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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEC103 it is the complementary color #413EFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEC103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEC103 shade: #C3C100, #D4D311, #E5E524, #F6F737 and #FFFF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEC103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEC103 shade: #BEC103, #ADAF00, #9C9D00, #8B8B00 and #7A7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEC103 shade: #BCBF03, #BF8F03, #BF5C03, #BF2A03 and #BF0303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEC103 shade: #BCBF03, #89BF03, #57BF03, #24BF03 and #03BF15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEC103 shade matches the following richer shades: #BCBF03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEC103 shade: #BCBF03, #ADAF13, #9EA022, #8E9032 and #7F8042

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEC103 shade: #BF5B03, #BF8D03, #BFBF03, #8DBF03 and #5BBF03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEC103 shade: #6C6E02, #949602, #BCBF03, #E4E804 and #F8FB19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEC103 shade: #BEC103, #03BF29 and #7403BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEC103 shade: #BEC103, #03BFBF and #BF03BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEC103 shade: #BEC103, #03BF29, #0303BF and #BF0399

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEC103 shade: #BEC103, #03BF61, #0303BF and #BF0361

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 98 / 24

HEX #BEC103

RGB 190 193 3

HSL 60.95, 0.97%, 0.38%

LAB 75.51, -18.74, 76.02

 

Complementary color

CMYK 74 / 75 / 0 / 1

HEX #413EFC

RGB 65 62 252

HSL 240.95, 0.97%, 0.62%

LAB 40.57, 60.69, -92.36

 

CMYK 0 / 1 / 100 / 24

HEX #C3C100

RGB 195 193 0

HSL 59.38, 1%, 0.38%

LAB 75.91, -16.62, 76.81

 

CMYK 0 / 0 / 92 / 17

HEX #D4D311

RGB 212 211 17

HSL 59.69, 0.85%, 0.45%

LAB 82.18, -18.08, 80.35

 

CMYK 0 / 0 / 84 / 10

HEX #E5E524

RGB 229 229 36

HSL 60, 0.79%, 0.52%

LAB 88.36, -19.38, 82.66

 

CMYK 0 / 0 / 78 / 3

HEX #F6F737

RGB 246 247 55

HSL 60.31, 0.92%, 0.59%

LAB 94.48, -20.5, 83.86

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4A

RGB 255 255 74

HSL 60, 1%, 0.65%

LAB 97.34, -19.94, 81.05

 

CMYK 2 / 0 / 98 / 24

HEX #BEC103

RGB 190 193 3

HSL 60.95, 0.97%, 0.38%

LAB 75.51, -18.74, 76.02

 

CMYK 1 / 0 / 100 / 31

HEX #ADAF00

RGB 173 175 0

HSL 60.69, 1%, 0.34%

LAB 69.14, -17.13, 71.05

 

CMYK 1 / 0 / 100 / 38

HEX #9C9D00

RGB 156 157 0

HSL 60.38, 1%, 0.31%

LAB 62.66, -15.45, 65.66

 

CMYK 0 / 0 / 100 / 45

HEX #8B8B00

RGB 139 139 0

HSL 60, 1%, 0.27%

LAB 56.04, -13.73, 60.16

 

CMYK 0 / 1 / 100 / 52

HEX #7A7900

RGB 122 121 0

HSL 59.51, 1%, 0.24%

LAB 49.27, -11.95, 54.54

 

CMYK 2 / 0 / 98 / 25

HEX #BCBF03

RGB 188 191 3

HSL 60.96, 0.97%, 0.38%

LAB 74.8, -18.61, 75.42

 

CMYK 0 / 25 / 98 / 25

HEX #BF8F03

RGB 191 143 3

HSL 44.68, 0.97%, 0.38%

LAB 62.28, 7.97, 66.5

 

CMYK 0 / 52 / 98 / 25

HEX #BF5C03

RGB 191 92 3

HSL 28.4, 0.97%, 0.38%

LAB 50.38, 35.65, 58.62

 

CMYK 0 / 78 / 98 / 25

HEX #BF2A03

RGB 191 42 3

HSL 12.45, 0.97%, 0.38%

LAB 42.37, 56.94, 54.14

 

CMYK 0 / 98 / 98 / 25

HEX #BF0303

RGB 191 3 3

HSL 0, 0.97%, 0.38%

LAB 39.83, 64.17, 52.98

 

CMYK 2 / 0 / 98 / 25

HEX #BCBF03

RGB 188 191 3

HSL 60.96, 0.97%, 0.38%

LAB 74.8, -18.61, 75.42

 

CMYK 28 / 0 / 98 / 25

HEX #89BF03

RGB 137 191 3

HSL 77.23, 0.97%, 0.38%

LAB 71.27, -39.71, 71.2

 

CMYK 54 / 0 / 98 / 25

HEX #57BF03

RGB 87 191 3

HSL 93.19, 0.97%, 0.38%

LAB 68.96, -56.56, 68.4

 

CMYK 81 / 0 / 98 / 25

HEX #24BF03

RGB 36 191 3

HSL 109.47, 0.97%, 0.38%

LAB 67.76, -66.76, 66.93

 

CMYK 98 / 0 / 89 / 25

HEX #03BF15

RGB 3 191 21

HSL 125.74, 0.97%, 0.38%

LAB 67.53, -68.69, 64.18

 

CMYK 2 / 0 / 98 / 25

HEX #BCBF03

RGB 188 191 3

HSL 60.96, 0.97%, 0.38%

LAB 74.8, -18.61, 75.42

 

CMYK 2 / 0 / 98 / 25

HEX #BCBF03

RGB 188 191 3

HSL 60.96, 0.97%, 0.38%

LAB 74.8, -18.61, 75.42

 

