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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEC0FD3F it is the complementary color #413F023F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEC0FD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEC0FD3F shade: #C3C0F83F, #D4D2FF3F, #E5E4FF3F, #F6F6FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEC0FD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEC0FD3F shade: #BEC0FD3F, #ADAEEA3F, #9C9CD73F, #8B8AC43F and #7A78B13F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEC0FD3F shade: #BFC1FD, #CEBFFD, #DEBFFD, #EFBFFD and #FDBFFA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEC0FD3F shade: #BFC1FD and #BFBFFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEC0FD3F shade matches the following richer shades: #BFC1FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEC0FD3F shade: #BFC1FD, #C4C6F8, #C9CBF2, #CFD0ED and #D4D5E8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEC0FD3F shade: #BFE2FD, #BFD1FD, #BFC1FD, #CDBFFD and #DEBFFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEC0FD3F shade: #6F73FB, #979AFC, #BFC1FD, #E7E7FE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEC0FD3F shade: #BEC0FD, #FDBFF3 and #DAFDBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEC0FD3F shade: #BEC0FD, #FDBFC1 and #C1FDBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEC0FD3F shade: #BEC0FD, #FDBFF3, #FDFBBF and #BFFDC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEC0FD3F shade: #BEC0FD, #FDBFE0, #FDFBBF and #BFFDDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 6 / 0 / 0

HEX #BEC0FD3F

RGBA 190 192 253 0.25

HSLA 238.1, 0.94%, 0.87%, 0.25

LABA 79.46, 12.16, -30.23, 0.25

 

Complementary color

CMYK 0 / 1 / 24 / 19

HEX #413F023F

RGBA 65 63 2 0.25

HSLA 58.1, 0.94%, 0.13%, 0.25

LABA 25.81, -6.77, 33.74, 0.25

 

CMYK 5 / 6 / 0 / 1

HEX #C3C0F83F

RGBA 195 192 248 0.25

HSLA 243.21, 0.8%, 0.86%, 0.25

LABA 79.66, 12.5, -27.22, 0.25

 

CMYK 4 / 4 / 0 / 0

HEX #D4D2FF3F

RGBA 212 210 255 0.25

HSLA 242.67, 1%, 0.91%, 0.25

LABA 85.66, 9.54, -21.69, 0.25

 

CMYK 3 / 3 / 0 / 0

HEX #E5E4FF3F

RGBA 229 228 255 0.25

HSLA 242.22, 1%, 0.95%, 0.25

LABA 91.4, 5.4, -12.93, 0.25

 

CMYK 1 / 1 / 0 / 0

HEX #F6F6FF3F

RGBA 246 246 255 0.25

HSLA 240, 1%, 0.98%, 0.25

LABA 97.12, 1.62, -4.32, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 6 / 6 / 0 / 0

HEX #BEC0FD3F

RGBA 190 192 253 0.25

HSLA 238.1, 0.94%, 0.87%, 0.25

LABA 79.46, 12.16, -30.23, 0.25

 

CMYK 7 / 6 / 0 / 2

HEX #ADAEEA3F

RGBA 173 174 234 0.25

HSLA 239.02, 0.59%, 0.8%, 0.25

LABA 72.96, 12.58, -30.1, 0.25

 

CMYK 7 / 7 / 0 / 4

HEX #9C9CD73F

RGBA 156 156 215 0.25

HSLA 240, 0.42%, 0.73%, 0.25

LABA 66.33, 13.04, -30, 0.25

 

CMYK 7 / 7 / 0 / 6

HEX #8B8AC43F

RGBA 139 138 196 0.25

HSLA 241.03, 0.33%, 0.65%, 0.25

LABA 59.57, 13.55, -29.94, 0.25

 

CMYK 8 / 8 / 0 / 8

HEX #7A78B13F

RGBA 122 120 177 0.25

HSLA 242.11, 0.27%, 0.58%, 0.25

LABA 52.67, 14.13, -29.92, 0.25

 

CMYK 25 / 24 / 0 / 1

HEX #BFC1FD

RGB 191 193 253

HSL 238.06, 0.94%, 0.87%

LAB 79.79, 11.91, -29.72

 

CMYK 19 / 25 / 0 / 1

HEX #CEBFFD

RGB 206 191 253

HSL 254.52, 0.94%, 0.87%

LAB 80.45, 17.48, -28.61

 

CMYK 12 / 25 / 0 / 1

HEX #DEBFFD

RGB 222 191 253

HSL 270, 0.94%, 0.87%

LAB 81.77, 22.4, -26.46

 

CMYK 6 / 25 / 0 / 1

HEX #EFBFFD

RGB 239 191 253

HSL 286.45, 0.94%, 0.87%

LAB 83.29, 27.74, -24.02

 

CMYK 0 / 25 / 1 / 1

HEX #FDBFFA

RGB 253 191 250

HSL 302.9, 0.94%, 0.87%

LAB 84.51, 31.66, -20.45

 

CMYK 25 / 24 / 0 / 1

HEX #BFC1FD

RGB 191 193 253

HSL 238.06, 0.94%, 0.87%

LAB 79.79, 11.91, -29.72

 

CMYK 25 / 25 / 0 / 1

HEX #BFBFFD

RGB 191 191 253

HSL 240, 0.94%, 0.87%

LAB 79.29, 13, -30.49

 

CMYK 25 / 24 / 0 / 1

HEX #BFC1FD

RGB 191 193 253

HSL 238.06, 0.94%, 0.87%

LAB 79.79, 11.91, -29.72

 

