 183.79, 0.74%, 0.46%

LAB 71.4, -34.4, -16.64

 

CMYK 0 / 85 / 5 / 20

HEX #CC1EC1

RGB 204 30 193

HSL 303.79, 0.74%, 0.46%

LAB 49.03, 78.06, -44.22

 

CMYK 6 / 0 / 85 / 20

HEX #BECB1E

RGB 190 203 30

HSL 64.51, 0.74%, 0.46%

LAB 78.32, -23.22, 74.39

 

CMYK 85 / 0 / 62 / 20

HEX #1ECC4D

RGB 30 204 77

HSL 136.21, 0.74%, 0.46%

LAB 72.23, -66.61, 50.51

 

CMYK 79 / 85 / 0 / 20

HEX #2A1ECC

RGB 42 30 204

HSL 244.14, 0.74%, 0.46%

LAB 28.85, 59.7, -84.42

 

CMYK 0 / 85 / 23 / 20

HEX #CC1E9E

RGB 204 30 158

HSL 315.86, 0.74%, 0.46%

LAB 47.28, 73.39, -26.34

 

CMYK 6 / 0 / 85 / 20

HEX #BECB1E

RGB 190 203 30

HSL 64.51, 0.74%, 0.46%

LAB 78.32, -23.22, 74.39

 

CMYK 85 / 0 / 37 / 20

HEX #1ECC81

RGB 30 204 129

HSL 154.14, 0.74%, 0.46%

LAB 72.92, -58.34, 26

 

CMYK 79 / 85 / 0 / 20

HEX #2A1ECC

RGB 42 30 204

HSL 244.14, 0.74%, 0.46%

LAB 28.85, 59.7, -84.42

 

CMYK 0 / 85 / 48 / 20

HEX #CC1E6A

RGB 204 30 106

HSL 333.79, 0.74%, 0.46%

LAB 45.37, 68.05, 2.47

 

Description

Color code: HEX #BECB1E | qconv.com Color code: HEX #BECB1E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 203 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 203 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 85 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 85% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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