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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE6F5E it is the complementary color #4190A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE6F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE6F5E shade: #C36F59, #D4816C, #E5937F, #F6A592 and #FFB7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE6F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE6F5E shade: #BE6F5E, #AD5D4B, #9C4B38, #8B3925 and #7A2712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE6F5E shade: #BE7060 and #BE6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE6F5E shade: #BE7060, #BE8A60, #BEA360, #BEBD60 and #A6BE60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE6F5E shade matches the following richer shades: #BE7060, #D0654E, #E2593B and #F44D29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE6F5E shade: #BE7060, #AC7C72, #9A8884, #879496 and #759FA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE6F5E shade: #BE6082, #BE6069, #BE6F60, #BE8960 and #BEA260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE6F5E shade: #904A3B, #AD5947, #BE7060, #CA8B7D and #D6A59A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE6F5E shade: #BE6F5E, #9BBE60 and #6076BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE6F5E shade: #BE6F5E, #60BE6F and #6F60BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE6F5E shade: #BE6F5E, #9BBE60, #60AEBE and #8260BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE6F5E shade: #BE6F5E, #7FBE60, #60AEBE and #9F60BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 51 / 25

HEX #BE6F5E

RGB 190 111 94

HSL 10.63, 0.42%, 0.56%

LAB 55.2, 29.48, 22.96

 

Complementary color

CMYK 60 / 11 / 0 / 37

HEX #4190A1

RGB 65 144 161

HSL 190.63, 0.42%, 0.44%

LAB 55.73, -18.96, -16.27

 

CMYK 0 / 43 / 54 / 24

HEX #C36F59

RGB 195 111 89

HSL 12.45, 0.47%, 0.56%

LAB 55.78, 31.02, 26.7

 

CMYK 0 / 39 / 49 / 17

HEX #D4816C

RGB 212 129 108

HSL 12.12, 0.55%, 0.63%

LAB 62.32, 29.8, 24.99

 

CMYK 0 / 36 / 45 / 10

HEX #E5937F

RGB 229 147 127

HSL 11.76, 0.66%, 0.7%

LAB 68.79, 28.71, 23.46

 

CMYK 0 / 33 / 41 / 4

HEX #F6A592

RGB 246 165 146

HSL 11.4, 0.85%, 0.77%

LAB 75.19, 27.73, 22.09

 

CMYK 0 / 28 / 35 / 0

HEX #FFB7A5

RGB 255 183 165

HSL 12, 1%, 0.82%

LAB 80.65, 23.83, 19.52

 

CMYK 0 / 42 / 51 / 25

HEX #BE6F5E

RGB 190 111 94

HSL 10.63, 0.42%, 0.56%

LAB 55.2, 29.48, 22.96

 

CMYK 0 / 46 / 57 / 32

HEX #AD5D4B

RGB 173 93 75

HSL 11.02, 0.4%, 0.49%

LAB 48.54, 30.75, 24.8

 

CMYK 0 / 52 / 64 / 39

HEX #9C4B38

RGB 156 75 56

HSL 11.4, 0.47%, 0.42%

LAB 41.82, 32.15, 26.95

 

CMYK 0 / 59 / 73 / 45

HEX #8B3925

RGB 139 57 37

HSL 11.76, 0.58%, 0.35%

LAB 35.1, 33.63, 29.46

 

CMYK 0 / 68 / 85 / 52

HEX #7A2712

RGB 122 39 18

HSL 12.12, 0.74%, 0.27%

LAB 28.47, 35.06, 32.25

 

CMYK 0 / 41 / 49 / 25

HEX #BE7060

RGB 190 112 96

HSL 10.21, 0.42%, 0.56%

LAB 55.46, 29.13, 22.16

 

CMYK 0 / 49 / 49 / 25

HEX #BE6060

RGB 190 96 96

HSL 0, 0.42%, 0.56%

LAB 52.01, 37.65, 17.52

 

CMYK 0 / 41 / 49 / 25

HEX #BE7060

RGB 190 112 96

HSL 10.21, 0.42%, 0.56%

LAB 55.46, 29.13, 22.16

 

CMYK 0 / 27 / 49 / 25

HEX #BE8A60

RGB 190 138 96

HSL 26.81, 0.42%, 0.56%

LAB 61.63, 14.8, 30.22

 

CMYK 0 / 14 / 49 / 25

HEX #BEA360

RGB 190 163 96

HSL 42.77, 0.42%, 0.56%

LAB 68.01, 1.13, 38.27

 

CMYK 0 / 1 / 49 / 25

HEX #BEBD60

RGB 190 189 96

HSL 59.36, 0.42%, 0.56%

LAB 74.94, -12.54, 46.67

 

CMYK 13 / 0 / 49 / 25

HEX #A6BE60

RGB 166 190 96

HSL 75.32, 0.42%, 0.56%

LAB 73.4, -22.75, 44.39

 

CMYK 0 / 41 / 49 / 25

HEX #BE7060

RGB 190 112 96

HSL 10.21, 0.42%, 0.56%

LAB 55.46, 29.13, 22.16

 

CMYK 0 / 51 / 63 / 18

HEX #D0654E

RGB 208 101 78

HSL 10.62, 0.58%, 0.56%

LAB 55.35, 40.46, 32.75

 

CMYK 0 / 61 / 74 / 11

HEX #E2593B

RGB 226 89 59

HSL 10.78, 0.74%, 0.56%

LAB 55.71, 51.73, 44.24

 

CMYK 0 / 68 / 83 / 4

HEX #F44D29

RGB 244 77 41

HSL 10.64, 0.9%, 0.56%

LAB 56.78, 62.1, 55.14

 

