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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEC6EB3F it is the complementary color #4139143F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEC6EB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEC6EB3F shade: #C3C6E63F, #D4D8F93F, #E5EAFF3F, #F6FCFF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEC6EB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEC6EB3F shade: #BEC6EB3F, #ADB4D83F, #9CA2C53F, #8B90B23F and #7A7E9F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEC6EB3F shade: #BDC5EB, #C1BDEB, #CDBDEB, #DABDEB and #E6BDEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEC6EB3F shade: #BDC5EB and #BDBDEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEC6EB3F shade matches the following richer shades: #BDC5EB, #B6C0F2 and #AFBCF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEC6EB3F shade: #BDC5EB, #C4C9E4, #CBCEDD, #D2D2D6 and #D9D7CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEC6EB3F shade: #BDDEEB, #BDD1EB, #BDC5EB, #C1BDEB and #CDBDEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEC6EB3F shade: #7E8DD7, #9DA9E1, #BDC5EB, #DCE1F4 and #FCFCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEC6EB3F shade: #BEC6EB, #EBBDEA and #D7EBBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEC6EB3F shade: #BEC6EB, #EBBDC5 and #C5EBBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEC6EB3F shade: #BEC6EB, #EBBDEA, #EBE2BD and #BDEBBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEC6EB3F shade: #BEC6EB, #EBBDDC, #EBE2BD and #BDEBCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 4 / 0 / 2

HEX #BEC6EB3F

RGBA 190 198 235 0.25

HSLA 229.33, 0.53%, 0.83%, 0.25

LABA 80.37, 4.85, -19.22, 0.25

 

Complementary color

CMYK 0 / 3 / 17 / 19

HEX #4139143F

RGBA 65 57 20 0.25

HSLA 49.33, 0.53%, 0.17%, 0.25

LABA 24, -1.91, 23.79, 0.25

 

CMYK 4 / 3 / 0 / 2

HEX #C3C6E63F

RGBA 195 198 230 0.25

HSLA 234.86, 0.41%, 0.83%, 0.25

LABA 80.57, 5.34, -16.19, 0.25

 

CMYK 4 / 3 / 0 / 1

HEX #D4D8F93F

RGBA 212 216 249 0.25

HSLA 233.51, 0.76%, 0.9%, 0.25

LABA 86.97, 5.11, -16.54, 0.25

 

CMYK 3 / 2 / 0 / 0

HEX #E5EAFF3F

RGBA 229 234 255 0.25

HSLA 228.46, 1%, 0.95%, 0.25

LABA 92.89, 2.3, -10.7, 0.25

 

CMYK 1 / 0 / 0 / 0

HEX #F6FCFF3F

RGBA 246 252 255 0.25

HSLA 200, 1%, 0.98%, 0.25

LABA 98.6, -1.42, -2.13, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 5 / 4 / 0 / 2

HEX #BEC6EB3F

RGBA 190 198 235 0.25

HSLA 229.33, 0.53%, 0.83%, 0.25

LABA 80.37, 4.85, -19.22, 0.25

 

CMYK 5 / 4 / 0 / 4

HEX #ADB4D83F

RGBA 173 180 216 0.25

HSLA 230.23, 0.36%, 0.76%, 0.25

LABA 73.86, 5.1, -18.92, 0.25

 

CMYK 5 / 4 / 0 / 6

HEX #9CA2C53F

RGBA 156 162 197 0.25

HSLA 231.22, 0.26%, 0.69%, 0.25

LABA 67.23, 5.36, -18.64, 0.25

 

CMYK 5 / 5 / 0 / 8

HEX #8B90B23F

RGBA 139 144 178 0.25

HSLA 232.31, 0.2%, 0.62%, 0.25

LABA 60.47, 5.66, -18.37, 0.25

 

CMYK 6 / 5 / 0 / 9

HEX #7A7E9F3F

RGBA 122 126 159 0.25

HSLA 233.51, 0.16%, 0.55%, 0.25

LABA 53.56, 5.98, -18.13, 0.25

 

