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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE75233F it is the complementary color #418ADC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE75233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE75233F shade: #C3751E3F, #D487313F, #E599443F, #F6AB573F and #FFBD6A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE75233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE75233F shade: #BE75233F, #AD63103F, #9C51003F, #8B3F003F and #7A2D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE75233F shade: #BE7523, #BE4B23 and #BE2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE75233F shade: #BE7523, #BE9E23, #B3BE23, #89BE23 and #60BE23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE75233F shade matches the following richer shades: #BE7523 and #D07611

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE75233F shade: #BE7523, #AB7435, #997347, #877259 and #75706B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE75233F shade: #BE2325, #BE4923, #BE7323, #BE9C23 and #B6BE23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE75233F shade: #784A16, #9B5F1C, #BE7523, #D98A31 and #E09E53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE75233F shade: #BE7523, #4FBE23 and #3523BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE75233F shade: #BE7523, #23BE73 and #7323BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE75233F shade: #BE7523, #4FBE23, #236EBE and #9223BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE75233F shade: #BE7523, #23BE25, #236EBE and #BE23BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 20 / 6

HEX #BE75233F

RGBA 190 117 35 0.25

HSLA 31.74, 0.69%, 0.44%, 0.25

LABA 55.88, 22.48, 53.71, 0.25

 

Complementary color

CMYK 18 / 9 / 0 / 3

HEX #418ADC3F

RGBA 65 138 220 0.25

HSLA 211.74, 0.69%, 0.56%, 0.25

LABA 56.55, 4.12, -48.47, 0.25

 

CMYK 0 / 10 / 21 / 6

HEX #C3751E3F

RGBA 195 117 30 0.25

HSLA 31.64, 0.73%, 0.44%, 0.25

LABA 56.5, 24.48, 56.34, 0.25

 

CMYK 0 / 9 / 19 / 4

HEX #D487313F

RGBA 212 135 49 0.25

HSLA 31.66, 0.65%, 0.51%, 0.25

LABA 62.97, 22.62, 55.73, 0.25

 

CMYK 0 / 8 / 18 / 3

HEX #E599443F

RGBA 229 153 68 0.25

HSLA 31.68, 0.76%, 0.58%, 0.25

LABA 69.37, 21, 54.6, 0.25

 

CMYK 0 / 8 / 16 / 1

HEX #F6AB573F

RGBA 246 171 87 0.25

HSLA 31.7, 0.9%, 0.65%, 0.25

LABA 75.7, 19.58, 53.25, 0.25

 

CMYK 0 / 6 / 15 / 0

HEX #FFBD6A3F

RGBA 255 189 106 0.25

HSLA 33.42, 1%, 0.71%, 0.25

LABA 81.12, 15.08, 50.64, 0.25

 

CMYK 0 / 10 / 20 / 6

HEX #BE75233F

RGBA 190 117 35 0.25

HSLA 31.74, 0.69%, 0.44%, 0.25

LABA 55.88, 22.48, 53.71, 0.25

 

CMYK 0 / 11 / 23 / 8

HEX #AD63103F

RGBA 173 99 16 0.25

HSLA 31.72, 0.83%, 0.37%, 0.25

LABA 49.31, 24.51, 53.66, 0.25

 

CMYK 0 / 12 / 25 / 10

HEX #9C51003F

RGBA 156 81 0 0.25

HSLA 31.15, 1%, 0.31%, 0.25

LABA 42.69, 26.8, 51.98, 0.25

 

CMYK 0 / 14 / 25 / 11

HEX #8B3F003F

RGBA 139 63 0 0.25

HSLA 27.19, 1%, 0.27%, 0.25

LABA 36.07, 29.32, 46.66, 0.25

 

CMYK 0 / 16 / 25 / 13

HEX #7A2D003F

RGBA 122 45 0 0.25

HSLA 22.13, 1%, 0.24%, 0.25

LABA 29.45, 31.7, 40.93, 0.25

 