CMYK 0 / 41 / 49 / 25

HEX #BE7060

RGB 190 112 96

HSL 10.21, 0.42%, 0.56%

LAB 55.46, 29.13, 22.16

 

CMYK 0 / 28 / 34 / 33

HEX #AC7C72

RGB 172 124 114

HSL 10.34, 0.26%, 0.56%

LAB 56.49, 17.28, 12.84

 

CMYK 0 / 12 / 14 / 40

HEX #9A8884

RGB 154 136 132

HSL 10.91, 0.1%, 0.56%

LAB 58.17, 6.09, 4.62

 

CMYK 10 / 1 / 0 / 41

HEX #879496

RGB 135 148 150

HSL 188, 0.07%, 0.56%

LAB 60.37, -4.23, -2.66

 

CMYK 30 / 5 / 0 / 34

HEX #759FA8

RGB 117 159 168

HSL 190.59, 0.23%, 0.56%

LAB 62.85, -11.98, -9.29

 

CMYK 0 / 49 / 32 / 25

HEX #BE6082

RGB 190 96 130

HSL 338.3, 0.42%, 0.56%

LAB 52.87, 41.49, -1.41

 

CMYK 0 / 49 / 45 / 25

HEX #BE6069

RGB 190 96 105

HSL 354.26, 0.42%, 0.56%

LAB 52.21, 38.55, 12.47

 

CMYK 0 / 42 / 49 / 25

HEX #BE6F60

RGB 190 111 96

HSL 9.57, 0.42%, 0.56%

LAB 55.24, 29.67, 21.86

 

CMYK 0 / 28 / 49 / 25

HEX #BE8960

RGB 190 137 96

HSL 26.17, 0.42%, 0.56%

LAB 61.38, 15.36, 29.9

 

CMYK 0 / 15 / 49 / 25

HEX #BEA260

RGB 190 162 96

HSL 42.13, 0.42%, 0.56%

LAB 67.75, 1.67, 37.94

 

CMYK 0 / 49 / 59 / 44

HEX #904A3B

RGB 144 74 59

HSL 10.59, 0.42%, 0.4%

LAB 39.82, 28.03, 22.26

 

CMYK 0 / 49 / 59 / 32

HEX #AD5947

RGB 173 89 71

HSL 10.59, 0.42%, 0.48%

LAB 47.6, 32.58, 25.94

 

CMYK 0 / 41 / 49 / 25

HEX #BE7060

RGB 190 112 96

HSL 10.21, 0.42%, 0.56%

LAB 55.46, 29.13, 22.16

 

CMYK 0 / 31 / 38 / 21

HEX #CA8B7D

RGB 202 139 125

HSL 10.91, 0.42%, 0.64%

LAB 63.76, 22.26, 17.19

 

CMYK 0 / 23 / 28 / 16

HEX #D6A59A

RGB 214 165 154

HSL 11, 0.42%, 0.72%

LAB 71.92, 16.48, 12.65

 

CMYK 0 / 42 / 51 / 25

HEX #BE6F5E

RGB 190 111 94

HSL 10.63, 0.42%, 0.56%

LAB 55.2, 29.48, 22.96

 

CMYK 18 / 0 / 49 / 25

HEX #9BBE60

RGB 155 190 96

HSL 82.34, 0.42%, 0.56%

LAB 72.65, -27.05, 43.31

 

CMYK 49 / 38 / 0 / 25

HEX #6076BE

RGB 96 118 190

HSL 225.96, 0.42%, 0.56%

LAB 50.88, 12.07, -40.35

 

CMYK 0 / 42 / 51 / 25

HEX #BE6F5E

RGB 190 111 94

HSL 10.63, 0.42%, 0.56%

LAB 55.2, 29.48, 22.96

 

CMYK 49 / 0 / 42 / 25

HEX #60BE6F

RGB 96 190 111

HSL 129.57, 0.42%, 0.56%

LAB 69.8, -44.8, 31.51

 

CMYK 42 / 49 / 0 / 25

HEX #6F60BE

RGB 111 96 190

HSL 249.57, 0.42%, 0.56%

LAB 46.26, 29.19, -47.61

 

CMYK 0 / 42 / 51 / 25

HEX #BE6F5E

RGB 190 111 94

HSL 10.63, 0.42%, 0.56%

LAB 55.2, 29.48, 22.96

 

CMYK 18 / 0 / 49 / 25

HEX #9BBE60

RGB 155 190 96

HSL 82.34, 0.42%, 0.56%

LAB 72.65, -27.05, 43.31

 

CMYK 49 / 8 / 0 / 25

HEX #60AEBE

RGB 96 174 190

HSL 190.21, 0.42%, 0.56%

LAB 66.88, -19.66, -15.62

 

CMYK 32 / 49 / 0 / 25

HEX #8260BE

RGB 130 96 190

HSL 261.7, 0.42%, 0.56%

LAB 48.04, 34.09, -44.67

 

CMYK 0 / 42 / 51 / 25

HEX #BE6F5E

RGB 190 111 94

HSL 10.63, 0.42%, 0.56%

LAB 55.2, 29.48, 22.96

 

CMYK 33 / 0 / 49 / 25

HEX #7FBE60

RGB 127 190 96

HSL 100.21, 0.42%, 0.56%

LAB 71, -37.31, 40.91

 

CMYK 49 / 8 / 0 / 25

HEX #60AEBE

RGB 96 174 190

HSL 190.21, 0.42%, 0.56%

LAB 66.88, -19.66, -15.62

 

CMYK 16 / 49 / 0 / 25

HEX #9F60BE

RGB 159 96 190

HSL 280.21, 0.42%, 0.56%

LAB 51.21, 42.08, -39.44

 

Description

Color code: HEX #BE6F5E | qconv.com Color code: HEX #BE6F5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 111 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 111 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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