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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE9A5E it is the complementary color #4165A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE9A5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE9A5E shade: #C39A59, #D4AC6C, #E5BE7F, #F6D092 and #FFE2A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE9A5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE9A5E shade: #BE9A5E, #AD884B, #9C7638, #8B6425 and #7A5212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE9A5E shade: #BD9A5F, #BD815F, #BD675F and #BD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE9A5E shade: #BD9A5F, #BDB35F, #AEBD5F, #95BD5F and #7BBD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE9A5E shade matches the following richer shades: #BD9A5F, #D09F4D, #E2A33B and #F4A829

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE9A5E shade: #BD9A5F, #AB9671, #999183, #878C96 and #7588A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE9A5E shade: #BD675F, #BD805F, #BD995F, #BDB25F and #AFBD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE9A5E shade: #90703A, #AD8646, #BD9A5F, #C9AD7C and #D5BF9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE9A5E shade: #BE9A5E, #70BD5F and #745FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE9A5E shade: #BE9A5E, #5FBD99 and #995FBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE9A5E shade: #BE9A5E, #70BD5F, #5F83BD and #AC5FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE9A5E shade: #BE9A5E, #5FBD6A, #5F83BD and #BD5FB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 51 / 25

HEX #BE9A5E

RGB 190 154 94

HSL 37.5, 0.42%, 0.56%

LAB 65.64, 5.82, 36.37

 

Complementary color

CMYK 60 / 37 / 0 / 37

HEX #4165A1

RGB 65 101 161

HSL 217.5, 0.42%, 0.44%

LAB 42.77, 6.05, -36.36

 

CMYK 0 / 21 / 54 / 24

HEX #C39A59

RGB 195 154 89

HSL 36.79, 0.47%, 0.56%

LAB 66.09, 7.49, 39.63

 

CMYK 0 / 19 / 49 / 17

HEX #D4AC6C

RGB 212 172 108

HSL 36.92, 0.55%, 0.63%

LAB 72.62, 6.6, 38.27

 

CMYK 0 / 17 / 45 / 10

HEX #E5BE7F

RGB 229 190 127

HSL 37.06, 0.66%, 0.7%

LAB 79.05, 5.83, 36.97

 

CMYK 0 / 15 / 41 / 4

HEX #F6D092

RGB 246 208 146

HSL 37.2, 0.85%, 0.77%

LAB 85.39, 5.17, 35.73

 

CMYK 0 / 11 / 35 / 0

HEX #FFE2A5

RGB 255 226 165

HSL 40.67, 1%, 0.82%

LAB 90.95, 1.52, 33.5

 

CMYK 0 / 19 / 51 / 25

HEX #BE9A5E

RGB 190 154 94

HSL 37.5, 0.42%, 0.56%

LAB 65.64, 5.82, 36.37

 

CMYK 0 / 21 / 57 / 32

HEX #AD884B

RGB 173 136 75

HSL 37.35, 0.4%, 0.49%

LAB 58.97, 6.76, 37.76

 

CMYK 0 / 24 / 64 / 39

HEX #9C7638

RGB 156 118 56

HSL 37.2, 0.47%, 0.42%

LAB 52.19, 7.9, 39.16

 

CMYK 0 / 28 / 73 / 45

HEX #8B6425

RGB 139 100 37

HSL 37.06, 0.58%, 0.35%

LAB 45.27, 9.3, 40.42

 

CMYK 0 / 33 / 85 / 52

HEX #7A5212

RGB 122 82 18

HSL 36.92, 0.74%, 0.27%

LAB 38.23, 11.05, 41.11

 

CMYK 0 / 19 / 50 / 26

HEX #BD9A5F

RGB 189 154 95

HSL 37.66, 0.42%, 0.56%

LAB 65.56, 5.49, 35.72

 

CMYK 0 / 32 / 50 / 26

HEX #BD815F

RGB 189 129 95

HSL 21.7, 0.42%, 0.56%

LAB 59.29, 19.27, 27.74

 

