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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8D8F it is the complementary color #417270. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8D8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE8D8F shade: #C38D8A, #D49F9D, #E5B1B0, #F6C3C3 and #FFD5D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8D8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE8D8F shade: #BE8D8F, #AD7B7C, #9C6969, #8B5756 and #7A4543

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE8D8F shade: #BD8D8F and #BD8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE8D8F shade: #BD8D8F, #BD8D9C, #BD8DA9, #BD8DB6 and #B88DBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE8D8F shade matches the following richer shades: #BD8D8F, #CC7F82, #DA7075, #E96267 and #F7535A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE8D8F shade: #BD8D8F, #AF9C9C, #A0AAAA, #92B8B7 and #84C7C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE8D8F shade: #BD8DA9, #BD8D9C, #BD8D90, #BD988D and #BDA48D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE8D8F shade: #9E5A5D, #AE7375, #BD8D8F, #CCA7A9 and #DBC2C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE8D8F shade: #BE8D8F, #B6BD8D and #8DA3BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE8D8F shade: #BE8D8F, #90BD8D and #8D90BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE8D8F shade: #BE8D8F, #B6BD8D, #8DBDBB and #948DBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE8D8F shade: #BE8D8F, #A8BD8D, #8DBDBB and #A38DBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 25 / 25

HEX #BE8D8F

RGB 190 141 143

HSL 357.55, 0.27%, 0.65%

LAB 63.33, 18.89, 6.23

 

Complementary color

CMYK 43 / 0 / 2 / 55

HEX #417270

RGB 65 114 112

HSL 177.55, 0.27%, 0.35%

LAB 44.7, -17.08, -4.1

 

CMYK 0 / 28 / 29 / 24

HEX #C38D8A

RGB 195 141 138

HSL 3.16, 0.32%, 0.65%

LAB 63.74, 20.1, 9.72

 

CMYK 0 / 25 / 26 / 17

HEX #D49F9D

RGB 212 159 157

HSL 2.18, 0.39%, 0.72%

LAB 70.34, 19.39, 8.72

 

CMYK 0 / 23 / 23 / 10

HEX #E5B1B0

RGB 229 177 176

HSL 1.13, 0.5%, 0.79%

LAB 76.82, 18.75, 7.8

 

CMYK 0 / 21 / 21 / 4

HEX #F6C3C3

RGB 246 195 195

HSL 0, 0.74%, 0.86%

LAB 83.21, 18.17, 6.95

 

CMYK 0 / 16 / 16 / 0

HEX #FFD5D6

RGB 255 213 214

HSL 358.57, 1%, 0.92%

LAB 88.78, 14.81, 4.99

 

CMYK 0 / 26 / 25 / 25

HEX #BE8D8F

RGB 190 141 143

HSL 357.55, 0.27%, 0.65%

LAB 63.33, 18.89, 6.23

 

CMYK 0 / 29 / 28 / 32

HEX #AD7B7C

RGB 173 123 124

HSL 358.8, 0.23%, 0.58%

LAB 56.59, 19.62, 7.22

 

CMYK 0 / 33 / 33 / 39

HEX #9C6969

RGB 156 105 105

HSL 0, 0.2%, 0.51%

LAB 49.73, 20.45, 8.33

 

CMYK 0 / 37 / 38 / 45

HEX #8B5756

RGB 139 87 86

HSL 1.13, 0.24%, 0.44%

LAB 42.73, 21.4, 9.6

 

CMYK 0 / 43 / 45 / 52

HEX #7A4543

RGB 122 69 67

HSL 2.18, 0.29%, 0.37%

LAB 35.59, 22.5, 11.11

 

CMYK 0 / 25 / 24 / 26

HEX #BD8D8F

RGB 189 141 143

HSL 357.5, 0.27%, 0.65%

LAB 63.22, 18.51, 6.06

 

CMYK 0 / 25 / 25 / 26

HEX #BD8D8D

RGB 189 141 141

HSL 0, 0.27%, 0.65%

LAB 63.17, 18.22, 7.12

 

