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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BEB537 it is the complementary color #414AC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BEB537. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BEB537 shade: #C3B532, #D4C745, #E5D958, #F6EB6B and #FFFD7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BEB537. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BEB537 shade: #BEB537, #ADA324, #9C9111, #8B7F00 and #7A6D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BEB537 shade: #BEB537, #BE9037, #BE6C37, #BE4837 and #BE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BEB537 shade: #BEB537, #A2BE37, #7EBE37, #5ABE37 and #37BE39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BEB537 shade matches the following richer shades: #BEB537, #D2C623 and #E5D70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BEB537 shade: #BEB537, #AAA44B, #96925F, #828172 and #6F7086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BEB537 shade: #BE6D37, #BE9137, #BEB537, #A3BE37 and #7FBE37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BEB537 shade: #7E7825, #9E962E, #BEB537, #CDC451 and #D6CF71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BEB537 shade: #BEB537, #37BE49 and #7F37BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BEB537 shade: #BEB537, #37BEB5 and #B537BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BEB537 shade: #BEB537, #37BE49, #3740BE and #BE37AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BEB537 shade: #BEB537, #37BE71, #3740BE and #BE3783

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 71 / 25

HEX #BEB537

RGB 190 181 55

HSL 56, 0.55%, 0.48%

LAB 72.41, -11.29, 61.8

 

Complementary color

CMYK 68 / 63 / 0 / 22

HEX #414AC8

RGB 65 74 200

HSL 236, 0.55%, 0.52%

LAB 38.18, 36.97, -66.65

 

CMYK 0 / 7 / 74 / 24

HEX #C3B532

RGB 195 181 50

HSL 54.21, 0.59%, 0.48%

LAB 72.81, -9.36, 64.13

 

CMYK 0 / 6 / 67 / 17

HEX #D4C745

RGB 212 199 69

HSL 54.55, 0.62%, 0.55%

LAB 79.2, -10.38, 63.83

 

CMYK 0 / 5 / 62 / 10

HEX #E5D958

RGB 229 217 88

HSL 54.89, 0.73%, 0.62%

LAB 85.5, -11.24, 63.12

 

CMYK 0 / 4 / 57 / 4

HEX #F6EB6B

RGB 246 235 107

HSL 55.25, 0.89%, 0.69%

LAB 91.72, -11.97, 62.19

 

CMYK 0 / 1 / 51 / 0

HEX #FFFD7E

RGB 255 253 126

HSL 59.07, 1%, 0.75%

LAB 97.23, -15.74, 60.26

 

CMYK 0 / 5 / 71 / 25

HEX #BEB537

RGB 190 181 55

HSL 56, 0.55%, 0.48%

LAB 72.41, -11.29, 61.8

 

CMYK 0 / 6 / 79 / 32

HEX #ADA324

RGB 173 163 36

HSL 55.62, 0.66%, 0.41%

LAB 65.91, -10.18, 61.68

 

CMYK 0 / 7 / 89 / 39

HEX #9C9111

RGB 156 145 17

HSL 55.25, 0.8%, 0.34%

LAB 59.31, -8.84, 60.44

 

CMYK 0 / 9 / 100 / 45

HEX #8B7F00

RGB 139 127 0

HSL 54.82, 1%, 0.27%

LAB 52.58, -7.23, 57.65

 

CMYK 0 / 11 / 100 / 52

HEX #7A6D00

RGB 122 109 0

HSL 53.61, 1%, 0.24%

LAB 45.74, -5.26, 51.98

 

CMYK 0 / 5 / 71 / 25

HEX #BEB537

RGB 190 181 55

HSL 56, 0.55%, 0.48%

LAB 72.41, -11.29, 61.8

 

CMYK 0 / 24 / 71 / 25

HEX #BE9037

RGB 190 144 55

HSL 39.56, 0.55%, 0.48%

LAB 62.65, 8.46, 52.01

 

