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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEC178 it is the complementary color #413E87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEC178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEC178 shade: #C3C173, #D4D386, #E5E599, #F6F7AC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEC178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEC178 shade: #BEC178, #ADAF65, #9C9D52, #8B8B3F and #7A792C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEC178 shade: #BDC077, #C0B077, #C09C77, #C08877 and #C07777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEC178 shade: #BDC077, #A9C077, #96C077, #82C077 and #77C080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEC178 shade matches the following richer shades: #BDC077, #CCD067, #DBE157 and #EAF146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEC178 shade: #BDC077, #AFB087, #A0A097, #9190A7 and #8280B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEC178 shade: #C09C77, #C0AF77, #BEC077, #AAC077 and #97C077

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEC178 shade: #999D48, #B0B35A, #BDC077, #CBCD93 and #D9DAAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEC178 shade: #BEC178, #77C088 and #A577C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEC178 shade: #BEC178, #77BEC0 and #C077BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEC178 shade: #BEC178, #77C088, #7977C0 and #C077AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEC178 shade: #BEC178, #77C09E, #7977C0 and #C07799

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 38 / 24

HEX #BEC178

RGB 190 193 120

HSL 62.47, 0.37%, 0.61%

LAB 76.34, -12.12, 36.41

 

Complementary color

CMYK 52 / 54 / 0 / 47

HEX #413E87

RGB 65 62 135

HSL 242.47, 0.37%, 0.39%

LAB 30.2, 22.47, -40.66

 

CMYK 0 / 1 / 41 / 24

HEX #C3C173

RGB 195 193 115

HSL 58.5, 0.4%, 0.61%

LAB 76.67, -10.68, 39.45

 

CMYK 0 / 0 / 37 / 17

HEX #D4D386

RGB 212 211 134

HSL 59.23, 0.48%, 0.68%

LAB 83.08, -11.03, 38.27

 

CMYK 0 / 0 / 33 / 10

HEX #E5E599

RGB 229 229 153

HSL 60, 0.59%, 0.75%

LAB 89.39, -11.33, 37.13

 

CMYK 0 / 0 / 30 / 3

HEX #F6F7AC

RGB 246 247 172

HSL 60.8, 0.82%, 0.82%

LAB 95.62, -11.58, 36.04

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 2 / 0 / 38 / 24

HEX #BEC178

RGB 190 193 120

HSL 62.47, 0.37%, 0.61%

LAB 76.34, -12.12, 36.41

 

CMYK 1 / 0 / 42 / 31

HEX #ADAF65

RGB 173 175 101

HSL 61.62, 0.32%, 0.54%

LAB 69.81, -11.8, 37.61

 

CMYK 1 / 0 / 48 / 38

HEX #9C9D52

RGB 156 157 82

HSL 60.8, 0.31%, 0.47%

LAB 63.17, -11.39, 38.83

 

CMYK 0 / 0 / 55 / 45

HEX #8B8B3F

RGB 139 139 63

HSL 60, 0.38%, 0.4%

LAB 56.4, -10.87, 40.02

 

CMYK 0 / 1 / 64 / 52

HEX #7A792C

RGB 122 121 44

HSL 59.23, 0.47%, 0.33%

LAB 49.49, -10.18, 41.06

 

CMYK 2 / 0 / 38 / 25

HEX #BDC077

RGB 189 192 119

HSL 62.47, 0.37%, 0.61%

LAB 75.98, -12.12, 36.44

 

CMYK 0 / 8 / 38 / 25

HEX #C0B077

RGB 192 176 119

HSL 46.85, 0.37%, 0.61%

LAB 71.95, -2.57, 31.29

 

CMYK 0 / 19 / 38 / 25

HEX #C09C77

RGB 192 156 119

HSL 30.41, 0.37%, 0.61%

LAB 66.76, 8.21, 24.42

 