CMYK 0 / 38 / 82 / 25

HEX #BE7523

RGB 190 117 35

HSL 31.74, 0.69%, 0.44%

LAB 55.88, 22.48, 53.71

 

CMYK 0 / 61 / 82 / 25

HEX #BE4B23

RGB 190 75 35

HSL 15.48, 0.69%, 0.44%

LAB 47.11, 44.26, 45.64

 

CMYK 0 / 82 / 82 / 25

HEX #BE2323

RGB 190 35 35

HSL 0, 0.69%, 0.44%

LAB 41.64, 59.18, 40.41

 

CMYK 0 / 38 / 82 / 25

HEX #BE7523

RGB 190 117 35

HSL 31.74, 0.69%, 0.44%

LAB 55.88, 22.48, 53.71

 

CMYK 0 / 17 / 82 / 25

HEX #BE9E23

RGB 190 158 35

HSL 47.61, 0.69%, 0.44%

LAB 66.15, 0.01, 62.81

 

CMYK 6 / 0 / 82 / 25

HEX #B3BE23

RGB 179 190 35

HSL 64.26, 0.69%, 0.44%

LAB 73.89, -21.36, 69.15

 

CMYK 28 / 0 / 82 / 25

HEX #89BE23

RGB 137 190 35

HSL 80.52, 0.69%, 0.44%

LAB 71.05, -38.5, 65.57

 

CMYK 49 / 0 / 82 / 25

HEX #60BE23

RGB 96 190 35

HSL 96.39, 0.69%, 0.44%

LAB 69.07, -52.66, 63.03

 

CMYK 0 / 38 / 82 / 25

HEX #BE7523

RGB 190 117 35

HSL 31.74, 0.69%, 0.44%

LAB 55.88, 22.48, 53.71

 

CMYK 0 / 43 / 92 / 18

HEX #D07611

RGB 208 118 17

HSL 31.73, 0.85%, 0.44%

LAB 58.42, 29.18, 62.33

 

CMYK 0 / 38 / 82 / 25

HEX #BE7523

RGB 190 117 35

HSL 31.74, 0.69%, 0.44%

LAB 55.88, 22.48, 53.71

 

CMYK 0 / 32 / 69 / 33

HEX #AB7435

RGB 171 116 53

HSL 32.03, 0.53%, 0.44%

LAB 53.39, 15.53, 42.48

 

CMYK 0 / 25 / 54 / 40

HEX #997347

RGB 153 115 71

HSL 32.2, 0.37%, 0.44%

LAB 51.25, 9.5, 29.99

 

CMYK 0 / 16 / 34 / 47

HEX #877259

RGB 135 114 89

HSL 32.61, 0.21%, 0.44%

LAB 49.38, 4.31, 16.92

 

CMYK 0 / 4 / 9 / 54

HEX #75706B

RGB 117 112 107

HSL 30, 0.04%, 0.44%

LAB 47.54, 0.97, 3.46

 

CMYK 0 / 82 / 81 / 25

HEX #BE2325

RGB 190 35 37

HSL 359.23, 0.69%, 0.44%

LAB 41.66, 59.24, 39.33

 

CMYK 0 / 62 / 82 / 25

HEX #BE4923

RGB 190 73 35

HSL 14.71, 0.69%, 0.44%

LAB 46.76, 45.19, 45.31

 

CMYK 0 / 39 / 82 / 25

HEX #BE7323

RGB 190 115 35

HSL 30.97, 0.69%, 0.44%

LAB 55.41, 23.57, 53.29

 

CMYK 0 / 18 / 82 / 25

HEX #BE9C23

RGB 190 156 35

HSL 46.84, 0.69%, 0.44%

LAB 65.63, 1.09, 62.36

 

CMYK 4 / 0 / 82 / 25

HEX #B6BE23

RGB 182 190 35

HSL 63.1, 0.69%, 0.44%

LAB 74.12, -20.09, 69.44

 

