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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE628B it is the complementary color #419D74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE628B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE628B shade: #C36286, #D47499, #E586AC, #F698BF and #FFAAD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE628B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE628B shade: #BE628B, #AD5078, #9C3E65, #8B2C52 and #7A1A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE628B shade: #BD618A, #BD6171 and #BD6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE628B shade: #BD618A, #BD61A3, #BD61BB, #A561BD and #8D61BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE628B shade matches the following richer shades: #BD618A, #CF4F88, #E13C86 and #F32A84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE628B shade: #BD618A, #AB738C, #98858E, #869790 and #74A992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE628B shade: #BD61BB, #BD61A3, #BD618A, #BD6172 and #BD6861

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE628B shade: #8F3C61, #AC4875, #BD618A, #C97E9F and #D59BB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE628B shade: #BE628B, #BDA661 and #61AFBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE628B shade: #BE628B, #8ABD61 and #618ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE628B shade: #BE628B, #BDA661, #61BD93 and #6178BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE628B shade: #BE628B, #B8BD61, #61BD93 and #6561BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 27 / 25

HEX #BE628B

RGB 190 98 139

HSL 333.26, 0.41%, 0.56%

LAB 53.54, 41.67, -5.73

 

Complementary color

CMYK 59 / 0 / 26 / 38

HEX #419D74

RGB 65 157 116

HSL 153.26, 0.41%, 0.44%

LAB 58.51, -37.31, 13.42

 

CMYK 0 / 50 / 31 / 24

HEX #C36286

RGB 195 98 134

HSL 337.73, 0.45%, 0.57%

LAB 54.09, 42.72, -1.9

 

CMYK 0 / 45 / 28 / 17

HEX #D47499

RGB 212 116 153

HSL 336.88, 0.53%, 0.64%

LAB 60.59, 41.86, -3.13

 

CMYK 0 / 41 / 25 / 10

HEX #E586AC

RGB 229 134 172

HSL 336, 0.65%, 0.71%

LAB 67.04, 41.02, -4.2

 

CMYK 0 / 38 / 22 / 4

HEX #F698BF

RGB 246 152 191

HSL 335.11, 0.84%, 0.78%

LAB 73.42, 40.21, -5.14

 

CMYK 0 / 33 / 18 / 0

HEX #FFAAD2

RGB 255 170 210

HSL 331.76, 1%, 0.83%

LAB 78.85, 36.71, -7.41

 

CMYK 0 / 48 / 27 / 25

HEX #BE628B

RGB 190 98 139

HSL 333.26, 0.41%, 0.56%

LAB 53.54, 41.67, -5.73

 

CMYK 0 / 54 / 31 / 32

HEX #AD5078

RGB 173 80 120

HSL 334.19, 0.37%, 0.5%

LAB 46.95, 42.47, -4.43

 

CMYK 0 / 60 / 35 / 39

HEX #9C3E65

RGB 156 62 101

HSL 335.11, 0.43%, 0.43%

LAB 40.33, 43.15, -2.81

 

CMYK 0 / 68 / 41 / 45

HEX #8B2C52

RGB 139 44 82

HSL 336, 0.52%, 0.36%

LAB 33.77, 43.55, -0.72

 

CMYK 0 / 79 / 48 / 52

HEX #7A1A3F

RGB 122 26 63

HSL 336.88, 0.65%, 0.29%

LAB 27.39, 43.29, 2.15

 

CMYK 0 / 49 / 27 / 26

HEX #BD618A

RGB 189 97 138

HSL 333.26, 0.41%, 0.56%

LAB 53.17, 41.71, -5.71

 

CMYK 0 / 49 / 40 / 26

HEX #BD6171

RGB 189 97 113

HSL 349.57, 0.41%, 0.56%

LAB 52.47, 38.54, 8.07

 

CMYK 0 / 49 / 49 / 26

HEX #BD6161

RGB 189 97 97

HSL 0, 0.41%, 0.56%

LAB 52.1, 36.85, 17.02

 

CMYK 0 / 49 / 27 / 26

HEX #BD618A

RGB 189 97 138

HSL 333.26, 0.41%, 0.56%

LAB 53.17, 41.71, -5.71

 

CMYK 0 / 49 / 14 / 26

HEX #BD61A3

RGB 189 97 163

HSL 316.96, 0.41%, 0.56%

LAB 54.04, 45.47, -19.08

 

CMYK 0 / 49 / 1 / 26

HEX #BD61BB

RGB 189 97 187

HSL 301.3, 0.41%, 0.56%

LAB 55.03, 49.59, -31.47

 

CMYK 13 / 49 / 0 / 26

HEX #A561BD

RGB 165 97 189

HSL 284.35, 0.41%, 0.56%

LAB 52.09, 43.03, -37.44

 

CMYK 25 / 49 / 0 / 26

HEX #8D61BD

RGB 141 97 189

HSL 268.7, 0.41%, 0.56%

LAB 49.36, 36.25, -41.93

 

CMYK 0 / 49 / 27 / 26

HEX #BD618A

RGB 189 97 138

HSL 333.26, 0.41%, 0.56%

LAB 53.17, 41.71, -5.71

 

CMYK 0 / 62 / 34 / 19

HEX #CF4F88

RGB 207 79 136

HSL 333.28, 0.57%, 0.56%

LAB 52.55, 55.86, -5.15

 

CMYK 0 / 73 / 40 / 12

HEX #E13C86

RGB 225 60 134

HSL 333.09, 0.73%, 0.56%

LAB 52.91, 67.98, -3.09

 

CMYK 0 / 83 / 46 / 5

HEX #F32A84

RGB 243 42 132

HSL 333.13, 0.89%, 0.56%

LAB 54.42, 77.15, 0.71

 

