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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE5F554C it is the complementary color #41A0AA4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE5F554C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE5F554C shade: #C35F504C, #D471634C, #E583764C, #F695894C and #FFA79C4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE5F554C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE5F554C shade: #BE5F554C, #AD4D424C, #9C3B2F4C, #8B291C4C and #7A17094C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE5F554C shade: #BE5F55 and #BE5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE5F554C shade: #BE5F55, #BE7B55, #BE9855, #BEB455 and #ACBE55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE5F554C shade matches the following richer shades: #BE5F55, #D15042, #E4402F and #F7311C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE5F554C shade: #BE5F55, #AC6E68, #997E7B, #868D8E and #739CA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE5F554C shade: #BE5584, #BE5568, #BE5E55, #BE7A55 and #BE9655

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE5F554C shade: #8C3D35, #AA4A40, #BE5F55, #CA7B73 and #D59791

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE5F554C shade: #BE5F55, #A1BE55 and #5576BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE5F554C shade: #BE5F55, #55BE5E and #5E55BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE5F554C shade: #BE5F55, #A1BE55, #55B6BE and #7355BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE5F554C shade: #BE5F55, #81BE55, #55B6BE and #9255BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 17 / 8

HEX #BE5F554C

RGBA 190 95 85 0.3

HSLA 5.71, 0.45%, 0.54%, 0.3

LABA 51.6, 37.19, 23.42, 0.3

 

Complementary color

CMYK 19 / 2 / 0 / 10

HEX #41A0AA4C

RGBA 65 160 170 0.3

HSLA 185.71, 0.45%, 0.46%, 0.3

LABA 60.93, -24.57, -13.53, 0.3

 

CMYK 0 / 15 / 18 / 7

HEX #C35F504C

RGBA 195 95 80 0.3

HSLA 7.83, 0.49%, 0.54%, 0.3

LABA 52.25, 38.7, 27.31, 0.3

 

CMYK 0 / 14 / 16 / 5

HEX #D471634C

RGBA 212 113 99 0.3

HSLA 7.43, 0.57%, 0.61%, 0.3

LABA 58.7, 37.44, 25.28, 0.3

 

CMYK 0 / 13 / 15 / 3

HEX #E583764C

RGBA 229 131 118 0.3

HSLA 7.03, 0.68%, 0.68%, 0.3

LABA 65.12, 36.25, 23.51, 0.3

 

CMYK 0 / 12 / 13 / 1

HEX #F695894C

RGBA 246 149 137 0.3

HSLA 6.61, 0.86%, 0.75%, 0.3

LABA 71.48, 35.16, 21.95, 0.3

 

CMYK 0 / 10 / 12 / 0

HEX #FFA79C4C

RGBA 255 167 156 0.3

HSLA 6.67, 1%, 0.81%, 0.3

LABA 76.86, 31.17, 19.12, 0.3

 

CMYK 0 / 15 / 17 / 8

HEX #BE5F554C

RGBA 190 95 85 0.3

HSLA 5.71, 0.45%, 0.54%, 0.3

LABA 51.6, 37.19, 23.42, 0.3

 

CMYK 0 / 17 / 19 / 10

HEX #AD4D424C

RGBA 173 77 66 0.3

HSLA 6.17, 0.45%, 0.47%, 0.3

LABA 45.06, 38.46, 25.66, 0.3

 

CMYK 0 / 19 / 21 / 12

HEX #9C3B2F4C

RGBA 156 59 47 0.3

HSLA 6.61, 0.54%, 0.4%, 0.3

LABA 38.55, 39.71, 28.33, 0.3

 

CMYK 0 / 21 / 24 / 14

HEX #8B291C4C

RGBA 139 41 28 0.3

HSLA 7.03, 0.66%, 0.33%, 0.3

LABA 32.17, 40.76, 31.48, 0.3

 

CMYK 0 / 24 / 28 / 16

HEX #7A17094C

RGBA 122 23 9 0.3

HSLA 7.43, 0.86%, 0.26%, 0.3

LABA 26.07, 41.22, 34.4, 0.3

 

