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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE67AC it is the complementary color #419853. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE67AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE67AC shade: #C367A7, #D479BA, #E58BCD, #F69DE0 and #FFAFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE67AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE67AC shade: #BE67AC, #AD5599, #9C4386, #8B3173 and #7A1F60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE67AC shade: #BD65AB, #BD6593, #BD657C and #BD6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE67AC shade: #BD65AB, #B865BD, #A065BD, #8865BD and #7165BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE67AC shade matches the following richer shades: #BD65AB, #CF54B5, #E142C0 and #F230CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE67AC shade: #BD65AB, #AB77A1, #9A8996, #889B8C and #76AC81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE67AC shade: #A065BD, #B765BD, #BD65AC, #BD6594 and #BD657D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE67AC shade: #923E81, #AF4B9A, #BD65AB, #CA82BB and #D69FCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE67AC shade: #BE67AC, #BD8965 and #65BDAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE67AC shade: #BE67AC, #ACBD65 and #65ACBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE67AC shade: #BE67AC, #BD8965, #65BD77 and #659ABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE67AC shade: #BE67AC, #BDA365, #65BD77 and #6580BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 9 / 25

HEX #BE67AC

RGB 190 103 172

HSL 312.41, 0.4%, 0.57%

LAB 55.71, 44.2, -21.74

 

Complementary color

CMYK 57 / 0 / 45 / 40

HEX #419853

RGB 65 152 83

HSL 132.41, 0.4%, 0.43%

LAB 56.29, -41.59, 28.58

 

CMYK 0 / 47 / 14 / 24

HEX #C367A7

RGB 195 103 167

HSL 318.26, 0.43%, 0.58%

LAB 56.18, 44.96, -18.07

 

CMYK 0 / 43 / 12 / 17

HEX #D479BA

RGB 212 121 186

HSL 317.14, 0.51%, 0.65%

LAB 62.69, 44.21, -18.85

 

CMYK 0 / 39 / 10 / 10

HEX #E58BCD

RGB 229 139 205

HSL 316, 0.63%, 0.72%

LAB 69.13, 43.46, -19.54

 

CMYK 0 / 36 / 9 / 4

HEX #F69DE0

RGB 246 157 224

HSL 314.83, 0.83%, 0.79%

LAB 75.51, 42.72, -20.14

 

CMYK 0 / 31 / 5 / 0

HEX #FFAFF3

RGB 255 175 243

HSL 309, 1%, 0.84%

LAB 80.96, 39.45, -22.07

 

CMYK 0 / 46 / 9 / 25

HEX #BE67AC

RGB 190 103 172

HSL 312.41, 0.4%, 0.57%

LAB 55.71, 44.2, -21.74

 

CMYK 0 / 51 / 12 / 32

HEX #AD5599

RGB 173 85 153

HSL 313.64, 0.35%, 0.51%

LAB 49.11, 44.9, -20.95

 

CMYK 0 / 57 / 14 / 39

HEX #9C4386

RGB 156 67 134

HSL 314.83, 0.4%, 0.44%

LAB 42.47, 45.49, -19.96

 

CMYK 0 / 65 / 17 / 45

HEX #8B3173

RGB 139 49 115

HSL 316, 0.48%, 0.37%

LAB 35.84, 45.81, -18.66

 

CMYK 0 / 75 / 21 / 52

HEX #7A1F60

RGB 122 31 96

HSL 317.14, 0.59%, 0.3%

LAB 29.32, 45.55, -16.83

 

CMYK 0 / 47 / 10 / 26

HEX #BD65AB

RGB 189 101 171

HSL 312.27, 0.4%, 0.57%

LAB 55.14, 44.75, -22.05

 

CMYK 0 / 47 / 22 / 26

HEX #BD6593

RGB 189 101 147

HSL 328.64, 0.4%, 0.57%

LAB 54.27, 40.93, -9.37

 