CMYK 0 / 25 / 24 / 26

HEX #BD8D8F

RGB 189 141 143

HSL 357.5, 0.27%, 0.65%

LAB 63.22, 18.51, 6.06

 

CMYK 0 / 25 / 17 / 26

HEX #BD8D9C

RGB 189 141 156

HSL 341.25, 0.27%, 0.65%

LAB 63.56, 20.52, -0.8

 

CMYK 0 / 25 / 11 / 26

HEX #BD8DA9

RGB 189 141 169

HSL 325, 0.27%, 0.65%

LAB 63.94, 22.69, -7.6

 

CMYK 0 / 25 / 4 / 26

HEX #BD8DB6

RGB 189 141 182

HSL 308.75, 0.27%, 0.65%

LAB 64.36, 25.02, -14.32

 

CMYK 3 / 25 / 0 / 26

HEX #B88DBD

RGB 184 141 189

HSL 293.75, 0.27%, 0.65%

LAB 64.09, 24.66, -18.71

 

CMYK 0 / 25 / 24 / 26

HEX #BD8D8F

RGB 189 141 143

HSL 357.5, 0.27%, 0.65%

LAB 63.22, 18.51, 6.06

 

CMYK 0 / 38 / 36 / 20

HEX #CC7F82

RGB 204 127 130

HSL 357.66, 0.43%, 0.65%

LAB 61.33, 30.17, 11

 

CMYK 0 / 49 / 46 / 15

HEX #DA7075

RGB 218 112 117

HSL 357.17, 0.59%, 0.65%

LAB 59.69, 41.84, 16.44

 

CMYK 0 / 58 / 56 / 9

HEX #E96267

RGB 233 98 103

HSL 357.78, 0.75%, 0.65%

LAB 59.01, 52.68, 23.96

 

CMYK 0 / 66 / 64 / 3

HEX #F7535A

RGB 247 83 90

HSL 357.44, 0.91%, 0.65%

LAB 58.69, 62.76, 31.47

 

CMYK 0 / 25 / 24 / 26

HEX #BD8D8F

RGB 189 141 143

HSL 357.5, 0.27%, 0.65%

LAB 63.22, 18.51, 6.06

 

CMYK 0 / 11 / 11 / 31

HEX #AF9C9C

RGB 175 156 156

HSL 0, 0.11%, 0.65%

LAB 65.97, 6.97, 2.54

 

CMYK 6 / 0 / 0 / 33

HEX #A0AAAA

RGB 160 170 170

HSL 180, 0.06%, 0.65%

LAB 68.84, -3.51, -1.22

 

CMYK 21 / 0 / 1 / 28

HEX #92B8B7

RGB 146 184 183

HSL 178.42, 0.21%, 0.65%

LAB 72.1, -12.89, -3.7

 

CMYK 34 / 0 / 2 / 22

HEX #84C7C4

RGB 132 199 196

HSL 177.31, 0.37%, 0.65%

LAB 75.91, -21.76, -5.25

 

CMYK 0 / 25 / 11 / 26

HEX #BD8DA9

RGB 189 141 169

HSL 325, 0.27%, 0.65%

LAB 63.94, 22.69, -7.6

 

CMYK 0 / 25 / 17 / 26

HEX #BD8D9C

RGB 189 141 156

HSL 341.25, 0.27%, 0.65%

LAB 63.56, 20.52, -0.8

 

CMYK 0 / 25 / 24 / 26

HEX #BD8D90

RGB 189 141 144

HSL 356.25, 0.27%, 0.65%

LAB 63.25, 18.66, 5.53

 

CMYK 0 / 20 / 25 / 26

HEX #BD988D

RGB 189 152 141

HSL 13.75, 0.27%, 0.65%

LAB 65.9, 12.13, 11.01

 

CMYK 0 / 13 / 25 / 26

HEX #BDA48D

RGB 189 164 141

HSL 28.75, 0.27%, 0.65%

LAB 68.96, 5.55, 15.31

 

