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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE6710 it is the complementary color #4198EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE6710. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE6710 shade: #C3670B, #D4791E, #E58B31, #F69D44 and #FFAF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE6710. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE6710 shade: #BE6710, #AD5500, #9C4300, #8B3100 and #7A1F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE6710 shade: #BC6610, #BC3810 and #BC1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE6710 shade: #BC6610, #BC9410, #B5BC10, #87BC10 and #59BC10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE6710 shade matches the following richer shades: #BC6610

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE6710 shade: #BC6610, #AB6621, #9B6631, #8A6642 and #7A6652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE6710 shade: #BC1016, #BC3810, #BC6610, #BC9410 and #B6BC10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE6710 shade: #703D0A, #96510D, #BC6610, #E27B14 and #ED8F31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE6710 shade: #BE6710, #44BC10 and #2110BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE6710 shade: #BE6710, #10BC66 and #6610BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE6710 shade: #BE6710, #44BC10, #1066BC and #8810BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE6710 shade: #BE6710, #10BC10, #1066BC and #BC10BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 92 / 25

HEX #BE6710

RGB 190 103 16

HSL 30, 0.84%, 0.4%

LAB 52.6, 29.62, 57.19

 

Complementary color

CMYK 73 / 36 / 0 / 6

HEX #4198EF

RGB 65 152 239

HSL 210, 0.84%, 0.6%

LAB 61.49, 2.54, -51.19

 

CMYK 0 / 47 / 94 / 24

HEX #C3670B

RGB 195 103 11

HSL 30, 0.89%, 0.4%

LAB 53.31, 31.64, 59.17

 

CMYK 0 / 43 / 86 / 17

HEX #D4791E

RGB 212 121 30

HSL 30, 0.75%, 0.47%

LAB 59.68, 29.52, 59.9

 

CMYK 0 / 39 / 79 / 10

HEX #E58B31

RGB 229 139 49

HSL 30, 0.78%, 0.55%

LAB 66.02, 27.62, 59.39

 

CMYK 0 / 36 / 72 / 4

HEX #F69D44

RGB 246 157 68

HSL 30, 0.91%, 0.62%

LAB 72.31, 25.93, 58.3

 

CMYK 0 / 31 / 66 / 0

HEX #FFAF57

RGB 255 175 87

HSL 31.43, 1%, 0.67%

LAB 77.64, 21.17, 55.7

 

CMYK 0 / 46 / 92 / 25

HEX #BE6710

RGB 190 103 16

HSL 30, 0.84%, 0.4%

LAB 52.6, 29.62, 57.19

 

CMYK 0 / 51 / 100 / 32

HEX #AD5500

RGB 173 85 0

HSL 29.48, 1%, 0.34%

LAB 46.15, 31.87, 55.38

 

CMYK 0 / 57 / 100 / 39

HEX #9C4300

RGB 156 67 0

HSL 25.77, 1%, 0.31%

LAB 39.72, 34.28, 50.23

 

CMYK 0 / 65 / 100 / 45

HEX #8B3100

RGB 139 49 0

HSL 21.15, 1%, 0.27%

LAB 33.32, 36.47, 45.08

 

CMYK 0 / 75 / 100 / 52

HEX #7A1F00

RGB 122 31 0

HSL 15.25, 1%, 0.24%

LAB 27.07, 38.1, 38.96

 

CMYK 0 / 46 / 91 / 26

HEX #BC6610

RGB 188 102 16

HSL 30, 0.84%, 0.4%

LAB 52.1, 29.31, 56.69

 

CMYK 0 / 70 / 91 / 26

HEX #BC3810

RGB 188 56 16

HSL 13.95, 0.84%, 0.4%

LAB 43.59, 51.28, 50.56

 

CMYK 0 / 91 / 91 / 26

HEX #BC1010

RGB 188 16 16

HSL 0, 0.84%, 0.4%

LAB 39.75, 62.07, 47.91

 

CMYK 0 / 46 / 91 / 26

HEX #BC6610

RGB 188 102 16

HSL 30, 0.84%, 0.4%

LAB 52.1, 29.31, 56.69

 

CMYK 0 / 21 / 91 / 26

HEX #BC9410

RGB 188 148 16

HSL 46.05, 0.84%, 0.4%

LAB 63.27, 4.06, 65.08

 

CMYK 4 / 0 / 91 / 26

HEX #B5BC10

RGB 181 188 16

HSL 62.44, 0.84%, 0.4%

LAB 73.43, -19.97, 72.66

 

CMYK 28 / 0 / 91 / 26

HEX #87BC10

RGB 135 188 16

HSL 78.49, 0.84%, 0.4%

LAB 70.28, -38.95, 68.82

 

CMYK 53 / 0 / 91 / 26

HEX #59BC10

RGB 89 188 16

HSL 94.53, 0.84%, 0.4%

LAB 68.11, -54.66, 66.15

 

CMYK 0 / 46 / 91 / 26

HEX #BC6610

RGB 188 102 16

HSL 30, 0.84%, 0.4%

LAB 52.1, 29.31, 56.69

 

CMYK 0 / 46 / 91 / 26

HEX #BC6610

RGB 188 102 16

HSL 30, 0.84%, 0.4%

LAB 52.1, 29.31, 56.69

 

CMYK 0 / 40 / 81 / 33

HEX #AB6621

RGB 171 102 33

HSL 30, 0.68%, 0.4%

LAB 49.82, 22.44, 48.04

 