CMYK 0 / 47 / 34 / 26

HEX #BD657C

RGB 189 101 124

HSL 344.32, 0.4%, 0.57%

LAB 53.58, 37.77, 3.16

 

CMYK 0 / 47 / 47 / 26

HEX #BD6565

RGB 189 101 101

HSL 0, 0.4%, 0.57%

LAB 53.02, 35.14, 15.93

 

CMYK 0 / 47 / 10 / 26

HEX #BD65AB

RGB 189 101 171

HSL 312.27, 0.4%, 0.57%

LAB 55.14, 44.75, -22.05

 

CMYK 3 / 47 / 0 / 26

HEX #B865BD

RGB 184 101 189

HSL 296.59, 0.4%, 0.57%

LAB 55.25, 46.45, -32.32

 

CMYK 15 / 47 / 0 / 26

HEX #A065BD

RGB 160 101 189

HSL 280.23, 0.4%, 0.57%

LAB 52.35, 39.42, -37.07

 

CMYK 28 / 47 / 0 / 26

HEX #8865BD

RGB 136 101 189

HSL 263.86, 0.4%, 0.57%

LAB 49.76, 32.56, -41.33

 

CMYK 40 / 47 / 0 / 26

HEX #7165BD

RGB 113 101 189

HSL 248.18, 0.4%, 0.57%

LAB 47.61, 26.38, -44.87

 

CMYK 0 / 47 / 10 / 26

HEX #BD65AB

RGB 189 101 171

HSL 312.27, 0.4%, 0.57%

LAB 55.14, 44.75, -22.05

 

CMYK 0 / 59 / 13 / 19

HEX #CF54B5

RGB 207 84 181

HSL 312.68, 0.56%, 0.57%

LAB 55.01, 59.79, -27.83

 

CMYK 0 / 71 / 15 / 12

HEX #E142C0

RGB 225 66 192

HSL 312.45, 0.73%, 0.57%

LAB 55.8, 72.92, -32.75

 

CMYK 0 / 80 / 17 / 5

HEX #F230CA

RGB 242 48 202

HSL 312.37, 0.88%, 0.57%

LAB 57.32, 83.05, -35.9

 

CMYK 0 / 47 / 10 / 26

HEX #BD65AB

RGB 189 101 171

HSL 312.27, 0.4%, 0.57%

LAB 55.14, 44.75, -22.05

 

CMYK 0 / 30 / 6 / 33

HEX #AB77A1

RGB 171 119 161

HSL 311.54, 0.24%, 0.57%

LAB 56.51, 27.22, -14.37

 

CMYK 0 / 11 / 3 / 40

HEX #9A8996

RGB 154 137 150

HSL 314.12, 0.08%, 0.57%

LAB 58.94, 8.79, -4.58

 

CMYK 12 / 0 / 10 / 39

HEX #889B8C

RGB 136 155 140

HSL 132.63, 0.09%, 0.57%

LAB 62.14, -9.74, 5.59

 

CMYK 31 / 0 / 25 / 33

HEX #76AC81

RGB 118 172 129

HSL 132.22, 0.25%, 0.57%

LAB 65.7, -26.82, 16.58

 

CMYK 15 / 47 / 0 / 26

HEX #A065BD

RGB 160 101 189

HSL 280.23, 0.4%, 0.57%

LAB 52.35, 39.42, -37.07

 

CMYK 3 / 47 / 0 / 26

HEX #B765BD

RGB 183 101 189

HSL 295.91, 0.4%, 0.57%

LAB 55.12, 46.16, -32.53

 

CMYK 0 / 47 / 9 / 26

HEX #BD65AC

RGB 189 101 172

HSL 311.59, 0.4%, 0.57%

LAB 55.18, 44.92, -22.57

 

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

CMYK 0 / 47 / 34 / 26

HEX #BD657D

RGB 189 101 125

HSL 343.64, 0.4%, 0.57%

LAB 53.61, 37.89, 2.61

 