CMYK 0 / 46 / 50 / 26

HEX #BD675F

RGB 189 103 95

HSL 5.11, 0.42%, 0.56%

LAB 53.33, 33.49, 19.86

 

CMYK 0 / 50 / 50 / 26

HEX #BD5F5F

RGB 189 95 95

HSL 0, 0.42%, 0.56%

LAB 51.64, 37.7, 17.58

 

CMYK 0 / 19 / 50 / 26

HEX #BD9A5F

RGB 189 154 95

HSL 37.66, 0.42%, 0.56%

LAB 65.56, 5.49, 35.72

 

CMYK 0 / 5 / 50 / 26

HEX #BDB35F

RGB 189 179 95

HSL 53.62, 0.42%, 0.56%

LAB 72.15, -7.87, 43.8

 

CMYK 8 / 0 / 50 / 26

HEX #AEBD5F

RGB 174 189 95

HSL 69.57, 0.42%, 0.56%

LAB 73.69, -19.16, 45.36

 

CMYK 21 / 0 / 50 / 26

HEX #95BD5F

RGB 149 189 95

HSL 85.53, 0.42%, 0.56%

LAB 71.97, -28.97, 42.88

 

CMYK 35 / 0 / 50 / 26

HEX #7BBD5F

RGB 123 189 95

HSL 102.13, 0.42%, 0.56%

LAB 70.48, -38.36, 40.72

 

CMYK 0 / 19 / 50 / 26

HEX #BD9A5F

RGB 189 154 95

HSL 37.66, 0.42%, 0.56%

LAB 65.56, 5.49, 35.72

 

CMYK 0 / 24 / 63 / 18

HEX #D09F4D

RGB 208 159 77

HSL 37.56, 0.58%, 0.56%

LAB 68.56, 9.41, 48.85

 

CMYK 0 / 28 / 74 / 11

HEX #E2A33B

RGB 226 163 59

HSL 37.37, 0.74%, 0.56%

LAB 71.34, 13.97, 60.37

 

CMYK 0 / 31 / 83 / 4

HEX #F4A829

RGB 244 168 41

HSL 37.54, 0.9%, 0.56%

LAB 74.44, 18.34, 70.39

 

CMYK 0 / 19 / 50 / 26

HEX #BD9A5F

RGB 189 154 95

HSL 37.66, 0.42%, 0.56%

LAB 65.56, 5.49, 35.72

 

CMYK 0 / 12 / 34 / 33

HEX #AB9671

RGB 171 150 113

HSL 38.28, 0.26%, 0.56%

LAB 63.06, 2.2, 22.4

 

CMYK 0 / 5 / 14 / 40

HEX #999183

RGB 153 145 131

HSL 38.18, 0.1%, 0.56%

LAB 60.48, 0.47, 8.48

 

CMYK 10 / 7 / 0 / 41

HEX #878C96

RGB 135 140 150

HSL 220, 0.07%, 0.56%

LAB 58.14, 0.25, -5.95

 

CMYK 30 / 19 / 0 / 34

HEX #7588A8

RGB 117 136 168

HSL 217.65, 0.23%, 0.56%

LAB 56.3, 0.86, -19.17

 

CMYK 0 / 46 / 50 / 26

HEX #BD675F

RGB 189 103 95

HSL 5.11, 0.42%, 0.56%

LAB 53.33, 33.49, 19.86

 

CMYK 0 / 32 / 50 / 26

HEX #BD805F

RGB 189 128 95

HSL 21.06, 0.42%, 0.56%

LAB 59.05, 19.83, 27.43

 

CMYK 0 / 19 / 50 / 26

HEX #BD995F

RGB 189 153 95

HSL 37.02, 0.42%, 0.56%

LAB 65.3, 6.04, 35.39

 

CMYK 0 / 6 / 50 / 26

HEX #BDB25F

RGB 189 178 95

HSL 52.98, 0.42%, 0.56%

LAB 71.88, -7.35, 43.48

 