CMYK 0 / 50 / 55 / 25

HEX #BE5F55

RGB 190 95 85

HSL 5.71, 0.45%, 0.54%

LAB 51.6, 37.19, 23.42

 

CMYK 0 / 55 / 55 / 25

HEX #BE5555

RGB 190 85 85

HSL 0, 0.45%, 0.54%

LAB 49.62, 42.25, 20.81

 

CMYK 0 / 50 / 55 / 25

HEX #BE5F55

RGB 190 95 85

HSL 5.71, 0.45%, 0.54%

LAB 51.6, 37.19, 23.42

 

CMYK 0 / 35 / 55 / 25

HEX #BE7B55

RGB 190 123 85

HSL 21.71, 0.45%, 0.54%

LAB 57.82, 22.1, 31.41

 

CMYK 0 / 20 / 55 / 25

HEX #BE9855

RGB 190 152 85

HSL 38.29, 0.45%, 0.54%

LAB 65.01, 6.11, 40.26

 

CMYK 0 / 5 / 55 / 25

HEX #BEB455

RGB 190 180 85

HSL 54.29, 0.45%, 0.54%

LAB 72.39, -8.83, 48.95

 

CMYK 9 / 0 / 55 / 25

HEX #ACBE55

RGB 172 190 85

HSL 70.29, 0.45%, 0.54%

LAB 73.71, -21.38, 50.09

 

CMYK 0 / 50 / 55 / 25

HEX #BE5F55

RGB 190 95 85

HSL 5.71, 0.45%, 0.54%

LAB 51.6, 37.19, 23.42

 

CMYK 0 / 62 / 68 / 18

HEX #D15042

RGB 209 80 66

HSL 5.87, 0.61%, 0.54%

LAB 51.48, 50.12, 34.86

 

CMYK 0 / 72 / 79 / 11

HEX #E4402F

RGB 228 64 47

HSL 5.64, 0.77%, 0.54%

LAB 52.25, 61.95, 46.97

 

CMYK 0 / 80 / 89 / 3

HEX #F7311C

RGB 247 49 28

HSL 5.75, 0.93%, 0.54%

LAB 54.08, 71.56, 58.7

 

CMYK 0 / 50 / 55 / 25

HEX #BE5F55

RGB 190 95 85

HSL 5.71, 0.45%, 0.54%

LAB 51.6, 37.19, 23.42

 

CMYK 0 / 36 / 40 / 33

HEX #AC6E68

RGB 172 110 104

HSL 5.29, 0.29%, 0.54%

LAB 52.86, 23.91, 13.6

 

CMYK 0 / 18 / 20 / 40

HEX #997E7B

RGB 153 126 123

HSL 6, 0.13%, 0.54%

LAB 55.2, 9.89, 5.53

 

CMYK 6 / 1 / 0 / 44

HEX #868D8E

RGB 134 141 142

HSL 187.5, 0.03%, 0.54%

LAB 58.1, -2.34, -1.42

 

CMYK 29 / 3 / 0 / 37

HEX #739CA1

RGB 115 156 161

HSL 186.52, 0.2%, 0.54%

LAB 61.65, -12.67, -7.14

 

CMYK 0 / 55 / 31 / 25

HEX #BE5584

RGB 190 85 132

HSL 333.14, 0.45%, 0.54%

LAB 50.82, 47.24, -5.63

 

CMYK 0 / 55 / 45 / 25

HEX #BE5568

RGB 190 85 104

HSL 349.14, 0.45%, 0.54%

LAB 50.03, 44, 10.02

 

CMYK 0 / 51 / 55 / 25

HEX #BE5E55

RGB 190 94 85

HSL 5.14, 0.45%, 0.54%

LAB 51.39, 37.71, 23.15

 

CMYK 0 / 36 / 55 / 25

HEX #BE7A55

RGB 190 122 85

HSL 21.14, 0.45%, 0.54%

LAB 57.58, 22.65, 31.11

 