CMYK 1 / 0 / 89 / 31

HEX #ADAF13

RGB 173 175 19

HSL 60.77, 0.8%, 0.38%

LAB 69.18, -16.86, 68.55

 

CMYK 1 / 0 / 79 / 37

HEX #9EA022

RGB 158 160 34

HSL 60.95, 0.65%, 0.38%

LAB 63.78, -15.34, 59.9

 

CMYK 1 / 0 / 65 / 44

HEX #8E9032

RGB 142 144 50

HSL 61.28, 0.48%, 0.38%

LAB 57.97, -13.22, 47.88

 

CMYK 1 / 0 / 48 / 50

HEX #7F8042

RGB 127 128 66

HSL 60.97, 0.32%, 0.38%

LAB 52.22, -9.86, 33.3

 

CMYK 0 / 52 / 98 / 25

HEX #BF5B03

RGB 191 91 3

HSL 28.09, 0.97%, 0.38%

LAB 50.17, 36.16, 58.5

 

CMYK 0 / 26 / 98 / 25

HEX #BF8D03

RGB 191 141 3

HSL 44.04, 0.97%, 0.38%

LAB 61.77, 9.07, 66.15

 

CMYK 0 / 0 / 98 / 25

HEX #BFBF03

RGB 191 191 3

HSL 60, 0.97%, 0.38%

LAB 75.04, -17.31, 75.71

 

CMYK 26 / 0 / 98 / 25

HEX #8DBF03

RGB 141 191 3

HSL 75.96, 0.97%, 0.38%

LAB 71.51, -38.16, 71.48

 

CMYK 52 / 0 / 98 / 25

HEX #5BBF03

RGB 91 191 3

HSL 91.91, 0.97%, 0.38%

LAB 69.11, -55.43, 68.57

 

CMYK 2 / 0 / 98 / 57

HEX #6C6E02

RGB 108 110 2

HSL 61.11, 0.96%, 0.22%

LAB 44.72, -12.51, 50.17

 

CMYK 1 / 0 / 99 / 41

HEX #949602

RGB 148 150 2

HSL 60.81, 0.97%, 0.3%

LAB 59.99, -15.38, 63.1

 

CMYK 2 / 0 / 98 / 25

HEX #BCBF03

RGB 188 191 3

HSL 60.96, 0.97%, 0.38%

LAB 74.8, -18.61, 75.42

 

CMYK 2 / 0 / 98 / 9

HEX #E4E804

RGB 228 232 4

HSL 61.05, 0.97%, 0.46%

LAB 89.02, -21.7, 87.28

 

CMYK 1 / 0 / 90 / 2

HEX #F8FB19

RGB 248 251 25

HSL 60.8, 0.97%, 0.54%

LAB 95.59, -22.29, 90.89

 

CMYK 2 / 0 / 98 / 24

HEX #BEC103

RGB 190 193 3

HSL 60.95, 0.97%, 0.38%

LAB 75.51, -18.74, 76.02

 

CMYK 98 / 0 / 79 / 25

HEX #03BF29

RGB 3 191 41

HSL 132.13, 0.97%, 0.38%

LAB 67.61, -67.67, 59.28

 

CMYK 39 / 98 / 0 / 25

HEX #7403BF

RGB 116 3 191

HSL 276.06, 0.97%, 0.38%

LAB 33.01, 68.47, -69.67

 

CMYK 2 / 0 / 98 / 24

HEX #BEC103

RGB 190 193 3

HSL 60.95, 0.97%, 0.38%

LAB 75.51, -18.74, 76.02

 

CMYK 98 / 0 / 0 / 25

HEX #03BFBF

RGB 3 191 191

HSL 180, 0.97%, 0.38%

LAB 70.21, -38.6, -11.35

 

CMYK 0 / 98 / 0 / 25

HEX #BF03BF

RGB 191 3 191

HSL 300, 0.97%, 0.38%

LAB 45.5, 78.8, -48.81

 

CMYK 2 / 0 / 98 / 24

HEX #BEC103

RGB 190 193 3

HSL 60.95, 0.97%, 0.38%

LAB 75.51, -18.74, 76.02

 

CMYK 98 / 0 / 79 / 25

HEX #03BF29

RGB 3 191 41

HSL 132.13, 0.97%, 0.38%

LAB 67.61, -67.67, 59.28

 

CMYK 98 / 98 / 0 / 25

HEX #0303BF

RGB 3 3 191

HSL 240, 0.97%, 0.38%

LAB 23.16, 63.05, -86.31

 

CMYK 0 / 98 / 20 / 25

HEX #BF0399

RGB 191 3 153

HSL 312.13, 0.97%, 0.38%

LAB 43.42, 73.64, -29.54

 

CMYK 2 / 0 / 98 / 24

HEX #BEC103

RGB 190 193 3

HSL 60.95, 0.97%, 0.38%

LAB 75.51, -18.74, 76.02

 

CMYK 98 / 0 / 49 / 25

HEX #03BF61

RGB 3 191 97

HSL 150, 0.97%, 0.38%

LAB 68.13, -61.18, 36.15

 

CMYK 98 / 98 / 0 / 25

HEX #0303BF

RGB 3 3 191

HSL 240, 0.97%, 0.38%

LAB 23.16, 63.05, -86.31

 

CMYK 0 / 98 / 49 / 25

HEX #BF0361

RGB 191 3 97

HSL 330, 0.97%, 0.38%

LAB 41.22, 67.95, 1.77

 

Description

Color code: HEX #BEC103 | qconv.com Color code: HEX #BEC103 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 193 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 193 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 98 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 98% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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