CMYK 0 / 29 / 38 / 25

HEX #C08877

RGB 192 136 119

HSL 13.97, 0.37%, 0.61%

LAB 61.78, 19.23, 17.67

 

CMYK 0 / 38 / 38 / 25

HEX #C07777

RGB 192 119 119

HSL 0, 0.37%, 0.61%

LAB 57.78, 28.59, 12.12

 

CMYK 2 / 0 / 38 / 25

HEX #BDC077

RGB 189 192 119

HSL 62.47, 0.37%, 0.61%

LAB 75.98, -12.12, 36.44

 

CMYK 12 / 0 / 38 / 25

HEX #A9C077

RGB 169 192 119

HSL 78.9, 0.37%, 0.61%

LAB 74.49, -19.95, 34.23

 

CMYK 22 / 0 / 38 / 25

HEX #96C077

RGB 150 192 119

HSL 94.52, 0.37%, 0.61%

LAB 73.23, -27.06, 32.35

 

CMYK 32 / 0 / 38 / 25

HEX #82C077

RGB 130 192 119

HSL 110.96, 0.37%, 0.61%

LAB 72.08, -34.06, 30.63

 

CMYK 38 / 0 / 33 / 25

HEX #77C080

RGB 119 192 128

HSL 127.4, 0.37%, 0.61%

LAB 71.68, -36.15, 25.27

 

CMYK 2 / 0 / 38 / 25

HEX #BDC077

RGB 189 192 119

HSL 62.47, 0.37%, 0.61%

LAB 75.98, -12.12, 36.44

 

CMYK 2 / 0 / 50 / 18

HEX #CCD067

RGB 204 208 103

HSL 62.29, 0.53%, 0.61%

LAB 81.25, -15.82, 51.08

 

CMYK 3 / 0 / 61 / 12

HEX #DBE157

RGB 219 225 87

HSL 62.61, 0.7%, 0.61%

LAB 86.8, -19.35, 64.7

 

CMYK 3 / 0 / 71 / 5

HEX #EAF146

RGB 234 241 70

HSL 62.46, 0.86%, 0.61%

LAB 92.06, -21.93, 76.76

 

CMYK 2 / 0 / 38 / 25

HEX #BDC077

RGB 189 192 119

HSL 62.47, 0.37%, 0.61%

LAB 75.98, -12.12, 36.44

 

CMYK 1 / 0 / 23 / 31

HEX #AFB087

RGB 175 176 135

HSL 61.46, 0.21%, 0.61%

LAB 70.81, -7.21, 20.95

 

CMYK 0 / 0 / 6 / 37

HEX #A0A097

RGB 160 160 151

HSL 60, 0.05%, 0.61%

LAB 65.63, -1.67, 4.68

 

CMYK 13 / 14 / 0 / 35

HEX #9190A7

RGB 145 144 167

HSL 242.61, 0.12%, 0.61%

LAB 60.57, 5.13, -11.94

 

CMYK 29 / 30 / 0 / 28

HEX #8280B7

RGB 130 128 183

HSL 242.18, 0.28%, 0.61%

LAB 55.69, 13.36, -28.63

 

CMYK 0 / 19 / 38 / 25

HEX #C09C77

RGB 192 156 119

HSL 30.41, 0.37%, 0.61%

LAB 66.76, 8.21, 24.42

 

CMYK 0 / 9 / 38 / 25

HEX #C0AF77

RGB 192 175 119

HSL 46.03, 0.37%, 0.61%

LAB 71.69, -2.04, 30.95

 

CMYK 1 / 0 / 38 / 25

HEX #BEC077

RGB 190 192 119

HSL 61.64, 0.37%, 0.61%

LAB 76.06, -11.73, 36.56

 

CMYK 11 / 0 / 38 / 25

HEX #AAC077

RGB 170 192 119

HSL 78.08, 0.37%, 0.61%

LAB 74.56, -19.56, 34.33

 

CMYK 21 / 0 / 38 / 25

HEX #97C077

RGB 151 192 119

HSL 93.7, 0.37%, 0.61%

LAB 73.29, -26.7, 32.45

 