CMYK 20 / 16 / 0 / 8

HEX #BDC5EB

RGB 189 197 235

HSL 229.57, 0.53%, 0.83%

LAB 80.04, 5.08, -19.72

 

CMYK 18 / 20 / 0 / 8

HEX #C1BDEB

RGB 193 189 235

HSL 245.22, 0.53%, 0.83%

LAB 78.3, 10.64, -22.32

 

CMYK 13 / 20 / 0 / 8

HEX #CDBDEB

RGB 205 189 235

HSL 260.87, 0.53%, 0.83%

LAB 79.26, 14.41, -20.79

 

CMYK 7 / 20 / 0 / 8

HEX #DABDEB

RGB 218 189 235

HSL 277.83, 0.53%, 0.83%

LAB 80.35, 18.59, -19.03

 

CMYK 2 / 20 / 0 / 8

HEX #E6BDEB

RGB 230 189 235

HSL 293.48, 0.53%, 0.83%

LAB 81.41, 22.5, -17.32

 

CMYK 20 / 16 / 0 / 8

HEX #BDC5EB

RGB 189 197 235

HSL 229.57, 0.53%, 0.83%

LAB 80.04, 5.08, -19.72

 

CMYK 20 / 20 / 0 / 8

HEX #BDBDEB

RGB 189 189 235

HSL 240, 0.53%, 0.83%

LAB 78, 9.4, -22.81

 

CMYK 20 / 16 / 0 / 8

HEX #BDC5EB

RGB 189 197 235

HSL 229.57, 0.53%, 0.83%

LAB 80.04, 5.08, -19.72

 

CMYK 25 / 21 / 0 / 5

HEX #B6C0F2

RGB 182 192 242

HSL 230, 0.7%, 0.83%

LAB 78.49, 7.24, -25.87

 

CMYK 30 / 24 / 0 / 2

HEX #AFBCF9

RGB 175 188 249

HSL 229.46, 0.86%, 0.83%

LAB 77.23, 9.06, -31.61

 

CMYK 20 / 16 / 0 / 8

HEX #BDC5EB

RGB 189 197 235

HSL 229.57, 0.53%, 0.83%

LAB 80.04, 5.08, -19.72

 

CMYK 14 / 12 / 0 / 11

HEX #C4C9E4

RGB 196 201 228

HSL 230.63, 0.37%, 0.83%

LAB 81.35, 3.63, -13.94

 

CMYK 8 / 7 / 0 / 13

HEX #CBCEDD

RGB 203 206 221

HSL 230, 0.21%, 0.83%

LAB 82.95, 1.84, -7.77

 

CMYK 2 / 2 / 0 / 16

HEX #D2D2D6

RGB 210 210 214

HSL 240, 0.05%, 0.83%

LAB 84.3, 0.74, -1.98

 

CMYK 0 / 1 / 5 / 15

HEX #D9D7CF

RGB 217 215 207

HSL 48, 0.12%, 0.83%

LAB 85.94, -0.72, 4.17

 

CMYK 20 / 6 / 0 / 8

HEX #BDDEEB

RGB 189 222 235

HSL 196.96, 0.53%, 0.83%

LAB 86.53, -8.08, -9.97

 

CMYK 20 / 11 / 0 / 8

HEX #BDD1EB

RGB 189 209 235

HSL 213.91, 0.53%, 0.83%

LAB 83.14, -1.31, -15.05

 

CMYK 20 / 16 / 0 / 8

HEX #BDC5EB

RGB 189 197 235

HSL 229.57, 0.53%, 0.83%

LAB 80.04, 5.08, -19.72

 

CMYK 18 / 20 / 0 / 8

HEX #C1BDEB

RGB 193 189 235

HSL 245.22, 0.53%, 0.83%

LAB 78.3, 10.64, -22.32

 