CMYK 0 / 43 / 71 / 25

HEX #BE6C37

RGB 190 108 55

HSL 23.56, 0.55%, 0.48%

LAB 53.97, 28.24, 42.83

 

CMYK 0 / 62 / 71 / 25

HEX #BE4837

RGB 190 72 55

HSL 7.56, 0.55%, 0.48%

LAB 46.79, 46.45, 34.78

 

CMYK 0 / 71 / 71 / 25

HEX #BE3737

RGB 190 55 55

HSL 0, 0.55%, 0.48%

LAB 44.17, 53.54, 31.74

 

CMYK 0 / 5 / 71 / 25

HEX #BEB537

RGB 190 181 55

HSL 56, 0.55%, 0.48%

LAB 72.41, -11.29, 61.8

 

CMYK 15 / 0 / 71 / 25

HEX #A2BE37

RGB 162 190 55

HSL 72.44, 0.55%, 0.48%

LAB 72.75, -27.59, 61.4

 

CMYK 34 / 0 / 71 / 25

HEX #7EBE37

RGB 126 190 55

HSL 88.44, 0.55%, 0.48%

LAB 70.55, -41.54, 58.48

 

CMYK 53 / 0 / 71 / 25

HEX #5ABE37

RGB 90 190 55

HSL 104.44, 0.55%, 0.48%

LAB 68.95, -53.15, 56.33

 

CMYK 71 / 0 / 70 / 25

HEX #37BE39

RGB 55 190 57

HSL 120.89, 0.55%, 0.48%

LAB 67.97, -60.99, 54.24

 

CMYK 0 / 5 / 71 / 25

HEX #BEB537

RGB 190 181 55

HSL 56, 0.55%, 0.48%

LAB 72.41, -11.29, 61.8

 

CMYK 0 / 6 / 83 / 18

HEX #D2C623

RGB 210 198 35

HSL 55.89, 0.71%, 0.48%

LAB 78.58, -12.09, 74.15

 

CMYK 0 / 6 / 93 / 10

HEX #E5D70F

RGB 229 215 15

HSL 56.07, 0.88%, 0.48%

LAB 84.63, -12.87, 83.07

 

CMYK 0 / 5 / 71 / 25

HEX #BEB537

RGB 190 181 55

HSL 56, 0.55%, 0.48%

LAB 72.41, -11.29, 61.8

 

CMYK 0 / 4 / 56 / 33

HEX #AAA44B

RGB 170 164 75

HSL 56.21, 0.39%, 0.48%

LAB 66.22, -9.76, 46.16

 

CMYK 0 / 3 / 37 / 41

HEX #96925F

RGB 150 146 95

HSL 55.64, 0.22%, 0.48%

LAB 59.77, -6.57, 27.59

 

CMYK 0 / 1 / 12 / 49

HEX #828172

RGB 130 129 114

HSL 56.25, 0.07%, 0.48%

LAB 53.67, -2.43, 8.27

 

CMYK 17 / 16 / 0 / 47

HEX #6F7086

RGB 111 112 134

HSL 237.39, 0.09%, 0.48%

LAB 47.87, 4.5, -12.19

 

CMYK 0 / 43 / 71 / 25

HEX #BE6D37

RGB 190 109 55

HSL 24, 0.55%, 0.48%

LAB 54.2, 27.7, 43.07

 

CMYK 0 / 24 / 71 / 25

HEX #BE9137

RGB 190 145 55

HSL 40, 0.55%, 0.48%

LAB 62.91, 7.91, 52.28

 

CMYK 0 / 5 / 71 / 25

HEX #BEB537

RGB 190 181 55

HSL 56, 0.55%, 0.48%

LAB 72.41, -11.29, 61.8

 

CMYK 14 / 0 / 71 / 25

HEX #A3BE37

RGB 163 190 55

HSL 72, 0.55%, 0.48%

LAB 72.82, -27.18, 61.49

 

