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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE97F8 it is the complementary color #416807. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE97F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE97F8 shade: #C397F3, #D4A9FF, #E5BBFF, #F6CDFF and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE97F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE97F8 shade: #BE97F8, #AD85E5, #9C73D2, #8B61BF and #7A4FAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE97F8 shade: #BD96F8, #D896F8, #F296F8, #F896E3 and #F896C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE97F8 shade: #BD96F8, #A396F8 and #9696F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE97F8 shade matches the following richer shades: #BD96F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE97F8 shade: #BD96F8, #BF9FEF, #C1A8E6, #C3B1DC and #C4BAD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE97F8 shade: #96A3F8, #A396F8, #BD96F8, #D796F8 and #F196F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE97F8 shade: #8D49F2, #A570F5, #BD96F8, #D5BDFA and #EEE3FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE97F8 shade: #BE97F8, #F896BD and #96F896

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE97F8 shade: #BE97F8, #F8BD96 and #96F8BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE97F8 shade: #BE97F8, #F896BD, #D1F896 and #96F8D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE97F8 shade: #BE97F8, #F896A0, #D1F896 and #96F8EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 39 / 0 / 3

HEX #BE97F8

RGB 190 151 248

HSL 264.12, 0.87%, 0.78%

LAB 69.37, 33.62, -43.19

 

Complementary color

CMYK 38 / 0 / 93 / 59

HEX #416807

RGB 65 104 7

HSL 84.12, 0.87%, 0.22%

LAB 39.65, -28.61, 43.58

 

CMYK 20 / 38 / 0 / 5

HEX #C397F3

RGB 195 151 243

HSL 268.7, 0.79%, 0.77%

LAB 69.62, 33.92, -40.04

 

CMYK 17 / 34 / 0 / 0

HEX #D4A9FF

RGB 212 169 255

HSL 270, 1%, 0.83%

LAB 75.82, 31.69, -36.78

 

CMYK 10 / 27 / 0 / 0

HEX #E5BBFF

RGB 229 187 255

HSL 277.06, 1%, 0.87%

LAB 81.52, 27.13, -27.86

 

CMYK 4 / 20 / 0 / 0

HEX #F6CDFF

RGB 246 205 255

HSL 289.2, 1%, 0.9%

LAB 87.23, 22.94, -19.05

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 23 / 39 / 0 / 3

HEX #BE97F8

RGB 190 151 248

HSL 264.12, 0.87%, 0.78%

LAB 69.37, 33.62, -43.19

 

CMYK 24 / 42 / 0 / 10

HEX #AD85E5

RGB 173 133 229

HSL 265, 0.65%, 0.71%

LAB 62.77, 34.41, -43.2

 

CMYK 26 / 45 / 0 / 18

HEX #9C73D2

RGB 156 115 210

HSL 265.89, 0.51%, 0.64%

LAB 56.07, 35.27, -43.23

 

CMYK 27 / 49 / 0 / 25

HEX #8B61BF

RGB 139 97 191

HSL 266.81, 0.42%, 0.56%

LAB 49.25, 36.19, -43.27

 

CMYK 29 / 54 / 0 / 33

HEX #7A4FAC

RGB 122 79 172

HSL 267.74, 0.37%, 0.49%

LAB 42.32, 37.17, -43.31

 

CMYK 24 / 40 / 0 / 3

HEX #BD96F8

RGB 189 150 248

HSL 263.88, 0.88%, 0.78%

LAB 69.05, 33.89, -43.7

 

CMYK 13 / 40 / 0 / 3

HEX #D896F8

RGB 216 150 248

HSL 280.41, 0.88%, 0.78%

LAB 71.68, 41.64, -39.38

 

CMYK 2 / 40 / 0 / 3

HEX #F296F8

RGB 242 150 248

HSL 296.33, 0.88%, 0.78%

LAB 74.49, 49.28, -34.81

 

CMYK 0 / 40 / 8 / 3

HEX #F896E3

RGB 248 150 227

HSL 312.86, 0.88%, 0.78%

LAB 74.39, 47.45, -23.46

 

CMYK 0 / 40 / 19 / 3

HEX #F896C9

RGB 248 150 201

HSL 328.78, 0.88%, 0.78%

LAB 73.54, 43.37, -10.47

 

CMYK 24 / 40 / 0 / 3

HEX #BD96F8

RGB 189 150 248

HSL 263.88, 0.88%, 0.78%

LAB 69.05, 33.89, -43.7

 

CMYK 34 / 40 / 0 / 3

HEX #A396F8

RGB 163 150 248

HSL 247.96, 0.88%, 0.78%

LAB 66.81, 26.77, -47.37

 

CMYK 40 / 40 / 0 / 3

HEX #9696F8

RGB 150 150 248

HSL 240, 0.88%, 0.78%

LAB 65.81, 23.41, -49.02

 

CMYK 24 / 40 / 0 / 3

HEX #BD96F8

RGB 189 150 248

HSL 263.88, 0.88%, 0.78%

LAB 69.05, 33.89, -43.7

 

CMYK 24 / 40 / 0 / 3

HEX #BD96F8

RGB 189 150 248

HSL 263.88, 0.88%, 0.78%

LAB 69.05, 33.89, -43.7

 

CMYK 20 / 33 / 0 / 6

HEX #BF9FEF

RGB 191 159 239

HSL 264, 0.71%, 0.78%

LAB 70.94, 27.43, -35.82

 

