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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8B70 it is the complementary color #41748F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8B70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE8B70 shade: #C38B6B, #D49D7E, #E5AF91, #F6C1A4 and #FFD3B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8B70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE8B70 shade: #BE8B70, #AD795D, #9C674A, #8B5537 and #7A4324

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE8B70 shade: #BE8A6F, #BE756F and #BE6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE8B70 shade: #BE8A6F, #BEA06F, #BEB56F, #B2BE6F and #9CBE6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE8B70 shade matches the following richer shades: #BE8A6F, #CF855E, #E0804D and #F17B3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE8B70 shade: #BE8A6F, #AD8F80, #9C9591, #8B9AA1 and #7B9FB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE8B70 shade: #BE6F7F, #BE746F, #BE896F, #BE9E6F and #BEB46F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE8B70 shade: #976044, #B17352, #BE8A6F, #CBA18B and #D8B8A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE8B70 shade: #BE8B70, #94BE6F and #6F74BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE8B70 shade: #BE8B70, #6FBE89 and #896FBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE8B70 shade: #BE8B70, #94BE6F, #6FA4BE and #996FBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE8B70 shade: #BE8B70, #7CBE6F, #6FA4BE and #B16FBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 41 / 25

HEX #BE8B70

RGB 190 139 112

HSL 20.77, 0.38%, 0.59%

LAB 62.15, 15.94, 22.07

 

Complementary color

CMYK 55 / 19 / 0 / 44

HEX #41748F

RGB 65 116 143

HSL 200.77, 0.38%, 0.41%

LAB 46.44, -9.03, -19.96

 

CMYK 0 / 29 / 45 / 24

HEX #C38B6B

RGB 195 139 107

HSL 21.82, 0.42%, 0.59%

LAB 62.62, 17.43, 25.56

 

CMYK 0 / 26 / 41 / 17

HEX #D49D7E

RGB 212 157 126

HSL 21.63, 0.5%, 0.66%

LAB 69.2, 16.54, 24.23

 

CMYK 0 / 24 / 37 / 10

HEX #E5AF91

RGB 229 175 145

HSL 21.43, 0.62%, 0.73%

LAB 75.68, 15.75, 23

 

CMYK 0 / 22 / 33 / 4

HEX #F6C1A4

RGB 246 193 164

HSL 21.22, 0.82%, 0.8%

LAB 82.06, 15.05, 21.86

 

CMYK 0 / 17 / 28 / 0

HEX #FFD3B7

RGB 255 211 183

HSL 23.33, 1%, 0.86%

LAB 87.61, 11.45, 19.65

 

CMYK 0 / 27 / 41 / 25

HEX #BE8B70

RGB 190 139 112

HSL 20.77, 0.38%, 0.59%

LAB 62.15, 15.94, 22.07

 

CMYK 0 / 30 / 46 / 32

HEX #AD795D

RGB 173 121 93

HSL 21, 0.33%, 0.52%

LAB 55.43, 16.88, 23.45

 

CMYK 0 / 34 / 53 / 39

HEX #9C674A

RGB 156 103 74

HSL 21.22, 0.36%, 0.45%

LAB 48.59, 17.98, 25

 

CMYK 0 / 39 / 60 / 45

HEX #8B5537

RGB 139 85 55

HSL 21.43, 0.43%, 0.38%

LAB 41.63, 19.29, 26.74

 

CMYK 0 / 45 / 70 / 52

HEX #7A4324

RGB 122 67 36

HSL 21.63, 0.54%, 0.31%

LAB 34.56, 20.86, 28.69

 

CMYK 0 / 27 / 42 / 25

HEX #BE8A6F

RGB 190 138 111

HSL 20.51, 0.38%, 0.59%

LAB 61.89, 16.38, 22.27

 

CMYK 0 / 38 / 42 / 25

HEX #BE756F

RGB 190 117 111

HSL 4.56, 0.38%, 0.59%

LAB 56.9, 27.97, 15.47

 