CMYK 3 / 0 / 54 / 38

HEX #999D48

RGB 153 157 72

HSL 62.82, 0.37%, 0.45%

LAB 62.81, -13.6, 43.31

 

CMYK 2 / 0 / 50 / 30

HEX #B0B35A

RGB 176 179 90

HSL 62.02, 0.37%, 0.53%

LAB 71.01, -13.73, 44.64

 

CMYK 2 / 0 / 38 / 25

HEX #BDC077

RGB 189 192 119

HSL 62.47, 0.37%, 0.61%

LAB 75.98, -12.12, 36.44

 

CMYK 1 / 0 / 28 / 20

HEX #CBCD93

RGB 203 205 147

HSL 62.07, 0.37%, 0.69%

LAB 81, -9.87, 28.73

 

CMYK 0 / 0 / 20 / 15

HEX #D9DAAF

RGB 217 218 175

HSL 61.4, 0.37%, 0.77%

LAB 86, -7.37, 21.11

 

CMYK 2 / 0 / 38 / 24

HEX #BEC178

RGB 190 193 120

HSL 62.47, 0.37%, 0.61%

LAB 76.34, -12.12, 36.41

 

CMYK 38 / 0 / 29 / 25

HEX #77C088

RGB 119 192 136

HSL 133.97, 0.37%, 0.61%

LAB 71.82, -34.75, 21.22

 

CMYK 14 / 38 / 0 / 25

HEX #A577C0

RGB 165 119 192

HSL 277.81, 0.37%, 0.61%

LAB 57.07, 31.51, -31.36

 

CMYK 2 / 0 / 38 / 24

HEX #BEC178

RGB 190 193 120

HSL 62.47, 0.37%, 0.61%

LAB 76.34, -12.12, 36.41

 

CMYK 38 / 1 / 0 / 25

HEX #77BEC0

RGB 119 190 192

HSL 181.64, 0.37%, 0.61%

LAB 72.6, -21.69, -8.05

 

CMYK 0 / 38 / 1 / 25

HEX #C077BE

RGB 192 119 190

HSL 301.64, 0.37%, 0.61%

LAB 60, 39.58, -25.46

 

CMYK 2 / 0 / 38 / 24

HEX #BEC178

RGB 190 193 120

HSL 62.47, 0.37%, 0.61%

LAB 76.34, -12.12, 36.41

 

CMYK 38 / 0 / 29 / 25

HEX #77C088

RGB 119 192 136

HSL 133.97, 0.37%, 0.61%

LAB 71.82, -34.75, 21.22

 

CMYK 37 / 38 / 0 / 25

HEX #7977C0

RGB 121 119 192

HSL 241.64, 0.37%, 0.61%

LAB 53.02, 18.51, -38

 

CMYK 0 / 38 / 9 / 25

HEX #C077AF

RGB 192 119 175

HSL 313.97, 0.37%, 0.61%

LAB 59.43, 36.88, -17.77

 

CMYK 2 / 0 / 38 / 24

HEX #BEC178

RGB 190 193 120

HSL 62.47, 0.37%, 0.61%

LAB 76.34, -12.12, 36.41

 

CMYK 38 / 0 / 18 / 25

HEX #77C09E

RGB 119 192 158

HSL 152.05, 0.37%, 0.61%

LAB 72.29, -30.45, 10.02

 

CMYK 37 / 38 / 0 / 25

HEX #7977C0

RGB 121 119 192

HSL 241.64, 0.37%, 0.61%

LAB 53.02, 18.51, -38

 

CMYK 0 / 38 / 20 / 25

HEX #C07799

RGB 192 119 153

HSL 332.05, 0.37%, 0.61%

LAB 58.7, 33.27, -6.22

 

Description

Color code: HEX #BEC178 | qconv.com Color code: HEX #BEC178 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 193 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 193 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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