CMYK 0 / 43 / 41 / 38

HEX #9E5A5D

RGB 158 90 93

HSL 357.35, 0.27%, 0.49%

LAB 46.14, 28.22, 10.5

 

CMYK 0 / 34 / 33 / 32

HEX #AE7375

RGB 174 115 117

HSL 357.97, 0.27%, 0.57%

LAB 54.6, 23.55, 8.47

 

CMYK 0 / 25 / 24 / 26

HEX #BD8D8F

RGB 189 141 143

HSL 357.5, 0.27%, 0.65%

LAB 63.22, 18.51, 6.06

 

CMYK 0 / 18 / 17 / 20

HEX #CCA7A9

RGB 204 167 169

HSL 356.76, 0.27%, 0.73%

LAB 71.78, 13.85, 4.07

 

CMYK 0 / 11 / 11 / 14

HEX #DBC2C3

RGB 219 194 195

HSL 357.6, 0.26%, 0.81%

LAB 80.51, 8.99, 2.72

 

CMYK 0 / 26 / 25 / 25

HEX #BE8D8F

RGB 190 141 143

HSL 357.55, 0.27%, 0.65%

LAB 63.33, 18.89, 6.23

 

CMYK 4 / 0 / 25 / 26

HEX #B6BD8D

RGB 182 189 141

HSL 68.75, 0.27%, 0.65%

LAB 74.99, -10.47, 23.51

 

CMYK 25 / 14 / 0 / 26

HEX #8DA3BD

RGB 141 163 189

HSL 212.5, 0.27%, 0.65%

LAB 66.16, -1.77, -15.92

 

CMYK 0 / 26 / 25 / 25

HEX #BE8D8F

RGB 190 141 143

HSL 357.55, 0.27%, 0.65%

LAB 63.33, 18.89, 6.23

 

CMYK 24 / 0 / 25 / 26

HEX #90BD8D

RGB 144 189 141

HSL 116.25, 0.27%, 0.65%

LAB 72.39, -24.32, 19.54

 

CMYK 25 / 24 / 0 / 26

HEX #8D90BD

RGB 141 144 189

HSL 236.25, 0.27%, 0.65%

LAB 61.03, 8.94, -23.73

 

CMYK 0 / 26 / 25 / 25

HEX #BE8D8F

RGB 190 141 143

HSL 357.55, 0.27%, 0.65%

LAB 63.33, 18.89, 6.23

 

CMYK 4 / 0 / 25 / 26

HEX #B6BD8D

RGB 182 189 141

HSL 68.75, 0.27%, 0.65%

LAB 74.99, -10.47, 23.51

 

CMYK 25 / 0 / 1 / 26

HEX #8DBDBB

RGB 141 189 187

HSL 177.5, 0.27%, 0.65%

LAB 73.32, -16.15, -4.14

 

CMYK 22 / 25 / 0 / 26

HEX #948DBD

RGB 148 141 189

HSL 248.75, 0.27%, 0.65%

LAB 60.8, 12.86, -24.03

 

CMYK 0 / 26 / 25 / 25

HEX #BE8D8F

RGB 190 141 143

HSL 357.55, 0.27%, 0.65%

LAB 63.33, 18.89, 6.23

 

CMYK 11 / 0 / 25 / 26

HEX #A8BD8D

RGB 168 189 141

HSL 86.25, 0.27%, 0.65%

LAB 73.96, -15.73, 21.94

 

CMYK 25 / 0 / 1 / 26

HEX #8DBDBB

RGB 141 189 187

HSL 177.5, 0.27%, 0.65%

LAB 73.32, -16.15, -4.14

 

CMYK 14 / 25 / 0 / 26

HEX #A38DBD

RGB 163 141 189

HSL 267.5, 0.27%, 0.65%

LAB 62.09, 17.69, -21.94

 

Description

Color code: HEX #BE8D8F | qconv.com Color code: HEX #BE8D8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 141 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 141 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 25 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 25% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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