CMYK 0 / 42 / 42 / 25

HEX #BE6F6F

RGB 190 111 111

HSL 0, 0.38%, 0.59%

LAB 55.55, 31.24, 13.6

 

CMYK 0 / 27 / 42 / 25

HEX #BE8A6F

RGB 190 138 111

HSL 20.51, 0.38%, 0.59%

LAB 61.89, 16.38, 22.27

 

CMYK 0 / 16 / 42 / 25

HEX #BEA06F

RGB 190 160 111

HSL 37.22, 0.38%, 0.59%

LAB 67.45, 4.3, 29.64

 

CMYK 0 / 5 / 42 / 25

HEX #BEB56F

RGB 190 181 111

HSL 53.16, 0.38%, 0.59%

LAB 72.99, -6.91, 36.76

 

CMYK 6 / 0 / 42 / 25

HEX #B2BE6F

RGB 178 190 111

HSL 69.11, 0.38%, 0.59%

LAB 74.47, -16.38, 38.43

 

CMYK 18 / 0 / 42 / 25

HEX #9CBE6F

RGB 156 190 111

HSL 85.82, 0.38%, 0.59%

LAB 72.92, -24.92, 36.15

 

CMYK 0 / 27 / 42 / 25

HEX #BE8A6F

RGB 190 138 111

HSL 20.51, 0.38%, 0.59%

LAB 61.89, 16.38, 22.27

 

CMYK 0 / 36 / 55 / 19

HEX #CF855E

RGB 207 133 94

HSL 20.71, 0.54%, 0.59%

LAB 62.38, 24.39, 32.68

 

CMYK 0 / 43 / 66 / 12

HEX #E0804D

RGB 224 128 77

HSL 20.82, 0.7%, 0.59%

LAB 63.2, 32.71, 43.21

 

CMYK 0 / 49 / 75 / 5

HEX #F17B3C

RGB 241 123 60

HSL 20.88, 0.87%, 0.59%

LAB 64.32, 41.11, 53.49

 

CMYK 0 / 27 / 42 / 25

HEX #BE8A6F

RGB 190 138 111

HSL 20.51, 0.38%, 0.59%

LAB 61.89, 16.38, 22.27

 

CMYK 0 / 17 / 26 / 32

HEX #AD8F80

RGB 173 143 128

HSL 20, 0.22%, 0.59%

LAB 61.73, 8.96, 12.21

 

CMYK 0 / 4 / 7 / 39

HEX #9C9591

RGB 156 149 145

HSL 21.82, 0.05%, 0.59%

LAB 62.17, 1.83, 3.02

 

CMYK 14 / 4 / 0 / 37

HEX #8B9AA1

RGB 139 154 161

HSL 199.09, 0.1%, 0.59%

LAB 62.65, -3.83, -5.48

 

CMYK 31 / 11 / 0 / 30

HEX #7B9FB2

RGB 123 159 178

HSL 200.73, 0.26%, 0.59%

LAB 63.53, -7.72, -13.86

 

CMYK 0 / 42 / 33 / 25

HEX #BE6F7F

RGB 190 111 127

HSL 347.85, 0.38%, 0.59%

LAB 55.94, 33.18, 4.81

 

CMYK 0 / 39 / 42 / 25

HEX #BE746F

RGB 190 116 111

HSL 3.8, 0.38%, 0.59%

LAB 56.67, 28.52, 15.15

 

CMYK 0 / 28 / 42 / 25

HEX #BE896F

RGB 190 137 111

HSL 19.75, 0.38%, 0.59%

LAB 61.64, 16.93, 21.94

 

CMYK 0 / 17 / 42 / 25

HEX #BE9E6F

RGB 190 158 111

HSL 35.7, 0.38%, 0.59%

LAB 66.94, 5.38, 28.97

 

CMYK 0 / 5 / 42 / 25

HEX #BEB46F

RGB 190 180 111

HSL 52.41, 0.38%, 0.59%

LAB 72.72, -6.39, 36.42

 