CMYK 0 / 58 / 12 / 43

HEX #923E81

RGB 146 62 129

HSL 312.14, 0.4%, 0.41%

LAB 39.82, 44.07, -21.11

 

CMYK 0 / 57 / 12 / 31

HEX #AF4B9A

RGB 175 75 154

HSL 312.6, 0.4%, 0.49%

LAB 47.6, 50.57, -23.85

 

CMYK 0 / 47 / 10 / 26

HEX #BD65AB

RGB 189 101 171

HSL 312.27, 0.4%, 0.57%

LAB 55.14, 44.75, -22.05

 

CMYK 0 / 36 / 7 / 21

HEX #CA82BB

RGB 202 130 187

HSL 312.5, 0.4%, 0.65%

LAB 63.43, 36.35, -18.4

 

CMYK 0 / 26 / 5 / 16

HEX #D69FCB

RGB 214 159 203

HSL 312, 0.4%, 0.73%

LAB 71.83, 27.49, -14.52

 

CMYK 0 / 46 / 9 / 25

HEX #BE67AC

RGB 190 103 172

HSL 312.41, 0.4%, 0.57%

LAB 55.71, 44.2, -21.74

 

CMYK 0 / 28 / 47 / 26

HEX #BD8965

RGB 189 137 101

HSL 24.55, 0.4%, 0.57%

LAB 61.35, 15.44, 27.1

 

CMYK 47 / 0 / 9 / 26

HEX #65BDAC

RGB 101 189 172

HSL 168.41, 0.4%, 0.57%

LAB 70.97, -30.65, 0.39

 

CMYK 0 / 46 / 9 / 25

HEX #BE67AC

RGB 190 103 172

HSL 312.41, 0.4%, 0.57%

LAB 55.71, 44.2, -21.74

 

CMYK 9 / 0 / 47 / 26

HEX #ACBD65

RGB 172 189 101

HSL 71.59, 0.4%, 0.57%

LAB 73.61, -19.35, 42.29

 

CMYK 47 / 9 / 0 / 26

HEX #65ACBD

RGB 101 172 189

HSL 191.59, 0.4%, 0.57%

LAB 66.48, -17.73, -15.65

 

CMYK 0 / 46 / 9 / 25

HEX #BE67AC

RGB 190 103 172

HSL 312.41, 0.4%, 0.57%

LAB 55.71, 44.2, -21.74

 

CMYK 0 / 28 / 47 / 26

HEX #BD8965

RGB 189 137 101

HSL 24.55, 0.4%, 0.57%

LAB 61.35, 15.44, 27.1

 

CMYK 47 / 0 / 37 / 26

HEX #65BD77

RGB 101 189 119

HSL 132.27, 0.4%, 0.57%

LAB 69.82, -41.66, 27.4

 

CMYK 47 / 19 / 0 / 26

HEX #659ABD

RGB 101 154 189

HSL 203.86, 0.4%, 0.57%

LAB 61.27, -8.02, -23.59

 

CMYK 0 / 46 / 9 / 25

HEX #BE67AC

RGB 190 103 172

HSL 312.41, 0.4%, 0.57%

LAB 55.71, 44.2, -21.74

 

CMYK 0 / 14 / 47 / 26

HEX #BDA365

RGB 189 163 101

HSL 42.27, 0.4%, 0.57%

LAB 67.99, 1.2, 35.61

 

CMYK 47 / 0 / 37 / 26

HEX #65BD77

RGB 101 189 119

HSL 132.27, 0.4%, 0.57%

LAB 69.82, -41.66, 27.4

 

CMYK 47 / 32 / 0 / 26

HEX #6580BD

RGB 101 128 189

HSL 221.59, 0.4%, 0.57%

LAB 53.9, 6.96, -35

 

Description

Color code: HEX #BE67AC | qconv.com Color code: HEX #BE67AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 103 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 103 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 9 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 9% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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