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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BECAF9CE it is the complementary color #413506CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BECAF9CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BECAF9CE shade: #C3CAF4CE, #D4DCFFCE, #E5EEFFCE, #F6FFFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BECAF9CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BECAF9CE shade: #BECAF9CE, #ADB8E6CE, #9CA6D3CE, #8B94C0CE and #7A82ADCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BECAF9CE shade: #BECAF9, #C2BEF9, #D2BEF9, #E2BEF9 and #F2BEF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BECAF9CE shade: #BECAF9 and #BEBEF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BECAF9CE shade matches the following richer shades: #BECAF9 and #B8C6FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BECAF9CE shade: #BECAF9, #C3CDF3, #C9D1ED, #CFD4E8 and #D5D7E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BECAF9CE shade: #BEEAF9, #BEDAF9, #BECBF9, #C1BEF9 and #D0BEF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BECAF9CE shade: #728CF2, #98ABF5, #BECAF9, #E3E9FC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BECAF9CE shade: #BECAF9, #F8BEF9 and #E2F9BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BECAF9CE shade: #BECAF9, #F9BECB and #CBF9BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BECAF9CE shade: #BECAF9, #F8BEF9, #F9ECBE and #BFF9BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BECAF9CE shade: #BECAF9, #F9BEE8, #F9ECBE and #BEF9CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 15 / 0 / 2

HEX #BECAF9CE

RGBA 190 202 249 0.81

HSLA 227.8, 0.83%, 0.86%, 0.81

LABA 81.85, 5.83, -24.44, 0.81

 

Complementary color

CMYK 0 / 15 / 74 / 60

HEX #413506CE

RGBA 65 53 6 0.81

HSLA 47.8, 0.83%, 0.14%, 0.81

LABA 22.6, -0.23, 28.95, 0.81

 

CMYK 16 / 14 / 0 / 3

HEX #C3CAF4CE

RGBA 195 202 244 0.81

HSLA 231.43, 0.69%, 0.86%, 0.81

LABA 82.04, 6.22, -21.46, 0.81

 

CMYK 14 / 11 / 0 / 0

HEX #D4DCFFCE

RGBA 212 220 255 0.81

HSLA 228.84, 1%, 0.92%, 0.81

LABA 88.16, 4.26, -17.91, 0.81

 

CMYK 8 / 5 / 0 / 0

HEX #E5EEFFCE

RGBA 229 238 255 0.81

HSLA 219.23, 1%, 0.95%, 0.81

LABA 93.89, 0.24, -9.21, 0.81

 

CMYK 3 / 0 / 0 / 0

HEX #F6FFFFCE

RGBA 246 255 255 0.81

HSLA 180, 1%, 0.98%, 0.81

LABA 99.35, -2.94, -1.04, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 19 / 15 / 0 / 2

HEX #BECAF9CE

RGBA 190 202 249 0.81

HSLA 227.8, 0.83%, 0.86%, 0.81

LABA 81.85, 5.83, -24.44, 0.81

 

CMYK 20 / 16 / 0 / 8

HEX #ADB8E6CE

RGBA 173 184 230 0.81

HSLA 228.42, 0.53%, 0.79%, 0.81

LABA 75.38, 6.12, -24.22, 0.81

 

CMYK 21 / 17 / 0 / 14

HEX #9CA6D3CE

RGBA 156 166 211 0.81

HSLA 229.09, 0.38%, 0.72%, 0.81

LABA 68.78, 6.43, -24.02, 0.81

 

CMYK 22 / 19 / 0 / 20

HEX #8B94C0CE

RGBA 139 148 192 0.81

HSLA 229.81, 0.3%, 0.65%, 0.81

LABA 62.06, 6.78, -23.85, 0.81

 

CMYK 24 / 20 / 0 / 26

HEX #7A82ADCE

RGBA 122 130 173 0.81

HSLA 230.59, 0.24%, 0.58%, 0.81

LABA 55.2, 7.17, -23.71, 0.81

 

CMYK 24 / 19 / 0 / 2

HEX #BECAF9

RGB 190 202 249

HSL 227.8, 0.83%, 0.86%

LAB 81.85, 5.83, -24.44

 

CMYK 22 / 24 / 0 / 2

HEX #C2BEF9

RGB 194 190 249

HSL 244.07, 0.83%, 0.86%

LAB 79.12, 13.52, -28.59

 

CMYK 16 / 24 / 0 / 2

HEX #D2BEF9

RGB 210 190 249

HSL 260.34, 0.83%, 0.86%

LAB 80.39, 18.39, -26.54

 

CMYK 9 / 24 / 0 / 2

HEX #E2BEF9

RGB 226 190 249

HSL 276.61, 0.83%, 0.86%

LAB 81.75, 23.38, -24.34

 

CMYK 3 / 24 / 0 / 2

HEX #F2BEF9

RGB 242 190 249

HSL 292.88, 0.83%, 0.86%

LAB 83.2, 28.47, -21.99

 

CMYK 24 / 19 / 0 / 2

HEX #BECAF9

RGB 190 202 249

HSL 227.8, 0.83%, 0.86%

LAB 81.85, 5.83, -24.44

 

CMYK 24 / 24 / 0 / 2

HEX #BEBEF9

RGB 190 190 249

HSL 240, 0.83%, 0.86%

LAB 78.82, 12.32, -29.08

 

CMYK 24 / 19 / 0 / 2

HEX #BECAF9

RGB 190 202 249

HSL 227.8, 0.83%, 0.86%

LAB 81.85, 5.83, -24.44

 

CMYK 28 / 22 / 0 / 0

HEX #B8C6FF

RGB 184 198 255

HSL 228.17, 1%, 0.86%

LAB 80.63, 7.63, -29.55

 