CMYK 0 / 36 / 55 / 41

HEX #976044

RGB 151 96 68

HSL 20.24, 0.38%, 0.43%

LAB 46.13, 19.28, 25.18

 

CMYK 0 / 35 / 54 / 31

HEX #B17352

RGB 177 115 82

HSL 20.84, 0.38%, 0.51%

LAB 54.26, 20.85, 28.23

 

CMYK 0 / 27 / 42 / 25

HEX #BE8A6F

RGB 190 138 111

HSL 20.51, 0.38%, 0.59%

LAB 61.89, 16.38, 22.27

 

CMYK 0 / 21 / 32 / 20

HEX #CBA18B

RGB 203 161 139

HSL 20.63, 0.38%, 0.67%

LAB 69.51, 12.38, 17.37

 

CMYK 0 / 15 / 22 / 15

HEX #D8B8A8

RGB 216 184 168

HSL 20, 0.38%, 0.75%

LAB 77.11, 9, 12.37

 

CMYK 0 / 27 / 41 / 25

HEX #BE8B70

RGB 190 139 112

HSL 20.77, 0.38%, 0.59%

LAB 62.15, 15.94, 22.07

 

CMYK 22 / 0 / 42 / 25

HEX #94BE6F

RGB 148 190 111

HSL 91.9, 0.38%, 0.59%

LAB 72.41, -27.9, 35.39

 

CMYK 42 / 39 / 0 / 25

HEX #6F74BE

RGB 111 116 190

HSL 236.2, 0.38%, 0.59%

LAB 51.37, 17.06, -39.51

 

CMYK 0 / 27 / 41 / 25

HEX #BE8B70

RGB 190 139 112

HSL 20.77, 0.38%, 0.59%

LAB 62.15, 15.94, 22.07

 

CMYK 42 / 0 / 28 / 25

HEX #6FBE89

RGB 111 190 137

HSL 139.75, 0.38%, 0.59%

LAB 70.88, -36.01, 19.33

 

CMYK 28 / 42 / 0 / 25

HEX #896FBE

RGB 137 111 190

HSL 259.75, 0.38%, 0.59%

LAB 52.29, 27.25, -37.9

 

CMYK 0 / 27 / 41 / 25

HEX #BE8B70

RGB 190 139 112

HSL 20.77, 0.38%, 0.59%

LAB 62.15, 15.94, 22.07

 

CMYK 22 / 0 / 42 / 25

HEX #94BE6F

RGB 148 190 111

HSL 91.9, 0.38%, 0.59%

LAB 72.41, -27.9, 35.39

 

CMYK 42 / 14 / 0 / 25

HEX #6FA4BE

RGB 111 164 190

HSL 199.75, 0.38%, 0.59%

LAB 64.68, -10.68, -18.88

 

CMYK 19 / 42 / 0 / 25

HEX #996FBE

RGB 153 111 190

HSL 271.9, 0.38%, 0.59%

LAB 53.88, 31.96, -35.3

 

CMYK 0 / 27 / 41 / 25

HEX #BE8B70

RGB 190 139 112

HSL 20.77, 0.38%, 0.59%

LAB 62.15, 15.94, 22.07

 

CMYK 35 / 0 / 42 / 25

HEX #7CBE6F

RGB 124 190 111

HSL 110.13, 0.38%, 0.59%

LAB 71.05, -36.32, 33.38

 

CMYK 42 / 14 / 0 / 25

HEX #6FA4BE

RGB 111 164 190

HSL 199.75, 0.38%, 0.59%

LAB 64.68, -10.68, -18.88

 

CMYK 7 / 42 / 0 / 25

HEX #B16FBE

RGB 177 111 190

HSL 290.13, 0.38%, 0.59%

LAB 56.52, 39.23, -30.98

 

Description

Color code: HEX #BE8B70 | qconv.com Color code: HEX #BE8B70 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 139 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 139 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 41 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 41% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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