CMYK 25 / 24 / 0 / 1

HEX #BFC1FD

RGB 191 193 253

HSL 238.06, 0.94%, 0.87%

LAB 79.79, 11.91, -29.72

 

CMYK 21 / 20 / 0 / 3

HEX #C4C6F8

RGB 196 198 248

HSL 237.69, 0.79%, 0.87%

LAB 81.24, 9.56, -24.8

 

CMYK 17 / 16 / 0 / 5

HEX #C9CBF2

RGB 201 203 242

HSL 237.07, 0.61%, 0.87%

LAB 82.67, 7.1, -19.4

 

CMYK 13 / 12 / 0 / 7

HEX #CFD0ED

RGB 207 208 237

HSL 238, 0.45%, 0.87%

LAB 84.22, 5.28, -14.36

 

CMYK 9 / 8 / 0 / 9

HEX #D4D5E8

RGB 212 213 232

HSL 237, 0.3%, 0.87%

LAB 85.71, 3.26, -9.44

 

CMYK 25 / 11 / 0 / 1

HEX #BFE2FD

RGB 191 226 253

HSL 206.13, 0.94%, 0.87%

LAB 88.24, -5.62, -16.89

 

CMYK 25 / 17 / 0 / 1

HEX #BFD1FD

RGB 191 209 253

HSL 222.58, 0.94%, 0.87%

LAB 83.85, 3.3, -23.53

 

CMYK 25 / 24 / 0 / 1

HEX #BFC1FD

RGB 191 193 253

HSL 238.06, 0.94%, 0.87%

LAB 79.79, 11.91, -29.72

 

CMYK 19 / 25 / 0 / 1

HEX #CDBFFD

RGB 205 191 253

HSL 253.55, 0.94%, 0.87%

LAB 80.37, 17.18, -28.74

 

CMYK 12 / 25 / 0 / 1

HEX #DEBFFD

RGB 222 191 253

HSL 270, 0.94%, 0.87%

LAB 81.77, 22.4, -26.46

 

CMYK 56 / 54 / 0 / 2

HEX #6F73FB

RGB 111 115 251

HSL 238.29, 0.95%, 0.71%

LAB 54.66, 36.22, -68.63

 

CMYK 40 / 39 / 0 / 1

HEX #979AFC

RGB 151 154 252

HSL 238.22, 0.94%, 0.79%

LAB 67.07, 22.46, -49.21

 

CMYK 25 / 24 / 0 / 1

HEX #BFC1FD

RGB 191 193 253

HSL 238.06, 0.94%, 0.87%

LAB 79.79, 11.91, -29.72

 

CMYK 9 / 9 / 0 / 0

HEX #E7E7FE

RGB 231 231 254

HSL 240, 0.92%, 0.95%

LAB 92.26, 4.29, -11.1

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 24 / 0 / 1

HEX #BEC0FD

RGB 190 192 253

HSL 238.1, 0.94%, 0.87%

LAB 79.46, 12.16, -30.23

 

CMYK 0 / 25 / 4 / 1

HEX #FDBFF3

RGB 253 191 243

HSL 309.68, 0.94%, 0.87%

LAB 84.29, 30.42, -17.06

 

CMYK 14 / 0 / 25 / 1

HEX #DAFDBF

RGB 218 253 191

HSL 93.87, 0.94%, 0.87%

LAB 95.55, -21.98, 26.03

 

CMYK 25 / 24 / 0 / 1

HEX #BEC0FD

RGB 190 192 253

HSL 238.1, 0.94%, 0.87%

LAB 79.46, 12.16, -30.23

 

CMYK 0 / 25 / 24 / 1

HEX #FDBFC1

RGB 253 191 193

HSL 358.06, 0.94%, 0.87%

LAB 82.91, 22.52, 7.67

 

CMYK 24 / 0 / 25 / 1

HEX #C1FDBF

RGB 193 253 191

HSL 118.06, 0.94%, 0.87%

LAB 94.03, -30.36, 23.71

 

CMYK 25 / 24 / 0 / 1

HEX #BEC0FD

RGB 190 192 253

HSL 238.1, 0.94%, 0.87%

LAB 79.46, 12.16, -30.23

 

CMYK 0 / 25 / 4 / 1

HEX #FDBFF3

RGB 253 191 243

HSL 309.68, 0.94%, 0.87%

LAB 84.29, 30.42, -17.06

 

CMYK 0 / 1 / 25 / 1

HEX #FDFBBF

RGB 253 251 191

HSL 58.06, 0.94%, 0.87%

LAB 97.49, -8.56, 29.08

 

CMYK 25 / 0 / 21 / 1

HEX #BFFDC9

RGB 191 253 201

HSL 129.68, 0.94%, 0.87%

LAB 94.12, -29.31, 18.71

 

CMYK 25 / 24 / 0 / 1

HEX #BEC0FD

RGB 190 192 253

HSL 238.1, 0.94%, 0.87%

LAB 79.46, 12.16, -30.23

 

CMYK 0 / 25 / 11 / 1

HEX #FDBFE0

RGB 253 191 224

HSL 328.06, 0.94%, 0.87%

LAB 83.72, 27.22, -7.75

 

CMYK 0 / 1 / 25 / 1

HEX #FDFBBF

RGB 253 251 191

HSL 58.06, 0.94%, 0.87%

LAB 97.49, -8.56, 29.08

 

CMYK 25 / 0 / 13 / 1

HEX #BFFDDC

RGB 191 253 220

HSL 148.06, 0.94%, 0.87%

LAB 94.52, -25.87, 9.53

 

Description

Color code: HEX #BEC0FD3F | qconv.com Color code: HEX #BEC0FD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 192 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 192 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 6 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 6% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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