CMYK 24 / 19 / 0 / 2

HEX #BECAF9

RGB 190 202 249

HSL 227.8, 0.83%, 0.86%

LAB 81.85, 5.83, -24.44

 

CMYK 20 / 16 / 0 / 5

HEX #C3CDF3

RGB 195 205 243

HSL 227.5, 0.67%, 0.86%

LAB 82.77, 4.4, -19.82

 

CMYK 15 / 12 / 0 / 7

HEX #C9D1ED

RGB 201 209 237

HSL 226.67, 0.5%, 0.86%

LAB 84.03, 2.85, -14.68

 

CMYK 11 / 9 / 0 / 9

HEX #CFD4E8

RGB 207 212 232

HSL 228, 0.35%, 0.86%

LAB 85.09, 2.16, -10.41

 

CMYK 6 / 5 / 0 / 11

HEX #D5D7E2

RGB 213 215 226

HSL 230.77, 0.18%, 0.86%

LAB 86.13, 1.38, -5.64

 

CMYK 24 / 6 / 0 / 2

HEX #BEEAF9

RGB 190 234 249

HSL 195.25, 0.83%, 0.86%

LAB 90.15, -10.89, -11.93

 

CMYK 24 / 12 / 0 / 2

HEX #BEDAF9

RGB 190 218 249

HSL 211.53, 0.83%, 0.86%

LAB 85.97, -2.65, -18.2

 

CMYK 24 / 18 / 0 / 2

HEX #BECBF9

RGB 190 203 249

HSL 226.78, 0.83%, 0.86%

LAB 82.11, 5.3, -24.05

 

CMYK 22 / 24 / 0 / 2

HEX #C1BEF9

RGB 193 190 249

HSL 243.05, 0.83%, 0.86%

LAB 79.04, 13.22, -28.71

 

CMYK 16 / 24 / 0 / 2

HEX #D0BEF9

RGB 208 190 249

HSL 258.31, 0.83%, 0.86%

LAB 80.22, 17.77, -26.8

 

CMYK 53 / 42 / 0 / 5

HEX #728CF2

RGB 114 140 242

HSL 227.81, 0.83%, 0.7%

LAB 60.56, 19.1, -54.2

 

CMYK 38 / 30 / 0 / 4

HEX #98ABF5

RGB 152 171 245

HSL 227.74, 0.82%, 0.78%

LAB 71.14, 11.16, -39

 

CMYK 24 / 19 / 0 / 2

HEX #BECAF9

RGB 190 202 249

HSL 227.8, 0.83%, 0.86%

LAB 81.85, 5.83, -24.44

 

CMYK 10 / 8 / 0 / 1

HEX #E3E9FC

RGB 227 233 252

HSL 225.6, 0.81%, 0.94%

LAB 92.41, 1.59, -9.87

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 24 / 19 / 0 / 2

HEX #BECAF9

RGB 190 202 249

HSL 227.8, 0.83%, 0.86%

LAB 81.85, 5.83, -24.44

 

CMYK 0 / 24 / 0 / 2

HEX #F8BEF9

RGB 248 190 249

HSL 298.98, 0.83%, 0.86%

LAB 83.77, 30.4, -21.08

 

CMYK 9 / 0 / 24 / 2

HEX #E2F9BE

RGB 226 249 190

HSL 83.39, 0.83%, 0.86%

LAB 95.01, -17.4, 25.89

 

CMYK 24 / 19 / 0 / 2

HEX #BECAF9

RGB 190 202 249

HSL 227.8, 0.83%, 0.86%

LAB 81.85, 5.83, -24.44

 

CMYK 0 / 24 / 18 / 2

HEX #F9BECB

RGB 249 190 203

HSL 346.78, 0.83%, 0.86%

LAB 82.53, 23.07, 1.71

 

CMYK 18 / 0 / 24 / 2

HEX #CBF9BE

RGB 203 249 190

HSL 106.78, 0.83%, 0.86%

LAB 93.52, -25.33, 23.61

 

CMYK 24 / 19 / 0 / 2

HEX #BECAF9

RGB 190 202 249

HSL 227.8, 0.83%, 0.86%

LAB 81.85, 5.83, -24.44

 

CMYK 0 / 24 / 0 / 2

HEX #F8BEF9

RGB 248 190 249

HSL 298.98, 0.83%, 0.86%

LAB 83.77, 30.4, -21.08

 

CMYK 0 / 5 / 24 / 2

HEX #F9ECBE

RGB 249 236 190

HSL 46.78, 0.83%, 0.86%

LAB 93.38, -2.65, 23.93

 

CMYK 23 / 0 / 24 / 2

HEX #BFF9BE

RGB 191 249 190

HSL 118.98, 0.83%, 0.86%

LAB 92.82, -29.29, 22.52

 

CMYK 24 / 19 / 0 / 2

HEX #BECAF9

RGB 190 202 249

HSL 227.8, 0.83%, 0.86%

LAB 81.85, 5.83, -24.44

 

CMYK 0 / 24 / 7 / 2

HEX #F9BEE8

RGB 249 190 232

HSL 317.29, 0.83%, 0.86%

LAB 83.33, 27.73, -12.65

 

CMYK 0 / 5 / 24 / 2

HEX #F9ECBE

RGB 249 236 190

HSL 46.78, 0.83%, 0.86%

LAB 93.38, -2.65, 23.93

 

CMYK 24 / 0 / 17 / 2

HEX #BEF9CE

RGB 190 249 206

HSL 136.27, 0.83%, 0.86%

LAB 93.08, -26.86, 14.68

 

Description

Color code: HEX #BECAF9CE | qconv.com Color code: HEX #BECAF9CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 202 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 202 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 15 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 15% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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