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Color name
HEX #BE814F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE814F it is the complementary color #417EB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE814F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE814F shade: #C3814A, #D4935D, #E5A570, #F6B783 and #FFC996

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE814F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE814F shade: #BE814F, #AD6F3C, #9C5D29, #8B4B16 and #7A3903

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE814F shade: #BE8250, #BE6450 and #BE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE814F shade: #BE8250, #BE9F50, #BEBD50, #A2BE50 and #84BE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE814F shade matches the following richer shades: #BE8250, #D2803D, #E57E29 and #F87C16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE814F shade: #BE8250, #AB8463, #978677, #84878A and #71899E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE814F shade: #BE5059, #BE6450, #BE8250, #BE9F50 and #BEBC50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE814F shade: #895A33, #A76D3E, #BE8250, #C9976E and #D5AD8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE814F shade: #BE814F, #77BE50 and #5650BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE814F shade: #BE814F, #50BE82 and #8250BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE814F shade: #BE814F, #77BE50, #508DBE and #9850BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE814F shade: #BE814F, #56BE50, #508DBE and #B950BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 58 / 25

HEX #BE814F

RGB 190 129 79

HSL 27.03, 0.46%, 0.53%

LAB 59.17, 18.29, 36.34

 

Complementary color

CMYK 63 / 28 / 0 / 31

HEX #417EB0

RGB 65 126 176

HSL 207.03, 0.46%, 0.47%

LAB 50.9, -4.03, -32.36

 

CMYK 0 / 34 / 62 / 24

HEX #C3814A

RGB 195 129 74

HSL 27.27, 0.5%, 0.53%

LAB 59.7, 20.04, 39.76

 

CMYK 0 / 31 / 56 / 17

HEX #D4935D

RGB 212 147 93

HSL 27.23, 0.58%, 0.6%

LAB 66.26, 18.77, 38.18

 

CMYK 0 / 28 / 51 / 10

HEX #E5A570

RGB 229 165 112

HSL 27.18, 0.69%, 0.67%

LAB 72.72, 17.67, 36.68

 

CMYK 0 / 26 / 47 / 4

HEX #F6B783

RGB 246 183 131

HSL 27.13, 0.86%, 0.74%

LAB 79.1, 16.7, 35.29

 

CMYK 0 / 21 / 41 / 0

HEX #FFC996

RGB 255 201 150

HSL 29.14, 1%, 0.79%

LAB 84.6, 12.74, 32.79

 

CMYK 0 / 32 / 58 / 25

HEX #BE814F

RGB 190 129 79

HSL 27.03, 0.46%, 0.53%

LAB 59.17, 18.29, 36.34

 

CMYK 0 / 36 / 65 / 32

HEX #AD6F3C

RGB 173 111 60

HSL 27.08, 0.48%, 0.46%

LAB 52.49, 19.66, 37.97

 

CMYK 0 / 40 / 74 / 39

HEX #9C5D29

RGB 156 93 41

HSL 27.13, 0.58%, 0.39%

LAB 45.71, 21.27, 39.62

 

CMYK 0 / 46 / 84 / 45

HEX #8B4B16

RGB 139 75 22

HSL 27.18, 0.73%, 0.32%

LAB 38.86, 23.16, 40.96

 

CMYK 0 / 53 / 98 / 52

HEX #7A3903

RGB 122 57 3

HSL 27.23, 0.95%, 0.25%

LAB 31.97, 25.33, 41.53

 

CMYK 0 / 32 / 58 / 25

HEX #BE8250

RGB 190 130 80

HSL 27.27, 0.46%, 0.53%

LAB 59.43, 17.82, 36.12

 

CMYK 0 / 47 / 58 / 25

HEX #BE6450

RGB 190 100 80

HSL 10.91, 0.46%, 0.53%

LAB 52.55, 34.17, 27.55

 