CMYK 33 / 0 / 71 / 25

HEX #7FBE37

RGB 127 190 55

HSL 88, 0.55%, 0.48%

LAB 70.6, -41.18, 58.55

 

CMYK 0 / 5 / 71 / 51

HEX #7E7825

RGB 126 120 37

HSL 55.96, 0.55%, 0.32%

LAB 49.5, -8.25, 44.3

 

CMYK 0 / 5 / 71 / 38

HEX #9E962E

RGB 158 150 46

HSL 55.71, 0.55%, 0.4%

LAB 61.03, -9.53, 53.1

 

CMYK 0 / 5 / 71 / 25

HEX #BEB537

RGB 190 181 55

HSL 56, 0.55%, 0.48%

LAB 72.41, -11.29, 61.8

 

CMYK 0 / 4 / 60 / 20

HEX #CDC451

RGB 205 196 81

HSL 55.65, 0.55%, 0.56%

LAB 77.91, -11.07, 57.3

 

CMYK 0 / 3 / 47 / 16

HEX #D6CF71

RGB 214 207 113

HSL 55.84, 0.55%, 0.64%

LAB 81.9, -10.38, 47.26

 

CMYK 0 / 5 / 71 / 25

HEX #BEB537

RGB 190 181 55

HSL 56, 0.55%, 0.48%

LAB 72.41, -11.29, 61.8

 

CMYK 71 / 0 / 62 / 25

HEX #37BE49

RGB 55 190 73

HSL 128, 0.55%, 0.48%

LAB 68.11, -59.35, 47.7

 

CMYK 33 / 71 / 0 / 25

HEX #7F37BE

RGB 127 55 190

HSL 272, 0.55%, 0.48%

LAB 39.52, 55.16, -58.38

 

CMYK 0 / 5 / 71 / 25

HEX #BEB537

RGB 190 181 55

HSL 56, 0.55%, 0.48%

LAB 72.41, -11.29, 61.8

 

CMYK 71 / 0 / 5 / 25

HEX #37BEB5

RGB 55 190 181

HSL 176, 0.55%, 0.48%

LAB 70.16, -37.38, -5.89

 

CMYK 5 / 71 / 0 / 25

HEX #B537BE

RGB 181 55 190

HSL 296, 0.55%, 0.48%

LAB 47.33, 66.38, -45.41

 

CMYK 0 / 5 / 71 / 25

HEX #BEB537

RGB 190 181 55

HSL 56, 0.55%, 0.48%

LAB 72.41, -11.29, 61.8

 

CMYK 71 / 0 / 62 / 25

HEX #37BE49

RGB 55 190 73

HSL 128, 0.55%, 0.48%

LAB 68.11, -59.35, 47.7

 

CMYK 71 / 66 / 0 / 25

HEX #3740BE

RGB 55 64 190

HSL 236, 0.55%, 0.48%

LAB 34.39, 38.44, -67.04

 

CMYK 0 / 71 / 9 / 25

HEX #BE37AC

RGB 190 55 172

HSL 308, 0.55%, 0.48%

LAB 47.83, 65.5, -33.98

 

CMYK 0 / 5 / 71 / 25

HEX #BEB537

RGB 190 181 55

HSL 56, 0.55%, 0.48%

LAB 72.41, -11.29, 61.8

 

CMYK 71 / 0 / 41 / 25

HEX #37BE71

RGB 55 190 113

HSL 145.78, 0.55%, 0.48%

LAB 68.63, -53.34, 28.72

 

CMYK 71 / 66 / 0 / 25

HEX #3740BE

RGB 55 64 190

HSL 236, 0.55%, 0.48%

LAB 34.39, 38.44, -67.04

 

CMYK 0 / 71 / 31 / 25

HEX #BE3783

RGB 190 55 131

HSL 326.22, 0.55%, 0.48%

LAB 46.07, 59.92, -12.14

 

Description

Color code: HEX #BEB537 | qconv.com Color code: HEX #BEB537 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 181 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 181 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 71 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 71% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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