CMYK 0 / 49 / 27 / 26

HEX #BD618A

RGB 189 97 138

HSL 333.26, 0.41%, 0.56%

LAB 53.17, 41.71, -5.71

 

CMYK 0 / 33 / 18 / 33

HEX #AB738C

RGB 171 115 140

HSL 333.21, 0.25%, 0.56%

LAB 54.88, 25.82, -4.61

 

CMYK 0 / 13 / 7 / 40

HEX #98858E

RGB 152 133 142

HSL 331.58, 0.08%, 0.56%

LAB 57.47, 8.82, -2.18

 

CMYK 11 / 0 / 5 / 41

HEX #869790

RGB 134 151 144

HSL 155.29, 0.08%, 0.56%

LAB 60.97, -7.48, 1.62

 

CMYK 31 / 0 / 14 / 34

HEX #74A992

RGB 116 169 146

HSL 153.96, 0.24%, 0.56%

LAB 65.09, -22.57, 6.31

 

CMYK 0 / 49 / 1 / 26

HEX #BD61BB

RGB 189 97 187

HSL 301.3, 0.41%, 0.56%

LAB 55.03, 49.59, -31.47

 

CMYK 0 / 49 / 14 / 26

HEX #BD61A3

RGB 189 97 163

HSL 316.96, 0.41%, 0.56%

LAB 54.04, 45.47, -19.08

 

CMYK 0 / 49 / 27 / 26

HEX #BD618A

RGB 189 97 138

HSL 333.26, 0.41%, 0.56%

LAB 53.17, 41.71, -5.71

 

CMYK 0 / 49 / 40 / 26

HEX #BD6172

RGB 189 97 114

HSL 348.91, 0.41%, 0.56%

LAB 52.49, 38.65, 7.51

 

CMYK 0 / 45 / 49 / 26

HEX #BD6861

RGB 189 104 97

HSL 4.57, 0.41%, 0.56%

LAB 53.58, 33.15, 19.04

 

CMYK 0 / 58 / 32 / 44

HEX #8F3C61

RGB 143 60 97

HSL 333.25, 0.41%, 0.4%

LAB 37.72, 39.24, -4.4

 

CMYK 0 / 58 / 32 / 33

HEX #AC4875

RGB 172 72 117

HSL 333, 0.41%, 0.48%

LAB 45.21, 45.67, -5.2

 

CMYK 0 / 49 / 27 / 26

HEX #BD618A

RGB 189 97 138

HSL 333.26, 0.41%, 0.56%

LAB 53.17, 41.71, -5.71

 

CMYK 0 / 37 / 21 / 21

HEX #C97E9F

RGB 201 126 159

HSL 333.6, 0.41%, 0.64%

LAB 61.52, 33.59, -5.37

 

CMYK 0 / 27 / 15 / 16

HEX #D59BB5

RGB 213 155 181

HSL 333.1, 0.41%, 0.72%

LAB 70.12, 25.57, -4.89

 

CMYK 0 / 48 / 27 / 25

HEX #BE628B

RGB 190 98 139

HSL 333.26, 0.41%, 0.56%

LAB 53.54, 41.67, -5.73

 

CMYK 0 / 12 / 49 / 26

HEX #BDA661

RGB 189 166 97

HSL 45, 0.41%, 0.56%

LAB 68.72, -0.81, 38.6

 

CMYK 49 / 7 / 0 / 26

HEX #61AFBD

RGB 97 175 189

HSL 189.13, 0.41%, 0.56%

LAB 67.18, -20.23, -14.61

 

CMYK 0 / 48 / 27 / 25

HEX #BE628B

RGB 190 98 139

HSL 333.26, 0.41%, 0.56%

LAB 53.54, 41.67, -5.73

 

CMYK 27 / 0 / 49 / 26

HEX #8ABD61

RGB 138 189 97

HSL 93.26, 0.41%, 0.56%

LAB 71.32, -32.83, 40.96

 

CMYK 49 / 27 / 0 / 26

HEX #618ABD

RGB 97 138 189

HSL 213.26, 0.41%, 0.56%

LAB 56.48, 0.09, -31

 

CMYK 0 / 48 / 27 / 25

HEX #BE628B

RGB 190 98 139

HSL 333.26, 0.41%, 0.56%

LAB 53.54, 41.67, -5.73

 

CMYK 0 / 12 / 49 / 26

HEX #BDA661

RGB 189 166 97

HSL 45, 0.41%, 0.56%

LAB 68.72, -0.81, 38.6

 

CMYK 49 / 0 / 22 / 26

HEX #61BD93

RGB 97 189 147

HSL 152.61, 0.41%, 0.56%

LAB 70.21, -37.33, 12.91

 

CMYK 49 / 37 / 0 / 26

HEX #6178BD

RGB 97 120 189

HSL 225, 0.41%, 0.56%

LAB 51.44, 10.78, -38.89

 

CMYK 0 / 48 / 27 / 25

HEX #BE628B

RGB 190 98 139

HSL 333.26, 0.41%, 0.56%

LAB 53.54, 41.67, -5.73

 

CMYK 3 / 0 / 49 / 26

HEX #B8BD61

RGB 184 189 97

HSL 63.26, 0.41%, 0.56%

LAB 74.48, -14.91, 45.51

 

CMYK 49 / 0 / 22 / 26

HEX #61BD93

RGB 97 189 147

HSL 152.61, 0.41%, 0.56%

LAB 70.21, -37.33, 12.91

 

CMYK 47 / 49 / 0 / 26

HEX #6561BD

RGB 101 97 189

HSL 242.61, 0.41%, 0.56%

LAB 45.62, 25.86, -48.1

 

Description

Color code: HEX #BE628B | qconv.com Color code: HEX #BE628B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 98 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 98 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 27 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 27% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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