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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEC0CB3F it is the complementary color #413F343F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEC0CB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEC0CB3F shade: #C3C0C63F, #D4D2D93F, #E5E4EC3F, #F6F6FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEC0CB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEC0CB3F shade: #BEC0CB3F, #ADAEB83F, #9C9CA53F, #8B8A923F and #7A787F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEC0CB3F shade: #BEC0CB, #BFBECB, #C3BECB, #C6BECB and #CABECB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEC0CB3F shade: #BEC0CB and #BEBECB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEC0CB3F shade matches the following richer shades: #BEC0CB, #B4B9D4, #ABB3DE, #A1ACE7 and #98A6F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEC0CB3F shade: #BEC0CB, #C7C6C1, #D1CDB8, #DAD4AE and #E4DAA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEC0CB3F shade: #BEC7CB, #BEC3CB, #BEC0CB, #BFBECB and #C3BECB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEC0CB3F shade: #9093A6, #A7AAB8, #BEC0CB, #D5D6DD and #ECECF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEC0CB3F shade: #BEC0CB, #CBBECA and #C5CBBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEC0CB3F shade: #BEC0CB, #CBBEC0 and #C0CBBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEC0CB3F shade: #BEC0CB, #CBBECA, #CBC9BE and #BECBBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEC0CB3F shade: #BEC0CB, #CBBEC7, #CBC9BE and #BECBC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 1 / 0 / 5

HEX #BEC0CB3F

RGBA 190 192 203 0.25

HSLA 230.77, 0.11%, 0.77%, 0.25

LABA 77.85, 1.41, -5.76, 0.25

 

Complementary color

CMYK 0 / 1 / 5 / 19

HEX #413F343F

RGBA 65 63 52 0.25

HSLA 50.77, 0.11%, 0.23%, 0.25

LABA 26.53, -1.39, 7.06, 0.25

 

CMYK 0 / 1 / 0 / 6

HEX #C3C0C63F

RGBA 195 192 198 0.25

HSLA 270, 0.05%, 0.76%, 0.25

LABA 78.1, 2.16, -2.65, 0.25

 

CMYK 1 / 1 / 0 / 4

HEX #D4D2D93F

RGBA 212 210 217 0.25

HSLA 257.14, 0.08%, 0.84%, 0.25

LABA 84.54, 1.97, -3.22, 0.25

 

CMYK 1 / 1 / 0 / 2

HEX #E5E4EC3F

RGBA 229 228 236 0.25

HSLA 247.5, 0.17%, 0.91%, 0.25

LABA 90.87, 1.79, -3.77, 0.25

 

CMYK 1 / 1 / 0 / 0

HEX #F6F6FF3F

RGBA 246 246 255 0.25

HSLA 240, 1%, 0.98%, 0.25

LABA 97.12, 1.62, -4.32, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 2 / 1 / 0 / 5

HEX #BEC0CB3F

RGBA 190 192 203 0.25

HSLA 230.77, 0.11%, 0.77%, 0.25

LABA 77.85, 1.41, -5.76, 0.25

 

CMYK 1 / 1 / 0 / 7

HEX #ADAEB83F

RGBA 173 174 184 0.25

HSLA 234.55, 0.07%, 0.7%, 0.25

LABA 71.29, 1.59, -5.23, 0.25

 

CMYK 1 / 1 / 0 / 9

HEX #9C9CA53F

RGBA 156 156 165 0.25

HSLA 240, 0.05%, 0.63%, 0.25

LABA 64.61, 1.77, -4.69, 0.25

 

CMYK 1 / 1 / 0 / 11

HEX #8B8A923F

RGBA 139 138 146 0.25

HSLA 247.5, 0.04%, 0.56%, 0.25

LABA 57.79, 1.97, -4.13, 0.25

 

CMYK 1 / 1 / 0 / 13

HEX #7A787F3F

RGBA 122 120 127 0.25

HSLA 257.14, 0.03%, 0.48%, 0.25

LABA 50.81, 2.19, -3.56, 0.25

 

CMYK 6 / 5 / 0 / 20

HEX #BEC0CB

RGB 190 192 203

HSL 230.77, 0.11%, 0.77%

LAB 77.85, 1.41, -5.76

 

