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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE608B it is the complementary color #419F74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE608B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE608B shade: #C36086, #D47299, #E584AC, #F696BF and #FFA8D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE608B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE608B shade: #BE608B, #AD4E78, #9C3C65, #8B2A52 and #7A183F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE608B shade: #BE608B, #BE6071 and #BE6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE608B shade: #BE608B, #BE60A4, #BE60BE, #A560BE and #8B60BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE608B shade matches the following richer shades: #BE608B, #D04E89, #E23B88 and #F42986

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE608B shade: #BE608B, #AC728C, #9A848E, #87968F and #75A891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE608B shade: #BE60BE, #BE60A5, #BE608C, #BE6073 and #BE6660

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE608B shade: #903B62, #AD4776, #BE608B, #CA7DA0 and #D69AB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE608B shade: #BE608B, #BEA560 and #60B1BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE608B shade: #BE608B, #8CBE60 and #608CBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE608B shade: #BE608B, #BEA560, #60BE92 and #6079BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE608B shade: #BE608B, #BBBE60, #60BE92 and #6360BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 27 / 25

HEX #BE608B

RGB 190 96 139

HSL 332.55, 0.42%, 0.56%

LAB 53.14, 42.7, -6.33

 

Complementary color

CMYK 59 / 0 / 27 / 38

HEX #419F74

RGB 65 159 116

HSL 152.55, 0.42%, 0.44%

LAB 59.14, -38.19, 14.3

 

CMYK 0 / 51 / 31 / 24

HEX #C36086

RGB 195 96 134

HSL 336.97, 0.45%, 0.57%

LAB 53.7, 43.73, -2.48

 

CMYK 0 / 46 / 28 / 17

HEX #D47299

RGB 212 114 153

HSL 336.12, 0.53%, 0.64%

LAB 60.19, 42.89, -3.73

 

CMYK 0 / 42 / 25 / 10

HEX #E584AC

RGB 229 132 172

HSL 335.26, 0.65%, 0.71%

LAB 66.63, 42.06, -4.81

 

CMYK 0 / 39 / 22 / 4

HEX #F696BF

RGB 246 150 191

HSL 334.38, 0.84%, 0.78%

LAB 73, 41.24, -5.77

 

CMYK 0 / 34 / 18 / 0

HEX #FFA8D2

RGB 255 168 210

HSL 331.03, 1%, 0.83%

LAB 78.41, 37.76, -8.05

 

CMYK 0 / 49 / 27 / 25

HEX #BE608B

RGB 190 96 139

HSL 332.55, 0.42%, 0.56%

LAB 53.14, 42.7, -6.33

 

CMYK 0 / 55 / 31 / 32

HEX #AD4E78

RGB 173 78 120

HSL 333.47, 0.38%, 0.49%

LAB 46.56, 43.47, -4.99

 

CMYK 0 / 62 / 35 / 39

HEX #9C3C65

RGB 156 60 101

HSL 334.38, 0.44%, 0.42%

LAB 39.98, 44.1, -3.33

 

CMYK 0 / 70 / 41 / 45

HEX #8B2A52

RGB 139 42 82

HSL 335.26, 0.54%, 0.35%

LAB 33.47, 44.39, -1.17

 

CMYK 0 / 80 / 48 / 52

HEX #7A183F

RGB 122 24 63

HSL 336.12, 0.67%, 0.29%

LAB 27.16, 43.96, 1.8

 

CMYK 0 / 49 / 27 / 25

HEX #BE608B

RGB 190 96 139

HSL 332.55, 0.42%, 0.56%

LAB 53.14, 42.7, -6.33

 

CMYK 0 / 49 / 41 / 25

HEX #BE6071

RGB 190 96 113

HSL 349.15, 0.42%, 0.56%

LAB 52.4, 39.42, 8

 

CMYK 0 / 49 / 49 / 25

HEX #BE6060

RGB 190 96 96

HSL 0, 0.42%, 0.56%

LAB 52.01, 37.65, 17.52

 

CMYK 0 / 49 / 27 / 25

HEX #BE608B

RGB 190 96 139

HSL 332.55, 0.42%, 0.56%

LAB 53.14, 42.7, -6.33

 

CMYK 0 / 49 / 14 / 25

HEX #BE60A4

RGB 190 96 164

HSL 316.6, 0.42%, 0.56%

LAB 54.02, 46.46, -19.68

 

CMYK 0 / 49 / 0 / 25

HEX #BE60BE

RGB 190 96 190

HSL 300, 0.42%, 0.56%

LAB 55.1, 50.92, -33.06

 

CMYK 13 / 49 / 0 / 25

HEX #A560BE

RGB 165 96 190

HSL 284.04, 0.42%, 0.56%

LAB 51.93, 43.78, -38.26

 

CMYK 27 / 49 / 0 / 25

HEX #8B60BE

RGB 139 96 190

HSL 267.45, 0.42%, 0.56%

LAB 48.97, 36.52, -43.13

 

CMYK 0 / 49 / 27 / 25

HEX #BE608B

RGB 190 96 139

HSL 332.55, 0.42%, 0.56%

LAB 53.14, 42.7, -6.33

 

CMYK 0 / 63 / 34 / 18

HEX #D04E89

RGB 208 78 137

HSL 332.77, 0.58%, 0.56%

LAB 52.58, 56.71, -5.68

 

CMYK 0 / 74 / 40 / 11

HEX #E23B88

RGB 226 59 136

HSL 332.34, 0.74%, 0.56%

LAB 53.03, 68.76, -4.08

 

CMYK 0 / 83 / 45 / 4

HEX #F42986

RGB 244 41 134

HSL 332.51, 0.9%, 0.56%

LAB 54.6, 77.76, -0.21

 