CMYK 0 / 58 / 58 / 25

HEX #BE5050

RGB 190 80 80

HSL 0, 0.46%, 0.53%

LAB 48.59, 44.29, 22.42

 

CMYK 0 / 32 / 58 / 25

HEX #BE8250

RGB 190 130 80

HSL 27.27, 0.46%, 0.53%

LAB 59.43, 17.82, 36.12

 

CMYK 0 / 16 / 58 / 25

HEX #BE9F50

RGB 190 159 80

HSL 43.09, 0.46%, 0.53%

LAB 66.77, 1.91, 44.85

 

CMYK 0 / 1 / 58 / 25

HEX #BEBD50

RGB 190 189 80

HSL 59.45, 0.46%, 0.53%

LAB 74.78, -13.85, 53.94

 

CMYK 15 / 0 / 58 / 25

HEX #A2BE50

RGB 162 190 80

HSL 75.27, 0.46%, 0.53%

LAB 72.95, -25.84, 51.32

 

CMYK 31 / 0 / 58 / 25

HEX #84BE50

RGB 132 190 80

HSL 91.64, 0.46%, 0.53%

LAB 71.09, -37.31, 48.7

 

CMYK 0 / 32 / 58 / 25

HEX #BE8250

RGB 190 130 80

HSL 27.27, 0.46%, 0.53%

LAB 59.43, 17.82, 36.12

 

CMYK 0 / 39 / 71 / 18

HEX #D2803D

RGB 210 128 61

HSL 26.98, 0.62%, 0.53%

LAB 61.2, 26.1, 48.46

 

CMYK 0 / 45 / 82 / 10

HEX #E57E29

RGB 229 126 41

HSL 27.13, 0.78%, 0.53%

LAB 63.13, 34.17, 59.87

 

CMYK 0 / 50 / 91 / 3

HEX #F87C16

RGB 248 124 22

HSL 27.08, 0.94%, 0.53%

LAB 65.3, 42.3, 68.67

 

CMYK 0 / 32 / 58 / 25

HEX #BE8250

RGB 190 130 80

HSL 27.27, 0.46%, 0.53%

LAB 59.43, 17.82, 36.12

 

CMYK 0 / 23 / 42 / 33

HEX #AB8463

RGB 171 132 99

HSL 27.5, 0.3%, 0.53%

LAB 58.1, 10.51, 23.56

 

CMYK 0 / 11 / 21 / 41

HEX #978677

RGB 151 134 119

HSL 28.13, 0.13%, 0.53%

LAB 57.04, 3.9, 10.42

 

CMYK 4 / 2 / 0 / 46

HEX #84878A

RGB 132 135 138

HSL 210, 0.02%, 0.53%

LAB 56.16, -0.5, -2

 

CMYK 28 / 13 / 0 / 38

HEX #71899E

RGB 113 137 158

HSL 208, 0.19%, 0.53%

LAB 55.96, -3.51, -13.97

 

CMYK 0 / 58 / 53 / 25

HEX #BE5059

RGB 190 80 89

HSL 355.09, 0.46%, 0.53%

LAB 48.77, 45.02, 17.28

 

CMYK 0 / 47 / 58 / 25

HEX #BE6450

RGB 190 100 80

HSL 10.91, 0.46%, 0.53%

LAB 52.55, 34.17, 27.55

 

CMYK 0 / 32 / 58 / 25

HEX #BE8250

RGB 190 130 80

HSL 27.27, 0.46%, 0.53%

LAB 59.43, 17.82, 36.12

 

CMYK 0 / 16 / 58 / 25

HEX #BE9F50

RGB 190 159 80

HSL 43.09, 0.46%, 0.53%

LAB 66.77, 1.91, 44.85

 

CMYK 0 / 1 / 58 / 25

HEX #BEBC50

RGB 190 188 80

HSL 58.91, 0.46%, 0.53%

LAB 74.5, -13.34, 53.64

 