CMYK 13 / 20 / 0 / 8

HEX #CDBDEB

RGB 205 189 235

HSL 260.87, 0.53%, 0.83%

LAB 79.26, 14.41, -20.79

 

CMYK 41 / 34 / 0 / 16

HEX #7E8DD7

RGB 126 141 215

HSL 229.89, 0.53%, 0.67%

LAB 60.24, 13.29, -39.65

 

CMYK 30 / 25 / 0 / 12

HEX #9DA9E1

RGB 157 169 225

HSL 229.41, 0.53%, 0.75%

LAB 70.16, 8.49, -29.59

 

CMYK 20 / 16 / 0 / 8

HEX #BDC5EB

RGB 189 197 235

HSL 229.57, 0.53%, 0.83%

LAB 80.04, 5.08, -19.72

 

CMYK 10 / 8 / 0 / 4

HEX #DCE1F4

RGB 220 225 244

HSL 227.5, 0.52%, 0.91%

LAB 89.67, 1.93, -9.81

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 19 / 16 / 0 / 8

HEX #BEC6EB

RGB 190 198 235

HSL 229.33, 0.53%, 0.83%

LAB 80.37, 4.85, -19.22

 

CMYK 0 / 20 / 0 / 8

HEX #EBBDEA

RGB 235 189 234

HSL 301.3, 0.53%, 0.83%

LAB 81.84, 23.96, -16.1

 

CMYK 9 / 0 / 20 / 8

HEX #D7EBBD

RGB 215 235 189

HSL 86.09, 0.53%, 0.83%

LAB 90.57, -14.54, 20.15

 

CMYK 19 / 16 / 0 / 8

HEX #BEC6EB

RGB 190 198 235

HSL 229.33, 0.53%, 0.83%

LAB 80.37, 4.85, -19.22

 

CMYK 0 / 20 / 16 / 8

HEX #EBBDC5

RGB 235 189 197

HSL 349.57, 0.53%, 0.83%

LAB 80.79, 17.69, 2.24

 

CMYK 16 / 0 / 20 / 8

HEX #C5EBBD

RGB 197 235 189

HSL 109.57, 0.53%, 0.83%

LAB 89.37, -20.76, 18.31

 

CMYK 19 / 16 / 0 / 8

HEX #BEC6EB

RGB 190 198 235

HSL 229.33, 0.53%, 0.83%

LAB 80.37, 4.85, -19.22

 

CMYK 0 / 20 / 0 / 8

HEX #EBBDEA

RGB 235 189 234

HSL 301.3, 0.53%, 0.83%

LAB 81.84, 23.96, -16.1

 

CMYK 0 / 4 / 20 / 8

HEX #EBE2BD

RGB 235 226 189

HSL 48.26, 0.53%, 0.83%

LAB 89.73, -2.84, 19.21

 

CMYK 20 / 0 / 20 / 8

HEX #BDEBBD

RGB 189 235 189

HSL 120, 0.53%, 0.83%

LAB 88.88, -23.44, 17.54

 

CMYK 19 / 16 / 0 / 8

HEX #BEC6EB

RGB 190 198 235

HSL 229.33, 0.53%, 0.83%

LAB 80.37, 4.85, -19.22

 

CMYK 0 / 20 / 6 / 8

HEX #EBBDDC

RGB 235 189 220

HSL 319.57, 0.53%, 0.83%

LAB 81.41, 21.47, -9.22

 

CMYK 0 / 4 / 20 / 8

HEX #EBE2BD

RGB 235 226 189

HSL 48.26, 0.53%, 0.83%

LAB 89.73, -2.84, 19.21

 

CMYK 20 / 0 / 14 / 8

HEX #BDEBCB

RGB 189 235 203

HSL 138.26, 0.53%, 0.83%

LAB 89.18, -20.96, 10.69

 

Description

Color code: HEX #BEC6EB3F | qconv.com Color code: HEX #BEC6EB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 198 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 198 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 4 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 4% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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