CMYK 0 / 34 / 68 / 39

HEX #9B6631

RGB 155 102 49

HSL 30, 0.52%, 0.4%

LAB 47.87, 16.14, 37.86

 

CMYK 0 / 26 / 52 / 46

HEX #8A6642

RGB 138 102 66

HSL 30, 0.35%, 0.4%

LAB 46.04, 9.89, 25.9

 

CMYK 0 / 16 / 33 / 52

HEX #7A6652

RGB 122 102 82

HSL 30, 0.2%, 0.4%

LAB 44.59, 4.78, 14.29

 

CMYK 0 / 91 / 88 / 26

HEX #BC1016

RGB 188 16 22

HSL 357.91, 0.84%, 0.4%

LAB 39.78, 62.16, 45.27

 

CMYK 0 / 70 / 91 / 26

HEX #BC3810

RGB 188 56 16

HSL 13.95, 0.84%, 0.4%

LAB 43.59, 51.28, 50.56

 

CMYK 0 / 46 / 91 / 26

HEX #BC6610

RGB 188 102 16

HSL 30, 0.84%, 0.4%

LAB 52.1, 29.31, 56.69

 

CMYK 0 / 21 / 91 / 26

HEX #BC9410

RGB 188 148 16

HSL 46.05, 0.84%, 0.4%

LAB 63.27, 4.06, 65.08

 

CMYK 3 / 0 / 91 / 26

HEX #B6BC10

RGB 182 188 16

HSL 62.09, 0.84%, 0.4%

LAB 73.51, -19.54, 72.75

 

CMYK 0 / 46 / 91 / 56

HEX #703D0A

RGB 112 61 10

HSL 30, 0.84%, 0.24%

LAB 31.36, 18.64, 37.67

 

CMYK 0 / 46 / 91 / 41

HEX #96510D

RGB 150 81 13

HSL 29.78, 0.84%, 0.32%

LAB 41.84, 24.4, 47.38

 

CMYK 0 / 46 / 91 / 26

HEX #BC6610

RGB 188 102 16

HSL 30, 0.84%, 0.4%

LAB 52.1, 29.31, 56.69

 

CMYK 0 / 46 / 91 / 11

HEX #E27B14

RGB 226 123 20

HSL 30, 0.84%, 0.48%

LAB 61.99, 34.04, 65.34

 

CMYK 0 / 40 / 79 / 7

HEX #ED8F31

RGB 237 143 49

HSL 30, 0.84%, 0.56%

LAB 67.93, 28.82, 61.54

 

CMYK 0 / 46 / 92 / 25

HEX #BE6710

RGB 190 103 16

HSL 30, 0.84%, 0.4%

LAB 52.6, 29.62, 57.19

 

CMYK 64 / 0 / 91 / 26

HEX #44BC10

RGB 68 188 16

HSL 101.86, 0.84%, 0.4%

LAB 67.45, -60.04, 65.32

 

CMYK 82 / 91 / 0 / 26

HEX #2110BC

RGB 33 16 188

HSL 245.93, 0.84%, 0.4%

LAB 24.72, 59.67, -81.9

 

CMYK 0 / 46 / 92 / 25

HEX #BE6710

RGB 190 103 16

HSL 30, 0.84%, 0.4%

LAB 52.6, 29.62, 57.19

 

CMYK 91 / 0 / 46 / 26

HEX #10BC66

RGB 16 188 102

HSL 150, 0.84%, 0.4%

LAB 67.3, -58.75, 32.59

 

CMYK 46 / 91 / 0 / 26

HEX #6610BC

RGB 102 16 188

HSL 270, 0.84%, 0.4%

LAB 31.41, 64.3, -70.6

 

CMYK 0 / 46 / 92 / 25

HEX #BE6710

RGB 190 103 16

HSL 30, 0.84%, 0.4%

LAB 52.6, 29.62, 57.19

 

CMYK 64 / 0 / 91 / 26

HEX #44BC10

RGB 68 188 16

HSL 101.86, 0.84%, 0.4%

LAB 67.45, -60.04, 65.32

 

CMYK 91 / 46 / 0 / 26

HEX #1066BC

RGB 16 102 188

HSL 210, 0.84%, 0.4%

LAB 43.13, 9.46, -51.73

 

CMYK 28 / 91 / 0 / 26

HEX #8810BC

RGB 136 16 188

HSL 281.86, 0.84%, 0.4%

LAB 36.43, 68.46, -62.17

 

CMYK 0 / 46 / 92 / 25

HEX #BE6710

RGB 190 103 16

HSL 30, 0.84%, 0.4%

LAB 52.6, 29.62, 57.19

 

CMYK 91 / 0 / 91 / 26

HEX #10BC10

RGB 16 188 16

HSL 120, 0.84%, 0.4%

LAB 66.61, -67.4, 64.27

 

CMYK 91 / 46 / 0 / 26

HEX #1066BC

RGB 16 102 188

HSL 210, 0.84%, 0.4%

LAB 43.13, 9.46, -51.73

 

CMYK 0 / 91 / 0 / 26

HEX #BC10BC

RGB 188 16 188

HSL 300, 0.84%, 0.4%

LAB 45.21, 76.6, -47.55

 

Description

Color code: HEX #BE6710 | qconv.com Color code: HEX #BE6710 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 103 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 103 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 92 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 92% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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