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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE5F5E it is the complementary color #41A0A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE5F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE5F5E shade: #C35F59, #D4716C, #E5837F, #F69592 and #FFA7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE5F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE5F5E shade: #BE5F5E, #AD4D4B, #9C3B38, #8B2925 and #7A1712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE5F5E shade: #BE6160 and #BE6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE5F5E shade: #BE6160, #BE7A60, #BE9360, #BEAD60 and #B6BE60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE5F5E shade matches the following richer shades: #BE6160, #D04F4E, #E23D3B and #F42B29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE5F5E shade: #BE6160, #AC7272, #9A8484, #879696 and #75A8A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE5F5E shade: #BE6092, #BE6079, #BE6060, #BE7960 and #BE9260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE5F5E shade: #903C3B, #AD4847, #BE6160, #CA7E7D and #D69B9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE5F5E shade: #BE5F5E, #ABBE60 and #6085BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE5F5E shade: #BE5F5E, #60BE60 and #6060BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE5F5E shade: #BE5F5E, #ABBE60, #60BEBE and #7360BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE5F5E shade: #BE5F5E, #8FBE60, #60BEBE and #8F60BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 51 / 25

HEX #BE5F5E

RGB 190 95 94

HSL 0.62, 0.42%, 0.56%

LAB 51.77, 37.98, 18.37

 

Complementary color

CMYK 60 / 1 / 0 / 37

HEX #41A0A1

RGB 65 160 161

HSL 180.63, 0.42%, 0.44%

LAB 60.64, -27.19, -8.88

 

CMYK 0 / 51 / 54 / 24

HEX #C35F59

RGB 195 95 89

HSL 3.4, 0.47%, 0.56%

LAB 52.41, 39.42, 22.29

 

CMYK 0 / 47 / 49 / 17

HEX #D4716C

RGB 212 113 108

HSL 2.88, 0.55%, 0.63%

LAB 58.87, 38.24, 20.37

 

CMYK 0 / 43 / 45 / 10

HEX #E5837F

RGB 229 131 127

HSL 2.35, 0.66%, 0.7%

LAB 65.3, 37.13, 18.7

 

CMYK 0 / 39 / 41 / 4

HEX #F69592

RGB 246 149 146

HSL 1.8, 0.85%, 0.77%

LAB 71.67, 36.1, 17.24

 

CMYK 0 / 35 / 35 / 0

HEX #FFA7A5

RGB 255 167 165

HSL 1.33, 1%, 0.82%

LAB 77.05, 32.21, 14.5

 

CMYK 0 / 50 / 51 / 25

HEX #BE5F5E

RGB 190 95 94

HSL 0.62, 0.42%, 0.56%

LAB 51.77, 37.98, 18.37

 

CMYK 0 / 55 / 57 / 32

HEX #AD4D4B

RGB 173 77 75

HSL 1.22, 0.4%, 0.49%

LAB 45.22, 39.14, 20.48

 

CMYK 0 / 62 / 64 / 39

HEX #9C3B38

RGB 156 59 56

HSL 1.8, 0.47%, 0.42%

LAB 38.69, 40.26, 23.05

 

CMYK 0 / 71 / 73 / 45

HEX #8B2925

RGB 139 41 37

HSL 2.35, 0.58%, 0.35%

LAB 32.28, 41.16, 26.23

 

CMYK 0 / 81 / 85 / 52

HEX #7A1712

RGB 122 23 18

HSL 2.88, 0.74%, 0.27%

LAB 26.14, 41.45, 30.05

 

CMYK 0 / 49 / 49 / 25

HEX #BE6160

RGB 190 97 96

HSL 0.64, 0.42%, 0.56%

LAB 52.22, 37.13, 17.8

 

CMYK 0 / 49 / 49 / 25

HEX #BE6060

RGB 190 96 96

HSL 0, 0.42%, 0.56%

LAB 52.01, 37.65, 17.52

 

CMYK 0 / 49 / 49 / 25

HEX #BE6160

RGB 190 97 96

HSL 0.64, 0.42%, 0.56%

LAB 52.22, 37.13, 17.8

 

CMYK 0 / 36 / 49 / 25

HEX #BE7A60

RGB 190 122 96

HSL 16.6, 0.42%, 0.56%

LAB 57.76, 23.65, 25.2

 

CMYK 0 / 23 / 49 / 25

HEX #BE9360

RGB 190 147 96

HSL 32.55, 0.42%, 0.56%

LAB 63.88, 9.84, 33.1

 

CMYK 0 / 9 / 49 / 25

HEX #BEAD60

RGB 190 173 96

HSL 49.15, 0.42%, 0.56%

LAB 70.65, -4.21, 41.5

 

CMYK 4 / 0 / 49 / 25

HEX #B6BE60

RGB 182 190 96

HSL 65.11, 0.42%, 0.56%

LAB 74.58, -16.32, 46.09

 

CMYK 0 / 49 / 49 / 25

HEX #BE6160

RGB 190 97 96

HSL 0.64, 0.42%, 0.56%

LAB 52.22, 37.13, 17.8

 

CMYK 0 / 62 / 63 / 18

HEX #D04F4E

RGB 208 79 78

HSL 0.46, 0.58%, 0.56%

LAB 51.33, 50.92, 27.72

 

CMYK 0 / 73 / 74 / 11

HEX #E23D3B

RGB 226 61 59

HSL 0.72, 0.74%, 0.56%

LAB 51.64, 62.78, 39.75

 

CMYK 0 / 82 / 83 / 4

HEX #F42B29

RGB 244 43 41

HSL 0.59, 0.9%, 0.56%

LAB 53.08, 72.42, 51.84

 