CMYK 7 / 0 / 50 / 26

HEX #AFBD5F

RGB 175 189 95

HSL 68.94, 0.42%, 0.56%

LAB 73.76, -18.75, 45.47

 

CMYK 0 / 22 / 60 / 44

HEX #90703A

RGB 144 112 58

HSL 37.67, 0.43%, 0.4%

LAB 49.28, 6.06, 34.42

 

CMYK 0 / 23 / 60 / 32

HEX #AD8646

RGB 173 134 70

HSL 37.28, 0.42%, 0.48%

LAB 58.39, 7.47, 39.65

 

CMYK 0 / 19 / 50 / 26

HEX #BD9A5F

RGB 189 154 95

HSL 37.66, 0.42%, 0.56%

LAB 65.56, 5.49, 35.72

 

CMYK 0 / 14 / 38 / 21

HEX #C9AD7C

RGB 201 173 124

HSL 38.18, 0.42%, 0.64%

LAB 72.07, 3.25, 28.94

 

CMYK 0 / 10 / 28 / 16

HEX #D5BF9A

RGB 213 191 154

HSL 37.63, 0.41%, 0.72%

LAB 78.31, 2.18, 21.53

 

CMYK 0 / 19 / 51 / 25

HEX #BE9A5E

RGB 190 154 94

HSL 37.5, 0.42%, 0.56%

LAB 65.64, 5.82, 36.37

 

CMYK 41 / 0 / 50 / 26

HEX #70BD5F

RGB 112 189 95

HSL 109.15, 0.42%, 0.56%

LAB 69.94, -41.98, 39.94

 

CMYK 39 / 50 / 0 / 26

HEX #745FBD

RGB 116 95 189

HSL 253.4, 0.42%, 0.56%

LAB 46.41, 30.76, -46.77

 

CMYK 0 / 19 / 51 / 25

HEX #BE9A5E

RGB 190 154 94

HSL 37.5, 0.42%, 0.56%

LAB 65.64, 5.82, 36.37

 

CMYK 50 / 0 / 19 / 26

HEX #5FBD99

RGB 95 189 153

HSL 157.02, 0.42%, 0.56%

LAB 70.27, -36.52, 9.72

 

CMYK 19 / 50 / 0 / 26

HEX #995FBD

RGB 153 95 189

HSL 277.02, 0.42%, 0.56%

LAB 50.25, 40.72, -40.43

 

CMYK 0 / 19 / 51 / 25

HEX #BE9A5E

RGB 190 154 94

HSL 37.5, 0.42%, 0.56%

LAB 65.64, 5.82, 36.37

 

CMYK 41 / 0 / 50 / 26

HEX #70BD5F

RGB 112 189 95

HSL 109.15, 0.42%, 0.56%

LAB 69.94, -41.98, 39.94

 

CMYK 50 / 31 / 0 / 26

HEX #5F83BD

RGB 95 131 189

HSL 217.02, 0.42%, 0.56%

LAB 54.39, 3.71, -34.27

 

CMYK 9 / 50 / 0 / 26

HEX #AC5FBD

RGB 172 95 189

HSL 289.15, 0.42%, 0.56%

LAB 52.54, 46.09, -36.67

 

CMYK 0 / 19 / 51 / 25

HEX #BE9A5E

RGB 190 154 94

HSL 37.5, 0.42%, 0.56%

LAB 65.64, 5.82, 36.37

 

CMYK 50 / 0 / 44 / 26

HEX #5FBD6A

RGB 95 189 106

HSL 127.02, 0.42%, 0.56%

LAB 69.38, -45.44, 33.54

 

CMYK 50 / 31 / 0 / 26

HEX #5F83BD

RGB 95 131 189

HSL 217.02, 0.42%, 0.56%

LAB 54.39, 3.71, -34.27

 

CMYK 0 / 50 / 6 / 26

HEX #BD5FB2

RGB 189 95 178

HSL 307.02, 0.42%, 0.56%

LAB 54.26, 48.99, -27.47

 

Description

Color code: HEX #BE9A5E | qconv.com Color code: HEX #BE9A5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 154 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 154 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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