CMYK 0 / 38 / 82 / 53

HEX #784A16

RGB 120 74 22

HSL 31.84, 0.69%, 0.28%

LAB 35.89, 15.04, 37.21

 

CMYK 0 / 39 / 82 / 39

HEX #9B5F1C

RGB 155 95 28

HSL 31.65, 0.69%, 0.36%

LAB 45.96, 19.11, 45.75

 

CMYK 0 / 38 / 82 / 25

HEX #BE7523

RGB 190 117 35

HSL 31.74, 0.69%, 0.44%

LAB 55.88, 22.48, 53.71

 

CMYK 0 / 36 / 77 / 15

HEX #D98A31

RGB 217 138 49

HSL 31.79, 0.69%, 0.52%

LAB 64.28, 23.13, 57.21

 

CMYK 0 / 29 / 63 / 12

HEX #E09E53

RGB 224 158 83

HSL 31.91, 0.69%, 0.6%

LAB 70.12, 17.11, 48.18

 

CMYK 0 / 38 / 82 / 25

HEX #BE7523

RGB 190 117 35

HSL 31.74, 0.69%, 0.44%

LAB 55.88, 22.48, 53.71

 

CMYK 58 / 0 / 82 / 25

HEX #4FBE23

RGB 79 190 35

HSL 102.97, 0.69%, 0.44%

LAB 68.47, -57.37, 62.27

 

CMYK 72 / 82 / 0 / 25

HEX #3523BE

RGB 53 35 190

HSL 246.97, 0.69%, 0.44%

LAB 28.58, 54.16, -76.62

 

CMYK 0 / 38 / 82 / 25

HEX #BE7523

RGB 190 117 35

HSL 31.74, 0.69%, 0.44%

LAB 55.88, 22.48, 53.71

 

CMYK 82 / 0 / 39 / 25

HEX #23BE73

RGB 35 190 115

HSL 150.97, 0.69%, 0.44%

LAB 68.33, -55.57, 27.22

 

CMYK 39 / 82 / 0 / 25

HEX #7323BE

RGB 115 35 190

HSL 270.97, 0.69%, 0.44%

LAB 35.13, 61.13, -65.6

 

CMYK 0 / 38 / 82 / 25

HEX #BE7523

RGB 190 117 35

HSL 31.74, 0.69%, 0.44%

LAB 55.88, 22.48, 53.71

 

CMYK 58 / 0 / 82 / 25

HEX #4FBE23

RGB 79 190 35

HSL 102.97, 0.69%, 0.44%

LAB 68.47, -57.37, 62.27

 

CMYK 82 / 42 / 0 / 25

HEX #236EBE

RGB 35 110 190

HSL 210.97, 0.69%, 0.44%

LAB 45.94, 6.55, -48.35

 

CMYK 23 / 82 / 0 / 25

HEX #9223BE

RGB 146 35 190

HSL 282.97, 0.69%, 0.44%

LAB 39.63, 66.03, -58.07

 

CMYK 0 / 38 / 82 / 25

HEX #BE7523

RGB 190 117 35

HSL 31.74, 0.69%, 0.44%

LAB 55.88, 22.48, 53.71

 

CMYK 82 / 0 / 81 / 25

HEX #23BE25

RGB 35 190 37

HSL 120.77, 0.69%, 0.44%

LAB 67.51, -65.38, 60.47

 

CMYK 82 / 42 / 0 / 25

HEX #236EBE

RGB 35 110 190

HSL 210.97, 0.69%, 0.44%

LAB 45.94, 6.55, -48.35

 

CMYK 0 / 82 / 2 / 25

HEX #BE23BB

RGB 190 35 187

HSL 301.16, 0.69%, 0.44%

LAB 46.63, 73.51, -44.69

 

Description

Color code: HEX #BE75233F | qconv.com Color code: HEX #BE75233F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 117 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 117 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 20 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 20% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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