CMYK 0 / 21 / 55 / 25

HEX #BE9655

RGB 190 150 85

HSL 37.14, 0.45%, 0.54%

LAB 64.5, 7.21, 39.64

 

CMYK 0 / 56 / 62 / 45

HEX #8C3D35

RGB 140 61 53

HSL 5.52, 0.45%, 0.38%

LAB 36.31, 32.98, 21.32

 

CMYK 0 / 56 / 62 / 33

HEX #AA4A40

RGB 170 74 64

HSL 5.66, 0.45%, 0.46%

LAB 43.96, 38.69, 25.36

 

CMYK 0 / 50 / 55 / 25

HEX #BE5F55

RGB 190 95 85

HSL 5.71, 0.45%, 0.54%

LAB 51.6, 37.19, 23.42

 

CMYK 0 / 39 / 43 / 21

HEX #CA7B73

RGB 202 123 115

HSL 5.52, 0.45%, 0.62%

LAB 59.85, 29.83, 17.48

 

CMYK 0 / 29 / 32 / 16

HEX #D59791

RGB 213 151 145

HSL 5.29, 0.45%, 0.7%

LAB 68.26, 22.48, 12.46

 

CMYK 0 / 50 / 55 / 25

HEX #BE5F55

RGB 190 95 85

HSL 5.71, 0.45%, 0.54%

LAB 51.6, 37.19, 23.42

 

CMYK 15 / 0 / 55 / 25

HEX #A1BE55

RGB 161 190 85

HSL 76.57, 0.45%, 0.54%

LAB 72.93, -25.79, 48.99

 

CMYK 55 / 38 / 0 / 25

HEX #5576BE

RGB 85 118 190

HSL 221.14, 0.45%, 0.54%

LAB 50.22, 9.55, -41.43

 

CMYK 0 / 50 / 55 / 25

HEX #BE5F55

RGB 190 95 85

HSL 5.71, 0.45%, 0.54%

LAB 51.6, 37.19, 23.42

 

CMYK 55 / 0 / 51 / 25

HEX #55BE5E

RGB 85 190 94

HSL 125.14, 0.45%, 0.54%

LAB 69.16, -50.25, 39.23

 

CMYK 51 / 55 / 0 / 25

HEX #5E55BE

RGB 94 85 190

HSL 245.14, 0.45%, 0.54%

LAB 42.15, 31.96, -54.3

 

CMYK 0 / 50 / 55 / 25

HEX #BE5F55

RGB 190 95 85

HSL 5.71, 0.45%, 0.54%

LAB 51.6, 37.19, 23.42

 

CMYK 15 / 0 / 55 / 25

HEX #A1BE55

RGB 161 190 85

HSL 76.57, 0.45%, 0.54%

LAB 72.93, -25.79, 48.99

 

CMYK 55 / 4 / 0 / 25

HEX #55B6BE

RGB 85 182 190

HSL 184.57, 0.45%, 0.54%

LAB 68.83, -26.08, -12.73

 

CMYK 39 / 55 / 0 / 25

HEX #7355BE

RGB 115 85 190

HSL 257.14, 0.45%, 0.54%

LAB 44.03, 36.71, -51.16

 

CMYK 0 / 50 / 55 / 25

HEX #BE5F55

RGB 190 95 85

HSL 5.71, 0.45%, 0.54%

LAB 51.6, 37.19, 23.42

 

CMYK 32 / 0 / 55 / 25

HEX #81BE55

RGB 129 190 85

HSL 94.86, 0.45%, 0.54%

LAB 70.97, -37.87, 46.21

 

CMYK 55 / 4 / 0 / 25

HEX #55B6BE

RGB 85 182 190

HSL 184.57, 0.45%, 0.54%

LAB 68.83, -26.08, -12.73

 

CMYK 23 / 55 / 0 / 25

HEX #9255BE

RGB 146 85 190

HSL 274.86, 0.45%, 0.54%

LAB 47.4, 44.49, -45.59

 

Description

Color code: HEX #BE5F554C | qconv.com Color code: HEX #BE5F554C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 95 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 95 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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