CMYK 6 / 6 / 0 / 20

HEX #BFBECB

RGB 191 190 203

HSL 244.62, 0.11%, 0.77%

LAB 77.41, 2.82, -6.4

 

CMYK 4 / 6 / 0 / 20

HEX #C3BECB

RGB 195 190 203

HSL 263.08, 0.11%, 0.77%

LAB 77.72, 4.17, -5.91

 

CMYK 2 / 6 / 0 / 20

HEX #C6BECB

RGB 198 190 203

HSL 276.92, 0.11%, 0.77%

LAB 77.96, 5.2, -5.53

 

CMYK 0 / 6 / 0 / 20

HEX #CABECB

RGB 202 190 203

HSL 295.38, 0.11%, 0.77%

LAB 78.28, 6.57, -5.01

 

CMYK 6 / 5 / 0 / 20

HEX #BEC0CB

RGB 190 192 203

HSL 230.77, 0.11%, 0.77%

LAB 77.85, 1.41, -5.76

 

CMYK 6 / 6 / 0 / 20

HEX #BEBECB

RGB 190 190 203

HSL 240, 0.11%, 0.77%

LAB 77.33, 2.48, -6.53

 

CMYK 6 / 5 / 0 / 20

HEX #BEC0CB

RGB 190 192 203

HSL 230.77, 0.11%, 0.77%

LAB 77.85, 1.41, -5.76

 

CMYK 15 / 13 / 0 / 17

HEX #B4B9D4

RGB 180 185 212

HSL 230.63, 0.27%, 0.77%

LAB 75.55, 3.72, -14.15

 

CMYK 23 / 19 / 0 / 13

HEX #ABB3DE

RGB 171 179 222

HSL 230.59, 0.44%, 0.77%

LAB 73.66, 6.39, -22.51

 

CMYK 30 / 26 / 0 / 9

HEX #A1ACE7

RGB 161 172 231

HSL 230.57, 0.59%, 0.77%

LAB 71.45, 9.46, -30.85

 

CMYK 37 / 31 / 0 / 5

HEX #98A6F1

RGB 152 166 241

HSL 230.56, 0.76%, 0.77%

LAB 69.68, 12.91, -39.1

 

CMYK 6 / 5 / 0 / 20

HEX #BEC0CB

RGB 190 192 203

HSL 230.77, 0.11%, 0.77%

LAB 77.85, 1.41, -5.76

 

CMYK 0 / 1 / 3 / 22

HEX #C7C6C1

RGB 199 198 193

HSL 50, 0.05%, 0.77%

LAB 79.83, -0.55, 2.61

 

CMYK 0 / 2 / 12 / 18

HEX #D1CDB8

RGB 209 205 184

HSL 50.4, 0.21%, 0.77%

LAB 82.21, -2.2, 10.94

 

CMYK 0 / 3 / 20 / 15

HEX #DAD4AE

RGB 218 212 174

HSL 51.82, 0.37%, 0.77%

LAB 84.51, -4.08, 19.58

 

CMYK 0 / 4 / 28 / 11

HEX #E4DAA5

RGB 228 218 165

HSL 50.48, 0.54%, 0.77%

LAB 86.68, -4.66, 27.38

 

CMYK 6 / 2 / 0 / 20

HEX #BEC7CB

RGB 190 199 203

HSL 198.46, 0.11%, 0.77%

LAB 79.67, -2.3, -3.07

 

CMYK 6 / 4 / 0 / 20

HEX #BEC3CB

RGB 190 195 203

HSL 216.92, 0.11%, 0.77%

LAB 78.63, -0.19, -4.61

 

CMYK 6 / 5 / 0 / 20

HEX #BEC0CB

RGB 190 192 203

HSL 230.77, 0.11%, 0.77%

LAB 77.85, 1.41, -5.76

 

CMYK 6 / 6 / 0 / 20

HEX #BFBECB

RGB 191 190 203

HSL 244.62, 0.11%, 0.77%

LAB 77.41, 2.82, -6.4

 