CMYK 0 / 34 / 63 / 46

HEX #895A33

RGB 137 90 51

HSL 27.21, 0.46%, 0.37%

LAB 42.57, 15.16, 30.09

 

CMYK 0 / 35 / 63 / 35

HEX #A76D3E

RGB 167 109 62

HSL 26.86, 0.46%, 0.45%

LAB 51.27, 18.32, 35.3

 

CMYK 0 / 32 / 58 / 25

HEX #BE8250

RGB 190 130 80

HSL 27.27, 0.46%, 0.53%

LAB 59.43, 17.82, 36.12

 

CMYK 0 / 25 / 45 / 21

HEX #C9976E

RGB 201 151 110

HSL 27.03, 0.46%, 0.61%

LAB 66.27, 13.62, 28.85

 

CMYK 0 / 19 / 34 / 16

HEX #D5AD8C

RGB 213 173 140

HSL 27.12, 0.46%, 0.69%

LAB 73.5, 9.95, 22.46

 

CMYK 0 / 32 / 58 / 25

HEX #BE814F

RGB 190 129 79

HSL 27.03, 0.46%, 0.53%

LAB 59.17, 18.29, 36.34

 

CMYK 37 / 0 / 58 / 25

HEX #77BE50

RGB 119 190 80

HSL 98.73, 0.46%, 0.53%

LAB 70.41, -41.86, 47.74

 

CMYK 55 / 58 / 0 / 25

HEX #5650BE

RGB 86 80 190

HSL 243.27, 0.46%, 0.53%

LAB 40.3, 33.4, -57.31

 

CMYK 0 / 32 / 58 / 25

HEX #BE814F

RGB 190 129 79

HSL 27.03, 0.46%, 0.53%

LAB 59.17, 18.29, 36.34

 

CMYK 58 / 0 / 32 / 25

HEX #50BE82

RGB 80 190 130

HSL 147.27, 0.46%, 0.53%

LAB 69.57, -45.31, 21.1

 

CMYK 32 / 58 / 0 / 25

HEX #8250BE

RGB 130 80 190

HSL 267.27, 0.46%, 0.53%

LAB 44.52, 43.17, -50.29

 

CMYK 0 / 32 / 58 / 25

HEX #BE814F

RGB 190 129 79

HSL 27.03, 0.46%, 0.53%

LAB 59.17, 18.29, 36.34

 

CMYK 37 / 0 / 58 / 25

HEX #77BE50

RGB 119 190 80

HSL 98.73, 0.46%, 0.53%

LAB 70.41, -41.86, 47.74

 

CMYK 58 / 26 / 0 / 25

HEX #508DBE

RGB 80 141 190

HSL 206.73, 0.46%, 0.53%

LAB 56.56, -5.16, -31.5

 

CMYK 20 / 58 / 0 / 25

HEX #9850BE

RGB 152 80 190

HSL 279.27, 0.46%, 0.53%

LAB 47.15, 48.66, -45.95

 

CMYK 0 / 32 / 58 / 25

HEX #BE814F

RGB 190 129 79

HSL 27.03, 0.46%, 0.53%

LAB 59.17, 18.29, 36.34

 

CMYK 55 / 0 / 58 / 25

HEX #56BE50

RGB 86 190 80

HSL 116.73, 0.46%, 0.53%

LAB 69.03, -51.8, 45.8

 

CMYK 58 / 26 / 0 / 25

HEX #508DBE

RGB 80 141 190

HSL 206.73, 0.46%, 0.53%

LAB 56.56, -5.16, -31.5

 

CMYK 3 / 58 / 0 / 25

HEX #B950BE

RGB 185 80 190

HSL 297.27, 0.46%, 0.53%

LAB 51.58, 57.18, -38.65

 

Description

Color code: HEX #BE814F | qconv.com Color code: HEX #BE814F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 129 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 129 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 58 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 58% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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