CMYK 0 / 49 / 27 / 25

HEX #BE608B

RGB 190 96 139

HSL 332.55, 0.42%, 0.56%

LAB 53.14, 42.7, -6.33

 

CMYK 0 / 34 / 19 / 33

HEX #AC728C

RGB 172 114 140

HSL 333.1, 0.26%, 0.56%

LAB 54.76, 26.75, -4.77

 

CMYK 0 / 14 / 8 / 40

HEX #9A848E

RGB 154 132 142

HSL 332.73, 0.1%, 0.56%

LAB 57.39, 10.14, -2.27

 

CMYK 10 / 0 / 5 / 41

HEX #87968F

RGB 135 150 143

HSL 152, 0.07%, 0.56%

LAB 60.73, -6.78, 1.85

 

CMYK 30 / 0 / 14 / 34

HEX #75A891

RGB 117 168 145

HSL 152.94, 0.23%, 0.56%

LAB 64.83, -21.96, 6.49

 

CMYK 0 / 49 / 0 / 25

HEX #BE60BE

RGB 190 96 190

HSL 300, 0.42%, 0.56%

LAB 55.1, 50.92, -33.06

 

CMYK 0 / 49 / 13 / 25

HEX #BE60A5

RGB 190 96 165

HSL 315.96, 0.42%, 0.56%

LAB 54.06, 46.62, -20.21

 

CMYK 0 / 49 / 26 / 25

HEX #BE608C

RGB 190 96 140

HSL 331.91, 0.42%, 0.56%

LAB 53.17, 42.84, -6.87

 

CMYK 0 / 49 / 39 / 25

HEX #BE6073

RGB 190 96 115

HSL 347.87, 0.42%, 0.56%

LAB 52.45, 39.65, 6.89

 

CMYK 0 / 46 / 49 / 25

HEX #BE6660

RGB 190 102 96

HSL 3.83, 0.42%, 0.56%

LAB 53.27, 34.5, 19.22

 

CMYK 0 / 59 / 32 / 44

HEX #903B62

RGB 144 59 98

HSL 332.47, 0.42%, 0.4%

LAB 37.73, 40.21, -5

 

CMYK 0 / 59 / 32 / 32

HEX #AD4776

RGB 173 71 118

HSL 332.35, 0.42%, 0.48%

LAB 45.22, 46.6, -5.77

 

CMYK 0 / 49 / 27 / 25

HEX #BE608B

RGB 190 96 139

HSL 332.55, 0.42%, 0.56%

LAB 53.14, 42.7, -6.33

 

CMYK 0 / 38 / 21 / 21

HEX #CA7DA0

RGB 202 125 160

HSL 332.73, 0.42%, 0.64%

LAB 61.45, 34.63, -6.03

 

CMYK 0 / 28 / 15 / 16

HEX #D69AB6

RGB 214 154 182

HSL 332, 0.42%, 0.72%

LAB 70.02, 26.63, -5.58

 

CMYK 0 / 49 / 27 / 25

HEX #BE608B

RGB 190 96 139

HSL 332.55, 0.42%, 0.56%

LAB 53.14, 42.7, -6.33

 

CMYK 0 / 13 / 49 / 25

HEX #BEA560

RGB 190 165 96

HSL 44.04, 0.42%, 0.56%

LAB 68.53, 0.05, 38.91

 

CMYK 49 / 7 / 0 / 25

HEX #60B1BE

RGB 96 177 190

HSL 188.3, 0.42%, 0.56%

LAB 67.76, -21.21, -14.29

 

CMYK 0 / 49 / 27 / 25

HEX #BE608B

RGB 190 96 139

HSL 332.55, 0.42%, 0.56%

LAB 53.14, 42.7, -6.33

 

CMYK 26 / 0 / 49 / 25

HEX #8CBE60

RGB 140 190 96

HSL 91.91, 0.42%, 0.56%

LAB 71.72, -32.69, 41.97

 

CMYK 49 / 26 / 0 / 25

HEX #608CBE

RGB 96 140 190

HSL 211.91, 0.42%, 0.56%

LAB 57.04, -1.01, -30.7

 

CMYK 0 / 49 / 27 / 25

HEX #BE608B

RGB 190 96 139

HSL 332.55, 0.42%, 0.56%

LAB 53.14, 42.7, -6.33

 

CMYK 0 / 13 / 49 / 25

HEX #BEA560

RGB 190 165 96

HSL 44.04, 0.42%, 0.56%

LAB 68.53, 0.05, 38.91

 

CMYK 49 / 0 / 23 / 25

HEX #60BE92

RGB 96 190 146

HSL 151.91, 0.42%, 0.56%

LAB 70.45, -38.25, 13.78

 

CMYK 49 / 36 / 0 / 25

HEX #6079BE

RGB 96 121 190

HSL 224.04, 0.42%, 0.56%

LAB 51.7, 10.25, -39.05

 

CMYK 0 / 49 / 27 / 25

HEX #BE608B

RGB 190 96 139

HSL 332.55, 0.42%, 0.56%

LAB 53.14, 42.7, -6.33

 

CMYK 2 / 0 / 49 / 25

HEX #BBBE60

RGB 187 190 96

HSL 61.91, 0.42%, 0.56%

LAB 74.97, -14.28, 46.65

 

CMYK 49 / 0 / 23 / 25

HEX #60BE92

RGB 96 190 146

HSL 151.91, 0.42%, 0.56%

LAB 70.45, -38.25, 13.78

 

CMYK 48 / 49 / 0 / 25

HEX #6360BE

RGB 99 96 190

HSL 241.91, 0.42%, 0.56%

LAB 45.27, 26.31, -49.25

 

Description

Color code: HEX #BE608B | qconv.com Color code: HEX #BE608B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 96 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 96 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 27 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 27% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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