CMYK 16 / 27 / 0 / 10

HEX #C1A8E6

RGB 193 168 230

HSL 264.19, 0.55%, 0.78%

LAB 72.93, 21.06, -27.83

 

CMYK 11 / 20 / 0 / 14

HEX #C3B1DC

RGB 195 177 220

HSL 265.12, 0.38%, 0.78%

LAB 74.96, 14.62, -19.27

 

CMYK 7 / 12 / 0 / 17

HEX #C4BAD3

RGB 196 186 211

HSL 264, 0.22%, 0.78%

LAB 77.02, 8.23, -11.28

 

CMYK 40 / 34 / 0 / 3

HEX #96A3F8

RGB 150 163 248

HSL 232.04, 0.88%, 0.78%

LAB 69.08, 15.97, -43.87

 

CMYK 34 / 40 / 0 / 3

HEX #A396F8

RGB 163 150 248

HSL 247.96, 0.88%, 0.78%

LAB 66.81, 26.77, -47.37

 

CMYK 24 / 40 / 0 / 3

HEX #BD96F8

RGB 189 150 248

HSL 263.88, 0.88%, 0.78%

LAB 69.05, 33.89, -43.7

 

CMYK 13 / 40 / 0 / 3

HEX #D796F8

RGB 215 150 248

HSL 279.8, 0.88%, 0.78%

LAB 71.58, 41.35, -39.55

 

CMYK 3 / 40 / 0 / 3

HEX #F196F8

RGB 241 150 248

HSL 295.71, 0.88%, 0.78%

LAB 74.38, 48.98, -34.99

 

CMYK 42 / 70 / 0 / 5

HEX #8D49F2

RGB 141 73 242

HSL 264.14, 0.87%, 0.62%

LAB 48.06, 62.02, -74.22

 

CMYK 33 / 54 / 0 / 4

HEX #A570F5

RGB 165 112 245

HSL 263.91, 0.87%, 0.7%

LAB 58.21, 47.81, -59.37

 

CMYK 24 / 40 / 0 / 3

HEX #BD96F8

RGB 189 150 248

HSL 263.88, 0.88%, 0.78%

LAB 69.05, 33.89, -43.7

 

CMYK 15 / 24 / 0 / 2

HEX #D5BDFA

RGB 213 189 250

HSL 263.61, 0.86%, 0.86%

LAB 80.43, 20.07, -26.99

 

CMYK 6 / 10 / 0 / 1

HEX #EEE3FD

RGB 238 227 253

HSL 265.38, 0.87%, 0.94%

LAB 91.78, 8.43, -11.25

 

CMYK 23 / 39 / 0 / 3

HEX #BE97F8

RGB 190 151 248

HSL 264.12, 0.87%, 0.78%

LAB 69.37, 33.62, -43.19

 

CMYK 0 / 40 / 24 / 3

HEX #F896BD

RGB 248 150 189

HSL 336.12, 0.88%, 0.78%

LAB 73.18, 41.64, -4.37

 

CMYK 40 / 0 / 40 / 3

HEX #96F896

RGB 150 248 150

HSL 120, 0.88%, 0.78%

LAB 89.78, -47.91, 38.22

 

CMYK 23 / 39 / 0 / 3

HEX #BE97F8

RGB 190 151 248

HSL 264.12, 0.87%, 0.78%

LAB 69.37, 33.62, -43.19

 

CMYK 0 / 24 / 40 / 3

HEX #F8BD96

RGB 248 189 150

HSL 23.88, 0.88%, 0.78%

LAB 81.05, 16.29, 27.92

 

CMYK 40 / 0 / 24 / 3

HEX #96F8BD

RGB 150 248 189

HSL 143.88, 0.88%, 0.78%

LAB 90.46, -41.37, 19.44

 

CMYK 23 / 39 / 0 / 3

HEX #BE97F8

RGB 190 151 248

HSL 264.12, 0.87%, 0.78%

LAB 69.37, 33.62, -43.19

 

CMYK 0 / 40 / 24 / 3

HEX #F896BD

RGB 248 150 189

HSL 336.12, 0.88%, 0.78%

LAB 73.18, 41.64, -4.37

 

CMYK 16 / 0 / 40 / 3

HEX #D1F896

RGB 209 248 150

HSL 83.88, 0.88%, 0.78%

LAB 92.97, -28.34, 42.97

 

CMYK 40 / 0 / 16 / 3

HEX #96F8D1

RGB 150 248 209

HSL 156.12, 0.88%, 0.78%

LAB 90.88, -37.44, 9.73

 

CMYK 23 / 39 / 0 / 3

HEX #BE97F8

RGB 190 151 248

HSL 264.12, 0.87%, 0.78%

LAB 69.37, 33.62, -43.19

 

CMYK 0 / 40 / 35 / 3

HEX #F896A0

RGB 248 150 160

HSL 353.88, 0.88%, 0.78%

LAB 72.43, 37.9, 10.61

 

CMYK 16 / 0 / 40 / 3

HEX #D1F896

RGB 209 248 150

HSL 83.88, 0.88%, 0.78%

LAB 92.97, -28.34, 42.97

 

CMYK 40 / 0 / 4 / 3

HEX #96F8EE

RGB 150 248 238

HSL 173.88, 0.88%, 0.78%

LAB 91.59, -31.11, -4.29

 

Description

Color code: HEX #BE97F8 | qconv.com Color code: HEX #BE97F8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 151 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 151 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 39 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 39% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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