CMYK 0 / 49 / 49 / 25

HEX #BE6160

RGB 190 97 96

HSL 0.64, 0.42%, 0.56%

LAB 52.22, 37.13, 17.8

 

CMYK 0 / 34 / 34 / 33

HEX #AC7272

RGB 172 114 114

HSL 0, 0.26%, 0.56%

LAB 54.05, 22.92, 9.41

 

CMYK 0 / 14 / 14 / 40

HEX #9A8484

RGB 154 132 132

HSL 0, 0.1%, 0.56%

LAB 57.11, 8.36, 3.09

 

CMYK 10 / 0 / 0 / 41

HEX #879696

RGB 135 150 150

HSL 180, 0.07%, 0.56%

LAB 60.93, -5.34, -1.83

 

CMYK 30 / 0 / 0 / 34

HEX #75A8A8

RGB 117 168 168

HSL 180, 0.23%, 0.56%

LAB 65.45, -16.77, -5.43

 

CMYK 0 / 49 / 23 / 25

HEX #BE6092

RGB 190 96 146

HSL 328.09, 0.42%, 0.56%

LAB 53.37, 43.69, -10.11

 

CMYK 0 / 49 / 36 / 25

HEX #BE6079

RGB 190 96 121

HSL 344.04, 0.42%, 0.56%

LAB 52.61, 40.36, 3.55

 

CMYK 0 / 49 / 49 / 25

HEX #BE6060

RGB 190 96 96

HSL 0, 0.42%, 0.56%

LAB 52.01, 37.65, 17.52

 

CMYK 0 / 36 / 49 / 25

HEX #BE7960

RGB 190 121 96

HSL 15.96, 0.42%, 0.56%

LAB 57.53, 24.2, 24.89

 

CMYK 0 / 23 / 49 / 25

HEX #BE9260

RGB 190 146 96

HSL 31.91, 0.42%, 0.56%

LAB 63.63, 10.39, 32.78

 

CMYK 0 / 58 / 59 / 44

HEX #903C3B

RGB 144 60 59

HSL 0.71, 0.42%, 0.4%

LAB 36.89, 35.51, 18.46

 

CMYK 0 / 58 / 59 / 32

HEX #AD4847

RGB 173 72 71

HSL 0.59, 0.42%, 0.48%

LAB 44.2, 41.3, 21.55

 

CMYK 0 / 49 / 49 / 25

HEX #BE6160

RGB 190 97 96

HSL 0.64, 0.42%, 0.56%

LAB 52.22, 37.13, 17.8

 

CMYK 0 / 38 / 38 / 21

HEX #CA7E7D

RGB 202 126 125

HSL 0.78, 0.42%, 0.64%

LAB 60.75, 29.35, 13

 

CMYK 0 / 28 / 28 / 16

HEX #D69B9A

RGB 214 155 154

HSL 1, 0.42%, 0.72%

LAB 69.52, 21.9, 9.26

 

CMYK 0 / 50 / 51 / 25

HEX #BE5F5E

RGB 190 95 94

HSL 0.62, 0.42%, 0.56%

LAB 51.77, 37.98, 18.37

 

CMYK 10 / 0 / 49 / 25

HEX #ABBE60

RGB 171 190 96

HSL 72.13, 0.42%, 0.56%

LAB 73.76, -20.76, 44.91

 

CMYK 49 / 30 / 0 / 25

HEX #6085BE

RGB 96 133 190

HSL 216.38, 0.42%, 0.56%

LAB 55.05, 3.07, -33.79

 

CMYK 0 / 50 / 51 / 25

HEX #BE5F5E

RGB 190 95 94

HSL 0.62, 0.42%, 0.56%

LAB 51.77, 37.98, 18.37

 

CMYK 49 / 0 / 49 / 25

HEX #60BE60

RGB 96 190 96

HSL 120, 0.42%, 0.56%

LAB 69.58, -47.05, 38.85

 

CMYK 49 / 49 / 0 / 25

HEX #6060BE

RGB 96 96 190

HSL 240, 0.42%, 0.56%

LAB 45.04, 25.62, -49.64

 

CMYK 0 / 50 / 51 / 25

HEX #BE5F5E

RGB 190 95 94

HSL 0.62, 0.42%, 0.56%

LAB 51.77, 37.98, 18.37

 

CMYK 10 / 0 / 49 / 25

HEX #ABBE60

RGB 171 190 96

HSL 72.13, 0.42%, 0.56%

LAB 73.76, -20.76, 44.91

 

CMYK 49 / 0 / 0 / 25

HEX #60BEBE

RGB 96 190 190

HSL 180, 0.42%, 0.56%

LAB 71.58, -27.73, -8.58

 

CMYK 39 / 49 / 0 / 25

HEX #7360BE

RGB 115 96 190

HSL 252.13, 0.42%, 0.56%

LAB 46.62, 30.19, -47.03

 

CMYK 0 / 50 / 51 / 25

HEX #BE5F5E

RGB 190 95 94

HSL 0.62, 0.42%, 0.56%

LAB 51.77, 37.98, 18.37

 

CMYK 25 / 0 / 49 / 25

HEX #8FBE60

RGB 143 190 96

HSL 90, 0.42%, 0.56%

LAB 71.9, -31.58, 42.22

 

CMYK 49 / 0 / 0 / 25

HEX #60BEBE

RGB 96 190 190

HSL 180, 0.42%, 0.56%

LAB 71.58, -27.73, -8.58

 

CMYK 25 / 49 / 0 / 25

HEX #8F60BE

RGB 143 96 190

HSL 270, 0.42%, 0.56%

LAB 49.4, 37.62, -42.42

 

Description

Color code: HEX #BE5F5E | qconv.com Color code: HEX #BE5F5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 95 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 95 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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