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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE9DA1 it is the complementary color #41625E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE9DA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BE9DA1: #C39D9C, #D4AFAF, #E5C1C2, #F6D3D5 and #FFE5E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE9DA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BE9DA1: #BE9DA1, #AD8B8E, #9C797B, #8B6768 and #7A5555

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 15 / 25

HEX #BE9DA1

RGB 190 157 161

HSL 352.73, 0.2%, 0.68%

LAB 67.75, 12.84, 2.5

 

Complementary color

CMYK 34 / 0 / 4 / 62

HEX #41625E

RGB 65 98 94

HSL 172.73, 0.2%, 0.32%

LAB 39.01, -12.94, -1.56

 

CMYK 0 / 19 / 20 / 24

HEX #C39D9C

RGB 195 157 156

HSL 1.54, 0.25%, 0.69%

LAB 68.11, 13.92, 5.86

 

CMYK 0 / 17 / 17 / 17

HEX #D4AFAF

RGB 212 175 175

HSL 0, 0.3%, 0.76%

LAB 74.67, 13.4, 5.04

 

CMYK 0 / 16 / 15 / 10

HEX #E5C1C2

RGB 229 193 194

HSL 358.33, 0.41%, 0.83%

LAB 81.12, 12.94, 4.27

 

CMYK 0 / 14 / 13 / 4

HEX #F6D3D5

RGB 246 211 213

HSL 356.57, 0.66%, 0.9%

LAB 87.48, 12.52, 3.53

 

CMYK 0 / 10 / 9 / 0

HEX #FFE5E8

RGB 255 229 232

HSL 353.08, 1%, 0.95%

LAB 93.07, 9.37, 1.77

 

CMYK 0 / 17 / 15 / 25

HEX #BE9DA1

RGB 190 157 161

HSL 352.73, 0.2%, 0.68%

LAB 67.75, 12.84, 2.5

 

CMYK 0 / 20 / 18 / 32

HEX #AD8B8E

RGB 173 139 142

HSL 354.71, 0.17%, 0.61%

LAB 61.05, 13.36, 3.29

 

CMYK 0 / 22 / 21 / 39

HEX #9C797B

RGB 156 121 123

HSL 356.57, 0.15%, 0.54%

LAB 54.21, 13.94, 4.14

 

CMYK 0 / 26 / 25 / 45

HEX #8B6768

RGB 139 103 104

HSL 358.33, 0.15%, 0.47%

LAB 47.22, 14.61, 5.09

 

CMYK 0 / 30 / 30 / 52

HEX #7A5555

RGB 122 85 85

HSL 0, 0.18%, 0.41%

LAB 40.07, 15.39, 6.15

 

CMYK 0 / 17 / 15 / 25

HEX #BE9DA1

RGB 190 157 161

HSL 352.73, 0.2%, 0.68%

LAB 67.75, 12.84, 2.5

 

CMYK 0 / 16 / 17 / 26

HEX #BD9E9D

RGB 189 158 157

HSL 1.87, 0.2%, 0.68%

LAB 67.8, 11.27, 4.79

 

CMYK 0 / 14 / 17 / 26

HEX #BDA39D

RGB 189 163 157

HSL 11.25, 0.2%, 0.68%

LAB 69.07, 8.52, 6.62

 

CMYK 0 / 11 / 17 / 26

HEX #BDA99D

RGB 189 169 157

HSL 22.5, 0.2%, 0.68%

LAB 70.61, 5.25, 8.82

 

CMYK 0 / 8 / 17 / 26

HEX #BDAE9D

RGB 189 174 157

HSL 31.88, 0.2%, 0.68%

LAB 71.91, 2.54, 10.67

 

CMYK 0 / 17 / 15 / 25

HEX #BE9DA1

RGB 190 157 161

HSL 352.73, 0.2%, 0.68%

LAB 67.75, 12.84, 2.5

 

CMYK 0 / 17 / 15 / 5

HEX #F1C7CC

RGB 241 199 204

HSL 352.86, 0.6%, 0.86%

LAB 83.92, 15.63, 3.1

 

CMYK 0 / 16 / 16 / 85

HEX #251F1F

RGB 37 31 31

HSL 0, 0.09%, 0.13%

LAB 12.43, 2.88, 1.06

 

CMYK 0 / 17 / 15 / 65

HEX #58494B

RGB 88 73 75

HSL 352, 0.09%, 0.32%

LAB 32.59, 6.71, 1.17

 

CMYK 0 / 17 / 15 / 45

HEX #8B7376

RGB 139 115 118

HSL 352.5, 0.09%, 0.5%

LAB 50.76, 9.89, 1.86

 

CMYK 0 / 17 / 15 / 25

HEX #BE9DA1

RGB 190 157 161

HSL 352.73, 0.2%, 0.68%

LAB 67.75, 12.84, 2.5

 

CMYK 1 / 0 / 17 / 26

HEX #BBBD9D

RGB 187 189 157

HSL 63.75, 0.2%, 0.68%

LAB 75.7, -6.19, 15.97

 

CMYK 17 / 8 / 0 / 26

HEX #9DAEBD

RGB 157 174 189

HSL 208.13, 0.2%, 0.68%

LAB 70.26, -2.72, -9.66

 

CMYK 0 / 17 / 15 / 25

HEX #BE9DA1

RGB 190 157 161

HSL 352.73, 0.2%, 0.68%

LAB 67.75, 12.84, 2.5

 

CMYK 15 / 0 / 17 / 26

HEX #A1BD9D

RGB 161 189 157

HSL 112.5, 0.2%, 0.68%

LAB 73.81, -15.62, 13.05

 

CMYK 17 / 15 / 0 / 26

HEX #9DA1BD

RGB 157 161 189

HSL 232.5, 0.2%, 0.68%

LAB 66.77, 4.43, -14.88

 

CMYK 0 / 17 / 15 / 25

HEX #BE9DA1

RGB 190 157 161

HSL 352.73, 0.2%, 0.68%

LAB 67.75, 12.84, 2.5

 

CMYK 1 / 0 / 17 / 26

HEX #BBBD9D

RGB 187 189 157

HSL 63.75, 0.2%, 0.68%

LAB 75.7, -6.19, 15.97

 

CMYK 17 / 0 / 2 / 26

HEX #9DBDB9

RGB 157 189 185

HSL 172.5, 0.2%, 0.68%

LAB 74.23, -11.57, -1.59

 

CMYK 16 / 17 / 0 / 26

HEX #9F9DBD

RGB 159 157 189

HSL 243.75, 0.2%, 0.68%

LAB 65.87, 7.32, -16.22

 

CMYK 0 / 17 / 15 / 25

HEX #BE9DA1

RGB 190 157 161

HSL 352.73, 0.2%, 0.68%

LAB 67.75, 12.84, 2.5

 

CMYK 6 / 0 / 17 / 26

HEX #B1BD9D

RGB 177 189 157

HSL 82.5, 0.2%, 0.68%

LAB 74.94, -9.88, 14.8

 

CMYK 17 / 0 / 2 / 26

HEX #9DBDB9

RGB 157 189 185

HSL 172.5, 0.2%, 0.68%

LAB 74.23, -11.57, -1.59

 

CMYK 11 / 17 / 0 / 26

HEX #A99DBD

RGB 169 157 189

HSL 262.5, 0.2%, 0.68%

LAB 66.69, 10.64, -14.91

 

Description

Color code: HEX #BE9DA1 | qconv.com Color code: HEX #BE9DA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 157 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 157 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 15 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 15% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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