CMYK 4 / 6 / 0 / 20

HEX #C3BECB

RGB 195 190 203

HSL 263.08, 0.11%, 0.77%

LAB 77.72, 4.17, -5.91

 

CMYK 13 / 11 / 0 / 35

HEX #9093A6

RGB 144 147 166

HSL 231.82, 0.11%, 0.61%

LAB 61.26, 2.87, -10.34

 

CMYK 9 / 8 / 0 / 28

HEX #A7AAB8

RGB 167 170 184

HSL 229.41, 0.11%, 0.69%

LAB 69.77, 1.72, -7.54

 

CMYK 6 / 5 / 0 / 20

HEX #BEC0CB

RGB 190 192 203

HSL 230.77, 0.11%, 0.77%

LAB 77.85, 1.41, -5.76

 

CMYK 4 / 3 / 0 / 13

HEX #D5D6DD

RGB 213 214 221

HSL 232.5, 0.11%, 0.85%

LAB 85.74, 0.96, -3.57

 

CMYK 2 / 2 / 0 / 6

HEX #ECECF0

RGB 236 236 240

HSL 240, 0.12%, 0.93%

LAB 93.5, 0.72, -1.94

 

CMYK 6 / 5 / 0 / 20

HEX #BEC0CB

RGB 190 192 203

HSL 230.77, 0.11%, 0.77%

LAB 77.85, 1.41, -5.76

 

CMYK 0 / 6 / 0 / 20

HEX #CBBECA

RGB 203 190 202

HSL 304.62, 0.11%, 0.77%

LAB 78.34, 6.73, -4.38

 

CMYK 3 / 0 / 6 / 20

HEX #C5CBBE

RGB 197 203 190

HSL 87.69, 0.11%, 0.77%

LAB 80.91, -4.41, 5.76

 

CMYK 6 / 5 / 0 / 20

HEX #BEC0CB

RGB 190 192 203

HSL 230.77, 0.11%, 0.77%

LAB 77.85, 1.41, -5.76

 

CMYK 0 / 6 / 5 / 20

HEX #CBBEC0

RGB 203 190 192

HSL 350.77, 0.11%, 0.77%

LAB 78.07, 4.92, 0.63

 

CMYK 5 / 0 / 6 / 20

HEX #C0CBBE

RGB 192 203 190

HSL 110.77, 0.11%, 0.77%

LAB 80.54, -6.15, 5.18

 

CMYK 6 / 5 / 0 / 20

HEX #BEC0CB

RGB 190 192 203

HSL 230.77, 0.11%, 0.77%

LAB 77.85, 1.41, -5.76

 

CMYK 0 / 6 / 0 / 20

HEX #CBBECA

RGB 203 190 202

HSL 304.62, 0.11%, 0.77%

LAB 78.34, 6.73, -4.38

 

CMYK 0 / 1 / 6 / 20

HEX #CBC9BE

RGB 203 201 190

HSL 50.77, 0.11%, 0.77%

LAB 80.84, -1.25, 5.73

 

CMYK 6 / 0 / 6 / 20

HEX #BECBBE

RGB 190 203 190

HSL 120, 0.11%, 0.77%

LAB 80.39, -6.84, 4.95

 

CMYK 6 / 5 / 0 / 20

HEX #BEC0CB

RGB 190 192 203

HSL 230.77, 0.11%, 0.77%

LAB 77.85, 1.41, -5.76

 

CMYK 0 / 6 / 2 / 20

HEX #CBBEC7

RGB 203 190 199

HSL 318.46, 0.11%, 0.77%

LAB 78.26, 6.18, -2.88

 

CMYK 0 / 1 / 6 / 20

HEX #CBC9BE

RGB 203 201 190

HSL 50.77, 0.11%, 0.77%

LAB 80.84, -1.25, 5.73

 

CMYK 6 / 0 / 4 / 20

HEX #BECBC2

RGB 190 203 194

HSL 138.46, 0.11%, 0.77%

LAB 80.49, -6.11, 2.95

 

Description

Color code: HEX #BEC0CB3F | qconv.com Color code: HEX #BEC0CB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 192 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 192 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 1 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 1% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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